EILEEN MALONE COLLECTION

SUB-GROUP I: MUSIC LIBRARY

Series 1: Music for the Harp

Sub-series A: Solo piano

Box 1

folder 1 Adler, Samuel. Introduction and Capriccio.
MS repro; 10 pages of music.
At end: MacDowell Colony, June 1964.
folder 2 Adler, Samuel. Introduction and Capriccio.
New York: Southern Music, c1968. 14 pages.
folder 3 Ascher, J. Alice.
Publication data lacking. 9 pages of music.
folder 4 Alexander, Josef. Three Pieces for Harp.
MS repro; 19 pages of music.
I. Prelude — II. Interlude — III. Postlude.
folder 5 Alvars, Parish. The Greek Pirate’s Chorus.
New York: Brown and Buckwell, s.d. 7 pages.
folder 6 Aptommas. Last Rose of Summer.
New York: Brown and Buckwell, s.d. 9 pages.
folder 7 Aronowicz, Dan. La nuit sur le Mont Carmel.
MS repro; 5 pages of music.
folder 8 Bach, C. Ph. Em. Sonate für Harfe [in] G-dur.
Herausgegeben von Hans J. Zingel.
Wiesbaden: Breitkopf u. Härtel, 1968. Ed. Breitkopf Nr. 6593. 15 pages.
folder 9 Bach, Carl. Ph. E. Sonate pour harpe.
Réalisation de Marcel Grandjany.
Paris: Durand, c1963. Pl. no. D. & F. 13960. 18 pages.
“Publiée d’après le manuscrit du ‘Solo pour la harpe’ conservé à la Bibliothèque du Conservatoire Royal de Bruxelles.”
folder 10 Benda, F. Sonata [D major]
[Moskva: Sovetskii kompozitor, s.d.]. Pl. no. CK 3178. 18 pages.
folder 11 Britten, Benjamin. Suite for Harp, op. 83.
Edited by Osian Ellis.
London: Faber Music Ltd, c1970. 15 pages.
1. Overture — 2. Toccata — 3. Nocturne — 4. Fugue — 5. Hymn (St. Denio).
folder 12 Busser, Henri. Ballade en la bémol, op. 65.
Paris: Evette et Schaeffer, c1920. Pl. no. E. & S. 912. 10 pages.
folder 13 Cabezón, Anonio de. Romance V.
New York: Lyra Music Company, c1970. 4 pages.
Presentation copy: inscribed by Nan Gullo Mann.
folder 14 Caplet, André. Divertissements pour la Harpe.
Paris: Durand & Fils, c1925. 8 pages. Pl. no. D. & F. 10,726.
The first of two Divertissements: I. à la française.
folder 15 Caplet, André. Divertissements pour la Harpe.
Paris: Durand & Fils, c1925. 7 pages. Pl. no. D. & F. 10,727.
The second of two Divertissements: II. à l’espagnole.
folder 16 Chapuis, Auguste. Harpe éolienne.
Paris: Durand & Fils, c1923. 3 pages. Pl. no. D. & F. 10,336.
folder 17 Chapuis, Auguste. Sérénade: en quatre parties.
Paris: Durand & Fils, c1926. 3 pages. Pl. no. D. & F., 10,916.
I. Entrée cortège.
folder 18 Chertok, Pearl. Around the Clock.
New York: Interstate Music, c1948. 14 pages of music.
I. Ten part two — II. Beige nocturne — III. Harpicide at midnight — IV. The morning after.
Original verses precede each movement.
folder 19 Cheshire, John. Home Sweet Home.
London: J. B. Cramer, s.d. 7 pages. Pl. no. J.B.C. & Co. 7489.
folder 20 Cheshire, John. “Une fleur”: valse mignon.
London: Cramer & Co. Copyright 1904 by the composer. 7 pages.
folder 21 Corniot, René. Ondine: pièce pour harpe seule.
Paris: Éditions Choudens, c1959. 8 pages. Pl. no. A.C. 19,719.
folder 22 Damase, Jean-Michel. Sarabande, op. 8.
Paris: Henry Lemoine & Cie, c1951. 7 pages. 23 523 HL
folder 23 Desportes, Yvonne. Poete, prends ton Luth… .
Paris: Éditions Salabert, c1958. 8 pages. Pl. no. E. A. S. 16130.
folder 24 Eberhard, Dennis. “Especially. . .”.
MS repro; 16 pages of music.
At end: May 16, 1983.
folder 25 Farkas, Ferenc. Tre Pezzetti.
MS repro; 8 pages of music.
I. Maestoso, poco rubato — II. Più mosso — III. Allegro moderator.
folder 26 Fauré, Gabriel. Une Châtelaine en sa tour…, op. 110.
Paris: Durand & Fils, c1918. 7 pages. Pl. no. D. & F. 9577.
Text of text attributed to Paul Verlaine.
Accompanied by a repro bearing E.M.’s handwriting.
folder 27 Fauré, Gabriel. Impromptu, op. 86.
Paris: Durand & Fils, c1904. 13 pages. Pl. no. D. & F. 6428.
folder 28 Fauré, Gabriel. Impromptu, op. 86.
Paris: Durand & Fils, c1904. 13 pages. Pl. no. D. & F. 6428.
Annotated in pencil; this copy markedly more worn than that in folder 23.
folder 29 Flagello, Nicolas. Sonata for Harp.
New York: Lyra Music Co, c1963. 24 pages.
folder 30 Flothuis, Marius. Pour le Tombeau d’Orphee, op. 37:
danse élégiaque pour harpe seul.
Amsterdam: Donemus, c1950. 7 pages.
folder 31 Frackenpohl, Arthur. Five Short Pieces for Harp.
MS repro; 6 pages of music.
At end: Potsdam, N.Y. 12/66.
Accompanied by a cover note from the composer.
folder 32 Franck, Maurice. Suite pour Harpe.
Paris: Éditions Musicales Transatlantiques, c1959. 12 pages. Pl. no. E. M. T. 564.
I. Prélude — II. Scherzo — III. Improvisation — IV. Final.
“Concours du Conservatoire National supérieur de Musique de Paris (année 1959).”—on first page of music.
folder 33 Galeotti, Cesare. Fantaisie, op. 138.
Printed in France; publisher’s imprint lacking. 16 pages.
Pages of music mounted on cardstock.
folder 34 Galeotti, Cesare. Légende, op. 139.
Paris: Enoch & Cie., 1910. 12 pages. Pl. no. E. & C. 7128.
folder 35 Gaubert, Philippe. Sarabande.
Paris: A. Durand & Fils, c1920. 4 pages. D. & F. 9877.
folder 36 Glinka, M. I. Nocturne.
Publisher’s imprint lacking. 8 pages of music, numbered 20-27. Pl. no. 21251.
Title printed in Cyrillic letters.
folder 37 Glinka, M. I. Variations on a Theme of Mozart.
New York: Lyra Music Co, s.d. 17 pages.
“This version originally published about 1854. This is a more recent edition.”—at foot of first page of music.
folder 38 Godefroid, Félix. Ballade de la fée.
Paris: F. Durdilly, Ch. Hayet, s.d. 7 pages. Pl. no. V. D. et Cie. 960.
folder 39 Godefroid, Félix. La Danse des Sylphes: rondo brillant, étude.
Paris: P. Schott, s.d.. 11 pages. Pl. no. 10654.
folder 40 Godefroid, Félix. “Le Désir” (Frühlings Sehnsucht.)
Mayence: B. Schott’s Söhne, s.d.. 5 pages. Pl. no. 23098.3.
No. 3 in the composer’s Fantaisies sur des Mélodies favorites de Fr. Schubert.
In series: École mélodique pour la harpe.
folder 41 Godefroid, Félix. Quand tu me vois souffrir (“Nur wer die Sehnsucht kennt”),op. 201.
Mayence: B. Schott’s Söhne, s.d. 5 pages. Pl. no. 23098.1.
No. 1 from the composer’s Fantaisies sur des mélodies favorites de Fr. Schubert.
folder 42 Godefroid, Félix. La Sérénade (“Das Ständchen”), op. 201.
Mainz: B. Schott’s Söhne, s.d.. 5 pages. Pl. no. 23098.5.
No. 5 from the composer’s Fantaisies sur des mélodies favorites de Fr. Schubert.
folder 43 Godefroid, Félix. Stella: romance sans paroles.
Paris: F. Durdilly, s.d.. 7 pages. Pl. no. D. 4019.
folder 44 Goossens, Eugene. Two Ballades for Harp.
London: J. Curwen & Sons, Ltd. Copyright 1924 by the composer. 13 pages. Pl. no. 94039.
folder 45 Grandjany, Marcel. Arabesque.
Paris: Durand et Fils, c1912. 4 pages. Pl. no. D. & F. 8602.
No. 1 from Trois Pièces pour le Piano.
folder 46 Grandjany, Marcel. Arabesque.
Paris: Durand et Fils, c1912. 4 pages. Pl. no. D. & F. 8602.
No. 1 from Trois Pièces pour le Piano.
This copy annotated in pencil; markedly more worn than that in folder 45.
folder 47 Grandjany, Marcel. Automne.
Paris: Durand & Cie, c1927. 4 pages. Pl. no. D. & F., 11,300.

Box 2

folder Grandjany, Marcel. Children at Play (Les enfants jouent), op. 16.
Paris: Durand & Fils, c1929. 11 pages. Pl. no. D. & F., 11,816.
folder Grandjany, Marcel. Children’s Hour: Suite, op. 25.
New York: G. Schirmer, c1950. 23 pages. Pl. no. 42114C.
folder Grandjany, Marcel. Children’s Hour: Suite, op. 25.
New York: Carl Fischer, c1966. Publisher’s number O4651; pl. no. N4885.
folder 4 Grandjany, Marcel. “Dans la Forêt du charme et de l’enchantement” op. 11: conte de fée pour harpe.
Paris: Durand & Fils, c1923. 10 pages. D. & F. 10,326.
folder 5 Grandjany, Marcel. Le bon petit roi d’Yvetôt.
Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925.
No. 1 from Deux Chansons Populaires Françaises
folder 6 Grandjany, Marcel. Le bon petit roi d’Yvetôt.
Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925.
No. 1 from Deux Chansons Populaires Françaises.
folder 7 Grandjany, Marcel. Le bon petit roi d’Yvetôt.
Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925.
No. 1 from Deux Chansons Populaires Françaises.
folder 8 Grandjany, Marcel. Et ron ron ron, petit patapon.
Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8926.
No. 2 from Deux Chansons Populaires Françaises.
folder 9 Grandjany, Marcel. Et ron ron ron, petit patapon.
Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8926.
No. 2 from Deux Chansons Populaires Françaises.
folder 10 Grandjany, Marcel. Divertissement, op. 29.
Paris: Durand & Cie, c1963. 13 pages. Pl. no. D. & F. 13959.
I. Canon (à la quinte inférieur) — II. Fughetta — III. Final.
folder 11 Grandjany, Marcel. Fantaisie: sur un thème de J. Haydn.
Paris: Alphonse Leduc, c1958. 12 pages. Pl. no. A. L. 23,442.
folder 12 Grandjany, Marcel. Frère Jacques.
Paris: Durand & Cie, c1957. 7 pages. Pl. no. D. & F. 13.869.
folder 13 Grandjany, Marcel. Impromptu, op. 33.
New York: Lyra Music, c1964. 4 pages.
folder 14 Grandjany, Marcel. Pastorale: pour harpe sans pédales.
Paris: Durand, c1971. 2 pages. Pl. no. D. & C. 14048.
folder 15 Grandjany, Marcel. Préludes pour harpe.
Paris: Éditions Salabert, c1921. 5 pages. Pl. no. E. M. S. 4192.
folder 16 Grandjany, Marcel. Rhapsodie.
Paris: Louis Rouhier, s.d. 13 pages. Pl. no. L. R. 432.
Copy now wanting: worn to the point of lacking viability.
folder 17 Grandjany, Marcel. Souvenirs: poème pour harpe, op. 17.
Paris: Durand & Fils, c1930. 8 pages. Pl. no. D. & F. 11,959.
folder 18 Grandjany, Marcel. Trois Petites Pièces.
Paris: Rouhier; Gay & Cie, Successeurs, s.d. 7 pages. Pl. no. L. R. 409.
I. Rêverie — II. Nocturne — III. Barcarolle.
folder 19 Grandjany, Marcel. Trois Pièces Faciles (Three Easy Pieces).
New York: Edward B. Marks, c1943. 7 pages. Pl. no. 11930-6.
I. Nocturne — II. Reverie — III. Barcarolle.
folder 20 Griffiths, Ann. Beth Yw’r Haf I Mi? (What is Summer to me?): Fantasia on a Welsh Folk Song.
Abergavenny: Adlais, c1973. 7 pages.
Inscribed by the composer on title page.
No. 2 from the composer’s Alawon Traddodiadol Cymreig (Welsh Folksong Fantasias).
Complete verse, with English translation by the composer, on page 1.
folder 21 Handel, Darrell. Suzanne’s Animal Music. For troubadour or pedal harp.
MS repro; 6 pages of music.
1. The skunk — 2. The black panther — 3. An inchworm — 4. In the fish bowl — 5. The colt.
Accompanied by cover note (November 12, 1969) to Eileen Malone from the composer.
folder 22 Hasselmans, Alph. Aubade, op. 30.
Paris: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 4581.
Unmarked copy.
folder 23 Hasselmans, Alph. Aubade, op. 30.
Paris: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 4581.
Unmarked copy.
folder 24 Hasselmans, Alph. Au Monastère: esquisse pour la harpe, op. 29.
Paris: A. Durand & Cie, s.d.. 5 pages. Pl. no. D. & F. 4580.
folder 25 Hasselmans, Alph. Ballade.
Paris: Alphonse Leduc, s.d.. 11 pages. Pl. no. A. L. 7860.
folder 26 Hasselmans, Alph. Étude Mélodique, op. 35.
Paris: A. Durand & Fil, s.d.. 5 pages. Pl. no. D. & F. 5020.
folder 27 Hasselmans, Alph. Étude Mélodique, op. 35.
Paris: A. Durand & Fil, s.d.. 5 pages. Pl. no. D. & F. 5020.
Copy annotated in pencil and rather more worn than that in folder 26.
folder 28 Hasselmans, Alph. Fileuse (Marguérite au Rouet), op. 27:
étude caractéristique pour la harpe.
Paris: Éditions S. Chapelier, c1892. 10 pages. Pl. S. C. 36.
Unmarked copy.
folder 29 Hasselmans, Alph. Menuet, op. 34.
Paris: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 5019.
folder 30 Hasselmans, Alph. Prélude, op. 51, no. 1.
Paris: A. Durand & Fils, s.d.. 4 pages. Pl. no. D. & F. 6185.
No. 1 from Trois Préludes, op. 51.
folder 31 Hasselmans, Alph. Prélude, op. 52, no. 2.
[New York]: Lyra Music, s.d.. 5 pages.
No. 2 from Trois Préludes.
folder 32 Hasselmans, A. Prière.
Paris: Éditions Salabert, c1895. 7 pages. Pl. no. E. A. S. 7397.
folder 33 Hasselmans, A. Prière. 10me Édition.
Paris: Ulysse T. du Wast & Lacombe, c1913. 7 pages. U.T.W. 120.
folder 34 Hasselmans, Alph. Sérénade, op. 5.
Paris: L. Philippo, s.d.. 7 pages. Pl. no. P. 533.
folder 35 Hasselmans, Alph. Valse de Concert.
Paris: L. Philippo, s.d.. 9 pages. Pl. no. P. 534.
folder 36 Hayakawa, Masaakì. Impromptu.
MS repro; 6 pages of music.
folder 37 Healey, Derek. Wake Up!, op. 56: Variations on an Appalachian folk melody.
MS repro; 9 pages of music.
Copyright Derek Healey 1979.
Accompanied by cover note (August 30, 1981) from the composer.
folder 38 Hilton, Brian L. Toccata.
MS repro; 5 pages of music.
folder 39 Hindemith, Paul. Sonata for Harp (1939).
New York: Associated Music Publishers, c1940. 15 pages. Pl. no. B. S. S. 36123.
“Sole American issue of the original Schott Edition.”—on cover.
folder 40 Hoberg, Margaret. Country Dance.
New York: Arthur P. Schmidt, c1917. 5 pages. Pl. no. A. P. S. 11286-f.
folder 41 Houdy, Pierick. Sonate pour harpe.
Paris: Alphonse Leduc, c1955. 11 pages. Pl. no. A. L. 21.596.
folder 42 Huston, Scott. Suite of Three: for solo harp.
MS repro; 10 pages of music.
“For Marilyn Schiewe and Eileen Malone”—on cover.
At end of music: September 16, 1963 / Cincinnati, Ohio / Scott Huston.
I. Eulogy — II. Improvisation — III. Dance.
folder 43 Huston, Scott. Suite of Three.
New York: G. Schirmer, c1967. 15 pages. Pl. no. 45997.
“Eileen — may you enjoy — with the grateful thanks of Scott Huston 1/14/67”—penned on title page.
folder 44 Johnsen, Paul. The Tripart of Action: a solo for non-pedal or pedal harp.
Tuscon, Arizona: Symbolism Counts, c1991. 11 pages of music.
Publication is an MS repro.
Accompanied by a letter (November 20, 1991) from the composer.
folder 45 Jolas, Betsy. Tranche.
Paris: Heugel & Cie, 1968. 1 large chart of music when unfolded. Pl. no. H. 31.844.
Explication of notation precedes the music.
folder 46 Jolivet, André. Prelude pour Harpe.
London: Boosey and Hawkes, c1966. 4 pages. Pl. no. B. & H. 19407.
folder 47 Kaminski, Joseph. Piece for Harp Solo.
MS repro; 7 pages of music.
Title and composer’s name also in Hebrew on first page of music.
folder 48 Krumpholtz, J. B. Moderato.
Scribal MS; 3 pages of music.
No. 6 from Préludes.
folder 49 Kufferath, Jeanne Andrienne. Simple histoire.
Paris: Maurice Senart, s.d.. 7 pages. Pl. no. E. M. S. 8244.
No. 1 from Deux pièces pour harpe.
folder 50 Lapitino, Francis J. The Harp.
New York: International Music, s.d.. 11 pages. Pl. no. H. S. 104.
Text of poem by Ella Wheeler Wilcox precedes the music; the text also printed throughout the music (i.e., within the systems).
folder 51 Lebano, Felix. Tristesse!!: romance sans paroles.
Ink MS; 5 pages of music.
First page stamped with name of Prof. F. Sevasta.
folder 52 MacDowell, Edw[ard]. To a Wild Rose.
Scribal MS in ink; 1 page of music.
folder 53 McKay, Neil. World(s): three pieces for solo koto or harp.
Delaware Water Gap, PA: Shawnee Press, c1976.
Two parts, the first accounting for the first two pieces and the second accounting for the third piece.
Pengawit — Ai — Veränderungen.
Accompanied by cover note (Feb. 18, 1980) from the composer.
Contains second copy of “Veränderungen”.
folder 54 Maingueneau, Louis. Sonate.
Paris: Durand & Cie, 1946. 21 pages. Pl. no. D. & F. 13,238.
folder 55 Makarova, Nina. Фреска “Шествие Нефертити” (Fresco “Nefertiti’s procession”); [and] Вальс: (Waltz).
Arranged by V. Dulova.
Moskva: Sovetskii kompozitor, 1967. 11 pages. Pl. no. 4586.
Accompanied by cover note from Walter Hendl, Director, ESM.

Box 3

folder 1 Mathias, William. Improvisations, opus 10.
London: Oxford University Press, c1964. 7 pages.
folder 2 Maurat, Edmond. Sept Miniatures d’Époque, op. 3.
Paris: Max Eschig, c1967. 11 pages. Pl. no. M. E. 7804.
…d’expression: I. nostalgique — II. avenante — III. narquoise — IV. désinvolte — V. désuète — VI. composite — contrastée,
folder 3 Mortari, Virgilio. Sonatina Prodigio.
Milano: Carisch, S.p.A., c1959. 5 pages. Pl. no. 19375.
Title page bears a cancellans slip citing Mills Music, Inc, New York.
Gagliarda — Canzone — Toccata.
folder 4 Mourant, Walter. Manhattan Suite.
New York: Hendon Music, c1966. 16 pages.
1. Prelude — 2. Intermezzo — 3. Dance.
Provenance: Walter Mourant.
folder 5 Nadermann, F. J. Sieben Progressive Sonatinen, opus 92. Heft I.
Neue revidirte Ausgabe von E. Schuëcker.
Leipzig: C. E. W. Siegel, s.d.. 23 pages. Pl. no. 9662.
Heft I contents: No. 1 — No. 2 — No. 3 — No. 4.
folder 6 Natra, Sergiu. Prayer: for Harp.
Tel Aviv: Israel Music Institute, c1972. 12 pages. Pl. no. I. M. I. 181.
Prefatory notes precede the beginning of the music.
Title, composer’s name, publisher’s information, and prefatory notes rendered in both Hebrew and English.
Accompanied by a cover letter (22nd September, 1972) from William Elias, Managing Director, Israel Music Institute.
folder 7 Noda, Teruyuki. The Dream of Endymion.
Tokyo: Ongaku No Tomo Edition, c1986. 12 pages.
Composer’s name and title in both Japanese and English on front cover; with end notes in Japanese and English inside back cover.
Accompanied by a cover note (May 15, 1986) from the composer.
folder 8 Noël, Marcel. Impromptu.
Paris: Louis Rouhier, c1919. 18 pages. Pl. no. L. R. 416.
folder 9 Oberthür, Charles. The Gondolier.
Mayence: B. Schott’s Söhne, s.d.. 5 pages. Pl. no. 1229.
No. II from Three Musical Sketches for the Harp.
folder 10 Partos, Oedoen. Improvisation and Niggun.
Tel Aviv: Israeli Music Publications, c1959. 16 pages. Pl. no. I.M.P. 157.
Title, composer’s name, and publisher’s information in both Hebrew and English.
“Commissioned by the Israel Festival Committee for the First International Harp Contest, Israel, September 1959”—on title page.
Inside front cover inscription by the composer.
folder 11 Partos, Odoen. Mizmor.
Revised and edited by W. Y. Elias.
Tel Aviv: Israel Music Institute, c1976. 12 pages. Pl. no. IMI 370.
“Set piece for performance by contestants in the 6th International Harp Contest, Jerusalem Sept. 1976”—on title page.
Editor’s Preface on the notation conventions used precedes beginning of the music.
folder 12 Pierné, G. Impromptu-Caprice, op. 9.
Paris: Alphonse Leduc, s.d.. 9 pages. Pl. no. A. L. 10.381.
“Concours du Conservatoire 1900”—on title page and in caption on first page of music.
folder 13 Pratt, Samuel. Toccata for Harp.
MS repro; 8 pages of music.
“Manuscript by Henry Maiben / S.L.C. / 1952”—on title page.
folder 14 Presle, Jacques de la. Le Jardin Mouillé.
Paris: Louis Rouhier, c1913. 12 pages. Pl. no. L. R. 363.
folder 15 Presle, Jacques de la. Le Jardin Mouillé.
Paris: Louis Rouhier, c1913. 12 pages. Pl. no. L. R. 363.
Copy significantly more worn than that in folder 23.
folder 16 Prokofiew, Serge. Прелюдъ (Prélude), op. 12, no. 7. Piano ou harpe.
[Publication information lacking]
Copy wanting: worn to the point of lacking viability.
folder 17 Quintile, Joseph. Fuga, op. 4.
New York: International Music Pub. Co., c1917. 7 pages.
I. Allegro moderator — II. Moderato quasi andante — III. Allegro.
Composer’s inscription on first page of music.
folder 18 Ravel, Maurice. Introduction and Allegro.
Paris: Durand & Cie, c1906. 13 pages. Pl. no. D. & F. 6738.
Harp part from the complete chamber version.
folder 19 Read, Gardner. Sea-scapes, op. 46.
Ink MS; 7 pages of music.
At end: Feb 3, 1938 — Feb 26 1940.
No. 1. Sea-murmurs — No. 2. Sea-spray.
folder 20 Reid, Clement. Seascape #2.
MS repro; 10 pages of music.
Copyright 1988 by the composer.
At end: January 26, 1988 / Seattle, Washington.
“Seascape #2 was commissioned and first performed by Carol Sue
Mukhalian on March 9th, 1988, at the American Embassy in Paris.”— inside front cover.
Two copies.
Accompanied by a cover letter (Nov. 24, 1988) and by a copy of the printed program from the premiere performance (9 mars 1988).
folder 21 Renié, H. Danse des Lutins.
Paris: Louis Rouhier, c1912. 10 pages. Pl. no. L. R. 331.
folder 22 Renié, H. Esquisse. From the Feuillets d’album.
Scribal MS in ink; 3 pages of music.
folder 23 Renié, H. Feuillets d’album.
Paris: Éditions Henry Lemoine, s.d.. 7 pages. Pl. no. 19302.H.
Esquisse — Danse d’autrefois — Angelus.
folder 24 Renié, Henriette. Grand’Mère raconte une histoire…. Petite pièce très facile pour la harpe sans pédales.
Paris: Alphonse Leduc, c1940. 3 pages. Pl. no. A. L. 19,922.
folder 25 Renié, H. Légende: d’après les Elfes de Leconte de Lisle.
Paris: Alphonse Leduc, c1949. 17 pages. Pl. no. L. R. 146.
Text of poem “Les elfes” by Leconte de Lisle precedes beginning of music.
folder 26 Renié, H. Six Pièces: 1re Suite.
Paris: Louis Rouhier. 7 pages. Pl. no. L. R. 176.
Menuet — Au bord du Ruisseau — Petite valse.
Copy is wanting, to the point of lacking viability.
folder 27 Renié, H. Six Pièces: 2e Suite.
Paris: Louis Rouhier. 7 pages. Pl. no. L. R. 177.
Air ancien — Lied — Valse mélancolique.
folder 28 Renié, H. Six Pièces: 2e Suite.
Paris: Alphonse Leduc, s.d.. 7 pages. Pl. no. A.L. 20.019.
Air ancien — Lied — Valse mélancolique.
Copy annotated in pencil; markedly more worn than that in folder 35.
folder 29 Roger-Ducasse. Barcarolle.
Paris: Durand & Fils, c1907. 8 pages. Pl. no. D. & F. 6951.
folder 30 Rogers, Van Veachton. Barcarole, op. 17.
New York: Carl Fischer, c1941. 1 page. Pl. no. 19647-2.
folder 31 Rogers, Van Veachton. Fleurette.
Boston: C. W. Thompson, 1900. 5 pages. Pl. no. T. & Co. 831 4.
folder 32 Rogers, Van Veachton. A Jolly Tar (For the Clark Irish Harp).
New York: International, 1923. 2 pages of music. Pl. no. H. S.-152.
folder 33 Rota, Nino. Sarabande e Toccata.
Milano: G. Ricordi & C., 1955. 8 pages. Pl. no. 128870.
folder 34 Rotondi, Umberto. Cinque Episodi.
Revisione di Giuliani Albisetti.
Milano: Edizioni Suvini Zerboni, c1966. 15 pages. Pl. no. S. 6442 Z.
folder 35 Rousseau, Marcel Samuel. Variations Pastorales sur un Vieux Noël.
Paris: Louis Rouhier, c1917. 16 pages. Pl. no. L. R. 408.
Annotated in pencil.
folder 36 Rousseau, Marcel Samuel. Variations Pastorales sur un Vieux Noël.
Paris: Louis Rouhier, c1917. 16 pages. Pl. no. L. R. 408.
Unmarked copy.
folder 37 Roussel, Albert. Impromptu, op. 21.
Paris: Durand & Cie, c1919. 7 pages. Pl. no. D. & F. 9788.
folder 38 Saint-Saëns, C. Fantaisie, op. 95.
Paris: Durand & Fils, s.d.. 15 pages. Pl. no. D. & F. 4661.
Unmarked copy.
folder 39 Saint-Saëns, C. Fantaisie, op. 95.
Paris: Durand & Fils, s.d. 15 pages. Pl. no. D. & F. 4661.
Annotated in pencil; copy more worn than that housed in folder 38.
folder 40 Salzedo, Carlos. Ballade.
Paris: Alphonse Leduc, c1913. 15 pages. Pl. no. A. L. 15,278.
No. 1 from Trois Morceaux.
folder 41 Salzedo, Carlos. Rumba.
New York: G. Schirmer, c1950, 1953. 5 pages. Pl. no. 42734.
No. VIII from Suite of Eight Dances.
folder 42 Salzedo, Carlos. Variations sur un thème dans le style ancien, op. 30.
Paris: Alphonse Leduc, c1913. 16 pages. Pl. no. A. L. 15,280.
No. 3 from Trois Morceaux
Title page lacking.
folder 43 Salzedo, Carlos. Variations sur un thème dans le style ancien.
Paris: Alphonse Leduc, c1913. 16 pages. Pl. no. A. L. 15,280.
No. 3 from Trois Morceaux pour harpe seule, op. 30.
Title page lacking.
Markedly worn.
folder 44 Salzedo, Carlos. Whirlwind.
New York: Composers’ Music Corporation, c1924. 11 pages. Pl. no. 827-9.
No. IV from Five Preludes for Harp Alone (First Series).
folder 45 Schifrin, Lalo. Continuum.
[New York]: Associated Music, c1970. 8 pages. Pl. no. AMP-7014.
Accompanied by page bearing statement that copy is a “pre-publication copy…prepared especially for the 1970 Conference of the American Harp Society by Associated Music Publishers, Inc., N.Y.”
folder 46 Schuëcker, Edmund. Mazurka, op. 12.
Leipzig: Breikopf & Härtel, s.d.. 7 pages. Pl. no. 18848.
folder 47 Schuetze, Charles. In the Garden.
New York: G. Schirmer, c1911. 7 pages. Pl. no. 22946.
folder 48 Sheriff, Noam. Invention for Harp.
Tel Aviv: Israel Music Institute, c1969. 7 pages. Pl. no. I. M. I. 121.
Title, composer’s name, publisher’s information, and Editor’s preface in both Hebrew and English.
folder 49 Siegmeister, Elie. American Harp: suite for solo harp.
MS repro; 19 pages.
I. Reverie — II. Dance — III. Ballet — IV Celebration.
“Commissioned by and dedicated to the Long Island Chapter of the American Harp Society.”
Printed at Circle Blue Print Co., Inc., New York, NY.

Box 4

folder 1 Spohr, Louis. Fantasie [in] c-moll, op. 35.
Herausgegeben von Hans Joachim Zingel.
Kassel: Bärenreiter-Verlag, c1954. 9 pages.
folder 2 Spohr, Louis. Variations sur l’air “Je suis encore dans mon printemps” (I am still so young), op. 36.
Reviewed and corrected by W. Posse.
Frankfurt-am-Main: Musikverlag Wilhelm Zimmermann, c1968. 11 pages. Pl. no. Z. 5444.
folder 3 Tailleferre, Germaine. Sonate.
Paris: Éditions Méridian, c1957. 13 pages. Pl. no. N.M. 1771.
Annotated in pencil.
folder 4 Tailleferre, Germaine. Sonate.
Paris: Éditions Méridian, c1957. 13 pages. Pl. no. N.M. 1771.
Annotated in pencil.
folder 5 Tal, Josef. Intrada.
Tel Aviv: Israeli Music Publications Ltd., c1959. 7 pages. Pl. no. I.M.P. 158.
Title, composer’s name, publisher’s information, and commissioning statement in both Hebrew and English.
“Commissioned by the Israel Festival Committee for the First International Harp Contest, Israel, September 1959”—on title page.
Inscription by the composer on title page.
folder 6 Thomas, John. Autumn.
Boston: Percy Ashdown, s.d.. 11 pages.
Verse sourced from “Old Play” printed in caption on first page of music.28
folder 7 Toulmin, A.F. Annie Laurie.
New York: Browne and Buckwell, s.d.. 7 pages.

Works by Marcel Tournier in this sub-series have been arranged by their opus numbers; works without opus numbers have been placed at the end of the sequence.

folder 8 Tournier, Marcel. Quatre Préludes: pour harpe, op. 16.
Paris: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1920 by Louis Rouhier. 9 pages. Pl. no. G.T. 463.
folder 9 Tournier, Marcel. Quatre Préludes: pour deux harpes, op. 16.
Paris: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1920 by Louis Rouhier. 13 pages. Pl. no. L.R. 422.
This publication comprised of nos. III and IV.
folder 10 Tournier, Marcel. Trois Images (1er suite) (Three Pictures (first set)), op. 29.
Paris: Henry Lemoine & Cie, c1925. 12 pages. Pl. no. 21.775. HL.
I. Clair de lune sur l’étaing du parc — II. Au seuil du temple — III. Lolita la danseuse.
Annotated in pencil.
folder 11 Tournier, Marcel. Trois Images (1er suite) (Three Pictures (first set)), op. 29.
Paris: Henry Lemoine & Cie, c1925. 12 pages. Pl. no. 21.775. HL.
I. Clair de lune sur l’étaing du parc — II. Au seuil du temple — III. Lolita la danseuse.
Annotated in pencil.
folder 12 Tournier, Marcel. Sonatine, op. 30.
Paris: Henry Lemoine, c1924. 23 pages. Pl. no. 21,652. HL.
Worn to the point of diminished viability.
folder 13 Tournier, Marcel. Trois Images (2e suite) (Three Pictures (second set)), op. 31.
Paris: Henry Lemoine, c1925. 23 pages. Pl. no. 21,652. HL.
IV. Les enfants à la crèche de Noël — V. L’étrange cavalier — VI. La marchande de frivolitées.
Front cover and pages 1-2 lacking.
folder 14 Tournier, Marcel. Jazz-Band, op. 33.
Paris: Henry Lemoine, c1926. 7 pages. Pl. no. 21,907. HL.
folder 15 Tournier, Marcel. Jazz-Band, op. 33.
Paris: Henry Lemoine, c1926. 7 pages. Pl. no. 21,907. HL.
Annotated in pencil; markedly worn.
folder 16 Tournier, Marcel. Images, op. 35: 3me Suite.
Paris: Henry Lemoine, c1930. 24 pages. Pl. no. 22 354 HL.
VII. Les Anesses grises sur la route d’El-Azib — VIII. Danseus à la fontaine d’Aïn-Draham — IX. Soir de fête à Sedjane.
Annotated in pencil.
folder 17 Tournier, Marcel. Images, op. 35: 3me Suite.
Paris: Henry Lemoine, c1930. 24 pages. Pl. no. 22 354 HL.
VII. Les Anesses grises sur la route d’El-Azib — VIII. Danseus à la fontaine d’Aïn-Draham — IX. Soir de fête à Sedjane.
Annotated in pencil.
folder 18 Tournier, Marcel. Images, op. 35: 4me Suite.
Paris: Henry Lemoine, c1930. 24 pages. Pl. no. 22,528. HL. X. La volière magique — XI. Cloches sous la neige — XII. La danse dumoujik.
folder 19 Tournier, Marcel. Scherzo Romantique, op. 38.
Paris: Henry Lemoine, c1932. 13 pages. Pl. no. 22,486. HL.
Front and back covers lacking.
folder 20 Tournier, Marcel. Berceuse russe, op. 40.
Paris: Henry Lemoine, c1932. 3 pages. Pl. no. 22,529. H
Inscription by the composer on page 1.
folder 21 Tournier, Marcel. Encore une boîte à Musique, op. 43.
Paris: Henry Lemoine, c1935. 4 pages. Pl. no. 22,763. HL.
folder 22 Tournier, Marcel. 2ème Sonatine, op. 45.
Paris: Henry Lemoine, c1945. 24 pages. Pl. no. 23310 HL.
Inscription by the composer on the first page of music.
folder 23 Tournier, Marcel. Fresque Marine [opus 46].
Paris: Henry Lemoine, c1946. 12 pages. Pl. no. 23301 HL.
Inscription by the composer on page 2.
folder 24 Tournier, Marcel. Pastels du vieux japon, op. 47.
Paris: Henry Lemoine, c1948, 1947. 8 pages. Pl. no. 23 401 HL.
I. Berceuse du vent dans les cerisiers — II. Le Koto chante pour l’absent— III. Le danseur au sabre.
folder 25 Tournier, Marcel. Ce que chante la pluie d’automne, op. 49.
Paris: Henry Lemoine, c1947. 8 pages. Pl. no. 23 365 HL.
Inscription by the composer on first page of music.
folder 26 Tournier, Marcel. Air à Danser. Petite pièce brève & facile.
Paris: Maurice Vieu & Jane Vieu, c1913. 5 pages. Pl. no. M. V. 341 J. V.
folder 27 Tournier, Marcel. Au Matin.
Paris: Louis Rouhier, c1917. 8 pages. Pl. no. M. S. & Cie 3657.
First of the composer’s Études de concert.
Markedly worn; accompanied by a preservation photocopy.
folder 28 Tournier, Marcel. Féerie: prélude et danse.
Paris: L. Rouhier; Gay & Cie, Successeurs, c1912. 16 pages. Pl. no. L.R. 461.
folder 29 Tournier, Marcel. Thème et Variations.
Paris: Louis Rouhier; Gay & Tenton, Successeurs. Copyright 1913 by L. Rouhier. 22 pages. Pl. no. 321.
Front cover lacking.
folder 30 Tournier, Marcel. Vers la source dans le bois.
Paris: Alphonse Leduc; copyright 1922 Louis Rouhier. 8 pages. Pl. no. A.L. 20.002.
folder 31 Tournier, Marcel. Vers la source dans le bois.
Paris: L. Rouhier; Gay & Tenton, Successeurs, c1922. Pl. no. L. R. 433. 8 pages.
Annotated in pencil.
folder 32 Verdalle, Gabriel. Bébé dort!…, op. 15.
Hamburg et Leipzig: D. Rahter, c1898. 5 pages. Pl. no. 1045.
folder 33 Verdalle, Gabriel. Canzonetta, op. 16.
Hamburg et Leipzig: D. Rahter, c1898. 11 pages. Pl. no. 1046.
folder 34 Verdalle, Gabriel. Prière, op. 13.
Hamburg: D. Rahter, c1898. 5 pages. Pl. no. 1043.
folder 35 Wagenaar, Bernard. Four Vignettes.
MS repro; 8 pages of music.
I. Prelude — II. Dance — III. The angelus — IV. Toccatina.
Printed at Circle Blue Print Co., Inc., New York, NY.
folder 36 Warner, Scott. Dreams in Color: a book for harp.
MS repro; 11 pages of music.
At end: 4. IV. 86 / Deo gratias.
i. The fall — ii. (secrets) — iii. Touchstone.
folder 37 Westerhout. Ronde d’amour.
Ink MS; 4 pages of music.
folder 38 Wilder, Alec. Dream, Dance and Frolic.
MS repro; 8 pages of music.
Scribal manuscript.
folder 39 Williams, David Russell. Sonata for Harp.
MS repro; 10 pages of music.
Printed at Circle Blue Print Co., Inc., New York, NY.
folder 40 Wood, Mrs. De Main. Falling Leaves.
Ink MS; 2 pages of music.
“Compliments of Mr. and Mrs. De Main Wood.”
folder 41 Yamanouchi, Tadashi. [Pour harpe].
[New York:] International Music Publishers, c1965. 9 pages of music, unnumbered.
This copy incomplete: comprised of two of the three movements: II. Le musicien jouant la harpe; and, III. Bahram Gur chassant avec Azadé.
folder 42 Zabel, Albert. Ballade: in drei Episoden, op. 20.
Leipzig: D. Rahter, s.d.. 13 pages. Pl. no. 2540.
folder 43 Zabel, Albert. Marguérite douleureuse au rouet (No.2), op. 26.
Petrograd: W. Bessel & Cie, s.d.. 7 pages. Pl. no. 3592.
folder 44 Zabel, Albert. La source (Am Springbrunnen), op. 23.
Petrograd: W. Bessel & Cie, s.d.. 13 pages. Pl. no. 3236.
Annotated in ink.
folder 45 Zabel, Albert. La source (Am Springbrunnen), op. 23.
Paris: W. Bessel & Cie, 1949. 13 pages. Pl. no. 3236.
Annotated in pencil.
folder 46 Zabel, Albert. La Source, op. 23.
Paris: W. Bessel & Cie, c1949. 13 pages. Pl. no. 3236.
German title printed in caption on first page of music: Am Springbrunnen.
Unmarked copy
folder 47 Anonymous. Andiam, mio tesoro.
Italian, XVI Century.
Facsimile. 1 page of music.
folder 48 Unattributed. Joy: solo for harp.
Ink MS; 2 pages of music.
“To my teacher, Eileen Malone.”

Sub-series B: Solo harp—arrangements and transcriptions

Box 5

folder 1 Bach, Carl Philipp Emanuel. Sonata in G Major (Solo für die Harfe).
Scholarly-performance edition with critical commentary by Jane B. Weidensaul.
Willow Hall Press; c1979 Jane B. Weidensaul. 16, 4 pages.
Inscription by the editor on title page.
folder 2 Bach, Carl Ph.E. Sonata (Berlin 1762).
MS repro; 23 pages of music.
Copyright 1963 by M. Grandjany.
“Edited from the manuscript ‘Solo für die Harfe’ of the Brussels Conservatory of Music Library with the realization of the figured bass by Marcel Grandjany”—on front cover.
folder 3 Bach, Karl Philipp Emanuel. Solfeggietto.
Transcribed for harp by Marie Miller.
New York: Composers’ Music Corporation, c1924. 5 pages. Pl. no. 859- 4.
Annotated in pencil.
folder 4 Bach, Karl Philipp Emanuel. Solfeggietto.
Transcribed for harp by Marie Miller.
New York: Composers’ Music Corporation, c1924. 5 pages. Pl. no. 859- 4.
Annotated in pencil.
folder 5 Bach, J. S. Dix pièces de J. S. Bach.
Transcrites pour harpe par H. Renié.
Paris: Louis Rouhier, c1914. 21 pages. Pl. no. L.R. 379.
The respective titles of the ten works not printed in this publication.
Annotated in pencil.
folder 6 Bach, J. S. Dix pièces de J. S. Bach.
Transcrites pour harpe par H. Renié.
Paris: Alphonse Leduc, s.d.. 21 pages. Pl. no. A. L. 20,006.
The respective titles of the ten works not printed in this publication.
Unmarked.
folder 7 Bach, J. S. Dix préludes de J. S. Bach (tirés du clavecin bien tempéré). i
Transcrits pour harpe par H. Renié.
Paris: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1914 by L. Rouhier. 22 pages. Pl. no. L.R. 376.
folder 8 Bach, J. S. Andante from Sonata No. 2 for Unaccompanied Violin.
Transcribed for harp by Marcel Grandjany.
MS repro; 2 pages of music.
folder 9 Bach, J. S. Bourrée. Tirée de la Suite pour vcelle, en ut majeur.
Transcrite pour harpe par H. Renié.
Paris: Gay & Tenton, c1928. 3 pages. Pl. no. G.T. 479.
“Signes d’abréviations employés” on a separate leaf.
folder 10 Bach, J. S. Gavotte.
Bearbeitung [von] L. M. Magistretti.
Leipzig: Jul. Heinr. Zimmermann, c1914. 5 pages. Pl. no. Z. 10118.
folder 11 Bach, J. S. Jesu, joy of man’s desiring: the chorale from Cantata No. 147.
For harp by May Hogan Cambern, ASCAP.
New York: Michael Cambern, 1964; Carl Fischer, sole selling agent for the world. 4 pages.
folder 12 Bach, J. S. Jesu, joy of man’s desiring: the chorale from Cantata no. 147.
For harp by May Hogan Cambern.
Copyright 1964 by Michael Cambern. 4 pages.
Annotated in pencil.
folder 13 Bach, J. S.. Largo: de la 5ème Sonate de violon.
Adapté à la harpe d’après la transcription pour piano de C. Saint-Saëns.
Paris: Durand & Cie, c1931. 2 pages of music. Pl. no. D. & F. 12,099.
folder 14 Bach, Jean-Sébastien. Pièce en sol: extraite des PARTITAS.
Transcription pour harpe par H. Renié.
Paris: Durand & Cie, c1910. 5 pages. Pl. no. D. & F. 7702.
folder 15 Beethoven, Ludwig van. 6 Scozzesi.
Trascrizione per arpa di Serena Argentin.
Milano: Edizioni Musicali La Melodiana, c1983. 5 pages. Pl. no. L. 2055 M.
Inscription by the arranger on inside front cover.
folder 16 Bizet, G. Entr’acte [tiré de] L’Arlésienne: drame en 3 actes pour harpe.
Transcription pour harpe par Gabriel Verdalle.
Paris: Choudens Éditeur, s.d.. 3 pages. Pl. no. A. C. 12519.
folder 17 Bond, Carrie Jacobs. I Love You Truly.
MS repro; 1 page of music.
On the same page: Turra-lurra-lurra.
folder 18 Brahms, Johannes. Valses.
Transcription par Alys Lautemann.
Paris: Henry Lemoine & Cie, c1934. 8 pages. Pl. no. 22.709.H.
folder 19 Chopin, Frédéric. Préludes.
Transcrits poru harpe par H. Renié.
Paris: Gay and Tenton, c1928. 3 pages. Pl. no. G. T. 470.
This publication comprised solely of No. 2 in G major.
folder 20 Chopin, Frédéric. Célèbre Valse de Chopin, op. 64, no. 1.
Transcrite pour la harpe par A. Hasselmans.
Paris: Ulysse T. du Wast & Lacombe, Éditeurs, s.d.. 5 pages. Pl. no. U.
T. W. 207.
folder 21 Corelli, Arcangelo. Giga: for harp.
Transcribed for harp by Carlos Salzedo.
New York: G. Schirmer, Inc., c1923. 5 pages. Pl. no. 31386.
folder 22 Couperin, F. Tic-Toc-Choc, ou, Les maillotins.
Transcrit pour harpe par H. Renié.
Paris: Gay & Tenton, c1928. 3 pages. Pl. no. G.T. 480.
folder 23 Daquin, C. La Mélodieuse.
Transcrit pour harpe par H. Renié.
Paris: Gay & Tenton, c1928. 2 pages of music. Pl. no. G. T. 476.
folder 24 Debussy, Claude. Première Arabesque.
Transcription pour harpe par H. Renié.
Paris: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6747.
Annotated in pencil; covers lacking.
folder 25 Debussy, Claude. Première Arabesque.
Transcription pour harpe par H. Renié.
Paris: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6747.
Annotated in pencil.
folder 26 Debussy, Claude. Deuxième Arabesque.
Transcription pour harpe par H. Renié.
Paris: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6748.
Annotated in pencil.
folder 27 Debussy, Claude. Deuxième Arabesque.
Transcription pour harpe par H. Renié.
Paris: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6748.
Annotated in pencil.
folder 28 Debussy, Claude. Clair de lune. Extrait de la “Suite bergamasque”.
Transcription pour harpe par Victor Coeur.
Paris: Jean Jobert, c1929. 7 pages. Pl. no. J. J. 393.
Copy wanting: significantly worn.
folder 29 Debussy, Claude. En Bateau. Extrait de la Petite Suite.
Transcription pour harpe par H. Renié.
Paris: A. Durand & Fils, c1908. 7 pages. Pl. no. D. & F. 7110.
Annotated in pencil.
folder 30 Debussy, Claude. En Bateau. Extrait de la Petite Suite.
Transcription pour harpe par H. Renié.
Paris: A. Durand & Fils, c1908. 7 pages. Pl. no. D. & F. 7110.
Unmarked copy.
folder 31 Debussy, Claude. Jardins sous la pluie. Extrait des Estampes.
Transcrit pour harpe par Alys Lautemann.
Paris: A. Durand & Fils, c1928. 11 pages. Pl. no. D. & F. 11.497.
folder 32 Debussy, Claude. La Fille aux cheveux de lin. Extrait du 1er livre des Préludes pour piano.
Transcrit pour harpe par Marcel Grandjany.
Paris: A. Durand & Fils, c1910. 3 pages. Pl. no. D. & F. 7687.
Front cover lacking.
folder 33 Debussy, Claude. Valse Romantique.
Adaptation pour harpe de Lily Laskine.
Paris: J. Jobert, c1924. 7 pages. Pl. no. J. J. 249.
folder 34 De Rose, Peter. Deep Purple.
Harp transcription by E. Vito.
MS repro; 6 pages of music.
folder 35 Dubois, Th.. Stella Matutina.
Transcription pour harpe par H. Renié.
Paris: Alphonse Leduc. 5 pages. Pl. no. A. L. 9545.
No. 18 from 20 pièces nouvelles.
folder 36 Ellington/Fell. Mozart Intro to Satin Doll; and, Satin Doll.
MS repro; 5 pages of music.
Arranger: Fell.
N.B. The first four measures are borrowed from Mozart’s Piano Sonata no. 16 in C major, K. 545.
folder 37 Fauré, Gabriel. Sicilienne, op. 78.
Transcription pour harpe par Micheline Kahn.
Paris: J. Hamelle, s.d. Pl. no. J. 6605. H. 5 pages.
folder 38 Fell. Memory from “Cats”; and, Autum [sic] Leaves.
MS repro; 2 pages of music (each respective title one page).
Arranger: E. Fell.
folder 39 Froberger, Johann Jakob. Dances and Toccata.
Arranged (from the original keyboard pieces) for harp solo by Ze’ev W. Steinberg.
MS repro; 9 pages.
Copyright 1980 by Z. W. Steinberg.
Two copies: one unmarked; the other copy bears vendor’s stamp on title page indicating printed for retail sale.
folder 40 Godard, Benjamin. Jocelyn: célèbre Berceuse.
Transcription pour harpe par Gabriel Verdalle.
Paris: Choudens, s.d. 4 pages. Pl. no. A. C. 12525.
folder 41 Gould, Morton. Pavanne [sic]: second movement.
Trans. Edw. Vito.
MS repro; 4 pages of music.
“Turning to music of our own country, Edward Vito offers us next his own transcription of a familiar favorite by Morton Gould . . . the Pavane from the American Symphonette No. 2.”—on first page of music.
folder 42 Gretchaninoff, A. Souvenir du Bal (Remembrance of the Ball), op. 168, no. 5.
Edited and fingered by Marcel Grandjany.
MS repro; 2 pages of music.
folder 43 Grüber, Franz. Silent Night, Holy Night.
Arranged for harp by Maudetta Martin Joseph.
Boston: Boston Music Co., c1925. 3 pages. Pl. no. B.M. Co. 7055-2.
folder 44 Händel, G.-F. Chaconne: en ut majeur.
Transcrite pour la harpe par Henrik Boye.
Paris: Henry Lemoine & Cie, c1950. 8 pages. Pl. no. 23 433 HL.
folder 45 Händel, G.-F. Chaconne: en ut majeur.
Transcrite pour la harpe par Henrik Boye.
Paris: Henry Lemoine & Cie, c1950. 8 pages. Pl. no. 23 433 HL.
folder 46 Handel, G.-F. Concerto en si bémol.
Transcription pour harpe seule et cadence originale de Marcel Grandjany.
Paris: Durand & Cie, c1933. 16 pages. D. & F. 12329.
Annotated in pencil; markedly worn. Front and back covers lacking.
folder 47 Handel, G.-F. Concerto en si bémol.
Transcription pour harpe seule et cadence originale de Marcel Grandjany.
Paris: Durand & Cie, c1933. 16 pages. D. & F. 12329.
Annotated in pencil; copy less worn than that housed in folder 46.
folder 48 Händel, G.-F. Passacaglia.
Bearbeitung [von] L. M. Magistreei.
Leipzig: Jul. Heinr. Zimmermann, c1914. 4 pages of music. Pl. no. Z. 10120.
folder 49 Handel, G.-F. Passacaille.
Transcription pour la harpe par Tiny Béon.
Paris: Louis Rouhier, s.d.. 3 pages. Pl. no. L. R. 275.
Markedly worn.
folder 50 Hass, Adolf. Russian Folk Melody (Song of the Boatmen of Volga).
Transcription for harp solo by Adolf Hass.
New York: International Music Publishing Co., c1922. 6 pages of music. Pl. no. H. S. 41.
folder 51 Haydn. Romance [in D major].
[? Transcribed by M. Grandjany.]
MS repro; 2 pages of music.
Stamped “M. GRANDJANY” in caption of first page of music.
folder 52 Haydn, Josef. Theme and Variations.
Transcribed for harp by Carlos Salzedo.
New York: Composers’ Music Corporation, c1923. 7 pages. Pl. no. 784-5.
folder 53 [Herbert, Victor.] I’m falling with love with someone.
From the operetta Naughty Marietta.
Ink MS; 2 pages of music.
folder 54 Jabor, Najla. Estudo Para 3.o ,4.o e 5.o dedos, contendo um Samba.
Transcrição para harpa de Lea Bach.
São Paolo: Ricordi Brasileira, c1974. 4 pages. Pl. no. RB 0310.
folder 55 Loeillet, J. B. Toccata.
[Transcription] par Marcel Grandjany.
Paris: Éditions Maurice Senart, s.d.. 4 pages. Pl. no. E. M. S. 7378.
No. 1 in the publisher’s series Transcriptions classiques pour harpe by Marcel Grandjany.
folder 56 Miller, Marie, trans.. Chanson de Guillot-Martin.
Transcribed for harp by Marie Miller (1924); harmonized by A. Périlhou.
New York: Composers’ Music Corporation, c1925. 5 pages. Pl. no. 891-4.
folder 57 Milligan, Sam, trans.. Three Traditional Welsh Melodies.
Arranged for harp by Sam Milligan.
MS repro; 4 pages of music.
I. Breuddwyd y Frenhines — II. Craig y Tyle — III. Llwyn Cnn.
folder 58 Mozart, W.A.. Menuet: from “Don Giovanni” (Don Juan).
Edited and fingered for harp by Nina S. Miller.
New York: Belwin, Inc. Incomplete; only pages 3-4 prsent.
folder 59 Nevin, Ethelbert. Mighty Lak’a Rose.
Transcribed by Davis-Mather.
Ink MS; 2 pages of music.
folder 60 Paret, Betty, arr.. Londonderry Air.
Early Irish air; arranged for harp or Irish harp by Betty Paret.
New York: Sprague-Coleman, c1939. 1 page of music. Pl. no. 107.
folder 61 Pillois, Jacques. Deux Pièces.
Transcription pour harpe à pédales par Marcel Grandjany.
Paris: Éditions Maurice Senart, c1928. 7 pages. Pl. no. E. M. S. 7758.
I. Lully — II. Fauré.
folder 62 Pinto, A. Francis. Six Popular Hymns.
Transcribed for the small and large harp by A. Francis Pinto.
New York: International Music Publishing Co., c1902. 4 pages of music.
Lead, kindly light — Jesus, love of my soul — Rock of ages — Holy, holy, holy — Abide with me — Onward, Christian soldiers.
Tipped in within the above-cited publication:
Freeman, James J. Nearer my God to Thee: fantasia de concert.
Copyright 1902 by Richard A. Saalfield. 3 pages of music.
“Musical Supplement to the New York Sunday Press, Sunday, February 2d, 1902”—on title page.
folder 63 Rameau, J. Ph.. Musette (Indes Galantes.)
Transcrit pour harpe par H. Renié.
Paris: Gay & Tenton, c1928. 3 pages. Pl. no. G. T. 471.
One in the publisher’s series of Transcriptions classiques pour harpe by Henriette Renié.
folder 64 Samazeuilh, Gustave. Sérénade.
Version pour harpe à pédales par l’auteur.
Paris: A. Durand & Fils, c1927. 5 pages. Pl. no. D. & F. 11,093.
Originally for guitar.

Box 6

folder 1 Sammartini, G. B.. Allegro.
Free transcription by Marcel Grandjany.
MS repro; 2 pages of music.
At end: Taliesin / August 1948.
folder 2 Scarlatti. Pastorale.
Transcrite pour harpe par H. Renié.
Paris: Gay & Tenton, c1928. 3 pages. Pl. no. G. T. 483.
One in the publisher’s series of Transcriptions classiques pour harpe by Henriette Renié.
folder 3 Scarlatti, Domenico. Sonata in Re maggiore.
Trascrizione per arpa di Serena Argentin.
Milano: Edizioni Musicali La Melodiana, s.d.. 4 pages. Pl. no. L. 2056 M.
Inscription by the arranger on inside front cover.
folder 4 Schobert, Jean. Andante.
Transcription pour harpe par Marcel Grandjany.
Paris: Éditions Maurice Senart, c1930. 3 pages. Pl. no. E. M. S. 8204.
One in the publisher’s series of Transcriptions Classiques pour harpe by Marcel Grandjany.
folder 5 Schumann, R.. Träumerei, op. 15, no. 7.
Harp solo arranged by Lewis G. Hunter.
New York: Belwin, Inc., s.d.. 3 pages. Pl. no. Conc. Harp No. 10-2.
folder 6 Suriani, Alberta. Partita.
Bologna: Edizioni Bongiovanni, c1953. 8 pages. Pl. no. F. 2353 B.
“Partita da antiche danze ed arie per liuto di autori anonimi del sec. XVIIo. Elaborate e trascritte per arpa.”—in caption on first page of music.
folder 7 Wagner, Richard. Die Walküre.
Arr. Marcel Grandjany for one harp.
MS repro; 3 pages of music.
folder 8 Anonymous. Loch Lomond.
MS repro; 1 page of music.

Sub-series C: Two harps

folder 9 Poenitz, Franz. Spunkhafte Gavotte, op. 75.
Zu einem Gedichte von Heinrich Heine.
Leipzig: Jul. Heinr. Zimmermann, c1907. Pl. no. Z. 4555. Two parts present (I. Harpe, II. Harfe).
folder 10 Rogers, Van Veachton. Barcarole, op. 17.
New York: Carl Fischer, c1916. Pl. no. 19647-2.
Two parts present (Solo Harp; Second Harp (or Piano)).
folder 11 Rogers, Van Veachton. Serenade, op. 26.
New York: Carl Fischer, c1916.
Only the Second Harp (or Piano) part present; Solo Harp part lacking.
folder 12 Tournier, Marcel. Quatre Préludes, op. 16. Pour deux harpes.
Paris: Gay & Tenton, s.d.. 13 pages of music. Pl. no L. R. 421.
The parts for both 1ère Harpe and 2de Harpe present in one publication.
Prélude No. 1. — Prélude No. 2.
folder 13 Tournier, Marcel. Quatre Préludes. Pour deux harpes.
Paris: Gay & Tenton, s.d.. 13 pages. Pl. no. L. R. 422.
The parts for both 1ère Harpe and 2de Harpe present in one publication.
Prélude No. 3. — Prélude No. 4.

Sub-series D: Two harps—arrangements and transcriptions

folder 14 Bach, J. S. Gavottes I et II: de La suite pour orchestre en ré majeur.
Transcription par Pierre Bertheaume.
Paris: Rue M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S.R. et Cie. 2834.
Two parts present.
One in the publisher’s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos by Pierre Bertheaume.
folder 15 Call, M. Harp Ensemble.
Arranged M. Call, March, 1968.
MS repro; 4 pages of music.
Two parts present (for Hp I and Hp II).
folder 16 Gluck, J. Chr.. Gavotte.
Transcription par Pierre Bertheaume.
Paris: M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S. R. et Cie. 2840.
Incomplete; only the 1e. Harpe part present.
One in the publisher’s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos by Pierre Bertheaume.
folder 17 Granados, Enrique. Spanish Dance No. 5.
Transcribed for two or multiple harps by Carlos Salzedo. 12 pages.
New York: Southern Music, c1966. Pl. no. 973-10.
The parts for Harp I and Harp II printed together in one publication.
folder 18 Haydn, Jos.. Menuet en Ré: de la 14e symphonie.
[Transcription pour Pierre Bertheaume.]
Paris: M. Senart, B. Roudanez & Cie. 3 pages. Pl. no. S. R. et Cie. 2833.
Incomplete; only the 2de Harpe part present.
One in the publisher’s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos by Pierre Bertheaume.
Accompanied by a copy of the 1st Harpe part for this Menuetto from a different publication (bearing plate no. 5163)
folder 19 Haydn, Jos.. Menuet en Sol: de la 6e symphonie.
Transcription par Pierre Bertheaume.
Paris: M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S. R. et Cie. 2832.
Incomplete; only the 1e. Harpe part present.
One in the publisher’s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos by Pierre Bertheaume.
Accompanied by scribal MS copies of both the 1e. Harpe part and the 2de Harpe part (presumably corresponding to the Bertheaume transcription).
folder 20 Rameau, Jean-Philippe. La Joyeuse.
MS repro; two parts present (Harp I and Harp II).
folder 21 Unknown. Pavane.
Transcribed for two parts by Carlos Salzedo.
MS repro; 1 page of music.

Sub-series E: Harp and voice

folder 22 Mourant, Walter. Cupid.
MS repro; 4 pages of music. Two copies.
For harp and soprano; text by William Blake.
Music copyright 1977 by Walter Mourant.
Accompanied by a cover note (August 24, 1981) from the composer.
folder 23 Mourant, Walter. I Love Him.
MS repro; 3 pages of music. Two copies.
Copyright 1976 by Walter Mourant.
Text by Barry Cornwall.
folder 24 Mourant, Walter. Is my Lover on the Sea?
MS repro; 3 pages of music. Two copies.
Copyright 1976 by Walter Mourant.
Text by Barry Cornwall.
folder 25 Mourant, Walter. Japanese Fan.
MS repro; 3 pages of music.
Text by Margaret Veyel.
Music copyright 1979 by Walter Mourant.
“For Ann Preston”—in caption on first page of music.
folder 26 Mourant, Walter. Love me if I Live.
MS repro; 2 pages of music. Two copies.
Copyright 1976 by Walter Mourant.
Text by Barry Cornwall.
Accompanied by cover letter (Oct. 13th, 1977) from the composer.
folder 27 Mourant, Walter. Love’s Secret.
MS repro; 3 pages of music.
Copyright 1977 by Walter Mourant.
Text by William Blake.
folder 28 Rickard, Jeffrey H. Afternoon on a Hill.
MS repro; 5 pages of music.
Text by Edna St. Vincent Millay.
folder 29 Rickard, Jeffrey H. The Penitent.
MS repro; 7 pages of music.
Text by Edna St. Vincent Millay.
folder 30 Rickard, Jeffrey H. Thursday.
MS repro; 5 pages of music.
Text by Edna St. Vincent Millay.
folder 31 [Speaks, Oley] On the Road to Mandalay.
Copyist’s MS in ink; 3 pages of music.
folder 32 Yeh, H.D. Ariel’s Song.
MS repro; 4 pages of music.
For soprano with piano or harp.
Text from William Shakespeare’s The Tempest.

Sub-series F: Harp and flute

folder 33 Andrès, Bernard. Narthex.
Paris: Éditions Musicales Hortensia, c1978.
Two parts present.
folder 34 Busser, Henri. Les Cygnes.
Paris: Alphonse Leduc, c1927. 4 pages of music. Pl. no. A. L. 17,225.
Two parts present.
No. 1 from Deux morceaux pour flûte et harp ou piano.
folder 35 Cras, Jean. Suite en duo: pour flûte et harp, ou violon et piano.
Paris: Éditions Maurice Senart, c1927. Pl. no. E. M. S. 7389-7390.
Score (harpe ou piano, et flûte) and flute part present.
folder 36 Damase, Jean-Michel. Sonate pour flûte et harpe.
Paris: Henry Lemoine & Cie, c1964. Pl. no. 24 120 HL.
Two parts present.
folder 37 Debussy, Claude. En Bateau.
Copyist’s MS in pencil; two parts present.
From the Petite suite.
Accompanied by a published copy of the violoncelles part from the orchestration by H. Mouton (pl. no. D & F. 7348).
folder 38 Inghelbrecht, D. E. Sonatine: en trois parties.
Pour flûte et harp ou piano. Paris: Alphonse Leduc & Cie, c1920. Pl. no. A. L. 16.052.
Two parts present.
I. Préambule — II. Sicilienne — III. Rondes.
folder 39 Inghelbrecht, D. E. Sonatine.
Paris: Alphonse Leduc, c1920. Pl. no. A. L. 16.052.
Score (harp ou piano, et flûte) and part (flûte) present.
folder 40 Kechley, David. Sonata for flute and harp. — March, 1970; revised 1974
Score. MS repro; 39 pages.
“Written for Jerilee Taverniti and Motter Forman”—on front cover.
Accompanied by cover letter (December 31, 1974) from the composer.
folder 41 Mozart, W. A.. Konzert für Flöte und Harfe, C dur.
Leipzig: Breitkopf and Härtel, s.d. Pl. no. Orch.B. 555.
Solo harp part only.
folder 42 Mozart. Konzert für Flöte und Harfe mit Orchester.
Bearbeitung [für Klavier] von Karl Burchard.
Leipzig: Edition Breitkopf, s.d.. 35 pages. Pl. no. 16065.
Markedly worn.
Accompanied by the following:
Kadenz zum ersten Satze des Konzertes für Flöte und Harfe von W. A. Mozart (K.V. No. 299), componiert von Carl Reinecke.
Edition Breitkopf Nr. 3095a. ! Incomplete. Pl. no. 17081.
Harp part for the same Concerto.
[Leipzig:] Breitkopf u. Härtel, s.d.
16 pages. Pl. no. Orch. B. 5555.
folder 43 Persichetti, Vincent. Serenade No. 10. For flute and harp.
Philadephia: Elkan-Vogel Co., Inc., c1961.
Two parts present.
folder 44 Wen-Chung, Chou. Three Folksongs for harp and flute.
Edited by Carlos Salzedo.
Composers Facsimile Edition, copyright 1955.
Two parts present.
folder 45 Willey, James. Duo for flute and harp. — 1976
Score. MS repro; 25 pages of music.
“Commissioned by the New York State Music Teachers Association”—on title page.
At end: Completed Aug. 76 / Johnson, Vt.

Sub-series G: Harp and flute—arrangements and transcriptions

folder 46 Bizet, Georges. Carmen.
Arrangé pour flûte et harpe avec 2e flûte (ad libitum) par Ch. Delsaux.
Paris: Choudens, c1922. Pl. no. A.C. 15,723.
Three parts present (1ère flûte, 2e flûte, harpe).
folder 47 Jamet, Marie-Claire. Trois Cadences pour le Concerto pour flûte et harpe de Mozart, KV 299.
Paris: Alphonse Leduc & Cie, c1981. Pl. no. A. L. 25.916.
Two parts present.
folder 48 Nielsen, Carl. Taagen letter (The Fog is Lifting), op. 41.
From Heige Rode’s play “The Mother”.
Arr. for flute and piano or harp by Edwin Nielsen. Copenhagen: Wilhelm Hansen, c1952. 2 pages. Pl. no. 27023.

Sub-series H: Harp and piano
(including piano reductions of harp concertos)

folder 49 Damase, Jean-Michel. Double Concerto: pour flûte et harpe (ou clavecin) et orchestre à cordes.
Paris: Editions Musicales Transatlantiques, c1978. Pl. no. E. M. T. 1286.
Score (37 pages) and solo part (12 pages) present.
“Réduction flûte et harpe ou clavecin”—on front cover.
folder 50 Debussy, Claude. Danses. Pour harpe chromatique ou piano; avec accompt. d’orchestre d’instrument à cordes.
Paris: A. Durand & Fils, c1904. Pl. no. D. & F. 6429.
Score for 1er piano (principal) and 2d piano (réduction de l’orchestre).
I. Danse sacrée — II. Danse profane.
Two copies present.
folder 51 Debussy, Claude. Danses. Pour harpe chromatique ou piano; avec accompt. d’orchestre d’instrument à cordes.
Paris: A. Durand & Fils, c1904. Pl. no. D. & F. 6429.
Score for 1er piano (principal) and 2d piano (réduction de l’orchestre).
I. Danse sacrée — II. Danse profane.
One copy present, markedly more worn than those in folder 50.

Box 7

folder 1 Deltour, Emile. Concertino in Jazz.
For harp and piano.
Score and arrangement for the harp by David Bee.
Bruxelles: Editions Bizet, c1965. 39 pages.
folder 2 Dubois, Théodore. Fantaisie pour harpe et orchestre.
Réduction pour harpe et piano par l’auteur.
Paris: Heugel et Cie, c1903. 33 pages. Pl. no. H. et Cie. 21,478.
folder 3 Inghelbrecht, D. E. Ballade dans le goût irlandais.
Pour harpe et orchestre; version harpe et piano.
Paris: Éditions Salabert, c1950. 16 pages. Pl. no. E. & S. 15.220.
Comprised of two copies.
folder 4 Jolivet, André. Concerto pour harpe et orchestre de chambre.
Réduction pour harpe et piano.
Paris: Pierre Noël, c1952. 37 pages. Pl. no. P. N. 6.152.
“Morceau de concours du Conservatoire National, Paris 1952”—on front cover.
folder 5 Jolivet, André. Concerto pour Harpe et Orchestre de Chambre.
Paris: Gérard Billaudot, c1952. 37 pages. Pl. no. P.N. 6.152.
“Réduction pour harp et piano”—on front cover.
“Morceau de concours du Conservatoire National Paris 1952”—on front cover.
folder 6 McDonald, Harl. Suite “From Childhood.
For harp and orchestra; reduction for harp and piano.
Philadelphia: Elkan-Vogel, c1942, 1941.
Score (58 pages) and harp part (19 pages).
folder 7 Ravel, Maurice. Introduction and Allegro.
Pour harpe avec acct. de quatuor à cordes, flûte et clarinette.
Transcription à 2 pianos par l’auteur.
Paris: A. Durand and Fils, c1906. 25 pages. Pl. no. D. & F. 6811.
Markedly worn.
folder 8 Renié, Henriette. Les Pins de Charlannes.
Petite pièce trés facile pour la harpe, sans pédales, avec piano ou seconde harpe.
Paris: Alphonse Leduc, c1940. 5 pages. Pl. no. A. L. 19,923.
folder 9 Widor, Ch. M. Choral et Variations.
Pour harpe et orchestre; réduction pour harpe et piano.
Paris: Heugel & Cie, c1927. Pl. no. H. et Cie. 20063.
Score (27 pages) and harp part (19 pages).
folder 10 Widor, Ch. M. Choral et Variations.
Pour harpe et orchestre; réduction pour harpe et piano.
Paris: Heugel & Cie, c1927. Pl. no. H. et Cie. 20063.
Harp part (19 pages).
Markedly worn.
N.B. Miss Malone was the featured soloist in a performance of this work by the Eastman School Orchestra (Samuel Belov, conductor) on April 15th, 1929.
folder 11 Willey, James. Commentary IV.
For harp and piano, on William Billings’ “Mendon”.
MS repro; 18 pages of music.
“To the memory of Dr. Eugene Selhorst”—on front cover.
“Written for Joseph and Barbara Dechario”—on front cover
folder 12  Zabel, Albert. Concerto en Do-mineur pour harpe, op 35: avec accopagnement d’orchestre ou piano.
Leipzig: Jul. Heinr. Zimmermann, c1904. Pl. no. Z. 3994.
Piano score (31 pages) and solo harp part (incomplete; only pages 13-20 present).

Sub-series I: Harp and piano—arrangements and transcriptions

folder 13 Chabrier, Emmanuel. Habanera.
Transcription pour piano (ou harpe) et harpe par H. Renié.
Paris: Enoch & Cie, s.d.. Pl. no. E. F. & C. 2419. H.
Two parts present; harp part incomplete.
folder 14 Schaefer, Albert. Harfen-Vorspiel über Mozart’s Ave verum corpus.
Berlin: Carl Simon Musikverlag, s.d.. Pl. no. C. S. 1831.
Two parts present (Harfe (Klavier) and Harmonium (Klavier II)).

Sub-series J: Harp and organ

folder 15 Grandjany, Marcel. Aria (in classic style,), op. 19.
MS repro; 8 pages of music.
Copyright 1944 by Edward B. Marks Music Corp.
folder 16 Wiegand, Auguste. The harp of St. Cecilia (La Harpe de Ste. Cécile).
Mélodie réligieuse. Arrangement for organ and harp (or piano).
Birmingham, England: J. Fischer and Bro., c1904. Pl. no. J. F. & B. 2552⁄3- 4.
Score (9 pages) and Piano or Harp part (5 pages).

Sub-series K: Harp and electronics

folder 17 Nelson, Peter. Shadowdance.
MS repro; 10 pages of music.
At end: Boston 10th-17th July / 1982.
Accompanied by copy of memorandum (April 14, 1983) from Professor Allan Schindler.
SEPARATED TO OVERSIZED.
folder 18 Tal, Josef. Concerto for Harp and Electronics.
Tel Aviv: Israel Music Institute, c1971. 35 pages. Pl. no. I.M.I. 192.
Harp part, including the graphic notation of the electronics.
Title, composer’s name, and publisher’s information printed in both Hebrew and English.
folder 19 Tal, Josef. Concerto for Harp and Electronics: New Version (1980).
Israel: Israel Music Institute, c1980. 23 pages. Pl. no. IMI 192 rev.48Harp part, including the graphic notation of the tape/electronics.
Title, composer’s name, and publisher’s information printed in both Hebrew and English.
Accompanied by cover letter (June 20th, 1982) from William Y. Elias, Director General of the Israel Music Institute, Tel Aviv.
folder 20 Tal, Josef. Concerto for Harp and Electronics: New Version (1980).
Israel: Israel Music Institute, c1980. 23 pages. Pl. no. IMI 192 rev.
Harp part, including the graphic notation of the tape/electronics.
Title, composer’s name, and publisher’s information printed in both Hebrew and English.

Sub-series L: Harp and violin

folder 21 Charpentier, A. Mélodie.
Pour violon avec accompagnement de harpe ou piano.
Paris: Alphonse Leduc, c1905. A. L. 11,353.
Two parts present (Harpe ou Piano, and Violon).
folder 22 Périlhou, A. Andante.
Paris: Heugel & Cie, c1899. Pl. no. H. & Cie. 19863.
Two parts present (Harpe, and Violon).
folder 23 Saint-Saëns, C. Fantaisie pour violon et harpe, op. 124.
Paris: Durand & Cie, c1907. Pl. no. D. & F. 6910.
Two parts present (Harpe, and Violon).
folder 24 Wilm, Nicolai von. Duo, op. 156.
Leipzig: Jul. Heinr. Zimmermann, c1898. Copyright by Carl Giessel junior, Bayreuth. Pl. no. Z. 5835.
Two parts present (Harfe, and Violine).

Sub-series M: Harp and violoncello

folder 25 Bantock, Granville. Hamabdil: Hebrew melody.
London: J. & W. Chester, Ltd., c1919. Pl. no. J. & W. C. 909.
Piano or harp part (5 pages) present; violoncello part lacking.
folder 26 Tournier, Marcel. Nocturne, op. 21.
Violoncelle et harpe ou piano ou orgue (ad libitum).
Copyist’s MS in ink. Score (3 pages) and part (3 pages).

Sub-series N: Harp and violoncello—arrangements and transcriptions

folder 27 Händel, Georg Friedr. Sarabande (g moll).
Bearbeitung (für Violoncello und Harfe( von Heinrich Katona Grünecke.
Leipzig: Wilhelm Zimmermann, c1911. Pl. no. Z. 5029.
Two parts present.

Sub-series O: Harp and viola

folder 28 Barlow, Wayne. Intermezzo. — 1980
MS repro; 11 pages of music.
“For the New York State Music Teachers Association 1980”—on first page of music.
At end: Rochester, NY. 1980. Published by the composer. Rochester, c1980.
Accompanied by a cover note (October 21, 1980) from the composer.

Sub-series P: Harp and oboe

folder 29 Jolivet, André. Controversia.
Pour hautbois et harpe.
Paris: Editions M.R. Braun, c1969. Pl. no. M. R. 1199 B.
Two parts present.
One in the publisher’s Collection Pierre Pierlot: oeuvres classiques & modernes pour hautbois.
folder 30 Soulage, Marcelle. Pastorale, op. 15.
Paris: Buffet Crampon and Cie; copyright 1925 by Evette et Schaeffer, Successeurs. Pl. no. E. S. 1908-1.
Two parts present.
“Primée au Salon des Musiciens Français / Mention, 1920”—on first page of music.

Sub-series Q: Harp and bassoon

folder 31 Williams, David R. Sonatina for Bassoon and Harp.
MS repro; 12 pages of music.
“Dedicated to Jane Taylor & Elisabeth Gibson”—on title page.

Sub-series R: Harp and clarinet

folder 32 Bochsa, Charles fils. Thème et Variations (andante amabile).
Extrait de la Grande Sonate en mi bémol pour clarinette si bémol (ou violon) et harpe (ou piano).
Révision de Frédéric Robert.
Paris: Les éditions Ouvrières, c1971. Pl. no. E. O. 806.
Two parts present.
In the publisher’s series: L’Astrée: collection de musique instrumentale classique publiée sous la direction de Max Pinchard.
folder 33 Nux, P. V. de la. Morceau de Concours.
Pour clarinette avec accompagnement de harpe (ou piano).
Paris: Enoch and Cie, s.d.. Pl. no. E. & C. 6335.
Score (8 pages). .
Provenance: R. M. Arey.

Sub-series S: Harp and two strings

folder 34 Charpentier, A. Mélodie.
Pour violon avec accompagnement de harpe (ou piano).
Paris: Alphonse Leduc, c1905. Pl. no. A. L. 11,353. bis.
Two parts present..

Sub-series T: Harp & spoken word

folder 35 Renié, Henriette. Fêtes Enfantines: trois pièces pour harpe et diction.
Poésies de F. des Varennes.
Paris: Alphonse Leduc, c1959. 11 pages. Pl. no. A. L. 22.726.
I. La Vierge à la crêche — II. Mascarade — III. Cloches de Pâques.

Sub-series U: Harp and two flutes

folder 36 Berlioz, H.. Trio des jeunes Ismaëlites.
From L’Enfance du Christ: Suite Symphonique.
Transcription pour J. Clémandh. Paris: Costallat & Cie, s.d.. Pl. no. R. 11374.
Score (7 pages) and flutes part (4 pages).
folder 37 Gaubert, Ph. Divertissement Grec.
Pour flûte et harpe (ou piano).
Paris: Alphonse Leduc, c1908. Pl. no. A. L. 14.120.
Score (5 pages) and two flute parts present.

Sub-series V: Harp trio

Box 8

folder 1 Chertok, Pearl. Ten Past Two.
From Around the Clock: Suite.
MS repro. Score (3 pages) and three harp parts.
Copyright Pearl Chertok.
folder 2 Grandjany, Marcel. Deep River Interlude.
No. 27 from The Harp Album, opus 27.
New York: M. Baron Co., c1947.
Score and two parts present.

Sub-series W: Harp quartet

folder 3 Yeh, Huai-Deh. Fugue in D: for four harps.
MS repro score (10 pages) and four parts.
“To Eileen Malone”—on first page of score.
folder 4 Yeh, Huai-Deh. Sarabande: for four harps.
Pencil MS score (9 pages) and four MS repro parts.
“To Eileen Malone”—on first page of score.

Sub-series X: Harp ensemble

folder 5 Feliciano, Richard. Four Poems from the Japanese.
For women’s voices, five harps, celesta, glockenspiel and tam-tam.
MS repro score (15 pages), choral score (6 pages), and harp/red part (4 pages).
Accompanied by cover letter (October 5, 1965) from the composer, and by photocopy of press article “Ives Second String Quartet Sparkles” by Robert Finn, Cleveland Plain Dealer, February 9, 1967, which cites the work in question.

Sub-series Y: Harp ensemble—arrangements and transcriptions

folder 6 Bach, J. S. Jesu, Joy of Man’s Desiring: from Cantata 147.
Transcribed C. Ratcliff for harp quartet and trombone quartet.
Desktop-published score (9 pages) and parts.
“For Eileen Malone and the Eastman Harp and Trombone Choirs”—on first page of score.

Sub-series Z: Harp in chamber ensemble

folder 7 Adair, James. Concerto da Camera.
For flute, harp and strings. Edited by Eileen Malone.
MS repro harp part (11 pages).
folder 8 Bax, Arnold. Elegiac Trio.
For flute, viola and harp.
London: J. & W. Chester, Ltd., c1920. Pl. no. J. & W. C. 218. Harpist’s score (18 pages) and two parts.
folder 9 Bax, Arnold. Quintet.
For harp and strings.
London: Murdoch, Murdoch & Co., c1922. Pl. no. M. M. & Co. 311.
Harpist’s score (22 pages) and four strings parts.
folder 10 Berio, Luciano. Circles.
For female voice, harp and 2 percussion players.
New York: Universal Edition, c1960. 39 pages.
Text from e. e. cummings: Poems 1923-1954 (published by Harcourt, Brace)
“Commissioned by the Fromm Foundation.”—on title page.
folder 11 Berres, George. Harp Quintet.
For harp and string quartet.
MS repro score; 53 pages of music.
folder 12 Boisdeffre, René de. Élégie, op. 15, no. 2.
Pour piano ou orgue, violon, violoncelle et harpe.
Paris: J. Hamelle, s.d.. Pl. no. J. 3710. H.
Score and parts.
folder 13 Busser, Henri. Ballade en la bémol, op. 65.
Pour harpe à pédales avec accompagnement de quintette à cordes.
Paris: Evette et Schaeffer, c1920. Pl. no. E. S. 9120.0.
Score and parts.
“Concours du Conservatoire national de musique de Paris / année 1918)— on cover of score.
folder 14 Büsser, Henri. Le Sommeil de L’Enfant Jésus, op. 3.
Berceuse pour la Nuit de Noël. Édition originale: violon ou violoncelle, harpe ou piano et orgue.
Paris: Choudens, s.d.. Pl. no. A.C. 10.185.—10.259. — 11,256.
Score (13 pages) and parts for: violon solo, violoncelle solo, harpe ou piano, and harmonium.
folder 15 Caplet, André. Conte fantastique: d’après une des Histoires extraordinaires
d’Ellen [sic] Edgar Poë: “Le masque de la mort rouge”.
Pour harpe ou piano et quatuor à cordes.
Paris: Durand & Cie, c1924. Pl. no. D. & F. 10,535.
Harp part and four strings parts present.
folder 16 Charpentier, Jacques. Mouvement: pour flûte, violoncelle et harpe.
Paris: Alphonse Leduc, c1968. Pl. no. A. L. 23675.
Three parts present.
folder 17 Cras, Jean. Quintette.
Pour harpe, flûte, violon, alto et violoncelle ou piano et quatuor à cordes.
Paris: Éditions Maurice Senart, c1930. Pl. no. E. M. S. 7989.
Score (48 pages) and parts: flûte, violon, alto (2), violoncelle (2).
folder 18 Damase, Jean-Michel. Quintette.
Pour flûte, harpe, violon, alto et violoncelle.
Paris: Henry Lemoine & Cie, c1948. Pl. no. 23 430 HL.
Score and three parts present.
folder 19 Damase, Jean-Michel. Trio.
Pour flûte, harpe et violoncelle.
Paris: Henry Lemoine & Cie, c1947. Pl. no. 23 370 HL.
Score and two parts present.
folder 20 Debussy, Claude. Danses [i.e., Danse sacrée et Danse profane].
Pour harpe chromatique ou piano avec acct. d’orchestre d’instruments à cordes.
Paris: A. Durand & Fils, c1904. Pl. no. D. & F. 6419.
Partition d’orchestre (28 pages) and parts: 1ers violons; 2ds violons; altos; violoncelles; contrebasses.
folder 21 Debussy, Claude. Sonate.
Pour flüte, alto et harpe. Édition originale.
Paris: Éditions Durand & Cie, c1916. Pl no. D. & F. 9427.
Score and two parts; additional flute and alto parts also present.
folder 22 Debussy, Claude. Sonate. i
Pour flûte, alto et harpe.
Paris: Editions Durand & Cie, c1916. Pl. no. D. & F. 9427.
Score; copy markedly more worn than that in folder 21.

Box 9

folder 1 Debussy, Claude. Sonate.
Pour flüte, alto et harpe. Édition originale.
Paris: Éditions Durand & Cie, c1916. Pl no. D. & F. 9427.
Score and two parts; additional flute and alto parts also present.
folder 2 Gallon, Noël. Quintette.
Pour harpe, 2 violons, alto et violoncelle.
Paris: Henry Lemoine & Cie, c1953. Pl. no. 23611 HL.
Score only (47 pages).
folder 3 Goossens, Eugène. Suite, op. 6.
[London:] J & W Chester, s.d. Pl. J. W. C. 206.
(a) Impromptu — (b) Serenade — (c) Divertissement.
Incomplete: violin part only.
folder 4 Hanson, Howard. Pastorale, op. 38.
For solo oboe, strings, and harp.
New York: Carl Fischer, Inc., c1952.
Score and harp part; additional copies of the latter also present.
Accompanied by printed program, Eastman School of Music, November 30th, 1981.
folder 5 Hodkinson, Sydney. Papillons: a serenade of songs without words.
For flute (alto flute, piccono), viola and harp.
MS repro score; 48 pages.
Accompanied by letter (May 21, 1984) to Eileen Malone from the composer.
1. Preamble — 2. Aubade — 3. Arietta — 4. Burlesca — 5. Lament — 6. Pastorale — 7. Shivaree.
folder 6 Ibert, Jacques. Deux Interludes.
Pour flûte, violon et clavecin (ou harpe).
Paris: Alphonse Leduc, c1949. Pl. no. A. L. 20,630.
Score and two parts.
folder 7 Ibert, Jacques. Trio.
Pour violon, violoncelle et harpe.
Paris: Alphonse Leduc, c1945. Pl. no. A. L. 20, 341.
Score; parts lacking.
folder 8 Ibert, Jacques. Trio.
Pour violon, violoncelle et harpe.
Paris: Alphonse Leduc, c1945. Pl. no. A. L. 20, 341.
Score and two parts. Score bound into library binding. Set shows more wear than the score housed in folder 7.
folder 9 Indy, Vincent d’. Suite, op. 91.
Pour harpe, flüte, violon et violoncelle.
Paris: Heugel Editeur, c1930. Pl. no. H. 30,078.
I. Entrée en Sonate — II. Air désuet — III. Sarabande.
All parts present.
folder 10 Indy, Vincent d’. Suite en parties.
Pour flûte obligée, violon, alto, violoncelle et harpe.
Paris: Au Ménestrel. Copyright by Heugel c1930. Pl. no. H. 30,078.
Five parts present.
folder 11 Jolivet, André. Pastorales de Noël.
Pour flûte (ou violon), basson (ou alto, ou violoncelle) et harpe.
Paris: Heugel & Cie, c1949. Pl. no. H. 31254.
Score and two parts.
I. L’étoile — II. Les mages — III. La vierge et l’enfant — IV. Entrée et danse des bergers.
folder 12 Jolivet, André. Suite Liturgique.
Pour voix ténor ou soprano, cor anglais (prenant le hautbois), violoncelle et harpe.
Paris: Durand & Cie, c1947. Pl. no. D. & F. 13,303.
Cor anglais (ou hautbois), violoncelle, and harpe parts present.
folder 13 Jongen, Jos. Concert à cinq, op. 71.
Pour harpe chromatique ou diatonique, flûte, violon, alto, violoncelle. 2me édition.
Bruxelles: Maison Vriamont, s.d..
Score and four parts (flûte, violon, alto, violoncelle) present.
folder 14 Lajtha, László. Trio, op. 22.
Pour harpe, flûte et violoncelle.
Budapest: Rózsavölgyi and Co., c1937. Pl. no. R. & Co. 6095.
Score and two parts present.
folder 15 Lajtha, László. Deuxième Trio, op. 47.
Pour flûte, violoncelle et harpe.
Paris: Alphonse Leduc & Cie, c1950. Pl. no. A. L. 20620.
Score and two parts present.
folder 16 Lesur, Daniel. Suite Médiévale.
Pour flûte, harpe, violon, alto, violoncelle.
Paris: Durand & Cie., c1945. Pl. no. D. & F. 13.689bis.
Five parts present.
 *** Luedeke, Raymond. The Moon in the Labyrinth.
Published by the composer, c1985. (score.)
Accompanied by a letter from the composer.
SEPARATED TO OVERSIZED.
folder 17 Luigini, A. Aubade.
Pour flûte, hautbois, clarinette, quintette à cordes et harpe ou piano.
Paris: L. Grus & Cie, s.d.. Pl. no. L. G. & Cie. 5951.
Parts present: Harpe ou piano (obligé), flûte, hautbois, clarinette en si- bemol, 1er violon, 2d violon, alto, violoncelle, contrebasse.
folder 18 Malipiero, G. Francesco. Sonata à cinque.
Milano: G. Ricordi and C., s.d.. Pl. no. 123628.
Score and five parts: flauto (o violino I); violino (o violino II); viola; violoncello; arpa (o pianoforte).
Provenance: G. Ricordi.
folder 19 Maryani, Ami. 2 Madrigals.
MS repro parts. Harpe, flûte, hautbois, clarinette (si bémol), basson.
1. Modéré — 2. Vite.

Box 10

folder 1 Meulemans, Arthur. Sonate.
Pour flûte, alto et harpe. Bruxelles: CeBeDeM, 1959. Pl. no. 1.
Harpist’s score (32 pages and two parts.
folder 2 Pierné, Gabriel. Variations libres et Finale, op. 51.
Pour flûte, violon, alto, violoncelle et harpe.
Paris: Éditions Salabert, c1933. Pl. no. E.A.S. 8182.
Five parts present; each in negative-polarity photographic format.
folder 3 Pierné, Gabriel. Variations libres et Finale, op. 51.
Pour flûte, violon, alto, violoncelle et harpe.
Paris: Éditions Salabert, c1933. Pl. no. E. A. S. 8162.
Five parts present.
folder 4 Pierne, Gabriel. Voyage au “Pays du Tendre” (d’après la Carte du Tendre).
Pour flûte, violon, alto, violoncelle et harpe.
Paris: Alphonse Leduc, c1951. Pl. no. A. L. 20.853.
Harpist’s score (21 pages) and four parts present.
Title page of harpists score bears a facsimile of the Carte du Tendre with a quotation from the Histoire de la Littérature française by Ch.-M. des Granges.
folder 5 Pierné, Paul. Variations au Clair de Lune.
Pour violon, alto, violoncelle, flûte, harpe ou piano.
Paris: Henry Lemoine & Cie, c1935. Pl. no. 22.789. H.
Five parts present.
folder 6 Pillois, Jacques. cinq Haï-Kaï: Epigrammes lyriques du Japon.
Pour flûte, violon, alto, violoncelle et harpe. Paris: Durand & Cie., c1926.
Pl. no. D. & F. 10,939.
Five parts present.
Title page bears a quotation from Sages et Poètes d’Asie by Paul-Louis Chouchoud.
folder 7 Ravel, Maurice. Introduction and Allegro.
Pour harpe avec acct. de quatuor à cordes, flûte et clarinette.
Paris: A. Durand & Fils, c1906. Pl. no. D. & F. 6738.
Seven parts present.
folder 8 Ravel, Maurice. Introduction and Allegro.
Pour harpe avec acct. de quatuor à cordes, flûte et clarinette.
Paris: A. Durand & Fils, c1906. Pl. no. D. & F. 6738.
Exclusively the harp part present: markedly worn and annotated in pencil.
folder 9 Ravel, Maurice. Introduction and Allegro.
Pour harpe avec acct. de quatuor à cordes, flûte et clarinette.
Paris: A. Durand & Cie, c1906. Without plate number.
Miniature score (37 pages).
folder 10 Rota, Nino. Quintetto.
Per flauto, oboe, viola, violoncello et arpa.
Milano: G. Ricordi & C., c1937. Pl. no. 123818.
Score (29 pages) and five parts present.
folder 11 Roussel, Albert. Sérénade, op. 30.
Pour flûte, violon, alto, violoncelle et harpe.
Paris: Durand & Cie, c1925. Pl. no. D. & F. 10,838.
Five parts present; an additional harp part also present, markedly more worn.
folder 12 Saint-Saëns, C. Quatuor sur un fragment de L’Oratorio de Noël, op. 12.
Pour piano ou harpe, violon, violoncelle et orgue-harmonium.
Paris: A. Durand & Fils, s.d.. Pl. no. D. et F. 3048.
Score and parts for orgue-harmonium, violon, violoncelle present; harp part lacking.
Markedly worn.
folder 13 Saint-Saëns, C. Quatuor: sur un fragment de L’Oratorio de Noël.
Pour piano ou harpe, violon, violoncelle et orgue-harmonium.
Paris: A. Durand & Fils, s.d.. Pl. no. D. et F. 3048.
Harpist’s or pianist’s score (incomplete: pages 3-10 lacking) and three parts.
folder 14 Saint-Saëns, C. Romance, op. 27.
Pour violon, piano ou harpe et orgue; partie de harpe transcrite par A. Hasselmans.
Paris: A. Durand & Fils, s.d.. Pl. no. D. et F. 2040.
Two parts present: for violon and harmonium, and for violon and harpe (incomplete; pages lacking).
Markedly worn.
folder 15 Saint-Saëns, C. Romance, op. 27.
Pour violon, piano ou harpe et orgue; partie de harpe transcrite par A. Hasselmans.
Paris: A. Durand & Fils, s.d.. Pl. no. D. et F. 2040.
Three parts present: for violon and harmonium, for violon and harpe; and for violin.
folder 16 Sheriff, Noam. Ma’I ko’ ma’sh’ma Ian . . . [Essay for harp and string quartet].
MS repro score; 17 pages of music.
Title in Hebrew and in English in caption on first page of music.
“This work can be played by a small orchestra. Double-basses should then double the ‘cello part at the conductor’s discretion.”—on first page of music.
Copyright 1976 by Noam Sheriff.
*** Sheriff, Noam. Essay for Harp and String Quartet.
Score: the pages mounted for performance on cardboard.
SEPARATED TO OVERSIZED.
folder 17 Soulage, Marcelle. Légende, op. 13.
Pour flûte, hautbois et harpe.
Paris: Evette & Schaeffer, s.d.. Pl. no. E. S. 1785-I.
Score and two parts present.

Works by Marcel Tournier in this sub-series are arranged by their opus numbers; works without opus numbers have been placed at the end of the sequence.

folder 18  Tournier, Marcel. Nocturne, op. 21.
Pour violoncelle et harpe ou piano, [et] orgue (ad lib.).
Paris: Gay & Tenton, s.d.. Pl. no. L. R. 212.
Score only (11 pages).
Markedly worn.
folder 19 Tournier, Marcel. Nocturne, op. 21.
Pour violoncelle et harpe ou piano, [et] orgue (ad lib.).
Paris: Gay & Tenton, s.d.. Pl. no. L. R. 212.
Score (11 pages) and organ part.
folder 20 Tournier, Marcel. Suite, op. 34.
Pour flûte, violon, alto, violoncelle et harpe (ou piano).
Paris: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H.
1. soir — 2. danse — 3. lied — fête.
Score only (31 pages).
Annotated in pencil; markedly worn.
folder 21 Tournier, Marcel. Suite, op. 34.
Pour flûte, violon, alto, violoncelle et harpe (ou piano).
Paris: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H.
1. soir — 2. danse — 3. lied — fête.
Score (31 pages) and parts for flûte, violon, and violoncelle (alto lacking).
folder 22 Tournier, Marcel. Suite, op. 34.
Pour flûte, violon, alto, violoncelle et harpe (ou piano).
Paris: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H.
1. soir — 2. danse — 3. lied — fête.
Score (31 pages) and parts for flûte (2 copies), violon (2 copies), alto (2 copies), and violoncelle (2 copies).
folder 23 Tournier, Marcel. Les Anesses grises sur la Route d’El-Azib.
Pour la harpe et quatuor à cordes.
No. VII from Images, 3me Suite, opus 35.
Paris: Henry Lemoine, c1938. Pl. no. 23 102 HL.
Score (13 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse).
folder 24 Tournier, Marcel. Danseuse à la Fontaine d’Aïn-Draham.
No. VIII from Images, 3me Suite, opus 35.
Paris: Henry Lemoine, c1938. Pl. no. 23 103 HL.
Score (13 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse).
folder 25 Tournier, Marcel. Images: Soir de Fête à Sedjenane.
Pour la harpe et quatuor à cordes.
No. IX from Images, 3me Suite, opus 35.
Paris: Henry Lemoine, c1938.
Score (14 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse).
folder 26 Tournier, Marcel. Féerie: Prélude et danse.
Pour harpe et quatuor à cordes. Paris: Louis Rouhier, c1912. Pl. no. L. R. 462.
Four parts for string quartet present; harp part lacking.
folder 27 Tournier, Marcel. Féerie: prélude et danse.
Pour harpe et quatuor à cordes.
Paris: Louis Rouhier, s.d.. Pl. no. L. R. 462 bis.
Studio score.

Box 11

folder 1 White, Paul. Sea Chanty. For harp and strings.
Cadenzas by Edna Phillips.
Philadelphia: Elkan-Vogel Co., Inc., c1944. Pl. no.
Alternate title appears on parts: Sea Chanty Quintet.
“Composed for and dedicated to Edna Phillips”—on first page of music.
1. Blow the man down — 2. Tom’s gone to Hilo — 3. O wake her, O shake her.
Published score (harp with piano/reduction of strings) (34 pages).
MS repro parts: harp with piano (strings reduction); violin 1; violin 2; viola; violoncello; bass.
folder 2 Wilder, Alec. Suite for Harp, Oboe and French Horn.
MS repro parts (harp, oboe, horn).
Accompanied by several pages of pencil MS in the composer’s hand.

Sub-series AA: Harp in chamber ensemble—arrangements and transcriptions

folder 3 Bach, J. C.. Sinfonia Concerto.
For harp and strings (string trio). Edited & realized by David Watkins.
MS repro harp part (14 pages; page 3 lacking).
Copyright Salvi 1983.
folder 4 Bach, J. S.. Jesu, Joy of Man’s Desiring.
Arr. by Bruce Houseknecht ESM ’43 for Eileen Malone.
Pencil MS parts.
1st harp / 2nd vl. & va extraction for 3rd harp / 1st trombone / 2nd trombone / 3rd trombone / 4th trombone.
folder 5 Bach, K. Ph. E.. Deux menuets et une polonaise.
Pour flûte, alto et harpe. Adaptation de Francis Pierre.
Paris: Éditions Musicales Transatlantiques, c1975.
Pl. no. E. M. T. 1357.
Three parts present.
folder 6 [ ? Clark] A Strange Tune.
Arr. W. Boyes for two flutes, two clarinets, and harp.
Pencil MS score; 2 pages of music.
Source: [? Frances Clark] [method of piano technique], book I.
folder 7 Franck, César. Prière: extraite de “L’Organiste”.
Transcription pour violon (& violoncelle ad lib.) avec acct. d’orgue ou
piano et de harpe (ad lib.) par Henri Busser.
Paris: Enoch & Cie, s.d.. Pl. no. E. & C. 4603.
Score and three parts present (violon, violoncelle, harpe).
folder 8 Gounod, Ch.. O Divine Redeemer!
Folder contains two manifestations, each being an item of published sheet music; one (2) was found within the other (1):
(1)
Gounod, Ch. O divine Redeemer! (“Repentir”) Scena.
Arranged from the original orchestral score by Leigh Kingsmill. Words by Alfred Phillips.
London: Phillips & Page, s.d.. Pl. no. P. & P. 423.
For voice and piano. 7 pages.
Annotated in pencil with respect to vocal performance; markedly worn.
(2)
Gounod, Ch. O, divine Redeemer! (Repentir. = Parce domine.): prayer.
Arranged for voice, violin solo (or ‘cello), harper (or piano) and organ, by J. Delsart.
New York: G. Schirmer, Inc., n.d.. Pl. no. 13105 r.
Score (4 pages) and two parts (violin, ‘cello).
folder 9 Mahler, Gustav. Adagietto from Symphony No. 5.
Transcribed for trombone choir by Wesley Hanson.
MS repro conductor’s score; 13 pages of music.
MS repro harp part; 4 pages of music. Accompanied by post-it note bearing message to “Eileen” from “John M.” regarding an ensemble performance.
10 copies of the above-cited harp part, most annotated in pencil.
folder 10 Mozart, Leopold. Bourlesq [sic].
Arr. W. Boyes.
For harp, trumpet (muted) and trombone.
Pencil MS score; 1 page of music.
folder 11 Poenitz, Franz. Meditation über das 6. Praeludium (I. Teil des wohltempe- rierten Klaviers) von Joh. Seb. Bach.
Für Violine und Harpe (oder Klavier) mit Harmonium (oder Orgel) ad libitum.
Berlin: Carl Simon, Musikverlag. Pl. no. C. S. 1807.
Score (7 pages) with parts for Violine and Harmonium.
folder 12 Saint-Saëns, C.. Adagio de la Symphonie en ut mineur.
Transcription par Pierre Kunc pour violon, violoncelle, harpe & orgue.
Paris: A. Durand & Fils, c1923. Pl. no. D. & F. 10313.
Score (16 pages) and four parts (violon; violoncelle; contrebasse (ad lib.); harpe).
folder 13 Samuel-Rousseau, Marcel. Variations pastorales: sur un vieux Noël.
Pour la harpe. Accompt. de quatuor à cordes par Marcel Tournier.
Paris: Gay & Tenton, s.d.. Pl. no. G. T. 489.
Parts for four strings (1er violon, 2de violon, alto, violoncelle).
folder 14 Tenderly, by Walter Gross.
Arr. by Rayburn Wright for harp, vibraphone and bass.
MS repro double bass part; 4 pages of music.
Annotated in pencil.

Sub-series BB: Harp and orchestra

folder 15 Barlow, Wayne. Images: for harp and orchestra.—1961
MS repro harp part; 18 pages of music.
MS repro piano reduction score; 36 pages of music.
“To Robert Barlow”—on first page of music in both score and harp part.
“Copyright 1961 by Wayne Barlow”—on first page of music in both score and harp part.
Harp part copiously annotated in pencil ( ? fingerings possibly in Robert Barlow’s hand).
Harp part bears an explanatory note in hand of Professor Kathleen Bride.
folder 16 Barlow, Wayne. Images: for harp and instruments.—1963
MS repro harp part; 15 pages of music.
MS repro piano reduction score; 31 pages of music.
“To Robert Barlow”—on first page of music in both score and harp part.
“Copyright 1963 by Wayne Barlow”—on first page of music in both score and part.
Harp part copiously annotated in pencil ( ? fingerings possibly in Robert Barlow’s hand).
folder 17 Ben-Haim, P. The sweet Psalmist of Israel: three symphonic fragments for orchestra and soloists.
Tel Aviv: Israeli Music Publications, c1953. 84 pages. Pl. no. I. M. P. 524.
“Israeli Prize 1957”—on title page.
No. 24 in the publisher’s series Study Scores of Orchestral Works and Chamber Music.
I. David before Saul — II. Invocation — III. A song of degrees.
Copyright assigned 1958 to Impero-Verlag G.m.b.H., Wiesbaden, for all countries of the world except Israel.
Inscription by the composer inside front cover.
folder 18 Blacher, Boris. Konzert.
Für Klarinette, Fagott, Horn, Trompete, Harfe und Streicher.
Berlin: Bote and Bock, c1950.
Harp part; 7 pages of music.
folder 19 Boïeldieu, Adrien François. Concerto per arpa e orchestra.
Elaborazione di Carlo Stueber.
Milano: G. Ricordi. Pl. no. 124482.
Harp solo part; incomplete, lacking all pages past page 19.
folder 20 Boïeldieu, Fr. Adriano. Concerto in 3 Tempi.
Parte per arpa solista. Elaborazione di Carlo Stueber.
Milano: G. Ricordi & C., c1939. Pl. no. 124482-IX.
folder 21 Castelnuovo-Tedesco, Mario. Concertino for Harp and Chamber Orchestra.
Edited by Ann Mason Stockton.
New York: General Music Publishing Co., c1971.
Solo harp part; 29 pages.
folder 22 Damase, Jean Michel. Concertino.
Pour harpe et instruments à cordes.
Paris: Henry Lemoine & Cie., c1951. Pl. no. 23 546 HL.
Score (40 pages).
Accompanied by one page of notes in E. Malone’s hand.
folder 23 Dittersdorf, Karl Ditters von. Konzert für Harfe und Orchester.
Bearb. von Karl Herm. Pillney.
New York: C. F. Peters Corporation, c1958.
Solo harp part; 23 pages.
folder 24 Dittersdorf, Karl Ditters von. Konzert für Harfe und Orchester.
Bearb. von Karl Herm. Pillney.
New York: C. F. Peters, c1958.
Score (52 pages).
folder 25 Fuerstner, Carl. Concerto Conservativo, op. 23.
MS repro; 21 pages of music.
Solo harp part.
folder 26 Ginastera, Alberto. Harp Concerto.
[London]: Boosey and Hawkes, c1974.
Harp solo part; 28 pages.
Annotated in pencil.
folder 27 Ginastera, Alberto. Harp Concerto.
[London]: Boosey and Hawkes, c1974.
Harp solo part; 28 pages.
Annotated in pencil.

Box 12

folder 1 Grandjany, Marcel. Aria in Classic Style for harp and string orchestra.
New York: Associated Music Publishers, Inc., c1951.
Score (15 pages) and 5 parts for strings (violin 1, violin 2, viola, violoncello, bass).
Accompanied by one MS repro copy of the solo harp part for the harp/organ version of this composition; 6 pages of music; copyright1944 by Edward B. Marks Music Corporation.
folder 2 Händel, Georg Fr. Konzert für Harfe oder Orgel (Cembalo oder Klavier) und Orchester.
Herausgegeben von Gustav Lenzewstisen.
Berlin: Chr. Friedrich Vieweg, s.d.. Pl. no. V. 1707.
Score; 14 pages.
Accompanied by cover letter (March 3, 1966) from colleague Marilyn.
folder 3 Hanson, Howard. Concerto for Organ, Strings and Harp, op. 22, no. 3.
MS repro solo harp part; 6 pages of music.
Provenance: Eastman School of Music Orchestra Library.
folder 4 Heilner, Irwin. Suite for Harp and Orchestra.
New York: Composers Facsimile Edition, c1952.
Score (96 pages), harp solo part, and Orchestral part arranged for Harp II or Piano or Harp Ensemble.
Prelude — Blues — Impromptu — Bagatelle.
folder 5 Heilner, Irwin. Suite for Harp and Orchestra.
New York: Composers Facsmile Edition, c1952.
Score (96 pages).
“Unrevised / See new version”—in pencil on title page.
folder 6 Jolivet, André. Concerto pour harpe et orchestre de chambre.
Paris: Pierre Noël, c1957. Pl. no. P. N. 6153.
Cancellans slip bearing name of Gérard Billaudot pasted over Pierre Noël’s name on front cover.
Study score; 100 pages.
folder 7 Legg, James. Concertino for Harp.
With accompaniment of flute, clarinet in A and string quartet.
MS repro score; 60 pages of music.
Accompanied by cover letter (February 25, 1986) from the composer.
folder 8 Legley, Vic.. Concerto voor Harp en Orkest.
Bruxelles: CeBeDeM [Centre Belge de Documentation Musicale], c1967.
MS repro score; 75 pages.
MS repro solo harp part; 19 pages.
Score and solo part both bear the stamp of the CdBeDeM.
folder 9 Loboda, Samuel. The Prince and the Mermaid: harp fantasie.
For harp and band.
MS repro conductor’s condensed score; 15 pages.
Prefatory notes affixed to inside front cover.
folder 10 Lutoslawski, Witold. Double Concerto for oboe, harp and chamber orchestra.
London: J. and W. Chester, c1978.
Solo harp part; 19 pages.
folder 11 Ma’ayani, Ami. Concerto for Harp and Orchestra.
Tel Aviv: Israel Music Institute, c1964. Pl. no. I.M.I. 046b.
Score for solo harp with piano reduction; 84 pages. Two copies.
Title, composer’s name, and publisher’s name and information printed both in Hebrew and in English.
Biographical sketch of the composer and prefatory notes on the Concerto immediately precede the first page of music.
“The Concerto was included in the repertoire of the forthcoming Third International Harp Contest to be held in Israel in the autumn of 1965.”—from the notes on title page verso.
folder 12 Parish-Alvars, Elias. Concertino, op. 34.
Pour harpe avec acct. d’orchestre.
Paris: Henry Lemoine & Cie, s.d.. Pl. nos. 14995. HL. and S. 1377.
Solo harp part; 23 pages.
folder 13 Pierné, Gabriel. Concertstück pour harpe et orchestre, op. 39.
Paris: J. Hamelle, s.d.. Pl. no. J. 4788 H.
Solo harp part with piano reduction; 35 pages.
folder 14 Pierné, Gabriel. Concertstück pour harpe et orchestre, op. 39.
Paris: J. Hamelle, s.d.. Pl. no. J. 4788 H.
Solo harp part with piano reduction; 35 pages.
Markedly more worn than the copy housed in folder 13.
folder 15 Pierné, Gabriel. Concertstück pour harpe et orchestre, op. 39.
Paris: J. Hamelle, s.d.. Pl. no. J. 4788 H.
Solo harp part with piano reduction; 35 pages.
Unmarked, apart from pencilled instrumentation notes on the front cover.
folder 16 Rodrigo, Joaquin. Sones en la Giralda.
Pour harpe & orchestre.
Paris: Éditions Max Eschig, c1969. Pl. no. M.E. 7857.
Solo harp with piano reduction; 30 pages.
folder 17 Roger-Ducasse. Variations Plaisantes sur un thême grave.
Pour harpe obligée et orchestre.
Paris: A. Durand & Fils, c1909-1910. Pl. no. D. & F. 7295.
Solo harp with piano reduction; 25 pages.
folder 18 Saint-Saëns, C. Morceau de Concert, op. 154.
Pour harpe avec accompagnement d’orchestre.
Paris: Durand & Cie, c1919. Pl. no. D. & F. 9625.
Solo harp with piano reduction; 30 pages.

Box 13

folder 1 Saverino, Louis. Concerto for Harp and Orchestra.
MS repro solo harp part; 7 pages of music.
MS repro solo harp with piano reduction; 13 pages of music.
“To Miss Malone with my best wishes and compliments Louis Saverino”—inscription on first page of solo harp part.
At end of piano reduction: Louis Saverino / 4/2/44.
Accompanied by a printed program from a concert by the U. S. Marine
Band Symphony Orchestra, January 3rd, 1945 which featured a performance of this work.
folder 2 Somers, Harry. Suite for Harp and Chamber Orchestra.
MS repro solo harp part; 21 pages.67
Accompanied by an errata list (2 pages), printed on letterhead of the
American Harp Society and citing the 1990 Competition.
folder 3 Widor, C. Choral et Variations. Pour harpe et orchestre.
Paris: Heugel & Cie, c1900. Pl. no. H. & Cie. 20063.
Piano reduction score; 25 pages.
Solo harp part; 19 pages.
Both score and solo part markedly worn; together bound in cardstock boards. The solo harp part previously repaired with copious applications of cellotape.
folder 4 Anon. Deep River. Arranged for harp with strings.
Ink MS score; 2 pages of music.
Ink MS score for harp cadenza; 3 pages of music.
Ink MS parts for violin I (3), violin II (2), viola (2), violoncello, and bass.

Sub-series CC: Harp and orchestra—arrangements and transcriptions

folder 5 Handel, G. F. Sarabanda (Theme and Variations).
For strings and harp.
Transcribed by Mortimer Wilson.
New York: M. Witmark & Sons, c1932. Pl. no. M. W. & Sons 19258-10.
Score; 4 pages.
MS parts (copied from the published score) for 1st violin, 2nd violin, viola, ‘cello.
Accompanied by (found within the above):
Chopin, F. Two Preludes [in] C minor, op. 28, no. 20.
For harp and strings.
Transcribed by Mortimer Wilson. Pl. no. 19259-9.
Score; 3 pages.
folder 6 Mozart, W. A. Tre Valzer.
Transcritti da Gian Luca Tocchi per arpa e orchestra d’archi.
Roma: Edizioni de Santis, c1940. Pl. no. E. D. S. 571.
Score; 18 pages.

Sub-series DD: Harp music collections

folder 7 Grandjany, Marcel. Harp Album.
New York: M. Baron Co., c1947. 18 pages.
Inscription by the composer on front cover.
In series: Baron Manuscript Series.
1. Greetings, op. 27 — Zephyr, op. 27 — 3. In dancing mood, op. 27 — 4. A butterfly, op. 27 — 5. Deep River interlude, op. 27 — 6. The pageant begins, op. 27 — 7. On a Western ranch, op. 27 — Through the meadows, op. 27.
folder 8 Jaeger, Patricia, arranger. Folk Harp with a Friend.
Twelve Irish folk songs, arranged for harp accompaniment to: voice, violin, flute, piccolo, oboe, recorder, Irish pipes, melody bells, handbells, celeste, marimba, and other treble instruments.
Includes harp score with melody line and text; separarte treble part for “a friend”.
Volume 1 of “With a Friend” Series.
folder 9 Milligan, Samuel, editor. Medieval to Modern Repertoire for the Lyon-Healy Troubadour Harp, vol. I.
Chicago: Lyon-Healy, c1962. 24 pages. Pl. no. 7716-B.
“Selected compositions from the 12th century to the present, arranged for harp . . . easy to moderately difficult.”— on front cover.
folder 10 Paret, Betty. The Harpist’s Book of Christmas Music.
New York: Lyra Music Company, c1965. 25 pages.
folder 11 Qiu, Yue Ping, editor. Twelve Chinese Harp Pieces.
Shenyang: Shenyang Conservatory of Music, c1989. Selected and edited by Yue Ping Qiu. 57 pages.
Editor’s Preface printed inside front cover.
Inscription by the editor on front cover.
folder 12 Renié, Henriette. Les Classiques de la Harpe, 2e Recueil.
Paris: Alphonse Leduc, c1940. 15 pages. Pl. no. A. L. 20.168.
L’Hirondelle / Daquin — Sarabande et Gigue / Zipoli — Pièce en Ré / Scarlatti — Célèbre Gavotte en rondeau (Ballets du Roy) / Lully — Barcarolle (Romance sans parole No. 6) / Mendelssohn — Préludes
Nos. 20 et 23 / Chopin.
folder 13 Renié, Henriette. Les Classiques de la Harpe, 4e Recueil.
Paris: Alphonse Leduc, c1940. 15 pages. Pl. nos. A. L. 20.130.; A. L. 20. 131.; A. L. 20.132.
Toccata (4e Sonate pour clavecin) / Paradisi — Sonate facile en Ut / Mozart.
folder 14 Robinson, Gertrude Ina. Original Compositions and Adaptations for the Harp.
New York: Carl Fischer, c1916. 33 pages. Pl. no. 19697-32.
“Ten agreeable, melodious numbers designed for entertainment, as well as progressive technical study for players of first year grade.” — on title page.
folder 15 Salzedo, Carlos. Tiny Tales for Harpist Beginners (Petits Contes pour la Harpe à l’usage des commençants).
For harp or Irish harp. Philadelphia: Elkan-Vogal, c1936. 7 pages.
“There are no pedal changes in the course of these pieces.”—on front cover.

Sub-series EE: Harp music collections—arrangements and transcriptions

folder 16 Séverac, D. de. En Vacances (Holiday Time = Ferien): petites pièces romantiques de moyenne difficulté pour piano.
Transcrit pour harpe par H. Renié.
Paris: Rouart, Lerolle & Cie, c1911 and 1929. 23 pages. Pl. no. R. L.
11.682 & Cie.

Sub-series FF: Harp methods

folder 17 Bochsa-Oberthür. Universal Method for the Harp.
New York: Carl Fischer, c1912. 150 pages. Pl. no. 5872-133.
folder 18 Clark, Melville. Instructions for Playing the Harp.
With exercises and melodies arranged by VanVeachton Rogers. Fourth Edition.
Syracuse, N.Y.: Clark Harp Mfg. Co., c1919. 78 pages.
Markedly worn.
folder 19 Dilling, Mildred, arranger. Old Tunes for New Harpists.
Compiled and arranged by Mildred Dilling.
[Boston]: Oliver Ditson Company, c1934. 48 pages. Pl. no. 77526-48.
folder 20 Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour
Harp, vol. I.
Chicago: Lyon-Healy, c1962. 24 pages.
Markedly worn.
folder 21 Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour
Harp, vol. I.
Chicago: Lyon-Healy, c1962. 24 pages.
folder 22 Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour
Harp, vol. I.
Chicago: Lyon-Healy, c1962. 24 pages.
folder 23 Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour
Harp, vol. II.
Chicago: Lyon-Healy, c1962. 24 pages.
folder 24 Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour
Harp, vol. II.
Chicago: Lyon-Healy, c1962. 24 pages.
folder 25 Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour
Harp, vol. II.
Chicago: Lyon-Healy, c1962. 24 pages.
folder 26 Paret, Betty. First Harp Book.
New York: G. Schirmer, Inc., c1942. 37 pages. Pl. no. 39641C.
“This book is NOT a ‘Method’. / It is a book of carefully graded material which ANY teacher may use in giving a pedagogically sound and fundamentally thorough approach to playing the harp.” —Preface
folder 27 Paret, Betty. First Harp Book.
New York: G. Schirmer, Inc., c1942. 37 pages. Pl. no. 39641C.
“This book is NOT a ‘Method’. / It is a book of carefully graded material which ANY teacher may use in giving a pedagogically sound and fundamentally thorough approach to playing the harp.” —Preface

Sub-series GG: Harp etudes and studies

Box 14

folder 1 Binder’s collection:
comprised of the four books of Bochsa’s 40 Progressive Studies, its pages
sequentially numbered (77 pages in all). The constituent parts are the
following:
Bochsa, N.C. 40 Progressive Studies. In four books forming with the “First Six Weeks” a complete general course of instruction for the harp. New York: Browne & Buckwell, c1859.
No. 1, 11 pages
*
No. 2,
No. 3,
No. 4, 35 pages
* in sequence between Nos. 1 and 2 is the following:
The Harpist’s Every-day Book: a collection of exercises . . . intended as an auxiliary to the author’s General Course of Instruction and Various Studies of the Harp. New York: J. F. Browne, s.d.. 7 pages.
folder 2 Bochsa, N. Ch. 40 Études faciles, op. 318. [1er cahier.]
Paris: Rouhier; Gay & Cie, Successeurs, c1906. 21 pages. Pl. no. L. R. 285.
This cahier contains études nos. I – XX; this copy not explicitly marked or labelled as being the first of two.
In series: Célèbres Études composées pour la harpe à double mouvement par N. Ch. Bochsa.
Markedly worn.
folder 3 [Bochsa, N. Ch. 40 Études faciles, op. 318. 2de cahier.
Paris: Rouhier; Gay & Cie, Successeurs, c1906.] 29 pages. Pl. no. L. R. 286.
Incomplete copy: cover (if such there had been), title page, and pages 1-2 of text lacking; the musical notation begins in étude XXI. This is cahier II, accounting for études Nos. XXI – XXXX.
In series: Célèbres Études composées pour la harpe à double mouvement par N. Ch. Bochsa.
Markedly worn.
folder 4 Bochsa, N. Ch. Quarante études faciles, op. 318. 1er cahier.
Paris: Alphonse Leduc, c1949. Pl. nos. A.L. 20.029 (on page 1) and L. R. 285. (on pages 3-20).
Incomplete copy; ends on page 20 with étude No. XIX.
In series: BOCHSA Célèbres Études pour la harpe.
folder 5 Bochsa, N. Ch. Quarante études faciles, op. 318. IIe cahier.
Paris: Alphonse Leduc, c1946. 29 pages. Pl. nos. A. L. 20.030 (on page 2) and L. R. 286. (on pages 3-29).
folder 6 Bochsa, N. Ch. 50 Études, op. 34. 1er livre.
Paris: Louis Rouhier, c1906. 75 pages. Pl. no. L. R. 206.
In series: Célèbres Études composées pour la harpe à double mouvement par N. Ch. Bochsa.
Markedly worn.
folder 7 Bochsa, N. Ch. 50 Études, op. 34. 1er livre.
Paris: Louis Rouhier, c1906. Incomplete copy. Pl. no. L. R. 206.
Incomplete copy; text ends with page 74.
In series: Célèbres Études composées pour la harpe à double mouvement par N. Ch. Bochsa.
Markedly worn.
folder 8 [Bochsa, N. Ch. Vingt-cinq Exercises-études, op. 62]
[Paris: Alphonse Leduc, s.d.] Pl. no. L. R. 226.
Incomplete copy; publication should contain 63 pages, as per OCLC cataloguing; pages present are 7-60; title page, pages 1-6, and pages 61-63 lacking.
Markedly worn.
N.B. This incomplete text was found under (disbound) cover for N. Ch. Bochsa’s 50 Études, op. 34, 1er livre (Louis Rouhier, c1906)—an erroneous juxtaposition.
folder 9 Bochsa, N. Cha’s. New and Improved Method of Instruction for the Harp.
Boston: Oliver Ditson Company, s.d.. 68 pages. Pl. no. 1068.
folder 10 Diebel, Wendel. [Three Etudes]
Pre-publication copy, 1966.
Etude No. 1 (3 pages) — Etude No. 2 (3 pages) — Etude No. 3 (Toccata) (5 pages).
Accompanied by cover letter (August 13, 1966) from the composer.
folder 11 Dizi, F. J. 48 études pour la harpe.
Nouvelle Edition en 2 livres. Livre I.
Doigtées et corrigées par Alph. Hasselmans.
Paris: Mackar & Noël; A. Noël, Succr., s.d.. 61 pages. Pl. no. A. O. K. 1283 (1).
folder 12 Dizi, F. J. 48 études pour la harpe. Nouvelle Edition en 2 livres. Livre II. Doigtée et corrigée par A. Hasselmans.
Paris: A. O’Kelly, s.d.. Pl. no. A. O. K. 1283 (2). 74 pages.
folder 13 Gallon, Noël. Deux Etudes.
Paris: Éditions L. Philippo et M. Combre, c1961. 14 pages. Pl. no. P. 3024a.
I. Chromatisme — II. Moto perpetuo.
“Concours du Conservatoire National Supérieur de Musique de Paris année 1961”—on front cover.
folder 14 Grandjany, M. Harp Technique: “How to Practice” #43.
Published by the composer.
folder 15 Grossi, Maria. Metodo per Arpa.
Milano: G. Ricordi and C., c1943. 154 pages. Pl. no. E.R. 2200.
folder 16 Larivière, Ed. Exercices et études, op. 9.
Révues et doigtées . . . par Ralphaël Martenot.
Paris: Alphonse Leduc, s.d.. 30 pages. Pl. no. L.R. 320.
folder 17 Pozzoli, Ettore. Studi di media difficoltà per arpa (Studies of moderate difficulty for harp).
Milano: G. Ricordi & C., c1957. 70 pages. Pl. E.R. 2250.
folder 18 Renié, Henriette. Complete Method for Harp. First Book: Technique.
Translated into English by Geraldine Ruegg.
Paris: Alphonse Leduc, c1966. 125 pages.

Box 15

folder 1 Renié, Henriette. Complete Method for Harp. Second Book: I. Syntax-Appendix.
Paris: Alphonse Leduc, c1966. Page range 132-224.
folder 2 Rothstein, Deborah. Two Etudes for Harp. — 1973
MS repro; 3 pages of music.
Copyright 1973 Deborah Rothstein.
Inscription by the composer on title page.
folder 3 Salzedo, Carlos. L’Etude Moderne de la Harpe (Modern Study of the Harp).
New York: G. Schirmer, c1921. 53 pages. Pl. no. 28766.
In series: Schirmer’s Scholastic Series; volume 55.
folder 4 Schmidt, Eric. Six Etudes pour harpe.
Révues et doigtées par Pierre Jamet.
Paris: Alphonse Leduc, c1954. 16 pages. Pl. no. A.L. 21326.
folder 5 Vizthum, Heinrich / Berens, H[ermann]. 12 Studien im brillanten Style zur höheren Ausbilding = 12 Studies in the Brilliant Style for attaining the higher perfection.
Für die Harfe bearbeitet und mit Fingersatz versehen von Heinrich Vizthum.
Leipzig: Aug, Cranz, s.d.. 21 pages. Pl. no. 36328.
Markedly worn.
folder 6 Vizthum, Heinrich / Czerny, Carl. 20 Etüden aus Czerny’s Schule der Geläufigkeit.
Für die Harfe bearbeitet von Heinrich Vitzthum.
Leipzig: Aug. Cranz, s.d.. 31 pages. Pl. no. 35447.
Markedly worn.74
folder 7 Harp Exercises.
Folder contains copies of various etudes and exercises, both printed and MS repro.
One of the items ( “Placing (crossing of the hands)” is in the hand of Marcel Grandjany.
folder 8 Harp etudes, various.

Sub-series HH: Harp parts from ensemble sets

N.B. Such designations as “Arpa I” or “Arpa II” or “First harp” or “Second harp” are cited below only when such designations appear on the part in question.

folder 9 Argento, Dominick. In Praise of Music.
Boosey & Hawkes. 11 pages of music.
folder 10 Arnold, Malcolm. Four Scottish Dances, op. 59.
Transcribed for symphonic band by John Paynter.
Paterson’s Publications. 5 pages of music.
folder 11 Bach, J. S. Passio Secundum Joannem.
Breitkopf & Härtel. 2 pages of music.
Nos. 30 (Recit.) and 31 (Arioso) only.
folder 12 Barber, Samuel. Overture to “The School for Scandal”.
Arranged for concert band by Frank M. Hudson.
G. Schirmer. 3 pages of music. Two copies.
folder 13 Bartok. Concerto for Orchestra.
Several cues indicated. Pencil MS; 2 pages of music.
Accompanied by:
Thomas, Ambroise. Minon.
Pencil MS; 2 pages of music. Rehearsal letter “A” indicated.
folder 14 Bartók, Béla. Der Wunderbare Mandarin, op. 19.
Universal-Edition. 13 pages of music.
folder 15 Bartók, Béla. Der Wunderbare Mandarin, op. 19.
Universal-Edition. 15 pages of music.
folder 16 Bartók, Béla. Musik für Saiteninstrumente, Schlagzeung und Celesta.
Universal-Edition. 8 pages of music.
folder 17 Bartók, Béla. Second Suite, op. 4. Revised edition, 1943.
Universal-Edition. 26 pages of music.75
folder 18 Bartók, Béla. Violin Concerto no. 2.
Hawkes & Son, Ltd. 11 pages of music.
folder 19 Bartók, Béla. Violin Concerto no. 2
Hawkes & Son, Ltd. 20 pages of music.
folder 20 Berg, Alban. Lulu.
Universal-Edition. 59 pages of music.
folder 21 Berg, Alban. Sieben frühe Lieder.
Universal-Edition. 13 pages of music.
folder 22 Berlioz, Hector. Harold in Italien (Harold en Italie) (Harold in Italy), op. 16.
Edwin F. Kalmus. 2 pages of music.
folder 23 Berlioz, Hector. Romeo und Julie (Roméeo et Juliette) (Romeo and Juliet),op. 17.
Edwin F. Kalmus. 12 pages of music. Arpa I.
folder 24 Berlioz, Hector. Romeo und Julie (Roméeo et Juliette) (Romeo and Juliet),op. 17.
Edwin F. Kalmus. 12 pages of music. Arpa I..
folder 25 Berlioz, Hector. Romeo and Juliet, op. 17.
Edwin F. Kalmus. 7 pages of music. Arpa II.
folder 26 Berlioz, Hector. Symphonie Fantastique: Episode in the Life of an Artist.(Movements No. II and No. IV.)
Arranged by J. H. Foulds.
Hawkes & Son. 6 pages of music.
folder 27 Bizet. Carmen Suite I. II. Entr’acte and III. Entr’acte.
[Choudens] 3 pages of music.
folder 28 Bloch, Ernest. [Schelomo]
G. Schirmer. 14 pages of music. Arpa I.
folder 29 Bloch, Ernest. Suite pour alto solo et Orchestre.
G. Schirmer. 35 pages of music. Harp I.
folder 30 Britten, Benjamin. The Burning Fiery Furnace, op. 77.
Faber Music. 53 pages of music.
folder 31 Britten, Benjamin. The Rape of Lucretia, op. 37.
Boosey & Hawkes. 50 pages of music.
folder 32 Britten, Benjamin. War Requiem.
Boosey and Hawkes, c1962. 23 pages of music.
folder 33 Britten, Benjamin. War Requiem.
Boosey and Hawkes, c1962. 23 pages of music.
folder 34 Britten, Benjamin. The Young Person’s Guide to the Orchestra.
London: Hawkes and Son, c1947.
Complete part. 11 pages of music.
Provenance: Eastman School Orchestra Library.
folder 35 Britten, Benjamin. The Young Person’s Guide to the Orchestra.
London: Hawkes and Son, c1947.
Variations I through M. 6 pages of music.
folder 36 Britten, Benjamin. The Young Person’s Guide to the Orchestra.
Variations I through M. Pencil MS; 8 pages of music.
folder 37 Britten, Benjamin. The Young Person’s Guide to the Orchestra.
London: Hawkes and Son, c1947.
Variations I through M (incomplete). 4 pages of music.
folder 38 Britten, Benjamin. The Young Person’s Guide to the Orchestra.
London: Hawkes and Son, c1947.
Variations I through M (incomplete). 4 pages of music.
folder 39 Britten, Benjamin. The Young Person’s Guide to the Orchestra.
London: Hawkes and Son, c1947.
Variations I through M (incomplete). 4 pages of music.
folder 40 Britten, Benjamin. The Young Person’s Guide to the Orchestra.
London: Hawkes and Son, c1947.
Variations I through M (incomplete). 4 pages of music.

Box 16

folder 1 Bruch, Max. Fantasie, op. 16.
[ publisher ] 10 pages of music.
Provenance: facsimile of Janet Remington’s copy
folder 2 Canning, Thomas. Music for Eastertide.
MS repro; 7 pages of music.
folder 3 Cassler, Winston. The Turtle Dove.
Schmitt Publications. 2 pages of music.77
folder 4 Couperin, Francois. Overture and Allegro: from La Sultane Suite.
Orchestrated by Darius Milhaud.
Elkan-Vogel. Incomplete; first page only.
Provenance: facsimile of Everett Gates’ copy.
folder 5 Couperin, François. Overture and Allegro: from La Sultane Suite.
Orchestrated by Darius Milhaud.
Elkan-Vogel.
folder 6 Debussy, Claude. Jeux.
Durand & Cie. 16 pages of music.
folder 7 Debussy, Claude. La Mer.
Durand & Fils. 17 pages of music.
folder 8 Debussy, Claude. Pelléas et Mélisande.
Edwin F. Kalmus. 22 pages of music.
folder 9 Debussy, Claude. Petite Suite.
Orchestrée par Henri Büsser.
[? Edwin F. Kalmus] 10 pages of music.
folder 10 Debussy, Claude. Prélude à l’après-midi d’un faune.
Edwin F. Kalmus. 4 pages of music. 1re harpe.
folder 11 Debussy, Claude. Prélude à l’après-midi d’un faune.
Pencil MS; 4 pages of music.
folder 12 Debussy, Claude. Rondes de Printemps.
Durand & Fils. 14 pages of music.
folder 13 Dukas, Paul. L’Apprenti Sorcier.
Durand & Fils. 8 pages of music.
folder 14 Dutilleux, Henri. Cinq Metaboles.
Heugel & Cie. 12 pages of music.
folder 15 Enesco, Georges. 1re Rhapsodie Roumaine, op. 11, no. 1.
[Enoch & Cie] 8 pages of music. 2e harpe.
Accompanied by (tipped in between pages 6 and 7):
Delius, Frederick. The Walk to the Paradise Garden: Intermezzo from the opera A Village Romeo and Juliet.
Arranged by Sir Thomas Beecham.
Hawkes & Son. 2 pages of music.78
folder 16 Enesco, Georges. 1re Rhapsodie Roumaine, Op. 11, No. 1.
Ink MS. 1 page of music.
folder 17 Falla, Manuel de. El Sombrero de Tres Picos.
Facsim. of rental copy; agency not cited. 34 pages of music.
folder 18 Falla, Manuel de. El Sombrero de Tres Picos.
J. & W. Chester Ltd. 13 pages of music (numbered 1-12, 14; page 13
lacking).
folder 19 Fauré, Gabriel. Fantasie for Flute and Orchestra, op. 79.
Orch. James Galway.
MS repro. 7 pages of music.
folder 20 Foss, Lukas. Time-Cycle.
Carl Fischer. 13 pages of music.
folder 21 Ginastera, Alberto. Variaciones Concertantes para orquesta de cámara.
Barry & Cia. 9 pages of music.
folder 22 Ginastera, Alberto. Variaciones Concertantes.
Boosey & Hawkes. 9 pages of music.
folder 23 Glazounow, Alexandre. Valse de Concert.
Pencil MS. 2 pages of music.
folder 24 Gossec, F. Symphonie Concertante.
Edited by B. Brook & M. Alterman.
MS repro. Harp I, 15 pages of music; Harp II, 14 pages of music.
folder 25 Gounod, Ch. Faust: Ballet.
Choudens. 5 pages of music.
folder 26 Grieg, Edvard. Drei Orchesterstücke aus der Musik zu: “Sigurd Jorsalfar”,op. 56.
[C. F. Peters] 1 page of music.
folder 27 Handel, G. F. Esther. No. 9: [Air, “Praise the Lord”]
MS repro. 5 pages of music
folder 28 Hanson, Howard. Love Duet: from the Opera Merry Mount (act II, scene 3).
Harms, Inc. 1 page of music.
Provenance: facsimile of Everett Gates’ copy.
folder 29 [Hanson, Howard] Merry Mount.
Pencil MS. 11 pages of music; appended by one page of pencil MS bearing title “Love Duet”.
The 11 pages in an unknown hand; the “Love Duet” in E. Malone’s hand.
folder 30 Hindemith, Paul. Concerto for Woodwinds, Harp, and Orchestra.
Schott and Co., Ltd. 14 pages of music. Harp Solo.
folder 31 Humperdinck, E. [Hansel und Gretel] Rehearsal numbers 68 through 127.
[B. Schott’s Söhne] 13 pages of music.
folder 32 Ives, Charles. Symphony No. 4.
Associated Music Publishers. 7 pages of music, numbered 2-8 (several pages comprised of 2 letter-sized segments to achieve large format).
folder 33 La Montaine, John. The Marshes of Glynn, opus 53.
Ink MS; 2 pages of music.
folder 34 Liszt, F. Les Préludes.
Breitkopf & Härtel. 4 pages of music.
folder 35 Luigini, A. Ballet Egyptien. Arr. by Theo Moses-Tobani.
Carl Fischer. 5 pages of music.
folder 36 Lutoslawski, Witold. Jeux Venitiens.
[Moeck Verlag] 5 pages of music.
folder 37 Mahler, Gustav. Lieder eines fahrenden Gesellen.
Josef Weinberger. 6 pages of music.
folder 38 Mahler, Gustav. Lieder eines fahrenden Gesellen.
Josef Weinberger. 6 pages of music.
folder 39 Mahler, Gustav. Symphonie No. 1.
[publisher’s name lacking] 7 pages of music.
folder 40 Mahler, Gustav. Symphonie No. 2.
Edwin F. Kalmus. Two parts present: 1. Harfe, 12 pages of music; 2. Harfe, 12 pages of music.
folder 41 Mahler, Gustav. Symphonie No. 5.
Edwin F. Kalmus. 4 pages of music.
folder 42 Mahler, Gustav. [Symphonie No. 5 ] 4. Adagietto.
C. F. Peters. 2 pages of music.
folder 43 Mahler, Gustav. Achte Symphonie.
Universal-Edition. Two parts present: 1. Harfe, 14 pages of music; 2.
Harfe, 10 pages of music.
folder 44 Mahler, Gustav. Neunte Symphonie.
Universal Edition. Two parts present: 1. Harfe, 8 pages of music; 2.
Harfe, 5 pages of music.
folder 45 Mascagni, Pietro. Cavalleria Rusticana.
Milano: E. Sonzogno.
! two separate parts present: apparently from different works.
folder 46 Menotti, Gian-Carlo. Amahl and the Night Visitors.
G. Schirmer. 23 pages of music.
folder 47 Menotti, Gian-Carlo. Amahl and the Night Visitors.
G. Schirmer. 23 pages of music.
folder 48 Monteverdi. L’Orfeo.
[Publisher’s name lacking] 2 pages of music. Arpa dopia.
folder 49 Moussorgsky, Modest. [Pictures at an Exhibition]
Orchestration de Maurice Ravel.
[Publisher’s name lacking] 6 pages of music.
Provenance: Boosey & Hawkes.
folder 50 Nelson, Ron. Jubilee.
Tr. Wesley Hanson.
MS repro; 4 pages of music.
folder 51 Petrassi, Goffredo. Concerto per flauto e orchestra.
Edizioni Suvini Zerboni. 11 pages of music.
folder 52 Piston, Walter. [6th Symphony ]
[Publisher’s name lacking] Selected pages: [2], 3, 4, 6, 7, 10, 12.
Harp I.
folder 53 Ponchielli, A. [La Gioconda ] No. 18, Recitativo e Danze.
[Publisher’s name lacking] 2 pages of music.
folder 54 Poulenc, Francis. The Story of Babar the Little Elephant.
Orchestration de Jean Françaix.
J and W Chester Ltd. 10 pages of music.
folder 55 Prokofieff, S. Lieutenant Kije: Suite Symphonique, Op. 60.
[Publisher’s name lacking] 6 pages of music.
folder 56 Prokofiev, Sergei. РОМЕО И ДЖУЛЬЕТТА: первая сюита
(Romeo and Juliet: First Suite).
[Publisher’s name lacking] 10 pages of music.
folder 57 Prokofiev, Serge. РОМЕО И ДЖУЛЬЕТТА: 2я сюита
(Roméo et Juliette: 2me Suite).
[Publisher’s name lacking] 12 pages of music.
folder 58 [Prokofiev, Serge. Symphony No. 6. ]
[Publisher’s name lacking] Pages 5 and 6 only.
folder 59 Puccini, Giacomo. Gianni Schicchi: Solo di Lauretta (S.) “O mio babbino caro…
G. Ricordi and C. 2 pages of music.
folder 60 Puccini, Giacomo. La Bohème.
Edwin F. Kalmus. 63 pages of music.
folder 61 [Puccini, Giacomo] Intermezzo [from Manon Lescaut ]
MS repro; 3 pages of music (numbered 34-36).

Box 17

folder 1 Puccini, Giacomo. [selected passages from Tosca: act II, rehearsal numbers 52-54; and, act III, rehearsal numbers 1-8]
[Publisher’s name lacking] 4 pages of music.
folder 2 Ravel, Maurice. Alborada del Gracioso.
Max Eschig and Cie. Two parts present: 1ère Harpe, 6 pages of music; 2ème Harpe, 4 pages of music.
folder 3 Ravel, Maurice. Daphnis and Chloë: Suite No. 2.
Pencil MS. Rehearsal numbers 155 through 221; 16 pages of music.
Harps 1 and 2.
folder 4 Ravel, Maurice. La Valse: poème choréographique pour orchestre.
Durand & Cie. Two parts present: 1re Harpe, 11 pages; 2de Harpe, 7 pages.
folder 5 Ravel, Maurice. La Valse.
Pencil MS. 11 pages of music.
folder 6 Ravel, Maurice. Ma Mère l’Oye: 5 pièces enfantines.
Durand & Cie. 10 pages.
folder 7 Ravel, Maurice. Ma Mère l’Oye: 5 pièces enfantines.
Durand & Cie. 10 pages.
Appended by one page from the harp part for the complete ballet,
published by Durand & Cie (pl. no. D. & F. 8444), page 11, showing the harpist’s cadenza.
folder 8 Ravel, Maurice. Piano Concerto [in G major].
Pencil MS. Rehearsal no. 22; 1 page of music.
folder 9 Ravel, Maurice. Tzigane.
Durand and Cie. 8 pages.
folder 10 Ravel, Maurice. Tzigane.
Durand and Cie. 8 pages.
Provenance: Jacques Gordon.
folder 11 Ravel, Maurice. Valses Nobles et Sentimentales.
Durand and Cie. 16 pages. Harpes 1 et 2.
folder 12 Respighi, O. Antiche Danze ed Arie (IIa Suite).
G. Ricordi and C. Various pages from, as per handwritten annotations, both the harp part and the cembalo part.
folder 13 Respighi, O. Fontane di Roma.
G. Ricordi & C.. Arpa 1a, 7 pages; Arpa 2a, 7 pages.
folder 14 Respighi, O. Pini di Roma.
G. Ricordi & C.. 7 pages of music.
folder 15 Respighi, O. Trittico Botticelliano.
G. Ricordi & C.. 8 pages of music.
folder 16 Reznicek, E. N. von. Donna Diana: Ouverture.
Edwin F. Kalmus. 1 page.
folder 17 Rimsky-Korsakov, N. A. Capriccio Espagnol, op. 34.
M. P. Belaieff. 6 pages.
folder 18 Rimsky-Korsakov, N. A. Caprice Espagnol.
Cadenza, transcribed by Carlos Salzedo (1931).
Ink MS; 1 page of music.
folder 19 Rimsky-Korsakov, N. Fandango Asturiano [from Capriccio Espagnole].
Pencil MS; 4 pages of music.
folder 20 Rimsky-Korsakov, N. Ouverture “La grande Pâque Russe” op. 36.
M. P. Belaieff. 6 pages of music.
folder 21 Rimsky-Korsakov, N. Ouverture “La grande Pâque Russe” op. 36.
M. P. Belaieff. 6 pages of music; accompanied by 2 pages of pencil MS.
folder 22 Rimsky-Korsakov, N. Scheherazade: Suite Symphonique, op. 35.
M. P. Belaieff. 8 pages of music.
folder 23 Rimsky-Korsakov, N. Scheherazade: Suite Symphonique, op. 35.
Edwin F. Kalmus. 3 pages of music.
folder 24 Rossini, G. “Assisa a pie’ d’un salice”: canzone di Desdemona from Otello, atto III.
G. Ricordi & C.. 3 pages of music.
folder 25 [Roussel, Albert. Bacchus and Ariane: second suite, act II]
Durand & Fils.. 7 pages of music.
folder 26 [Saint-Saëns, C.] Danse Bacchanale [from Samson and Dalila]
[Publisher’s name lacking; plate no. illegible] 2 pages of music.
folder 27 [Schmidt, Harvey] The Fantasticks.
Repro of copyist’s part; agency not cited. ___ pages of music.
Title “Fantasticks” added in caption of page in E. Malone’s hand.
folder 28 [Schuller, Gunther. Seven Studies on Themes of Paul Klee]
MS repro; 3 pages of music.
folder 29 [Schuller, Gunther] Violin Concerto.
MS repro; 4 pages of music.
folder 30 Sibelius, Jean. Symphonie No. 1.
Breitkopf und Härtel. 13 pages.
folder 31 Smetana, Bedřich. [Vysehrad (High Castle) from Ma Vlast ].
Editio Supraphon. Arpe I/II. 4 pages.
folder 32 Strauss, Richard. “Also sprach Zarathustra!”: Tondichtung (frei nach Friedr. Niezsche), op. 30.
[Publisher’s name lacking] Harfe I, 12 pages; Harfe II, 11 pages.
folder 33 Strauss, Richard. Ariadne auf Naxos.
Neue Bearbeitung. Adolph Fürstner. c1916. Arpa I, 42 pages.
Accompanied by selected pages from Arpa II (rehearsal numbers 274 through 334).
folder 34 Strauss, Richard. Suite from the Opera Der Rosenkavalier, op. 59.
Boosey & Hawkes. 1st Harp, 5 pages of music; 2nd Harp, 5 pages of music.
folder 35 Strauss, Richard. Ein Heldenleben, op. 40.
F. K. C. Leuckart. Erste Harfe, 11 pages; Zweite Harfe, 2 copies, each 12 pages.
folder 36 Strauss, Richard. Ein Heldenleben.
Pencil MS; 12 pages of music. 1st Harp.
folder 37 Orchesterstudien aus Richard Strauss’ Bühnenwerken. [Für] Harfe. Ausgewählt und bezeichnet von Franz Poenitz.
Berlin: Adolph Fürstner, c1912. Pl. no. A. 6434 F (II)
Harfe II [aus] Guntram, op. 25 — Harfe I [aus] Guntram, op. 25 — Elektra, op. 58 — 0
folder 38 Strauss, Richard. Salomes Tanz aus dem Musikdrama Salome.
Adolph Fürstner. 8 pages.
folder 39 Strauss, Richard. Salome’s Dance.
Boosey & Hawkes. 8 pages.
folder 40 Strauss, Richard. Symphonia Domestica, op. 53.
Edwin F. Kalmus. 11 pages. Harfe II.
folder 41 Strauss, Richard. Tod und Verklärung, op. 24.
Edwin F. Kalmus. 5 pages. 2. Harfe.
folder 42 Stravinsky, Igor. Agon: ballet for twelve dancers.
Boosey & Hawkes. 8 pages.
folder 43 Stravinsky, Igor. Berceuse (from “Firebird Suite”). arr. by Dick O. Wilson.
Theodore Presser. 1 pages.
folder 44 Stravinsky, Igor. Chant du Rossignol.
Boosey & Hawkes. Arpa I, 12 pages; Arpa II, 12 pages.
folder 45 Stravinsky, Igor. Berceuse [from Firebird Suite].
Edwin F. Kalmus. 2 pages.
folder 46 Stravinsky, Igor. Symphony in Three Movements.
[Publisher’s name lacking] 10 pages of music.
folder 47 Thomas, Ambroise. Ouverture [from] Mignon: opéra en 3 actes.
[Publisher’s name lacking; plate no. illegible] 2 pages of music.
folder 48 Thompson, Randall. A Feast of Praise.
E. C. Schirmer. 8 pages of music.
folder 49 Tschaikowsky, P. Le Lac Des Cygnes: No. 4 Scène.
Pencil MS; 2 pages of music.
folder 50 Tschaikowsky, P. Nutcracker (I, II, III only).
Edwin F. Kalmus. 1 page of music.
folder 51 Tschaikowsky, P. Romeo et Juliette: Overture-Fantaisie.
International Music Service. 3 pages of music.
folder 52 Tschaikowsky, P. [Various pages from the harp parts of Tchaikovsky’s ballets]
No single harp part within this folder is complete.
folder 53 Vaughan Williams, R. Variation III from Variants of Dives and Lazarus.
Pencil MS; 2 pages of music.
folder 54 Verdi, G. Gran scena e duetto, atto II; and, Morte di Rodrigo e Sommossa, atto III from Don Carlo.
G. Ricordi & C. 5 pages of music.
folder 55 Verdi, G. Scena, romanza e terzetto, atto primo from Il Travatore.
G. Ricordi & C. 3 pages of music.
folder 56 Verdi, G. Melodia Eleonora from La Forza del Destino.
2 pages of music. Arpa Ia.
folder 57 Verdi, G. Overture to the Opera: “La Forza del Destino.
Arr. by Ross Jungnickel.
Published by the composer. 1 page of music.
folder 58 Verdi, G. [Various pages from Otello]
[Publisher’s name lacking] 7 pages of music.
folder 59 Verdi, G. Un Ballo in Maschera [rehearsal numbers 16 through 76].
G. Ricordi & C. 8 pages of music.

Box 18

folder 1 Wagner, R. Feuerzauber (Fire music) from Die Walküre.
Pencil MS; 2 pages of music.
folder 2 Wagner, R. The Flying Dutchman Overture.
Ink MS; 2 pages of music.
folder 3 Wagner, Richard. Ouvertüre zu der Oper Der Fleigende Holländer (Overture to the opera The Flying Dutchman).
Breitkopf und Härtel. 2 pages of music.
folder 4 Wagner, R. Gotterdamerung: Closing Scene.
[Publisher’s name lacking] 9 pages.
folder 5 Wagner, R. Gotterdamarung: Closing Scene.
MS repro; 6 pages of music.
folder 6 Wagner, R. Lohengrin.
[Publisher’s name lacking] 2 pages of music.
folder 7 Wagner, R. II. Scene from Die Meistersinger von Nürnberg.
[Publisher’s name lacking] 8 pages of music.
folder 8 Wagner, R. Siegfried: Act III.
MS repro; 5 pages of music. Harps 1-6. Three copies.
Provenance: Eugene Goossens.
folder 9 Wagner, Richard. Einleitung: Tannhäusers Pilgerfahrt [aus der Oper Tannhäuser], act III.
[Publisher’s name lacking ] 3 pages of music.
folder 10 Wagner, R. [Excerpts from various works]
36 pages of music.
Works represented:
Siegfrieds Tod under Trauer-Marsch aus Gütterdämmerung — Der Venusberg [aus] Tannhäuser — Liebeslied aus “Die Walküre” — Vorspiel und Isoldes Liebestod — Einzug der Götter in Wallhall aus Das Rheingold
— Walthers Preislied aus Die Meistersinger von Nürnberg — Tonbild aus “Das Rheingold” — Elsas Traum aus Lohengrin. Siegfrieds Rheinfahrt.
folder 11 Walton, William. Violin Concerto.
MS repro; 17 pages of music.
folder 12 Webern, Anton. Passacaglia für Orchester, op. 1.
Universal Edition. 2 pages of music.
folder 13 [Harp parts, various]
MS facsimile.
Works represented:
Capriccio Espagnole; Nutcracker Suite; Mignon; Swan Lake.
folder 14 [Harp parts, various]
Pencil MS in spiral-bound MS book.
Works represented:
London Symphony — Piston’s 3rd Symphony — Fauré’s Requiem — Roussel’s Bacchus and Ariane — Bartok’s Concerto for Orchestra — Strauss’ Der Burger als Edelmann — Fauré’s Shylock — Strauss’ Der Rosenkavalier — Prokofiev’s 5th Symphony — Mahler’s 2nd Symphony— Bruch’s Schelomo — Bloch’s Sinfonia Breve — Bizet’s Carmen —Strauss’ Ein Heldenleben — Shostakovich’s 5th Symphony — Falla’s The Three-cornered Hat 1 Tchaikovsky’s Nutcracker Suite — Strauss’ Salome’s Song — Janacek’s Sinfonietta — Pinto’s Kathleen Mavourmeen.
folder 15 [Harp parts, various: from large ensemble works]
Pencil MS in Miss Malone’s hand.

Sub-series II: Harp and chorus

folder 16 Brahms, Johannes. “I Hear a Harp” op. 17, no. 1.
For three-part women’s voices, horn and harp.
Poem by Ruperti; English version by Natalia Macfarren.
[New York]: G. Schirmer, s.d.
folder 17 Brahms, Johannes. I Hear a Harp, op. 17, no. 1.
For 3-part chorus of women’s voices, with accompaniment of horn (in low C) and harp (or piano).
Text by Ruperti; English version by Natalia Macfarren. Edited by H. Clough-Leighter.
Boston: E. C. Schirmer, c1928. Pl. no. E. C. S. No. 353.
Vocal score (14 pages).
In series: Commonwealth Series; no. 494.
folder 18 Britten, Benjamin. A Ceremony of Carols, op. 28.
[London]: Boosey & Co. Ltd., c1943.
Part for Harp (or piano).88
folder 19 Holst, Gustav. Choral Hymns from the Rig Veda. Third group.
Surrey: Stainer and Bell Ltd., c1912. 23 pages.
folder 20 La Montaine, John. Wonder Tidings: a cycle of Christmas carols for mixed voices.
With soprano, alto, tenor and baritone soli. New York: H. W. Gray, c1964.
folder 21 Richardson, Edna. In the Time of Roses.
Ink MS; 4 pages of music.
For SSA with piano accompaniment.
folder 22 White, Louie L. Prayer of St. Francis of Assisi.
For treble voices SSAA, ‘cello and harp (or keyboard).
New York: Belwin-Mills, c1971.

Series 2: Music for other Instruments

Sub-series A: Solo piano

folder 23 Albeniz, I. Tango: in D. Original version.
Edited by Hugo Ries.
Boston: G. Schirmer, c1911. 2 pages of music.
folder 24 Bach, Karl Philipp Emanuel. Solfeggietto.
Revised and fingered, with exact pedal signs, and arranged for left hand solo ad libit. by A. R. Parsons.
[New York]: G. Schirmer, c1885. 4 pages of music. Two copies.
folder 25 Bach, J. S. Inventionen.
Neu revidirte Ausgabe. Herausgegeben von Czerny, Griepenkerl und Adolf Ruthardt.
Leipzig: C. F. Peters, s.d. 63 pages.
folder 26 Bach, J. S. Fifteen Three-Part Inventions.
Edited and fingered by Dr. Wm. Mason.
New York: G. Schirmer, c1894. 33 pages.
folder 27 Beethoven, Ludwig van. Sonatas, vol. I.
Edited by J. Jiránek, H. Trneček and Hans Semper.
Boston: B. F. Wood, c1923.
folder 28 Beethoven, Ludwig van. Sonatas, vol. I.
[New York: G. Schirmer c1894)

Box 19

folder 1 Beethoven, Ludwig van. Sonata, op. 31, no. 3.
New York: G. Schirmer, c1894.
folder 2 Beethoven, Ludwig van. Sonata quasi una Fantasia, op. 27, no. 2.
Revised and fingered by Dr. Hans von Bülow and Dr. Sigmund Lebert.
New York: G. Schirmer, c1894.
folder 3 Brahms, Johannes. Waltz in A-flat, opus 39, no. 15.
Boston: B. F. Wood Music, s.d.. Pl. no. B.F.W. 6707-2.
folder 4 Brown, A.L. Anita: Spanish Dance, op. 21, no. 6.
From Souvenirs du voyage: ten sketches for piano.
Boston: B. F. Wood, c1902.
folder 5 Chopin, Fr. Etude, op. 10, no. 12.
Edited and fingered by Paolo Gallico.
New York: Jos. W. Stern and Co., c1910.
folder 6 Coit, Lottie and Ruth Bampton. Doll’s Lullaby.
New York: J. Fischer and Bro., c1944.
Presentation copy: bears inscription by Lottie E. Coit.
folder 7 Debussy, Claude. La Cathédrale engloutie: extrait du Ier Livre de Préludes.
Paris: A. Durand & Fils, c1910
Provenance: Zillah Halstead
folder 8 Garnett, Bonnie. [Untitled]
Pencil MS; 6 pages of music.
folder 9 Hartmann, Arthur. Hungarian Melodies for the pianoforte.
Harmonized by Arthur Hartmann.
Philadelphia: Theodore Presser Co., c1918.
Inscription by the composer to Zillah Halstead on title page, with correction in his hand to read “Freely and idiomatically transcribed” in place of “harmonized”.
Accompanied by press clipping (concert review, “Hartmann proves his art in concert at Wesleyan”).
folder 10 Leschetizky, Th. Intermezzo in Octaves, op. 44, no. 4.
New York: G. Schirmer, c1914.
folder 11 MacDowell, Edward. Woodland Sketches.
Boston: Arthur P. Schmidt Co., c1924.
folder 12 Pinto, A. Francis. Festival of the Pickannies.
New York: International Music Publishing Co., c1911.
folder 13 Poldini, Ed. Oiseaux de passage (Birds of passage).
Edited and fingered by Louis Oesterle.
New York: G. Schirmer, c1907.
folder 14 Wagner, Richard. Wedding March from “Lohengrin”.
Arranged by E. Pauer.
New York: G. Schirmer, s.d.. Two copies.
folder 15 Zeller, Ada. Reflections on the Water.
New York: Brancado Publishing Co., c1933.
Inscribed by the composer.

Sub-series B: Piano studies and methods

folder 16 Cramer, J. B. Fifty Studies for the Piano.
Selected and fingered by Hans von Bülow.
New York: G. Schirmer, Inc., c1904.
folder 17 Heller, Stephen. Twenty-Four Piano Studies, op. 125.
New York: G. Schirmer, Inc., c1893.
folder 18 Mason, Dr. William. Touch and Technic: for artistic piano playing, op. 44.
Philadelphia: Theodore Presser, c1897.
folder 19 Robyn, Louis. Technic Tales, book two.
Boston: Oliver Ditson, c1930.
folder 20 The School Credit Piano Course. First Year, Book Four.
Boston: Oliver Ditson Co., c1918.
folder 21 The School Credit Piano Course. Second Year, Book One.
Boston: Oliver Ditson Co., c1918.
Accompanied by: The School Credit Piano Course: Supplementary Pieces, book one. Boston: Oliver Ditson, c1919.
folder 22 Wagner, Bernard. Piano Course, book one.
Boston: Oliver Ditson, c1938.
Inscribed by the composer.
Provenance: Zillah Halstead

Sub-series C: Two pianos

folder 23 Debussy, Claude. Danses: pour HARPE chromatique ou PIANO avecaccompt. d’orchestre d’instruments à cordes.
Paris: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429.
Score for 1er piano (principal) and 2d piano (réduction de l’orchestre).
Two copies.
I. Danse sacrée — II. Danse profane.
folder 24 Debussy, Claude. Danses: pour HARPE chromatique ou PIANO avecaccompt. d’orchestre d’instruments à cordes.
Paris: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429.
Score for 1er piano (principal) and 2d piano (réduction de l’orchestre).
I. Danse sacrée — II. Danse profane.
folder 25 Debussy, Claude. Danses: pour HARPE chromatique ou PIANO avecaccompt. d’orchestre d’instruments à cordes.
Paris: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429.
Score for 1er piano (principal) and 2d piano (réduction de l’orchestre).
Markedly more worn than the copies in folders 23 and 24.
I. Danse sacrée — II. Danse profane.
folder 26 Lecuona, Ernesto. Andalucia: from the Spanish suite “Andalucia”.
Arranged for two pianos by Grace Helen Nash.
[New York]: Edward B. Marks, c1932.
folder 27 Yeh, H. D. Menuet: from Concerto Grosso in F major.
For two pianos.
MS repro; 3 pages of music.
folder 28 Unnamed. Turkey in the Straw.
Ink MS; 4 pages of music.
Piano I.

Sub-series D: Vocal duet and string quartet

folder 29 Yeh, Huai-Deh. Ariel’s Song: a vocal duet with string quartet (in Chinese style.)
MS repro; score (5 pages) and 5 parts.

Sub-series E: Choir and organ

folder 30 Yeh, H. D. “Glory to God in the Highest and on Earth Peace, Good Will toward Men.”
Published by the composer. MS repro; 12 pages of music.
Inscribed by the composer.

Sub-series F: String orchestra

folder 31 Rebikoff, V. Cradle Song.
Transcribed for string orchestra by Quinto Maganini.
New York: Edition Musicus, c1942.
Score (3 pages) and harp part.

Sub-series G: Viola and piano

folder 32 Moffat, A. Old Masters for Young Players. 12 easy Classical pieces arranged after the originals for viola and piano.
London: Schott and Co., Ltd., c1930.

Sub-series H: Strings and piano

folder 33 Applebaum, Samuel. Classical Pieces.
Arranged for two violins and piano (in the first and third positions.)
New York: G. Schirmer, c1955.
folder 34 Cowles, Eugene; arr. Karl Rissland. Forgotten.
Arranged for violin, cello and piano by Karl Rissland.
Boston: Oliver Ditson Co., c1922.
Score and two parts.
folder 35 Schubert, Franz. Theme: from Impromptu in B-flat.
4 pages of music.
folder 36 Yeh, Huai-deh. Echoes from the Great Wall.
Three two-part Ricercars in Chinese style using the Pentatonic scale. For one, two or more instruments.
Copyright 1974 by Walter Huai-deh Yeh.
Inscribed by Walter Yeh.

Sub-series I: Solo violin

folder 37 Bach, J. S. 6 Sonatas and Partitas. For solo violin.
With facsimile of the autograph manuscript. Edited by Ivan Galamian.
New York: International Music Company, c1971.

Sub-series J: Violin and piano

folder 38 Debussy, Claude. La fille aux cheveux de lin.
Transcription pour violon et piano par Arthur Hartmann.
Paris: A. Durand & Fils, c1910.
Score and violin part.
folder 39

Two publications in folder:

  • Massenet, J.. Meditation from Thaïs.
    Transcription pour violon et piano par M. P. Marsick.
    Paris: Heugel et Cie., c1894.
    Score and two parts.
    Markedly worn.
  • Massenet, J.. Meditation from Thaïs.
    Transcription pour violon et piano par M. P. Marsick.
    Paris: Heugel et Cie., c1894. Pl. no. H. et Cie. 9625(1d).
    Piano score only; violin part lacking.
    Markedly worn.
folder 40 Roberts, Chas. J. Carl Fischer Favorite Concert Album. Volume I.
Compiled and arranged by Chas. J. Roberts.
New York: Carl Fischer, c1909.

Box 20

folder 1 Schubert, Fr.. Ave Maria.
Transcribed by August Wilhelmj.
New York: Carl Fischer, Inc., c1909.
Piano score only; violin part lacking.
folder 2 Wier, Albert E. Violin Pieces the Whole World Plays.
Selected and edited by Albert E. Wier.
New York: D. Appleton and Company, c1928.

Sub-series K: Flute and piano

folder 3 Beethoven, L. Romance.
[Boston: Boston Music Co., s.d.] 2 pages of music.
folder 4 Bizet, G. Minuet.
[Boston: Boston Music Co., s.d.] 3 pages of music.
folder 5 Garnett, Bonnie. Morning Glory Dance. — 1970
For solo flute and dancer, accompanied by four flutes.
Ink MS. 5 parts.
Accompanied by one hardbound copy of the same composition as published by the composer, c1970.
folder 6 Halphen, Fernand. Sicilienne. Pour flûte (ou violon) et piano.
Paris: Enoch & Cie, c1898.
Score and solo part.
folder 7 Herbert, V. Gypsy Love Song. For flute and piano.
[Boston: Boston Music Co., s.d.] 3 pages of music.
folder 8 Ravel, Maurice. Pièce en forme de Habanera.
Transcription pour flûte ou hautbois ou violon avec accompagnement de piano par Th Doney.
Paris: Alphonse Leduc & Cie., 1921. Score and solo part.
folder 9 Ravel, Maurice. Pièce en forme de Habanera.
Transcrit pour flûte par Louis Fleury.
Paris: Alphonse Leduc & Cie., 1926.
Score and solo part.
Markedly worn.

Sub-series L: Voice and piano

folder 10 Castelnuovo-Tedesco, Mario. Three Sephardic Songs (Trois mélodies Sephardiques).
For medium voice and piano (or harp).
Tel Aviv: Israeli Music Publications, c1959. Pl. no. I. M. P. 205.
Title, composer’s name, and publisher’s name in both English and Hebrew.
folder 11 Dvorák, Anton [sic]. Goin’ Home. From the Largo of the symphony From the New World, op. 95.
Words and adaptation by William Arms Fisher.
Boston: Oliver Ditson, c1922.
folder 12 Franck, César. O Lord Most Holy (Panis Angelicus.)
Edited by Arthur H. Ryder.
Boston: Boston Music Company, c1908.
folder 13 Glinka, M.I. To Molly.
St. Petersburg: Edition du Magasin de Musique “Au Monde Musical” s.d..
Markedly worn.95
folder 14 Leoncavallo, R. Ave Maria.
Chicago: Chas K. Harris, c1906. 11 pages.
Scored for voice, harmonium, and harp.
Dedicated to His Holiness Pope Pius X. Facsimile of letter from Pope Pius to R. Leoncavallo on back cover (together with translation into English).
folder 15 Mascagni, Pietro. Ave Maria: adaption from the celebrated “Intermezzo”from Cavalleria Rusticana.
Italian words by P. Mazzoni/ English words by Fred. E. Weatherly.
New York: G. Schirmer, s.d.. 5 pages.
folder 16 Sieber, F. Thirty-Six Eight-Measure Vocalises for Soprano, op. 92.
Volume III.
New York: G. Schirmer, 1899. 19 pages.
folder 17 Strauss, Richard. Lieder für hohe Stimme (Songs for High Voice).
The English words by John Bernhoff.
Leipzig: Jos. Aibl Verlag, c1906.
Morgen! op. 27, no. 4 — “Du meines Herzens Krönelein” op. 21, no. 2 — Meinem Kinde, op. 37, no. 3 — Wozu noch, Mädchen, soll es frommen, op. 19, no. 1 — Zueignung, op. 10, no. 1 — Die Nacht, op.10, no. 3 — Frühlingsdegränge, op. 26, no. 1 — Für funfzehn Pfennige, op. 36, no. 2.
folder 18 Tate, Arthur F. [“Somewhere a] voice is calling”.
[Words by Eileen Newton]
Copyright 1911 by J. H. Larway. 4 pages.
Copy wanting; segment torn out with partial loss of text and musical notation.
folder 19 Verdi, Giuseppe. Di Provenza il mar, il suol (Is the memory erased): from the opera La Traviata.
English version of text by R. Lorfin.
New York: G. Schirmer, Inc., c1944. 7 pages..
folder 20 Weaver, Fred R. Dawn. With violin and cello obbligato.
Lyric by Roscow Gilmore Stoff.
Chicago: Pallma Music Publishers, c1925.
Score (4 pages) and two parts.
folder 21 White, C. A. Marguerite. Duet for soprano and alto.
Boston: White-Smith Music Pub. Co., c1916. 7 pages.

Sub-series M: Popular songs for voice and piano

folder 22

Ahlert–Berlin

  • Ahlert, Fred E. Take my heard. Lyric by Joe Young. New York: Crawford Music Corporation, c1936. 5 pages.
  • Akst, Harry. Dinah. Song with ukulele arrangement. Words by Sam M. Lewis & Joe Young. New York: Henry Waterson, c1925. 5 pages.
  • Atkinson, John. Ireland, Killarney and You. [Detroit: Jerome H. Remick, c1918] 3 pages. Markedly worn.
  • Ball, Ernest R. In the Garden of My Heart. Lyric by Caro Roma. New York: M. Witmark & Sons, 1908. 6 pages; incomplete.
  • Berlin, Irving. New York: Irving Berlin, Inc., c1925. 5 pages.
  • Berlin, Irving. They say it’s wonderful. New York: Irving Berlin Music Company, c1946. 5 pages.
  • Berlin, Irving. White Christmas. From the Paramount Picture Irving Berlin’s Holiday Inn, a Mark Sandrich Production. New York: Irving Berlin, Inc., c1942. 4 pages.
folder 23

Bestor–Brown

  • Bestor, Don, with Roger Lewis and Walter Donovan. Down by the Winegar Woiks. New York: Shapiro, Bernstein & Co., c1925. 5 pages.
  • Blaufuss, Walter. Your Eyes have told me so. Lyric by Gustave Kahn and Egbert van Alstyne. Detroit: Jerome H. Remick, c1919. 5 pages.
  • Breil, Joseph Carl. The Perfect Song. Musical theme of “The Pepsodent Hour”. Words by Clarence Lucas. New York: Chappell-Harms, Inc., cc1915. 5 pages.
  • Brown, George, with Willie Raskin and Edward Eliscu. They cut down the old pine tree. New York: Miller Music, Inc., c1929. 5 pages.
  • Brown, Nacio Herb. Would You. Featured in the M-G-M production “San Francisco”. Lyric by Arthur Freed. New York: Robbins Music Corp., c1936. 5 pages.
folder 24

Bryan–di Capua

  • Bryan & Edwards. What’s the use of Knocking, when a man is down. New York: Vincent Bryan Music Co., c1906. 5 pages.
  • Carlo, Monte, with Alma M. Sanders. Little Town in the Ould County Down. Lyric by Richard W. Pascoe. New York: Fred Fisher, Inc., c1920. 5 pages.
  • Carlo and Sanders. My Irish Rosary. New York: Jack Mills, 1923. 5 pages.
  • Clinton, Larry, with Buddy Bernier and Bob Emmerich. Our Love. Based on Tschaikowsky’s Romeo and Juliet. New York: Chappell & Co., c1939. 5 pages.
  • Di Capua, E. O sole mio (Just like the sunrise). Revised and edited by F. Henri Klickmann; Ukulele arr. by M. Kalua. Italian words by G. Capurro; English words by Al. Dubin. New York: Jack Mills, Inc., c1924. 3 pages.
folder 25

Coots–Gershwin

  • Coots, J. Fred. For All We Know. Fox trot song (with diagrams for guitar acc.) Lyric by Sam M. Lewis. New York: Leo. Feist, Inc., c1934. 5 pages.
  • Denni, Lucien. Memory’s Garden. Lyric by Gwynne Denni. Kansas City, Mo.: J. W. Jenkins Sons, c1923. 5 pages.
  • Foote, Arthur. An Irish Folk-song. Poem by Gilbert Parker; set to music by Arthur Foote. London: Boosey & Co., c1902. 5 pages.
  • Freedman, Max C., and Jimmy De Knight. (We’re Gonna) Rock around the Clock. Philadelphia: Myers Music, c1953. 2 pages of music. Photo of Billy Haley and his Comets (Decca Records) on cover.
  • Gershwin, George. Lyric by Du Bose Hayward. New York: Gershwin Publishing Corp., c1935. 5 pages.
folder 26

Gordon–Handy

  • Gordon, Mack, and Harry Revel. Wake up and Live. New York: Robbins Music Corporation, c1937. 5 pages.
  • Gottler, Archie. America, I love you. Words by Edgar Leslie. [s.l.:] Kalmar & Pick, c1915. 5 pages. Cover lacking. Markedly worn; leaves discolored and detached at the fold.
  • Griffin, Gerald, with Herman Kahn & Tommy Lyman. Mother in Ireland. New York: Waterson, Berlin & Snyder, c1922. 5 pages.
  • Hanley, James F. Just a Cottage Small. Words by B. G. De Sylva; ukulele arr. by May Singhi Breen. 5 pages. New York: Harms, Inc., c1925.
  • Handy, W. C. Louis Blues. New York: Handy Bros. Music Co., c1914. 5 pages.
folder 27

Herbert–Hill

  • Herbert, Victor. Ah! Sweet Mystery of Life (The Dream Melody). From Naughty Marietta. Lyric by Rida Johnson Young. New York: M. Witmark & Sons, c1910. 3 pages of music.
  • Herbert, Victor. Gypsy Love Song (Slumber on, my little gypsy sweetheart). From The Fortune Teller. Lyric by Harry B. Smith. New York: M. Witmark & Sons, c1898. 3 pages of music.
  • Herbert, Victor. Thine Alone. From Lyric by Henry Blossom. New York: M. Witmark & Sons, c1929. 5 pages.
  • Hill, Billy. Empty Saddles. From the Paramount Picture Rhythm on the Range. Words by Billy Hill from a poem by J. Keirn Brennan. New York: Shapiro, Bernstein & Co., c1936. 5 pages.
  • Hill, Billy. The Last Round-up. From the new Ziegfeld Follies. With uke and guitar diagrams. New York: Shapiro, Bernstein & Co., c1933. 5 pages.
  • Hill, Billy. The Old Spinning Wheel. New York: Shapiro, Bernstein & Co., c1933. 5 pages. Photo montage of Little Jack Little on cover.
folder 28

Hudson–Kern

  • Hudson, Will. Words and music by Will Hudson. New York: Mills Music, Inc., c1936. 3 pages. “Featured by Ina Ray Hutton and her Melodears”—on cover.
  • Hupfeld, Herman. As Time Goes By. From the Warner Bros. picture “Casablanca”. Words and music by Herman Hupfeld. New York: Harms, Inc., c1931. 7 pages. Photo montage of Humphrey Bogart, Ingrid Bergman, and Paul Henreid on cover.
  • Kálmán, Emmerich. Play Gypsies – Dance Gypsies. From Countess Maritza. Words by Harry B. Smith. Ukulele arr. by May Singhi Breen. New York: Harms, Inc., c1926. 5 pages.
  • Kern, Jerome. Dearly Beloved. [From] the new Columbia musical production “You Were Never Lovelier”. Words by Johnny Mercer. New York: Chappell & Co., Inc., c1942. 5 pages.
folder 29

Lang–Lieurance

  • Lang, Margaret Ruthven. An Irish Love Song, 22. Boston: Arthur P. Schmidt, c1895. 6 pages.
  • Lee, Dorothy. Out of the Dusk to You. Song with violin and cello obbligato. Words by Arthur J. Lamb. Cleveland: Sam Fox Pub. Co., c1922. 4 pages of music; with separate violin obbligato and cello obbligato parts.
  • Leslie, Edgar, and Joe Burke. It Looks Like Rain in Cherry Blossom Lane. New York: Joe Morris Music Co., c1937. 5 pages. Photo of Emery Deutsch on cover.
  • Liddle, Samuel. The Garden where the Praties Grow. Old Irish melody, arranged by Samuel Liddle. London: Stainer & Bell Ltd., c1929. 7 pages.
  • Lieurance, Thurlow. By the Waters of Minnetonka. [Lyric by] J. M. Cavanass. An Indian love song. Philadelphia: Theodore Presser Co., c1917. 7 pages.
folder 30

Löhr–McGill

  • Löhr, Hermann. The Little Irish Girl. Words by Edward Teschemacher. New York: Chappell & Co. Ltd., c1903. 5 pages.
  • Long, Jimmie, and Gene Autry. “That Silver-haired Daddy of Mine”. Arr. by Nick Manoloff. Chicago: M. M. Cole, c1932. 5 pages.
  • Luders, Gustav. The Message of the Violet. From The Prince of Pilsen. Lyric by Frank Pixley. New York: M. Witmark & Sons, c1902. 3 pages of music. Page with text precedes beginning of music. Markedly worn.
  • MacMurrough, Dermot. Macushla. Words by Josephine V. Rowe. New York: Boosey & Co. Ltd., c1910. 4 pages.
  • Marshall, Charles. I Hear You Calling Me. Words by Harold Harford. New York: Boosey & Co. Ltd., c1908. 5 pages. Page with text precedes beginning of music.
  • McCarthy, Joe, with Howard Johnson and Fred Fischer. Ireland Must be Heaven, for My Mother came from there. New York: Leo Feist, c1916. 3 pages.
  • McGill, Josephine. Duna. Words by Marjorie Pickthall. New York: Boosey & Co. Ltd., c1914. 5 pages. Page with text precedes beginning of music.
folder 31

Meyer–Homis-Doda

  • Meyer, Joseph. This is No Dream: fox trot. by Jack Mason. Lyric by Billy Moll. New York: Remick Music Corp., c1932. 4 pages.
  • Molloy, James L. The Kerry Dance. Words and music by Molloy. New York: G. Schirmer, Inc., s.d.. 7 pages.
  • Monaco, James V. We Mustn’t Say Goodbye. From Sol Lesser’s production STAGE DOOR CANTEEN. Lyric by Al Dubin. New York: Edwin H. Morris & Co., c1943. 3 pages.
  • Nevin, Ethelbert. Mighty Lak’ a Rose. Words by Frank L. Stanton. Cincinnati: John Church, c1901. 3 pages.
  • Nomis-Doda. This Blue Forgetmenot. Words by George Allen. New York: International Music., c1923. 3 pages.
folder 32

O’Hara–Penn

  • O’Hara, Geoffrey. In the Wee Little Home I Love. For low voice. Words by Gordon Johnstone. New York: G. Ricordi & Co., c1920. 6 pages.
  • O’Hara, Geoffrey. There is No Death! For high voice. Words by Gordon Johnstone. New York: Chappell & Co. Ltd., c1919. 4 pages. Page with text precedes beginning of music.
  • O’Keefe, Walter. The Man on the Flying Trapeze. New York: Robbins Music Corp., c1933. 3 pages.
  • Penn, Arthur A. Smilin’ Through. Lyric and music by Penn. New York: M. Witmark & Sons, c1919. 5 pages. Photo of Norma Shearer on cover.
  • Penn, Arthur A. Sunrise and You. Lyric and music by Penn. New York: M. Witmark & Sons, c1918. 4 pages of music. Markedly worn
folder 33

Perkins–Rodgers

  • Perkins, Frank. Stars Fell on Alabama. Words by Mitchell Parish. New York: Mills Music, c1934. 3 pages. Photo of Guy Lombardo on cover.
  • Perkins, Frank. Smiling Irish Eyes. Theme song from Colleen Moore’s first national Vitaphone picture Smiling Irish Eyes. Lyric by Herman Ruby. New York: M. Witmark & Sons, c1929. 5 pages.
  • Robin, Leo, with Ralph Rainger. The Hills of Old Wyomin’. From the Paramount Picture “Palm Springs”. New York: Paramount Productions Corp., c1936. 7 pages.
  • Rodgers, Richard. Do-Re-Mi. Words by Oscar Hammerstein 2nd. New York: Richard Rogers and Oscar Hammerstein II, c1959. 7 pages. Publicity illustration from the Robert Wise film production of The Sound of Music on cover.
  • Rodgers, Richard. If I Loved You. Words by Oscar Hammerstein 2nd. New York: Williamson Music, c1945. 5 pages. Publicity illustration from the Theatre Guild stage production of Carousel on cover
folder 34

Rodgers–Schneider

  • Rodgers, Richard. Some Enchanted Evening. Words by Oscar Hammerstein II. New York: Williamson Music, c1949. 7 pages. Publicity photo from the Magna film production of South Pacific on cover.
  • Rodgers, Richard. There’s a Small Hotel. New York: Chappell & Co., c1936. 5 pages. Publicity illustration from the Dwight Deere Wiman stage production of On Your Toes on cover.
  • Romberg, Sigmund. Song of Love. Music adapted from melodies of Franz Schubert and Heinrich Berté by Sigmund Romberg. Lyric by Dorothy Donnelly. New York: Karczag Publishing, c1921. 5 pages. Publicity illustration from the stage production of Blossom Time.
  • Samuels, Walter G., with Leonard Whitcup and Teddy Powell. Take Me Back to My Boots and Saddle. New York: Schuster and Miller, c1935. 5 pages. Photo of Baby Rose Marie on cover.
  • Schneider, Edwin. Thine Eyes Still Shined. Words by Ralph Waldo Emerson. New York: G. Ricordi & Co., c1918. 6 pages
folder 35

Scotto–Smith

  • Scotto, Vincent. J’ai deux amours. Fox-trot: chanté par Joséphine Baker dans la revue du Casino de Paris “Paris qui Remue”. Paroles de Géo Koger et H. Varna. Paris: Editions Francis Salabert, c1925. 2 pages of music.
  • Seitz, Ernest. The World is Waiting for the Sunrise. Words by Eugene Lockhart. [s.l.]: Chappell & Co., c1919. 4 pages. Cover lacking.
  • Shields, Vincent. I Dream of San Marino. New York: Crawford Music Corporation, c1936. 5 pages. Photo of Eddie Varzos on cover.
  • Smith, H. Wakefield. These Songs My Mother Used to Sing. [New York]: M. Witmark & Sons, c1914. 4 pages of music. Cover lacking.
  • Smith, Kate, with Harry Woods and Howard Johnson. When the Moon Comes over the Mountain. New York: Metro-Goldwyn-Mayer Corp., c1931. 5 pages. Photo of Kate Smith on cover.
folder 36

Sousa–Stothart

  • Sousa, John Philip. Blue Ridge! I’m Coming Back to You. Words and music by John Philip Sosua. New York: T. B. Harms & Francis, Day & Hunter, c1917. 5 pages. Cover autographed by John Philip Sousa.
  • Speaks, Oley. For high voice. Words by Clinton Scollard. New York: G. Schirmer, c1914. 5 pages.
  • Stothart, Herbert. Featured in Metro-Goldwyn-Mayer’s production “Devil May Care”. Words by Clifford Grey. New York: Metro-Goldwyn-Mayer Corp., c1929. 5 pages.
  • Stothart, Herbert. The Shepherd’s Serenade (Do You Hear Me Calling You). Featured in Metro-Goldwyn-Mayer’s production “Devil May Care”. Words by Clifford Grey. New York: Metro-Goldwyn-Mayer Corp., c1929. 5 pages.
  • Stothart, Herbert. When I’m Looking at You. Featured in Metro-Goldwyn-Mayer’s operetta “The Rogue Song”. Words by Clifford Grey. New York: Metro-Goldwyn-Mayer Corp., c1929. 5 pages.
folder 37

Strachey–Styne

  • Strachey, Jack, and Harry Link. These Foolish Things (Remind Me of You). From William Walker’s revue “Spread It Abroad”. London: Boosey & Co., c1935. 5 pages.
  • Stults, R. M. A Little Song for You. Copyright 1904 by Julie V. Stults. 3 pages of music. Extracted from a larger collection (the pages numbered 42-44). Markedly worn, with manuscript annotations and pasted-in emendations.
  • Styne, Jule. I’ll Walk Alone. Lyric by Sammy Cahn. New York: Mayfair Music Corporation, c1944. 5 pages. “Featured by Dinah Shore in the Universal film “Follow the Boys”.—on cover.
folder 38

Tilzer–White; Anonymous

  • Tilzer, Harry Von. In the Land Where the Green Shamrock Grows. Lyric by William Jerome. New York: Harry Von Tilzer Music Publ. Co., c1923. 5 pages. Markedly worn; cover lacking.
  • Tilzer, Harry Von. That Old Irish Mother of Mine. For medium voice. Lyric by William Jerome. New York: Harry Von Tilzer Music Publ. Co., c1920. 5 pages.
  • Tobias, Charles, with Jack Scholl and Murray Mencher. Throw Another Log on the Fire. New York: Leo Feist, c1933. 5 pages. “Featured by Joe Morrison with George Olsen and his music”—on cover.
  • Tomlin, Pinky. The Love Bug Will Bite You (If You Don’t Watch Out). Words and music by Pinky Tomlin. New York: Santly Bros., Joy Inc., c1937. Photo of Pinky Tomlin on cover.
  • Walt, Edward J. Lassie o’ Mine. Words by Fred G. Bowles. Cleveland: Sam Fox, c1917. 6 pages.
  • Warren, Harry. I Know Now. Lyrics by Al Dubin. New York: Remick Music Corporation, c1937. 5 pages. “From the Warner Bros. Production ‘The Singing Marine’.”—in caption on first page of music. White, Pat. It’s the Same Old Shillelagh. New York: Shapiro, Bernstein Co., c1940. 5 pages. Photo of Joseph White on cover. Markedly worn.
  • Shall My Soul Pass through Ireland. Ink MS; 2 pages of music. For voice and piano; 3 verses written out in full.

Sub-series N: Song collections

folder 39 Bently, Alys E. Twenty Song Classics. Arranged for children.
Boston: C.C. Birchard and Company, c1910.

Box 21

folder 1 Early Italian Songs and Airs, volume I: Caccini to Bononcini; for high voice.
Boston: Oliver Ditson, c1923. 167 pages.
In series: The Musician’s Library.
folder 2 Ireland in Song
New York: Remick Music Corp., c1955. 128 pages.
In series: “Music for Everyone”, no. 9.
folder 3 Parker, Horatio, editor. German, French and Italian Song Classics. Volume II, mezzo-soprano and alto.
Cincinnati: John Church, c1912. 221 pages.
folder 4 Parker, Horatio, editor. German, French and Italian Song Classics. Volume III, tenor.
Cincinnati: John Church, c1912. 219 pages.
folder 5 Peterson, Walter. Sensational Collection of Mountain Ballads and Old Time Songs. Contains 50 big hits.
Chicago: M. M. Cole, [s.d.] 66 pages.
Title page lacking.
folder 6 Schubert, Franz. Songs with pianoforte accompaniment. First volume (82songs).
English translations by Dr. Theo. Baker.
New York: G. Schirmer, c1895. 307 pages.
folder 7 Spicker, Max, editor. Operatic Anthology. Celebrated arias from opera by old and modern composers.
New York: G. Schirmer, c1902. 285 pages.
Markedly worn; title page and back cover both missing.
folder 8 Thomas, John Charles. My Favorite Songs.
[s.l.]: Westinghouse Electric and Manufacturing Company, c1945. 14 pages of music.
Contents: Abide with me / (music) William Monk and (words) H. F. Lyte — Battle-Hymn of the Republic / (music) W. Steffe and (words) Julia Ward Howe — Believe me, if all those endearing young charms / (music) Irish air; (words) Thomas Moore — Bendemeer’s Stream / (music) Irish air; (words) Thomas Moore — Beautiful Dreamer /
(words and music) Stephen Foster / Come, Thou Almighty King / (music) Felice Giardini.

Sub-series O: Binder’s collections

item 9

Binder’s collection.

Surname on front cover: MIERCKEN; same appears as signature on many
of the published music items within.
Markedly worn.
Composers (or arrangers), in order of appearance:
Labarre
Naderman
Bochsa
Rossini
Bochsa
——-.
Atwood
Atwood
Bochsa
C. Vogt et T. Labarre
C. Vogt et T. Labarre
M. P. Gilles
Labarre
Bochsa
Bochsa
Bochsa
Bochsa
Cardon
—and finally, several pages of music in ink MS.