Box 1
| folder 1 | Festival (1938). For orchestra. 3 documents. Items include: Manuscript title page, in pencil, with note “1st orchestral work to be performed, Howard Hanson, cond.; Eastman Rochester Symphony, NBS National Broadcast 1939.” 1 p. of text. Instrumental parts: flute, oboe, B flat clarinet, A clarinet, bassoon, French horns I-IV, B flat trumpet, trombones I-III, violin I, violin II, viola, violoncello, contrabass. Ozalid manuscript. 49 pp. of music. Accompanied by envelope labeled “La Montaine first orchestra pieces 1938 (incomplete).” |
| folder 2 | Dirge for Clytemnestra (1938). For viola and orchestra. Instrumental parts (incomplete): solo viola, oboe, French horn, B flat trumpet violin I, violin II. Ozalid manuscript. 7 pp. of music. |
| folder 3 | The Fly Sat on the Wall (n.d.). For piano and orchestra. Piano solo part. Manuscript in ink. 2 pp. of music. |
| folder 4 | Intermezzo and Scherzo (n.d.). For violin and piano. Violin part. Ozalid manuscript. 3 pp. of music. |
| folder 5 | Intermezzo and Scherzo (1939). For violin and piano. 3 documents. Items include: Piano score. Manuscript in ink, with annotations in pencil and red pencil. 10 pp. of music. Facsimile of violin part. 4 pp. of music. Accompanied by envelope labeled “John La Montaine’s Student Works & Sketches while at Eastman School, 1938-1942.” |
| folder 6 | Scherzo. For piano and orchestra (n.d.). Two piano reduction. Ozalid manuscript. 6 pp. of music. |
| folder 7 | Scherzo. For piano and orchestra (n.d.). Two piano reduction. Manuscript facsimile. 6 pp. of music. |
| folder 8 | Untitled sketches (1938-1942). Manuscript in pencil and ink. 4 pp. of music. Accompanied by note: “La Montaine Student works and sketches….” 1 p. of text. |
| folder 9 | Compositions of John La Montaine, Op. 1-8. (1950). Bound manuscript facsimile. 145 pp. |
| folder 10 | Front matter for Compositions of John La Montaine, Op. 1-8 (1950). Ozalid manuscript. 4 pp. of text. |
| folder 11 | Toccata, Op. 1. For solo piano. Score. New York: Broude Brothers Ltd., 1957. 8 pp. |
| folder 12 | Four Songs, Op. 2 (1950). For high voice, violin or flute, and piano. 6 documents. Items include: Full score. Ozalid manuscript. 1 p. of text, 16 pp. of music. Instrumental part. Ozalid manuscript. 5 pp. of music. “Wanderers Nachtlied,” Op. 2, No. 1. For voice and piano, with German text. Score. Ozalid manuscript. 2 pp. of music. “Evening Song,” [Op. 2, No. 1]. For medium voice and piano. Score. Ozalid manuscript. 2 pp. of music. “Evening Song,” Op. 2, No. 1. For medium voice, violin or flute, and piano. Full score. Ozalid manuscript. 2 pp. of music. “Islanded in Thought,” Op. 2, No. 3 (1946). For voice and piano. Score. Ozalid manuscript. 2 pp. of music. |
| folder 13 | Four Songs, Op. 2 (1950). For high voice, violin or flute, and piano. Full score. Manuscript facsimile, with annotations in ink, bound. 16 pp. |
| folder 14 | Sonata for Piano, Op. 3 (n.d.). Score. Manuscript facsimile. 14 pp. of music. Score (copy 2). Manuscript facsimile, bound, with ink inscription to Ruth [White]. 14 pp. |
Box 37
| folder 1 | Sonata for Piano, Op. 3 (1950). Full score. American Composers’ Edition. Rochester, NY: Eastman School of Music, University of Rochester, 1970. New York: Carl Fischer Inc. 20 pp. of music. |
| folder 2 | Invocation, Op. 4. For voice and piano. Score. Ozalid manuscript, with annotations in blue pencil. 6 pp. of music. |
| folder 3 | Invocation, Op. 4 (1950). For voice and piano. Score. Manuscript facsimile, bound. 6 pp. Score (copy 2). Hollywood, CA: Fredonia Press, 1950. 9 pp. of music. |
Box 1
| folder 15 | The Puppets, Op. 5 (1950). Suite for two pianos. Score. Ozalid manuscript. 1 p. of text, 20 pp. of music. |
| folder 16 | The Puppets, Op. 5 (1950). Suite for two pianos. Score. Manuscript facsimile, bound, with annotations in pencil. 20 pp. Score (copy 2). Manuscript facsimile, bound. 20 pp. |
| folder 17 | March from The Puppets (n.d.). Arranged for symphony orchestra. Full score. Ozalid manuscript. 8 pp. of music. |
| folder 18 | The Rose of Sharon, Op. 6 (n.d.). Song cycle for soprano and orchestra. Piano vocal reduction. Manuscript facsimile, bound, with annotations in pencil. 20 pp. |
| folder 19 | Songs of the Rose of Sharon, Op. 6. Song cycle for soprano and orchestra. Conductor’s score, marked “Personal Copy,” with annotations in ink and pencil and errata list in pencil. Contemporary Composers Study Score Series, No. 24. New York: Broude Brothers Ltd., 1976. 58 pp. |
| folder 20 | Songs of the Rose of Sharon, Op. 6. For high voice with piano accompaniment. Piano vocal score. New York: Broude Brothers, 1962. 22 pp. 2 copies. Copy 1 has inscription on cover to Mrs. Lawrence Gilman. Copy 2 marked “Personal Copy,” with annotations in red ink. |
| folder 21 | Songs of the Rose of Sharon, Op. 6. Adapted for high voice and organ. Piano vocal score, with emendations and annotations for organ accompaniment in pencil and ink. New York: Broude Brothers, 1962. 22 pp. |
Box 37
| folder 4 | Songs of the Rose of Sharon, Op. 6 (1950). Song cycle for soprano and orchestra. Piano vocal reduction. Ozalid manuscript. 16 pp. of music. |
| folder 5 | Hoheslied [Songs of the Rose of Sharon], Op. 6. Song cycle for soprano and orchestra. Vocal part, with note “This setting of the German Biblical text made for Jessye Norman.” Ozalid manuscript. 11 pp. |
| folder 6 | Songs of the Rose of Sharon, Op. 6. Song cycle for soprano and orchestra. Conductor’s score. Contemporary Composers Study Score Series, No. 24. New York: Broude Brothers Ltd., 1976. 58 pp. of music. |
| folder 7 | Songs of the Rose of Sharon, Op. 6. For high voice with piano accompaniment. Piano vocal score. New York: Broude Brothers, 1962. 22 pp. of music. |
Box 1
| folder 22 | A Child’s Picture Book, Op. 7 (n.d.). For solo piano. Score (incomplete). Ozalid manuscript. 2 pp. of illustrations; 2 pp. of music. |
| folder 23 | A Child’s Picture Book, Op. 7 (n.d.). For solo piano. Score, with illustrations by Laura Howard. Manuscript facsimile, bound. 2 copies. Copy 2 marked “Personal Copy.” 31 pp. Score (copy 3). New York: Broude Brothers Ltd., 1957. 12 pp. |
| folder 24 | Sonata for ‘Cello and Piano, Op. 8. Score with solo part. 2 copies. Copy 2 marked “Personal Copy.” Philadelphia: Elkan-Vogel Co. Inc., 1966. 31 pp. (piano score) and 10 pp. (cello solo). |
| folder 25 | Concerto for Piano and Orchestra, Op. 9. Full score. Manuscript facsimile, bound. 103 pp. |
| folder 26 | Concerto for Piano and Orchestra, Op. 9. Two piano reduction. Score, marked “Personal Copy: Corrections and Revisions,” with annotations in red and blue ink. New York: Galaxy Music Corporation, 1965. 68 pp. |
Box 37
| folder 8 | Concerto for Piano and Orchestra, Op. 9. Full score. Manuscript facsimile, bound, with annotations in pencil, colored pencils, and ink. Revisions pasted over pp. 8, 41, 75-79, 100-101. Marked “Rental Material, Broude Brothers.” 103 pp. of music. |
| folder 9 | Concerto for Piano and Orchestra, Op. 9. Full score. Manuscript facsimile, bound, with annotations in pencil, colored pencils, and ink. Marked “Rental Library, Galaxy Music Corporation.” 103 pp. of music. Two piano reduction. New York: Galaxy Music Corp., 1965. 68 pp. of music. |
| folder 10 | Concerto for Piano and Orchestra, Op. 9. Full score. Manuscript facsimile, bound. Hollywood, CA: Fredonia Press, 1959. 103 pp. of music. |
| folder 11 | Concerto for Piano and Orchestra, Op. 9. Instrumental parts: violin I, violin II, viola, violoncello, contrabass. Ozalid manuscript. 47 pp. |
| folder 12 | Concerto for Piano and Orchestra, Op. 9. Instrumental parts: violin I, violin II, viola, violoncello, contrabass. Manuscript facsimile, bound, with annotations in pencil and colored pencil. 56 pp. of music. |
Box 52
| folder 1 | Concerto for Piano and Orchestra, Op. 9. Instrumental parts: violin I (11 copies). Manuscript facsimiles, bound, marked “Galaxy Music Corp.,” with performance markings in pencil. 99 pp. of music, total. |
| folder 2 | Concerto for Piano and Orchestra, Op. 9. Instrumental parts: violin II (9 copies). Manuscript facsimiles, bound, marked “Galaxy Music Corp.,” with performance markings in pencil and colored pencil. 90 pp. of music, total. |
| folder 3 | Concerto for Piano and Orchestra, Op. 9. Instrumental parts: viola (8 copies). Manuscript facsimiles, bound, marked “Galaxy Music Corp.,” with performance markings in pencil and colored pencil. 88 pp. of music, total. |
| folder 4 | Concerto for Piano and Orchestra, Op. 9. Instrumental parts: cello (8 copies). Manuscript facsimiles, bound, marked “Galaxy Music Corp.,” with performance markings in pencil and colored pencil. 104 pp. of music, total. |
| folder 5 | Concerto for Piano and Orchestra, Op. 9. Instrumental parts: bass (6 copies). Manuscript facsimiles, bound, marked “Galaxy Music Corp.,” with performance markings in pencil and colored pencil. 54 pp. of music, total. |
Box 2
| folder 1 | Twelve Relationships, Op. 10. For solo piano. Score. Manuscript facsimile, marked “1st edition, copy of original manuscript,” bound. 12 pp. Score (copy 2). New York: Carl Fischer Inc., 1965. |
| folder 2 | Canons for Orchestra, Op. 10a (1965). Full score. Manuscript facsimile. 26 pp. of music. |
Box 37
| folder 13 | Canons for Orchestra, Op. 10a (1965). Full score. Ozalid manuscript. 26 pp. of music. |
| folder 14 | Canons for Orchestra, Op. 10a (1965). Full score. Manuscript facsimile, bound. 26 pp. of music. 2 copies (different sizes). |
Box 2
| folder 3 | Ode for Oboe and Orchestra, Op. 11 (1952). 4 documents. Items include: Title page. Ozalid manuscript. 1 p. of text. Full score. Ozalid manuscript. 18 pp. of music. Piano reduction. Ozalid manuscript. 7 pp. of music. Instrumental parts: oboe solo (2 copies), flute I-II, clarinet I-II in A, bassoon I-II, horns I-IV, trumpet in C, trumpet (optional) in D, trombone, violin I-II, viola, cello, bass, timpani. Ozalid manuscript. 29 pp. of music. |
| folder 4 | Ode for Oboe and Orchestra, Op. 11 (1952). Full score. Manuscript facsimile. 18 pp. |
| folder 5 | Five Sonnets of Shakespeare, Op. 12 (n.d.). For voice and piano. Score (incomplete): Nos. 2, 4. Manuscript facsimile, with annotations in pencil. 8 pp. of music. |
Box 37
| folder 15 | Sonnets of Shakespeare, Op. 12 (n.d.). For voice and piano. Score (incomplete). 1 p. of text and 21 pp. of music (missing p. 19). Score (copy 2; incomplete). 1 p. of text and 18 pp. of music (missing pp. 1-5). |
| folder 16 | Five Sonnets of Shakespeare, Op. 12 (n.d.). For low voice and piano. Score. 22 pp. of music. |
| folder 17 | Five Sonnets of Shakespeare, Op. 12 (1962). For voice and piano. Score (incomplete): No. 1. Manuscript facsimile, with annotations in pencil and ink, marked “Personal Copy.” 4 pp. of music. Score (copy 2, incomplete): No. 1. Manuscript facsimile, reverse printing. 4 pp. of music. |
| folder 18 | Six Sonnets of Shakespeare, Op. 12 (1962). For voice and piano. Score. Hollywood, CA: Fredonia Press, 1962. 36 pp. of music. |
Box 2
| folder 6 | Songs of the Nativity, Op. 13. For alto or baritone solo, SATB chorus, piano, and bells. Full score. Ozalid manuscript. 14 pp. of music. |
| folder 7 | Songs of the Nativity, Op. 13 (1954). For SATB voices. Score. Typescript, copyright 1954, John La Montaine. 22 pp. of music. Score (copy 2, incomplete). Typescript. 18 pp. of music, with 11 duplicate pp. of music. Score (copy 3). Melville, NY: H. W. Gray Publications, 1954. 22 pp. |
Box 37
| folder 19 | Songs of the Nativity, Op. 13 (1954). For SATB voices. Score. Hollywood, CA: Fredonia Press, 1954. 22 pp. of music. |
Box 2
| folder 8 | Songs of the Nativity, Op. 13a. A cycle of Christmas songs for medium voice and organ. Score. Hollywood, CA: Fredonia Press, 1963. 31 pp. Score (copy 2), marked “Personal Copy.” New York: H. W. Gray Co. Inc., 1963. 31 pp. |
| folder 9 | Fuguing Set, Op. 14. For solo piano. Score. New York: Carl Fischer Inc., 1965. 20 pp. |
Box 37
| folder 20 | Three Poems of Holly Beye, Op. 15 (1954). For medium voice and piano. Score. New York: Cordon Press, 1954. 12 pp. of music. |
Box 2
| folder 10 | String Quartet, Op. 16 (n.d.). Full score. Ozalid manuscript. 48 pp. of music. |
| folder 11 | String Quartet, Op. 16 (1969). Full score. Manuscript facsimile. 48 pp. of music. Copy 2 (incomplete). 26 pp. of music. Copy 3. Bound. 48 pp. of music. Instrumental parts (incomplete): violin I, viola, cello. 42 pp. of music. |
| folder 12 | Recitative, Aria, and Finale, Op. 16a (1965). For string orchestra. Full score. Manuscript facsimile, bound. 29 pp. of music. |
Box 37
| folder 21 | Recitative, Aria, and Finale, Op. 16a (1965). For string orchestra. Full score. Hollywood, CA: Fredonia Press, (n.d.). 29 pp. of music. |
Box 2
| folder 13 | Sanctuary, Op. 17. For solo baritone, SATB chorus, and organ. Full score. Manuscript facsimile, bound. 20 pp. of music. |
Box 37
| folder 22 | Sanctuary, Op. 17. For solo baritone, SATB chorus, and organ. Full score. New York: H. W. Gray Co., Inc., 1956. 20 pp. of music. Copy 2. Full score. Hollywood, CA: Fredonia Press, 1956. 20 pp. of music. |
Box 2
| folder 14 | Six Dance Preludes, Op. 18. For solo piano. Score. New York: Broude Brothers, 1964. 21 pp. |
| folder 15 | Nonsense Songs from Mother Goose, Op. 19 (1973). For TTBB chorus and piano. Title page. Ozalid manuscript. 1 p. of text. Composer’s notes. Typescript. 1 p. of text. Full score. Ozalid manuscript. 49 pp. of music. |
| folder 16 | Nonsense Songs from Mother Goose, Op. 19 (1973). For TTBB chorus and piano. Full score. Manuscript facsimile, bound. 49 pp. |
Box 37
| folder 23 | Nonsense Songs from Mother Goose, Op. 19 (1973). For SATB voices and piano. Hollywood, CA: Fredonia Press, 1974. |
Box 2
| folder 17 | “The Proposal,” from Nonsense Songs from Mother Goose, Op. 19, No. 2. For SATB voices and piano. Hollywood, CA: Fredonia Press, 1974. 4 pp. 2 copies. |
| folder 18 | Jubilant Overture, Op. 20 (1959). For symphony orchestra. Full score. Manuscript facsimile. 30 pp. of music. Full score (copy 2), marked “Personal Copy.” New York: Carl Fischer Inc., 1971. 40 pp. |
Box 38
| folder 1 | Jubilant Overture, Op. 20 (1959). For symphony orchestra. 3 documents. Items include: Full score, with annotations in pencil and ink, marked “personal copy” and “has corrections.” New York: Carl Fischer, 1971. 40 pp. Errata list. Typescript, with annotations in pencil. 2 pp. Full score (copy 2). Full score. Carl Fischer Archive Orchestra Edition. New York: Carl Fischer, 1971. |
| folder 2 | Jubilant Overture, Op. 20 (1959). For symphony orchestra. New York: Carl Fischer, 1971. Includes: Full score, with annotations in colored pencil. 40 pp. Instrumental parts, with performance markings in pencil: violin I (10 copies), violin II (10 copies), viola (8 copies), cello (7 copies), contrabass (5 copies), flute I-II (2 copies), piccolo, oboe I-II (2 copies), clarinet I-II in B flat (2 copies), bassoon I-II (2 copies), contrabassoon, horn I-II (2 copies), horn III-IV (2 copies), trumpet I in C, trumpet II-III in C (2 copies), trombone I-II (2 copies), bass trombone, tuba, timpani, percussion (2 copies), folio marked “Additional Parts A to B-B to C” (2 copies). |
Box 3
| folder 1 | Colloquy for Strings, Op. 21 (1964). Performance note in pencil. 1 p. of text. Full score. Ozalid manuscript. 17 pp. of music. |
| folder 2 | Colloquy for Strings, Op. 21 (1964). 4 documents. Items include: Full score. Manuscript facsimile. 23 pp. of music. Full score (copies 2-3). Manuscript facsimile, bound, with annotations in pencil. 23 pp. 2 copies. Full score (copy 4). Manuscript facsimile, bound. 23 pp. |
| folder 3 | Colloquy for Strings, Op. 21. 4 documents. Items include: Full score. Hollywood, CA: Fredonia Press, 1965. 25 pp. Full score (copy 2), marked “corrected score,” with annotations in pencil and ink. Hollywood, CA: Fredonia Press, 1965. 25 pp. Full score (copy 3), marked “errata,” with annotations in ink. Hollywood, CA: Fredonia Press, 1965. 25 pp. Full score (copy 4), fair copy. 25 pp. of music. |
| folder 4 | Colloquy for Strings, Op. 21 (n.d.). Instrumental parts: violin I, violin II, viola, violoncello, contrabass. Manuscript facsimile. 44 pp. of music. Accompanied by note in ink: “Colloquy …. Full score & parts, Masters.” 1 p. of text. |
| folder 5 | Colloquy for Strings, Op. 21 (n.d.). Instrumental parts (set 2): violin I (4 copies), violin II (3 copies), viola (3 copies), violoncello (2 copies), contrabass (1 copy). Manuscript facsimile, with annotations in pencil. 102 pp. of music. |
| folder 6 | Colloquy for Strings, Op. 21 (n.d.). Instrumental parts (set 3): violin I (2 copies), violin II (4 copies), viola (2 copies), violoncello (6 copies), contrabass (6 copies). Manuscript facsimile, with annotations in pencil. 170 pp. of music. |
| folder 7 | Colloquy for Strings, Op. 21 (n.d.). Instrumental parts (set 4, marked “Rafael Durian Parts”): violin I (4 copies), violin II (3 copies), viola (3 copies), violoncello (2 copies), contrabass (1 copies). Manuscript facsimile, with annotations in pencil. 102 pp. of music. |
| folder 8 | Passacaglia and Fugue, Op. 21a (1970). For string orchestra. Performance note in pencil. 1 p. of text. Full score. Ozalid manuscript. 1 p. of text, 15 pp. of music. |
| folder 9 | God of Grace and God of Glory, Op. 22 (n.d.). Cantata for double chorus and organ. Full score. Manuscript facsimile, bound. 20 pp. |
| folder 10 | Wonder Tidings, Op. 23. For SATB chorus, harp, organ, and percussion. 6 documents. Items include: Full score, marked “Composer’s Copy,” with annotations in red pencil. New York: H. W. Gray Co. Inc., 1964. 72 pp. Full score (copy 2), marked “corrected score by Ed Low,” with annotations in pencil and colored pencils. New York: H. W. Gray Co. Inc., 1964. 72 pp. Full score (copy 3), marked “personal copy.” New York: H. W. Gray Co. Inc., 1964. 72 pp. Percussion part. Manuscript facsimile. 12 pp. of music. 3 copies. |
Box 38
| folder 3 | Wonder Tidings, Op. 23. For SATB chorus, harp, organ, and percussion. 3 documents. Items include: Full score. New York: H. W. Gray Co. Inc., 1964. 72 pp. Errata list. Facsimile of typescript document. 2 pp. Harp part. Hollywood, CA: Fredonia Press, 1964. 32 pp., with 3 loose pp. marked “optional fold-out.” |
Box 3
| folder 11 | Sonata for Flute Solo, Op. 24. Full score. New York: Broude Brothers, 1958. 9 pp. 3 copies. Copy 2 has inscription on front cover “To Ruthie.” Copy 3 marked “1st edition.” |
| folder 12 | Quartet for Woodwinds, Op. 24a (n.d.). Instrumental parts: flute, oboe, clarinet, bassoon. Ozalid manuscript. 32 pp. of music. |
| folder 13 | Quartet for Woodwinds, Op. 24a (1969). Full score, marked “personal copy.” Manuscript facsimile. 23 pp. of music. Instrumental parts: flute, oboe, clarinet, bassoon. Manuscript facsimile. 32 pp. of music. Full score and parts (copy 2), marked “personal copy.” Hollywood, CA: Fredonia Press, 1969. |
Box 38
| folder 4 | Quartet for Woodwinds, Op. 24a (n.d.). Full score. Ozalid manuscript. 23 pp. |
| folder 5 | Quartet for Woodwinds, Op. 24a (1969). Full score and parts. Hollywood, CA: Fredonia Press, 1969. |
Box 4
| folder 1 | Quartet for Woodwinds, Op. 24a (1969). Full score and parts. Hollywood, CA: Fredonia Press, 1969. |
Box 38
| folder 6 | Sonata for Piano Four Hands, Op. 25 (1965). Full score. Manuscript facsimile, bound. 23 pp. of music. 2 copies. |
Box 4
| folder 2 | Copycats, Op. 26. For solo piano. Hollywood, CA: Fredonia Press, 1976. 16 pp. |
| folder 3 | Spreading the News, Op. 27 (n.d.). A gossipy opera in one act. Piano vocal score. Ozalid manuscript. 3 pp. of text, 111 pp. of music. |
| folder 4 | Spreading the News, Op. 27 (n.d.). A gossipy opera in one act. Piano vocal score. Manuscript facsimile. 51 pp. |
| folder 5 | Symphony No. 1, Op. 28 (n.d.). Full score. Ozalid manuscript. 1 p. of text, 97 pp. of music. |
| folder 6 | Symphony No. 1, Op. 28 (n.d.). Full score. Manuscript facsimile, bound, with annotations in pencil, colored pencils, and ink. 97 pp. Accompanied by envelope with note about first performance. |
| folder 7 | Fragments from the Song of Songs, Op. 29 (1959). For soprano and orchestra. Piano vocal score. Manuscript facsimile, bound, marked “Personal copy.” 38 pp. Piano vocal score (copy 2). Manuscript facsimile. 38 pp. of music. Piano vocal score (copy 3). Manuscript facsimile, with annotations in pencil and ink. 38 pp. of music. |
| folder 8 | Fragments from the Song of Songs, Op. 29. For soprano and orchestra. Full score. Hollywood, CA: Fredonia Press, 1959. 109 pp. |
Box 38
| folder 7 | Fragments from the Song of Songs, Op. 29 (1959). For soprano and orchestra. Piano vocal score. Ozalid manuscript. 38 pp. of music. |
| folder 8 | Fragments from the Song of Songs, Op. 29 (n.d.). For soprano and orchestra. Instrumental parts (incomplete): English horn, first page only. Ozalid manuscript. 1 pp. |
| folder 9 | Fragments from the Song of Songs, Op. 29 (1959). For soprano and orchestra. Full score. Manuscript facsimile, unbound, accompanied by note “Orchestral score originals.” 109 pp. of music. |
| folder 10 | Fragments from the Song of Songs, Op. 29 (n.d.). For soprano and orchestra. 4 documents. Includes: Manuscript note, in ink, listing contents of folio. 1 p. of text. List of comments and corrections on orchestral parts, in pencil, colored pencil, and ink, on letterhead for Dorian Records. 2 pp. of text. Unlabeled instrumental parts (incomplete). Manuscript facsimile, reverse printing. 8 pp. Percussion part to movement VI (“I Sleep But My Heart Waketh”). Manuscript facsimile. 2 pp. |
| folder 11 | Fragments from the Song of Songs, Op. 29 (1959). For soprano and orchestra. Full score. Manuscript facsimile, bound, marked “Personal Copy,” with annotations in pencil, colored pencil and ink. 118 pp. of music. |
| folder 12 | Fragments from the Song of Songs, Op. 29 (1959). For soprano and orchestra. Full score. Manuscript facsimile, bound, marked “Property of G. Schirmer, Supplied on loan.” 109 pp. of music. 2 copies. Copy 2 has performance markings in pencil and water damage on pp. 100-109. |
Box 39
| folder 1 | Fragments from the Song of Songs, Op. 29 (1959). For soprano and orchestra. Instrumental parts: violin I (5 copies), violin II (3 copies), viola (3 copies), cello (3 copies). Manuscript facsimile. |
| folder 2 | Fragments from the Song of Songs, Op. 29 (1959). For soprano and orchestra. Full score. Hollywood, CA: Fredonia Press, 1959. 109 pp. of music. |
| folder 3 | Fragments from the Song of Songs, Op. 29 (1959). For soprano and orchestra. Piano vocal score. Hollywood, CA: Fredonia Press, 1959. 38 pp. of music. |
| folder 4 | Orchestral Interlude from Fragments from the Song of Songs, [Op. 29a]. For symphony orchestra. Full score. Ozalid manuscript. 9 pp. of music. Conductor’s score (incomplete). Ozalid manuscript. 4 pp. Instrumental parts: flute I-II; piccolo, English horn, and bassoon; oboe; clarinet I in B flat; violin I; violin II; viola; violoncello; contrabass; harp and piano; percussion. 13 pp. |
| folder 5 | Orchestral Interlude from Fragments from the Song of Songs, [Op. 29a]. For symphony orchestra. Full score (incomplete). Manuscript facsimile, reverse printing. 2 pp. |
| folder 6 | Interlude from the Song of Songs, “Let my beloved come into his garden.” For symphony orchestra. Full score. Manuscript facsimile, bound. 9 pp. of music. Full score (copy 2), titled “Come Into My Garden.” Hollywood, CA: Fredonia Press, 1959. 9 pp. of music. |
Box 4
| folder 9 | Overture: From Sea to Shining Sea, Op. 30 (1965). For symphony orchestra. Full score. Manuscript facsimile, marked “Personal Copy, 1st edition,” with annotations in pencil and colored pencil. 28 pp. Full score (copies 2-3). Manuscript facsimile, marked “1st edition.” 28 pp. |
| folder 10 | From Sea to Shining Sea, Op. 30. For symphony orchestra. Program notes. Typescript, Ozalid print (reversed). 1 p. of text. |
| folder 11 | Novellis, Novellis, Op. 31. Pageant opera. List of vocal numbers, in pen. 2 pp. of text. Piano vocal score, marked “Personal,” with annotations in ink. New York: G. Schirmer, 1962. 73 pp. Piano vocal score (copy 2), with inscription on front cover “For Ruth White.” New York: G. Schirmer, 1962. 73 pp. Piano vocal score (copy 3), with autograph on front cover. New York: G. Schirmer, 1962. 73 pp. Front matter. Typescript. 4 pp. of text. Piano vocal score (copy 4), marked “Personal Copy.” Hollywood, CA: Fredonia Press, 1973. 73 pp. |
Box 39
| folder 7 | A Summer’s Day, Op. 32. After a sonnet of Shakespeare. For voice and orchestra. Condensed score. Manuscript facsimile. 6 pp. of music. |
Box 5
| folder 1 | Canticle for Orchestra, Op. 33 (1965). Full score. Manuscript facsimile. 8 pp. of music. Full score (copy 2). Manuscript facsimile, bound. 8 pp. |
| folder 2 | Birds of Paradise, Op. 34. For piano and orchestra. Full score, marked “Personal Copy.” Carl Fischer Study Score Series. New York: Carl Fischer Inc., 1966. 53 pp. Two piano reduction, marked “Personal copy.” New York: Carl Fischer Inc., 1973. 32 pp. |
Box 39
| folder 7 | Birds of Paradise, Op. 34. For piano and orchestra. Full score. Carl Fischer Study Score Series. New York: Carl Fischer Inc., 1966. 53 pp. Two piano reduction. New York: Carl Fischer Inc., 1973. 32 pp. |
Box 5
| folder 3 | Te Deum, Op. 35 (1964). For SATB chorus and orchestra. 4 documents. Items include: Full score, marked “Personal Copy.” Manuscript facsimile, bound. 33 pp. Full score (copy 2), with inscription on front cover “For Irene Grafton Whaley.” Manuscript facsimile, bound. 33 pp. Full score (copy 3). Manuscript facsimile, bound. 33 pp. Vocal part. Manuscript facsimile, bound, with annotations in red pencil. 24 pp. |
Box 39
| folder 8 | Three Psalms, Op. 36. For solo voice, SATB chorus, and small orchestra (or organ). 5 documents. Items include: Title page for Three Psalms vocal score. Ozalid manuscript. 1 p. of text. “Make a Joyful Noise unto the Lord,” Op. 36, No. 1. Full score. Ozalid manuscript. 34 pp. “The Lord is My Shepherd,” Op. 36, No. 2. Full score. Ozalid manuscript. 9 pp. “The Lord is My Shepherd,” Op. 36, No. 2. Piano vocal reduction for high voice (in E flat). Ozalid manuscript. 4 pp. “The Lord is My Shepherd,” Op. 36, No. 2. Piano vocal reduction for medium voice (in C). Ozalid manuscript. 4 pp. “The Earth is the Lord’s,” Op. 36, No. 3. Piano vocal reduction. Ozalid manuscript. 20 pp. |
| folder 9 | Three Psalms, Op. 36. For solo voice, SATB chorus, and small orchestra (or organ). 3 documents. Items include: Conductor’s score (SATB and organ or orchestral reduction). Manuscript facsimile, bound, with annotations in colored pencil. 42 pp. of music. “The Lord is My Shepherd,” Op. 36, No. 2. Full score. Manuscript facsimile, bound, with annotations in pencil. 10 pp. “The Earth is the Lord’s,” Op. 36, No. 3. Full score. Manuscript facsimile, bound, with annotations in pencil. 37 pp. |
| folder 10 | “The Lord is My Shepherd,” Op. 36, No. 2. For medium voice and piano. Score. New York: H. W. Gray Co. Inc., 1968. 5 pp. of music. |
| folder 11 | “The Earth is the Lord’s,” Op. 36 [No. 3] (1965). For SATB chorus and orchestra. Piano vocal reduction. Manuscript facsimile, bound. 20 pp. |
Box 5
| folder 4 | “The Earth is the Lord’s,” Op. 36 [No. 3] (1965). For SATB chorus and orchestra. Full score. Ozalid manuscript. 37 pp. of music. |
| folder 5 | “The Earth is the Lord’s,” Op. 36 [No. 3] (1965). For SATB chorus and orchestra. Piano vocal reduction. Manuscript facsimile. 29 pp. of music. |
| folder 6 | “The Lord is My Shepherd,” [Op. 36, No. 2] (1963). For voice and orchestra. Full score. Ozalid manuscript. 10 pp. of music. |
| folder 7 | “The Lord Is My Shepherd,” Op. 36, No. 2 (1963). For medium voice and piano or organ. Score. Ozalid manuscript. 4 pp. of music. |
| folder 8 | “The Lord is My Shepherd,” Op. 36, No. 2 (1963). For voice and piano or organ. 8 documents. Items include: Version for high voice in C sharp minor. Score. Manuscript facsimile. 4 pp. of music. Version for medium voice in B minor. Score. Manuscript facsimile. 4 pp. of music. 5 copies. Version for low voice in B flat minor. Score. Manuscript facsimile. 4 pp. of music. 2 copies. |
| folder 9 | “The Lord Is My Shepherd,” Op. 36, No. 2. For medium voice and piano. Hollywood, CA: Fredonia Press, 1968. 3 copies. |
Box 5
| folder 10 | Missa Naturae (Mass of Nature), Op. 37 (1968). For SATB chorus and orchestra. Piano vocal score. Manuscript facsimile, bound. 54 pp. |
| folder 11 | Mass of Nature, Op. 37. For SATB chorus and orchestra. Piano vocal score. Hollywood, CA: Fredonia Press, 1968. 54 pp. 2 copies. Full score (copy 3), marked “Personal Copy.” Hollywood, CA: Fredonia Press, 1968. 84 pp. |
| folder 12 | Mass of Nature, Op. 37. For SATB chorus and orchestra. Title pages for instrumental parts. Ozalid manuscript. 26 pp. of text. |
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| folder 12 | Mass of Nature, Op. 37. For SATB chorus and orchestra. Piano vocal score. Ozalid manuscript. 1 p. of text and 54 pp. of music. |
| folder 13 | Mass of Nature, Op. 37. For SATB chorus and orchestra. Full score. Hollywood, CA: Fredonia Press, 1968. 84 pp. of music. |
Box 5
| folder 13 | The Shephardes Playe, Op. 38. Pageant opera. Piano vocal score (incomplete, pp. 103-121 only), with note “Save but do not use.” Ozalid manuscript. 1 p. of text, 19 pp. of music. |
| folder 14 | The Shephardes Playe, Op. 38. Pageant opera. Piano vocal score. Manuscript facsimile. 115 pp. |
| folder 15 | Erode the Greate, Op. 40. Pageant opera in two acts. Title page. Ozalid manuscript. 1 p. of text. |
| folder 16 | Erode the Greate, Op. 40. Pageant opera in two acts. Instrumental parts (incomplete): piccolo (flute II). Ozalid manuscript. 2 pp. of music. |
| folder 17 | Erode the Greate, Op. 40. Pageant opera in two acts. Piano vocal score. Manuscript facsimile, bound, marked “Personal Copy.” 169 pp. |
Box 39
| folder 14 | Erode the Greate, Op. 40. Pageant opera in two acts. Full score. Hollywood, CA: Fredonia Press, 1969. 227 pp. |
Box 5
| folder 18 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Study score. Manuscript facsimile, bound. 173 pp. |
| folder 19 | Excerpts from Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Piano vocal score. Manuscript facsimile, bound. 22 pp. of music. |
Box 39
| folder 15 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Manuscript sketches in pencil, colored pencil, and ink. 21 pp. of music. |
| folder 16 | Wilderness Journal, op. 41. Symphony for bass-baritone, organ, and orchestra. 4 documents. Items include: Ozalid composer’s notes, typescript. 2 pp. of text. Ozalid title page, typescript. 1 p. of text. Piano vocal score (incomplete): “In Wildness Is the Preservation of the World,” and “The World Is Gilded for My Delight.” Ozalid manuscript, marked “This is the first sketch—not used in completed score.” 9 pp. of music. Condensed score (1971). Ozalid manuscript. 85 pp. of music. |
| folder 17 | Wilderness Journal, op. 41. Symphony for bass-baritone, organ, and orchestra. 3 documents. Items include: Title page. Ozalid manuscript. 1 p. of text. Errata list. Ozalid manuscript. 2 pp. “Epilogue,” revision. Organ part. 2 pp. of music. |
Box 40
| folder 1 | Wilderness Journal, Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Piano vocal score. Manuscript facsimile, bound. Hollywood, CA: Fredonia Press, 1971. 86 pp. Organ part. Typescript, bound, with annotations in pencil. 36 pp. |
| folder 2 | Wilderness Journal, Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Piano vocal score. Manuscript facsimile, bound. 86 pp. |
| folder 3 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Songs. 14 documents. Items include: Songs from Part I (incomplete). Condensed score. Manuscript facsimile, bound, with note “First sketch before orchestrated.” 25 pp. of music. Songs from Part II. Condensed score. Manuscript facsimile, bound. 29 pp. of music. “In Wildness Is the Preservation of the World.” Condensed score. Manuscript facsimile. 6 pp. of music. “We need the tonic of wildness.” Condensed score. Manuscript facsimile, bound, with annotations in pencil and colored pencil. 7 pp. of music. “Little Brook.” Condensed score. Manuscript facsimile, bound. 5 pp. of music. “Spruce Swamp.” Condensed score. Manuscript facsimile, with annotations in colored pencil. 3 pp. of music. “Frogs.” Condensed score. Manuscript facsimile. 4 pp. of music. “I sit in my boat on Walden.” Condensed score. Manuscript facsimile. 4 pp. of music. “My Friend.” Condensed score. Manuscript facsimile. 4 pp. of music. “Cobwebs.” Condensed score. Manuscript facsimile. 2 pp. of music. 2 copies. “Silence.” Condensed score. Manuscript facsimile, with annotations in colored pencil. 4 pp. of music. “Ice Crystals.” Condensed score. Manuscript facsimile. 5 pp. of music. “In Wildness Is the Preservation of the World.” Condensed score. Manuscript facsimile, bound. 7 pp. of music. “Sunset.” Condensed score. Manuscript facsimile. 4 pp. of music. |
| folder 4 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. 5 documents. Items include: Title page. Typescript, on transparency. 1 p. Layout of front cover for printed score. 1 p. Layout of cover back for printed score. 1 p. List of instrumentation. Manuscript facsimile. 1 p. Notes on Wilderness Journal, Op. 41. “Some notes for the bass-baritone soloist,” in ink. 2 pp. of text. |
| folder 5 | Wilderness Journal, Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Piano vocal score. Typescript, with annotations in colored pencil. 2 pp. of text and 36 pp. of music. |
| folder 6 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts. Includes: piccolo, flute, oboe (English horn), clarinet in E flat, clarinet in B flat, bassoon, trumpet in D, trumpet in C, horn, trombone I (tenor), trombone II (bass), piano, harp, percussion, violin I, violin II, viola, cello, bass. Ozalid manuscript. |
| folder 7 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts (woodwinds and brass). Includes: piccolo, flute, oboe (English horn), clarinet in E flat, clarinet in B flat, bassoon, trumpet in D, trumpet in C, horn, trombone I (tenor), trombone II (bass). Manuscript facsimile, with performance markings in pencil. |
| folder 8 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts (keyboards and percussion). Includes: piano, harp, percussion (4 parts). Manuscript facsimile, with performance markings in pencil. |
| folder 9 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts (violins). Includes violin I (10 copies), violin II (9 copies). Manuscript facsimile, with performance markings in pencil. |
| folder 10 | Wilderness Journal, Op. 41. Photographic negative of publisher’s imprint of title page and copyright page. 2 pp. |
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| folder 1 | Wilderness Journal, Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts (low strings). Includes viola (7 copies), cello (6 copies), bass (5 copies). Manuscript facsimile, with performance markings in pencil. |
Box 5
| folder 20 | Conversations, Op. 44 [recte Op. 42a] (1973). For B flat clarinet and piano. Solo part. Ozalid manuscript. 8 pp. of music. |
| folder 21 | Conversations, Op. 44 [recte Op. 42a] (1973). For B flat clarinet and piano. Full score (in C). Manuscript facsimile. 23 pp. of music. Full score, with instrumental part. Hollywood, CA: Fredonia Press, 1977. 22 pp. and 9 pp. |
| folder 22 | Conversations, Op. 44 [recte Op. 42b] (n.d.). For flute and piano. Manuscript sketches (corrections), in pencil. 5 pp. of music. |
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| folder 2 | Conversations, Op. 42b (1979). For flute and piano. Solo part. Ozalid manuscript. 7 pp. of music. |
| folder 3 | Conversations, Op. 42b (1979). For flute and piano. Solo part, labeled “Doriot’s part.” Manuscript facsimile, with annotations in pencil, colored pencils, and ink. 7 pp. of music. |
| folder 4 | Conversations, Op. 42b (1979). For flute and piano. Solo part. Typescript, bound. [Hollywood, CA: Fredonia Press, 1979]. 7 pp. |
Box 5
| folder 23 | Conversations, Op. 44 [recte Op. 42c] (n.d.). For trombone and piano. Solo part. Ozalid manuscript. 6 pp. of music. |
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| folder 5 | Conversations, Op. 42c (1977). For trombone and piano. Solo part. Riverside, IL: Fredonia Press, 1977. 8 pp. of music. |
Box 5
| folder 24 | Conversations, Op. 44 [recte Op. 42d] (1975). For violin and piano. Solo part. Ozalid manuscript. 7 pp. of music. |
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| folder 6 | Conversations, Op. 42d. For violin and piano. Solo part. Typescript, uncut (pages printed on single sheet). [Hollywood, CA: Fredonia Press, 1978]. 8 pp. |
Box 5
| folder 25 | Conversations, Op. 42d. For violin and piano. Solo part. Typescript, uncut (pages printed on single sheet). [Hollywood, CA: Fredonia Press, 1978]. 8 pp. |
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| folder 7 | Conversations, Op. 42e (1977). For viola and piano. Solo part. Hollywood, CA: Fredonia Press, 1977. 8 pp. |
Box 6
| folder 1 | Conversations, Op. 44 [recte Op. 42f] (1978). For marimba and piano. Solo part. Ozalid manuscript. 7 pp. of music. |
| folder 2 | Conversations, Op. 44 [recte Op. 42f] (1973). For marimba and piano. 4 documents. Items include: Full score. Manuscript, in pencil and ink. 23 pp. of music. Solo part. Manuscript facsimile. 7 pp. of music. 4 copies. Solo part. Publisher’s imprint, with annotations in red pencil. 1 p. of text, 17 pp. of music. Solo part. Hollywood, CA: Fredonia Press, 1977. 17 pp. 2 copies. Copy 1 marked “Personal copy.” |
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| folder 8 | Conversations, Op. 42g (1977). For oboe and piano. Solo part. Typescript, bound. 12 pp. |
| folder 9 | Be Glad Then America, Op. 43 (1976). Opera. Libretto, includes composer’s notes and illustrations. Hollywood, CA: Fredonia Press, 1976. 44 pp. |
| folder 10 | Be Glad Then America, Op. 43. Opera. Piano vocal score. Ozalid manuscript. 154 pp. |
| folder 11 | Be Glad Then America, Op. 43. Opera. “Entr’acte,” for voice and guitar. Score. Manuscript facsimile. 6 pp. |
| folder 12 | Be Glad Then America, Op. 43. Opera. Full score, unbound, copy filed as “Masters.” Hollywood, CA: Fredonia Press, 1976. 262 pp. of music. Full score (copy 2; incomplete). Hollywood, CA: Fredonia Press, 1976. 10 pp. of text. 14 pp. of music. |
| folder 13 | Be Glad Then America, Op. 43 (1975). Opera. Piano vocal score. Hollywood, CA: [Fredonia Press], 1975. 146 pp. of music. Piano vocal score (copy 2). Second edition of printing. Hollywood, CA: [Fredonia Press], 1975. 146 pp. |
| folder 14 | Be Glad Then America, Op. 43 (1976). Opera. Full score, Act I. Hollywood, CA: Fredonia Press, 1976. 179 pp. Full score, Act II. Bound with libretto and mini DV tape of performance labeled “La Montaine: Be Glad Then America; Donald Gramm, David Lloyd, Richard Lewis, Odetta.” Hollywood, CA: Fredonia Press, 1976. 89 pp. of music. |
Box 42
| folder 1 | Be Glad Then America: Overture, Op. 43. For symphony orchestra. Instrumental parts (winds and percussion): piccolo, flute I, flute II, oboe I, oboe II, clarinet I in B flat, clarinet II in B flat (clarinet in E flat), clarinet III in B flat, bassoon I, bassoon II, contrabassoon, horn I-II (2 copies), horn III-IV (2 copies), trumpet in D, trumpet I-II in C (2 copies), trombone I, trombone II, trombone III, tuba, percussion. Manuscript facsimile, with performance markings in pencil, stamped “Rental Material, Paul J. Sifler.” |
| folder 2 | Be Glad Then America: Overture, Op. 43. For symphony orchestra. Instrumental parts (violins): violin I (8 copies), violin II (7 copies). Manuscript facsimile, with performance markings in pencil, stamped “Rental Material, Paul J. Sifler.” |
| folder 3 | Be Glad Then America: Overture, Op. 43. For symphony orchestra. Instrumental parts (low strings): viola (4 copies), cello (4 copies), bass (3 copies). Manuscript facsimile, with performance markings in pencil, stamped “Rental Material, Paul J. Sifler.” |
Box 6
| folder 3 | Overture: Be Glad Then America, Op. 43. For symphony orchestra. 3 documents. Items include: Full score. Manuscript facsimile, with annotations in pencil and red pencil, marked “Performance notes.” 32 pp. Full score (titled Overture: An Early American Sampler). Hollywood, CA: Fredonia Press, 1975. 32 pp. Instrumental parts (incomplete): piccolo. Hollywood, CA: Fredonia Press, [n.d.]. 3 pp. of music. |
Box 42
| folder 4 | Overture: Be Glad Then America, Op. 43. For symphony orchestra. Full score. Hollywood, CA: [Fredonia Press], 1975. 32 pp. |
Box 6
| folder 4 | Lexington Green, Op. 43b. For band or orchestra. Conductor’s score. Manuscript facsimile. 5 pp. of music. Conductor’s score (copy 2), with annotations in ink, marked “Personal.” Hollywood, CA: Fredonia Press, 1974. 12 pp. |
Box 42
| folder 5 | Lexington Green, Op. 43b. For band or orchestra. 3 documents. Items include: Layout of title page and condensed conductor’s score. Hollywood, CA: Fredonia Press, [n.d.]. 1 p. of text and 12 pp. of music. Condensed conductor’s score, with annotations in ink. Hollywood, CA: Fredonia Press, 1974. 12 pp. Condensed conductor’s score. Hollywood, CA: Fredonia Press, 1974. 12 pp. |
| folder 6 | Lexington Green, Op. 43b. For band or orchestra. Instrumental parts: piccolo I-II (3 copies), flute I (2 copies), flute II (2 copies), oboe I-II (2 copies), clarinet in E flat, clarinet I in B flat (2 copies), clarinet II-III in B flat (5 copies), bass clarinet in B flat (2 copies), bassoon I-II (2 copies), alto saxophone I in E flat, alto saxophone II in E flat, tenor saxophone in B flat, baritone saxophone in E flat, cornet I in B flat, cornet II in B flat, cornet III in B flat, trumpet I in B flat, trumpet II in B flat, trumpet III in B flat, horn I-II (2 copies), horn III-IV (2 copies), trombone I, trombone II-III (2 copies), baritone (bass clef), baritone (treble clef), tuba (3 copies), percussion (3 copies), bass. Manuscript facsimile. |
| folder 7 | Freedom Proclamation (1975). From the opera Be Glad Then America, Op. 43. Anthem for soloists, SATB chorus, organ, handbells in G, and optional guitar. Full score. Typescript masters. 12 pp. Full score (copy 2). Hollywood, CA: Fredonia Press, 1975. 12 pp. |
Box 6
| folder 5 | The Nine Lessons of Christmas, Op. 44 (1975). For narrator, soloists, SATB chorus, harp, and percussion. 7 documents. Items include: Full score. Ozalid manuscript. 49 pp. of music. Prelude: “The Garden of Eden.” Instrumental score (for harp and percussion). Ozalid manuscript. 2 pp. of music. ”A Boy Was Born.” Vocal score. Ozalid manuscript. 4 pp. of music. Harp part. Ozalid manuscript. 3 pp. of music. “Came He to a World Forlorn.” Vocal score. Ozalid manuscript. 4 pp. of music. Harp part. Ozalid manuscript. 2 pp. of music. “Gentle Jesus, Meek and Mild.” Vocal score (incomplete). Ozalid manuscript. 2 pp. of music. |
| folder 6 | The Nine Lessons of Christmas, Op. 44 (1975). For narrator, soloists, SATB chorus, harp, and percussion. Harp part. Hollywood, CA: Fredonia Press, 1975. 31 pp. |
Box 43
| folder 1 | The Nine Lessons of Christmas, Op. 44 (1975). For narrator, soloists, SATB chorus, harp, and percussion. 4 documents. Items include: Full score. Hollywood, CA: Fredonia Press, 1975. 79 pp. Libretto insert. Hollywood, CA: Fredonia Press, 1975. 4 pp. of text. Percussion part. Hollywood, CA: Fredonia Press, 1975. 21 pp. Harp part. Hollywood, CA: Fredonia Press, 1975. 31 pp. |
Box 6
| folder 7 | The Whittier Service, Op. 45. For SATB chorus, guitar, and organ. Full score, with annotations in red ink, marked “Personal Copy.” Hollywood, CA: Fredonia Press, 1979. Full score (copy 2). Hollywood, CA: Fredonia Press, 1979. Full score (copy 3), reduction for choir and organ, marked “Complimentary.” Hollywood, CA: Fredonia Press, 1979. |
Box 43
| folder 2 | The Whittier Service, Op. 45. For SATB chorus, guitar, and organ. Full score. Hollywood, CA: Fredonia Press, 1979. 53 pp. Guitar part. Hollywood, CA: Fredonia Press, 1979. 11 pp. |
Box 6
| folder 8 | The Whittier Hymns [from Op. 45]. For SATB voices. Full score. Hollywood, CA: Fredonia Press, 1978. 19 pp. (includes duplicate pages). |
| folder 9 | [Hymns from The Whittier Service]. 10 documents. Items include: “Dear Lord and Father” (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music. “Lord of All Gifts” (1978). For unison voices and keyboard accompaniment, with optional instrumental obbligato. Full score. Ozalid manuscript. 1 p. of music. Part for oboe and guitar. Ozalid manuscript. 1 p. of music. “Ascent of Man” (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music. “Immortal Love” (1978). For SATB voices and organ. Full score. Ozalid manuscript. 1 p. of music. 2 copies. “Blow, Winds of God” (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music. “The Light, the Truth, the Way” (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music. “God’s Mercy” (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music. “Brotherhood” (n.d.). For two-part voices and organ. Full score. Ozalid manuscript 1 p. of music. “Brotherhood” (1978). For two-part voices and organ (different version). Full score. Ozalid manuscript. 1 p. of music. |
| folder 10 | [Hymns from The Whittier Service]. 22 documents. Items include: “Dear Lord and Father” (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 3 copies. “Lord of All Gifts” (1978). For unison voices and keyboard accompaniment, with optional instrumental obbligato. Full score. Manuscript facsimile. 1 p. of music. 2 copies. “Ascent of Man” (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 3 copies. “Immortal Love” (1978). For SATB voices and organ. Full score. Manuscript facsimile. 1 p. of music. “The Light, the Truth, the Way” (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 4 copies. Copies 1-3 have annotations in pencil and colored pencil. “God’s Mercy” (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 3 copies. Copy 1 has annotations in pencil. “Blow, Winds of God” (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 4 copies. Copy 1 has annotations in blue pencil. “Brotherhood” (n.d.). For two-part voices and organ. Full score. Manuscript facsimile. 1 p. of music. “Brotherhood” (1978). For two-part voices and organ (different version). Full score. Manuscript facsimile. 1 p. of music. |
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| folder 3 | Twelve Studies for Two Flutes, Op. 46 (1979). Full score. Ozalid manuscript. 1 p. of text and 17 pp. of music. Full score (copy 2). Ozalid manuscript. 1 p. of text and 17 pp. of music. |
| folder 4 | Twelve Studies for Two Flutes, Op. 46. Full score. Hollywood, CA: Fredonia Press, 1979. 17 pp. |
| folder 5 | Canonic Variations for Flute and Clarinet, Op. 47 (1980). Full score. Ozalid manuscript. 11 pp. of music. |
| folder 6 | Canonic Variations for Flute and Clarinet, Op. 47. Full score. Manuscript facsimile. 11 pp. of music. |
| folder 7 | Canonic Variations for Flute and Clarinet, Op. 47. Full score. Hollywood, CA: Fredonia Press, 1980. 12 pp. |
Box 6
| folder 11 | Concerto for Flute, Op. 48 (1980). 3 documents. Items include: Piano reduction. Manuscript facsimile. 41 pp. of music. Piano reduction (copy 2). Manuscript facsimile, with annotations in pencil, colored pencil, and ink, bound, marked “Personal Copy.” 41 pp. of music. Piano reduction (copy 3). Manuscript facsimile, with annotations in pencil and colored pencil, bound, marked “Personal Copy.” 41 pp. of music. |
| folder 12 | Concerto for Flute, Op. 48 (1980). Instrumental parts (woodwinds): piccolo, flute, oboe, English horn, E flat clarinet, B flat clarinet, B flat bass clarinet, bassoon, contrabassoon. Ozalid manuscript. 59 pp. |
| folder 13 | Concerto for Flute, Op. 48 (1980). Instrumental parts (brass and percussion): horn I-II, trumpet I-II, trombone I-II, percussion, timpani. Ozalid manuscript. 58 pp. |
| folder 14 | Concerto for Flute, Op. 48 (1980). Instrumental parts (strings): violin I-II, viola, violoncello, contrabass, harp. Ozalid manuscript. 60 pp. |
| folder 15 | Concerto for Flute, Op. 48 (1980). Instrumental parts (incomplete): violin II, trombone I, harp. Manuscript facsimile, with annotations in ink. 22 pp. of music. |
| folder 16 | Concerto for Flute, Op. 48. 3 documents. Items include: Full score, marked “1st edition.” Hollywood, CA: Fredonia Press, 1980. 91 pp. Solo flute part. Hollywood, CA: Fredonia Press, 1980. 13 pp. Piano reduction, marked “1st edition.” Hollywood, CA: Fredonia Press, 1980. 41 pp. |
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| folder 8 | Concerto for Flute, Op. 48 (1980). Solo part and piano reduction, marked “Bob copy.” Ozalid manuscript. 1 p. of text and 11 pp. of music; 2 pp. of text and 40 pp. of music. |
| folder 9 | Concerto for Flute, Op. 48 (1980). Solo part, with alternate ending. Ozalid manuscript. 2 pp. of text and 12 pp. of music. |
| folder 10 | Concerto for Flute, Op. 48. Piano reduction, with alternate ending. Ozalid manuscript. 41 pp. of music. |
| folder 11 | Concerto for Flute, Op. 48. 3 documents. Items include: Errata list, in ink. 2 pp. of text. Piano reduction. Manuscript facsimile, pp. 35-36. 2 pp. of music. Solo part, alternative ending (p. 13). 1 p. of music. |
| folder 12 | Concerto for Flute, Op. 48. Instrumental parts (incomplete): piccolo, flute, oboe, English horn, clarinet in E flat, clarinet in B flat, bass clarinet in B flat, bassoon, contrabassoon, horn I, horn II, trumpet I in C, trumpet II in B flat, tenor trombone I, trombone II, timpani, harp, violoncello (2 copies). Facsimile of typescript scores. |
| folder 13 | Concerto for Flute, Op. 48. 3 documents. Items include: Full score. Hollywood, CA: Fredonia Press, 1980. 91 pp. Solo flute part. Hollywood, CA: Fredonia Press, 1980. 13 pp. Piano reduction. Hollywood, CA: Fredonia Press, 1980. 41 pp. |
Box 6
| folder 16 | “Come Into My Garden.” For flute and piano. Score, marked “1st edition.” Hollywood, CA: Fredonia Press, 1978. 7 pp. |
| folder 17 | “Come Into My Garden.” Sonata 3 for electronic keyboards. Score. Typescript (2006). 16 pp. of music. |
| folder 18 | “Come Into My Garden.” Arranged for trombone. 5 documents. Items include: Score (draft A). Typescript. 14 pp. of music. Trombone part. Realized by David Begnoche. Typescript (2006). 2 pp. of music. Score (draft B). Typescript. 17 pp. of music. Score (draft C, incomplete). Typescript. 14 pp. of music. Score (draft D, incomplete). Typescript. 10 pp. of music. |
| folder 19 | “My Beloved, Let Us Go Forth,” Op. 49, No. 2. For flute and piano. Score and instrumental part. Hollywood, CA: Fredonia Press, 1980. 11 pp. and 4 pp. |
Box 43
| folder 14 | Two Scenes from the Songs of Solomon, Op. 49. Adapted from Fragments from the Song of Songs, Op. 29. For flute solo, strings, piano, and percussion. Full score. Hollywood, CA: Fredonia Press, 1980. 34 pp. Instrumental parts: violin I (8 copies), violin II (8 copies), viola (6 copies), cello (6 copies), bass (4 copies), piano, percussion. Hollywood, CA: Fredonia Press, 1980. |
| folder 15 | “Come into My Garden,” [Op. 49, No. 1]. For flute and piano. Score. Ozalid manuscript, with annotations in colored pencil. 4 pp. of music. |
| folder 16 | “Come into My Garden,” [Op. 49, No. 1]. For flute and piano. Score and instrumental part. Hollywood, CA: Fredonia Press, 1980. 7 pp. and 2 pp. |
Box 6
| folder 20 | Symphonic Variations for Piano and Orchestra, Op. 50. 3 documents. Items include: Full score. Manuscript facsimile. 79 pp. Piano score, marked “personal copy.” Hollywood, CA: Fredonia Press, 1982. 29 pp. Instrumental parts (incomplete): percussion I-II. Manuscript facsimile. 16 pp. |
| folder 21 | Symphonic Variations for Piano and Orchestra, Op. 50. Title pages for instrumental parts (incomplete): violin 2, contrabass. Ozalid manuscript. 2 pp. of text. |
Box 43
| folder 17 | Symphonic Variations for Piano and Orchestra, Op. 50. Full score. Hollywood, CA: Fredonia Press, 1982. 79 pp. |
Box 7
| folder 1 | Concerto for String Orchestra, Op. 16 [recte Op. 51] (1981). Instrumental parts: violin I, violin II, viola, violoncello, contrabass. Ozalid manuscript. 64 pp. of music. |
| folder 2 | Concerto for String Orchestra, Op. 16 [recte Op. 51] (1981). Instrumental parts: violin I, violin II, viola, violoncello. Manuscript facsimile. 1 p. of text, 55 pp. of music. Copy 2 of instrumental parts (bound). 1 p. of text, 55 pp. of music. |
Box 43
| folder 18 | Concerto for String Orchestra, Op. 51. Full score. Hollywood, CA: Fredonia Press, 1981. 65 pp. |
Box 7
| folder 3 | The Lessons of Advent, Op. 52. Cantata for narrator, soloists, double chorus, oboe, trumpet, drums, handbell choir, harp, guitar, and organ. 4 documents. Items include: Full score (copies 1-2). Hollywood, CA: Fredonia Press, 1983. 107 pp. 2 copies. Full score (copy 3), with annotations in red pencil, marked “errata.” Hollywood, CA: Fredonia Press, 1983. 107 pp. Harp part. Manuscript facsimile. 10 pp. of music. |
| folder 4 | The Marshes of Glynn, Op. 53 (1984). For bass, SATB chorus, and orchestra. 3 documents. Items include: Harp part (mvmt. IV), fair copy. Ink manuscript. 5 pp. of music. Harp part (mvmt. IV). Manuscript facsimile, with annotations in pencil and ink. 4 pp. of music. Harp part (mvmt. IV, incomplete). Manuscript facsimile. 2 pp. of music. |
| folder 5 | The Marshes of Glynn, Op. 53. For bass, SATB chorus, and orchestra. 4 documents. Items include: Full score, with annotations in pencil and ink, marked “Errata, do not use.” Hollywood, CA: Fredonia Press, 1984. 68 pp. Full score, with annotations in ink, marked “revised and corrected, errata, lacks preamble.” Hollywood, CA: Fredonia Press, 1984. 68 pp. Full score, marked “with added preamble.” Hollywood, CA: Fredonia Press, 1984. 72 pp. Second edition. Full score, with annotations in colored pencil, marked “personal copy.” Hollywood, CA: Fredonia Press, 1984. 71 pp. |
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| folder 19 | The Marshes of Glynn, Op. 53. For bass, SATB chorus, and orchestra. Full score, with “Preamble” insert. Hollywood, CA: Fredonia Press, 1984. 71 pp. and 4 pp. Piano vocal score. Second edition. Hollywood, CA: Fredonia Press, 1984. 46 pp. |
Box 7
| folder 6 | Concerto II for Piano and Orchestra, Op. 55 [recte Op. 54] (n.d.). Piano part (incomplete). Ozalid manuscript. 3 pp. of music. |
| folder 7 | Concerto II for Piano and Orchestra, Op. 55 [recte Op. 54] (1986). Full score (incomplete: pp. 1-41, 65-68, and assorted duplicate pages). Manuscript facsimile. 52 pp. of music. |
| folder 8 | Concerto II for Piano and Orchestra, Op. 55 [recte Op. 54]. Full score, with annotations in colored pencils and ink, marked “Personal Copy.” Hollywood, CA: Fredonia Press, 1986. 140 pp. |
| folder 9 | Concerto II for Piano and Orchestra, Op. 55 [recte Op. 54] (1987). Two piano reduction, with annotations in pencil and colored pencil. 84 pp. of music. Two piano reduction (copy 2), with annotations in colored pencils and ink, marked “personal copy.” 84 pp. of music. |
| folder 10 | Concerto II for Piano and Orchestra, Op. 55 [recte Op. 54] (1987). Two piano reduction. Fair copy for publisher. 5 pp. of text, 84 pp. of music. Accompanied by envelope marked “Originals, Concerto II Two piano score,” with notes in pencil on reverse. |
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| folder 20 | Concerto II for Piano and Orchestra, Op. 55 [recte Op. 54]. Full score. Hollywood, CA: Fredonia Press, 1986. 140 pp. Two piano reduction. Manuscript facsimile, bound. 84 pp. |
Box 8
| folder 1 | Concerto III for Piano and Orchestra, Op. 55. Full score. Manuscript facsimile. 78 pp. of music. |
| folder 2 | Concerto III for Piano and Orchestra, Op. 55. Full score (trimmed, incomplete). 37 pp. of music. |
| folder 3 | Concerto III for Piano and Orchestra, Op. 55. Full score, with annotations in pencil and colored pencils, marked “This is the only copy with scenario suggestions for ballet.” Hollywood, CA: Fredonia Press, 1985. 78 pp. Full score (copy 2), with annotations in pencil, marked “scenario for ballet.” Hollywood, CA: Fredonia Press, 1985. 78 pp. |
| folder 4 | Concerto III for Piano and Orchestra, Op. 55. Two piano reduction. Manuscript facsimile. 3 pp. of text, 47 pp. of music, with duplicates of pp. 1-3. |
| folder 5 | Concerto III for Piano and Orchestra, Op. 55: Movement III: Rondo. Full score. Ozalid manuscript. 27 pp. of music. Solo part. Ozalid manuscript. 26 pp. of music. |
| folder 6 | Concerto III for Piano and Orchestra, Op. 55: Movement III: Rondo. Solo part. Manuscript facsimile, with annotations in pencil. 26 pp. of music. |
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| folder 1 | Sketches for Two Pianos, Op. 56. Full score. Hollywood, CA: Fredonia Press, 1985. 71 pp. |
| folder 2 | Of That Hallowed Season, Op. 57. Adapted from Songs of the Nativity, Op. 13. For solo organ. Score. Manuscript facsimile (masters). 6 pp. of text and 11 pp. of music. Score (copy 2). Hollywood, CA: Fredonia Press, 1987. 11 pp. |
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| folder 7 | The Birth of Freedom, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Piano vocal reduction, with annotations in red pencil. Hollywood, CA: Fredonia Press, 1988. Piano vocal reduction (copy 2, incomplete: pp. 11, 40-51). Manuscript facsimile. 9 pp. of music. |
| folder 8 | “Soliloquy: Be a King, George,” from The Birth of Freedom, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Piano vocal reduction. Ozalid manuscript. 5 pp. of music. |
| folder 9 | “Entr’acte: Freedom has a Thousand Charms,” from The Birth of Freedom, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. 3 documents. Items include: Typescript libretto for scene. 1 p. of text. Piano vocal reduction. Manuscript facsimile. 6 pp. of music. 3 copies. Piano vocal reduction (incomplete: p. 1). Manuscript facsimile. 1 p. of music. |
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| folder 3 | The Birth of Freedom, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Condensed score (incomplete). Ozalid manuscript. 12 pp. of music. |
| folder 4 | The Birth of Freedom, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Condensed score (incomplete, p. 6). Manuscript facsimile. 1 p. of music. |
| folder 5 | The Birth of Freedom, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Piano vocal reduction. Manuscript facsimile including typescript front matter and narration (masters), with corrections in ink. 4 pp. of text and 100 pp. of music. Hollywood, CA: Fredonia Press, 1988. |
| folder 6 | The Birth of Freedom, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Piano vocal reduction. Manuscript facsimile (masters). 4 pp. of text and 100 pp. of music. Hollywood, CA: Fredonia Press, 1988. Accompanied by folder, labeled “The Birth of Freedom Op. 58 A Dramatic Cantata, Masters pgs. 1-100, Adapted from Be Glad Then America, op. 43.” |
| folder 7 | Excerpts from The Birth of Freedom, Op. 58 (1973). Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. 2 documents. Items include: “Freedom Has a Thousand Charms” (1973). For voice and guitar. Score. Ozalid manuscript. 3 pp. of music. Enlargement of the Muse’s appearance in Act I. For solo voices, guitar, and organ. Score. Ozalid manuscript, with annotations in colored pencil. 3 pp. of music. |
| folder 8 | Entr’acte (“Freedom Has a Thousand Charms”) (1974). From The Birth of Freedom, Op. 58. For voice and guitar. Score. Manuscript facsimile. 6 pp. of music. Score (copy 2). Manuscript facsimile. 3 pp. of music. Score (copy 3). Manuscript facsimile. 2 pp. of music. |
Box 8
| folder 10 | Concerto IV for Piano and Orchestra, Op. 59. Full score. Hollywood, CA: Fredonia Press, 1989. 100 pp. Full score (copy 2). Facsimile copy. 6 pp. of text, 100 pp. of music. |
| folder 11 | Concerto IV for Piano and Orchestra, Op. 59. Full score (incomplete). Manuscript facsimile. 53 pp. of music. |
| folder 12 | Concerto IV for Piano and Orchestra, Op. 59. 8 documents. Items include: Solo part. Hollywood, CA: Fredonia Press, 1989. 21 pp. 6 copies. Solo part, with note “(There is no 2 piano score).” Hollywood, CA: Fredonia Press, 1989. 21 pp. Solo part, with annotations in pencil, marked “corrected with cues.” Hollywood, CA: Fredonia Press, 1989. 21 pp. |
| folder 13 | Concerto IV for Piano and Orchestra, Op. 59. Instrumental parts (incomplete): violin I, percussion. Manuscript facsimile. 26 pp. of music. |
| folder 14 | Concerto IV for Piano and Orchestra, Op. 59. Two piano reduction. Fair copy. 55 pp. of music. Two piano reduction (copy 2), marked “Corrected 2 Piano Version.” Hollywood, CA: Fredonia Press, 1989. 55 pp. 3 copies. |
| folder 15 | Concerto IV for Piano and Orchestra, Op. 59. Errata list. 4 pp. of text. |
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| folder 1 | Of Age, Op. 60 (1990). For symphony orchestra. Full score. Manuscript facsimile. 3 pp. of text, 23 pp. of music. |
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| folder 9 | Of Age, Op. 60. An Ode, Epode, and Fanfares. For symphony orchestra. Full score. Hollywood, CA: Fredonia Press, 1990. 34 pp. |
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| folder 2 | Sonata for Piccolo and Piano, Op. 61. 4 documents. Items include: Score, with annotations in pencil, colored pencils, and pen, marked “Personal Copy.” Hollywood, CA: Fredonia Press, 1993. 30 pp.| Errata list. 1 p. of text. Score and instrumental part, marked “1st edition.” Solo part is incomplete (pp. 3-14). Hollywood, CA: Fredonia Press, 1993. |
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| folder 10 | Sonata for Piccolo and Piano, Op. 61. Score and instrumental part. Hollywood, CA: Fredonia Press, 1993. 30 pp. and 15 pp. |
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| folder 3 | In Praise of Britain’s Queen and Elgar’s Enigma, Op. 63. For SATB chorus and orchestra. Items include: Sketches, in pencil. 4 pp. of music. Front matter, with annotations in pen. Includes duplicate pages. Hollywood, CA: Fredonia Press, 1991. 15 pp. of text. Full score (incomplete, pp. 1-88), with annotations in pencil. Hollywood, CA: Fredonia Press, 1991. Title pages, typescript. 5 pp. of text. |
| folder 12 |
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| folder 11 | In Praise of Britain’s Queen and Elgar’s Enigma, Op. 63. For SATB chorus and orchestra. Full score. Hollywood, CA: Fredonia Press, 1991. 94 pp. |
| folder 12 | Trio Sonata, Op. 66. For 3 flutes or 30 flutes or 300 flutes. Score. Hollywood, CA: Fredonia Press, 2001. 21 pp. |
Box 9
| folder 4 | “Alleluja,” from Motet: Ex sultate, jubilate by W. A. Mozart (n.d.). Arranged for voice, flute or violin, and piano. Full score. Ozalid manuscript. 7 pp. of music. |
| folder 5 | “An Anthem, for Fast Day” (n.d.). Sketches, in ink. 3 pp. of music. |
| folder 6 | “Aryse up, Josoff” (n.d.). Four parts, for voice and accompaniment. Ozalid manuscript. 2 pp. of music. |
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| folder 13 | “Aryse up, Josoff” (n.d.). Four parts, for voice and accompaniment. Manuscript facsimile. 2 pp. of music. |
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| folder 7 | “As I Out Rode this End’res Night” (1966). For three voices (SAT). Vocal score. Ozalid manuscript. 1 p. of music. Full score (with percussion parts). Ozalid manuscript. 2 pp. of music. |
| folder 8 | “As I Out Rode this End’res Night” (1966). For three voices (SAT). Vocal score. Manuscript facsimile. 1 p. of music. Vocal score (copy 2). Manuscript facsimile, bound, printed with “Song I” in medieval notation, with note in ink on inside front cover. 2 pp. of music. |
| folder 9 | Be Patient Weary Heart (1940). For contralto and orchestra. Full score. Ink manuscript. 4 pp. of music. Instrumental parts: flute I-II, oboe I-II, English horn, clarinet I-II in A, bass clarinet in B flat, bassoon, horns I-IV, trombones I-III, timpani. Ink manuscript. 9 pp. of music. |
| folder 10 | “Birds’ Courting Song” (1954). For voice and piano. Score. New York: Cordon Press, 1954. 6 pp. of music. 2 copies. |
| folder 11 | “Black is the Color of My True Love’s Hair” (n.d.). For medium voice and piano. Score. Ozalid manuscript. 2 pp. of music. |
| folder 12 | “Black is the Color of My True Love’s Hair” (n.d.). For voice and piano. Score. Manuscript facsimile, with annotations in pencil, colored pencils, and ink. 2 pp. of music. Score. Typescript (2000). 4 pp. of music. 9 copies. |
| folder 13 | “Bright As the Morning Light”/“Can We Get Along.” For voice and piano. 3 documents. Items include: “Bright As the Morning Light.” Typescript score, with annotations in pencil. 3 pp. of music. “Can We Get Along” (1993). Typescript score. 3 pp. of music. “Can We Get Along.” Hollywood, CA: Fredonia Press, 1993. 3 pp. |
| folder 14 | “A Child’s Prayer.” For voice(s) and accompaniment. Title page. Ozalid manuscript. 1 p. of text. Score. Ozalid manuscript. 2 pp. of music. |
| folder 15 | “A Child’s Prayer.” For voice(s) and accompaniment. 4 documents. Items include: Score, for solo voice. New York: H. W. Gray Co. Inc., 1956. 3 pp. Score, for solo and treble voices with accompaniment. Typescript (1991). 4 pp. of music. 4 copies. Part for solo voice. Typescript. 1 p. of music. 2 copies. Instrumental part for piano or cello II. Typescript. 1 p. of music. Score, for five parts. Typescript (1991). 2 pp. of music. 3 copies. |
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| folder 14 | “A Child’s Prayer.” For solo and treble voices, with accompaniment. Score. Hollywood, CA: Fredonia Press, 1991. 4 pp. |
Box 9
| folder 16 | Divertimento (n.d.). For piano and chamber orchestra. Full score (incomplete). Ozalid manuscript. 6 pp. of music. |
| folder 17 | “Epithalamium Toast” (n.d.). For voice and piano. Score. Manuscript facsimile. 1 p. of music. |
| folder 18 | Even Song (1962). For solo organ. 3 documents. Items include: Score. Typescript. 4 pp. of music. Score. Hollywood, CA: Fredonia Press, 1962. 4 pp. Score. New York: H. W. Gray Co. Inc., 1962. 4 pp. |
| folder 19 | “Evening Song” (n.d.). For medium voice and piano. Manuscript facsimile. 2 pp. of music. 2 copies. |
| folder 10 | Selections “For the Master Figure-Skaters of America” (n.d.). Unidentified instrumentation (3 staves). 4 documents. Items include: Score (incomplete, p. 1). Typescript. 1 p. of music. Score. Typescript. 28 pp. of music. Score (incomplete, “Grief for the Fallen”). 6 pp. of music. Accompanied by envelope with movement titles. |
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| folder 15 | “For the Master Figure-Skaters of America” (n.d.). Unidentified instrumentation (3 staves). Score. Typescript. 41 pp. of music. |
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| folder 21 | “Friendship” (n.d.). For solo piano. Score. Typescript. 6 pp. of music. |
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| folder 16 | Gigue (1940). For piano. Score. Manuscript facsimile. 3 pp. On reverse, in ink: Gigue, John La Montaine, June 1940. |
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| folder 22 | Gigue, from Capriccio for Piano and Orchestra (n.d.). For symphony orchestra. Instrumental parts: flute, oboe, clarinet in B flat, bassoon, horn I-II, trumpet in B flat, trombone, violin I-II, viola, violoncello, double bass, timpani, piano. Ozalid manuscript. 21 pp. of music. |
| folder 23 | Gigue, from Capriccio for Piano and Orchestra (n.d.). For symphony orchestra. Instrumental parts: flute, oboe, clarinet in B flat, bassoon, horn I-II, trumpet in B flat, trombone, violin I (4 copies), violin II (3 copies), viola (2 copies), violoncello (2 copies), double bass (2 copies), timpani, triangle, piano. Manuscript facsimile. 37 pp. of music. |
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| folder 17 | “His Name” (n.d.). For voice and piano. Lyrics by Ralph Cain. Score. Manuscript facsimile, with annotations in pencil. 4 pp. of music. |
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| folder 24 | “Holiday Greeting” (n.d.). For voice(s) and piano. 3 documents. Items include: Score, for voice and piano. Ozalid manuscript. 1 p. of music. Score, for voice, zimbelsterne, chimes, tambourine, and bells. Ozalid manuscript. 1 p. of music. Score, for three voices. Ozalid manuscript. 1 p. of music. |
| folder 25 | “Holiday Greeting.” For SATB voices and piano. Evanston, IL: Summy-Birchard Publishing Co., 1960. 3 copies. |
| folder 26 | “Holy Spirit” (1977). For SATB and accompaniment. Score. Ozalid manuscript. 7 pp. of music. |
| folder 27 | “Holy Spirit” (n.d.). For SATB and accompaniment. Score. Manuscript facsimile. 7 pp. of music. |
| folder 28 | “I Saw a Sweet and Silly Sight.” For voice and piano. Score (1989). Manuscript facsimile. 3 pp. of music. 3 copies. Score (n.d.). Typescript. 4 pp. of music. |
| folder 29 | Interlude from the Song of Solomon (“Let my beloved come into the garden”) (n.d.). For symphony orchestra. 3 documents. Items include: Full score. Manuscript facsimile, bound. 9 pp. of music. Full score (incomplete, pp. 3-6). Manuscript facsimile. 4 pp. of music. Conductor’s score. Manuscript facsimile. 3 pp. of music. |
| folder 30 | “Je ne sais pas” (1947). For voice and piano. Score. Ozalid manuscript. 3 pp. of music. |
| folder 31 | “Je ne sais pas” (n.d.). For voice and piano. Score (incomplete, p. 3). Manuscript facsimile. 1 p. of music. |
| folder 32 | “Jugoslav Dance” (1974). For solo piano. Score. Manuscript facsimile. 3 pp. of music. Score (copy 2). Manuscript facsimile, with note “No one has ever seen this. JL.” 3 pp. of music. |
| folder 33 | “Letter from Prison” (1986). For SATB chorus and organ. Score (incomplete, pp. 1-7). Ink manuscript. 7 pp. of music. Score (incomplete, pp. 1-7). Manuscript facsimile. 7 pp. of music. |
| folder 34 | “Light-Foot” (n.d.). For solo piano. Score. Typescript. 4 pp. of music. |
| folder 35 | “Lully, Lulla” (n.d.). For SAB. Score. Ozalid manuscript. 2 pp. of music. |
| folder 36 | “Mary’s Blessing and Farewell” (n.d.). For solo organ. Score. Typescript. 3 pp. of music. |
| folder 37 | “May the Roads Rise with You” (n.d.). For voice and piano. Score. Ozalid manuscript. 2 pp. of music. |
| folder 38 | “May the Roads Rise with You” (n.d.). For voice and piano. Score (incomplete). Manuscript facsimile. 1 pp. of music. |
| folder 39 | “Merry Let Us Part and Merry Meet Again.” For SATB chorus and piano Evanston, IL: Summy-Birchard Co., 1958. 6 pp. 5 copies. |
| folder 40 | “My Country ‘Tis of Thee” (1952). For voice and piano. Score. Ozalid manuscript. 1 p. of music. |
| folder 41 | “Nativity Morn.” For SATB chorus with accompaniment ad lib. Score. New York: H. W. Gray Co. Inc., 1957. 8 pp. |
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| folder 18 | “No, No, Mrs. Malaprop” (1982). For voice and piano. Lyrics by Ralph Cain. Score. Manuscript facsimile, with annotations in pencil and ink. 2 pp. of music. |
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| folder 42 | “Notre Père” (Henri Büsser). Arranged for voice, flute, and piano (n.d.). Score. Ozalid manuscript. 2 pp. of music. |
| folder 43 | “Novellis, Novellis, of Wondrfull Mervellys” (n.d.). For solo voice and piano. Score. Ozalid manuscript. 3 pp. of music. |
| folder 44 | “Novellis, Novellis, of Wondrfull Mervellys” (n.d.). For solo voice and piano. Score. Manuscript facsimile, bound, with inscription “For Ruth.” 3 pp. of music. Score. Manuscript facsimile. 3 pp. of music. 5 copies. |
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| folder 19 | “Now Begin on Christmas Day” (n.d.). Flute obbligato. Manuscript sketch. 1 p. of music. Manuscript facsimile. 1 p. of music. |
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| folder 45 | “Nuntium Pastoribus” (n.d.). For chorus, percussion, and bagpipe. Score. Ozalid manuscript. 3 pp. of music. |
| folder 46 | “Nuntium Pastoribus” (n.d.). For chorus, percussion, and bagpipe. Score. Manuscript facsimile. 3 pp. of music. |
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| folder 1 | “O Lord, to Thee We Pray.” For SATB chorus. Score. Chicago: Neil A. Kjos Music Co., 1944. 8 pp. |
| folder 2 | “O Magnum Mysterium” (n.d.). For SATB chorus. Score. Manuscript facsimile. 1 p. of music. |
| folder 3 | “A Prayer for Evening.” For voice and accompaniment. 3 documents. Items include: Score, for high voice and piano (1977). Ozalid manuscript. 3 pp. of music. Title page. Ozalid manuscript. 1 p. of text. Score, for medium voice and organ (n.d.). Ozalid manuscript. 3 pp. of music. |
| folder 4 | “A Prayer for Evening.” For medium voice and organ. Score (n.d.). Manuscript facsimile. 3 pp. of music. Score (1991). Manuscript facsimile. 3 pp. of music. 5 copies. |
| folder 5 | “A Precious Stone.” Hymn for SATB. 3 documents. Items include: Score (n.d.). Ozalid manuscript, with annotations in pencil. 1 p. of music. Score (1979). Ozalid manuscript, with annotations in pencil. 1 p. of music. Score (n.d.). Ozalid manuscript. 1 p. of music. |
| folder 6 | A Precious Stone: An Expandable Folio of Original Hymn Tunes. For SATB. Hollywood, CA: Fredonia Press, 1981. 13 pp. 2 copies. |
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| folder 20 | Processional (1964). For solo organ. Score. Typescript (master). 2 pp. of text and 7 pp. of music. Score (copy 2). Hollywood, CA: Fredonia Press, 1964. 7 pp. |
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| folder 7 | “Questioning” (n.d.). For solo piano. Manuscript facsimile. 1 p. of music. |
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| folder 21 | “Questioning.” Adapted from Sonata for Flute Solo, Op. 24. For solo piano. New York: Oxford University Press, 1964. 2 pp. |
Box 10
| folder 8 | SATB Hymns, assorted (1977-78). Items include: “Be Our Guard and Keeper Now.” For two voices and organ. Score. Ozalid manuscript. 1 p. of music. “But Thou, O Christ” (1977). For SATB. Score. Ozalid manuscript. 1 p. of music. “Come, My Way, My Truth.” For SATB. Score. Ozalid manuscript. 1 p. of music. 2 copies. “Day Star” (1977). For SATB. Score. Ozalid manuscript. 1 p. of music. “Deck Thyself.” For two voices and organ. Score. Ozalid manuscript, with annotations in pencil. 1 p. of music. “Deck Thyself, My Soul.” For SATB. Score. Ozalid manuscript. 1 p. of music. “The Divine Image.” For SATB. Score. Ozalid manuscript. 1 p. of music. “Every Star.” For SATB. Score. Ozalid manuscript. 1 p. of music. “Gentle Jesus” (1977). For SATB. Score. Ozalid manuscript. 1 p. of music. “Holy Spirit” (1977). For SATB. Score. Ozalid manuscript. 1 p. of music. “Let Us Lift Our Hearts This Day.” For SATB and organ. Score. Ozalid manuscript, with annotations in pencil. 1 p. of music. “Lord, I Believe.” For SATB. Score. Ozalid manuscript. 1 p. of music. “My Spirit Longeth for Thee.” For SATB. Score. Ozalid manuscript. 1 p. of music. “O Still Small Voice of Calm” (1978). For SATB. Score. Ozalid manuscript. 1 p. of music. “On This Night.” For solo voice and accompaniment. Score. Ozalid manuscript. 1 p. of music. “On This Night.” For SATB. Score. Ozalid manuscript. 1 p. of music. “Resurrection” (1977). For SATB. Score. Ozalid manuscript. 1 p. of music. “Saw You Never, in the Twilight.” For SATB and percussion. Score. Ozalid manuscript. 1 p. of music. “This is the Day” (1977). For SATB. Score. Ozalid manuscript. 1 p. of music. |
| folder 9 | SATB Hymns, assorted (1977). Items include: “But Thou, O Christ” (1977). For SATB. Score. Typescript. 1 p. of music. “Come, My Way.” For SATB. Score. Manuscript facsimile. 1 p. of music. 2 copies. “Day Star” (1977). For SATB. Score. Typescript. 1 p. of music.| “Day Star” (1977). For SATB. Score. Manuscript facsimile. 1 p. of music. “Day Star” (1977). For SATB. Score. Manuscript facsimile, with annotations in pencil and ink. 1 p. of music. “Every Star.” For SATB. Score. Manuscript facsimile. 1 p. of music. “Gentle Jesus” (1977). For SATB. Score. Typescript. 1 p. of music. 2 copies. “Gentle Jesus” (1977). For SATB. Score. Manuscript facsimile. 1 p. of music. 2 copies. “Holy Spirit” (1977). For SATB. Score. Typescript. 1 p. of music. “Lord, I Believe” (1997). For SATB. Score. Manuscript facsimile. 1 p. of music. “O Light of Lights.” For SATB. Score. Typescript. 1 p. of music. “O Still Small Voice of Calm.” For SATB. Score. Manuscript facsimile, with annotations in pencil. 1 p. of music. “O Still Small Voice of Calm.” For SATB. Score. Manuscript facsimile. 1 p. of music. 2 copies. “A Precious Stone,” “O Light of Lights,” “Day Star,” and “The Divine Image.” Score. Typescript. 4 pp. of music. “Processional.” For unison voices, handbells, and drum. Score. Typescript. 1 p. of music. “Resurrection” (1977). For SATB. Score. Manuscript facsimile. 1 p. of music. 2 copies. “This is the Day” (1977). For SATB. Score. Typescript. 1 p. of music. 3 copies. |
| folder 10 | “Saw You Never, in the Twilight.” For SATB and percussion. Score. Manuscript facsimile. 1 p. of music. |
| folder 11 | “Scherzo” (1977). For 32 trombones (4 parts). Score. Ozalid manuscript. 4 pp. of music. |
| folder 12 | “Scherzo” (n.d.). For 32 trombones (4 parts). Score. Manuscript facsimile, with annotations in colored pencil. 4 pp. of music. |
| folder 13 | “Schweitzer’s Prayer” (1989). For voice and piano. Score. Ozalid manuscript. 1 p. of music. |
| folder 14 | “Schweitzer’s Prayer” (1989). For voice and piano. Score. Manuscript facsimile. 1 p. of music. 8 copies. |
| folder 15 | “Shall I Compare Thee to a Summer’s Day” (1962). For voice and piano. Score. Manuscript facsimile. 4 pp. of music. 4 copies. Copies 3-4 have annotations in pencil. |
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| folder 22 | “Shall I Compare Thee to a Summer’s Day” (1962). For voice and piano. Score. Ozalid manuscript. 4 pp. of music. |
| folder 23 | “Shall I Compare Thee to a Summer’s Day” (1962). For voice and piano. Score. Manuscript facsimile, with annotations in pencil and ink. 4 pp. of music. Score (copy 2). Manuscript facsimile. 4 pp. of music. |
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| folder 16 | “The Shepherds and the Kings” (n.d.). For SATB. Score. Ozalid manuscript. 2 pp. of music. |
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| folder 24 | “Sketch No. 1” (1985). For solo piano. Score. Manuscript facsimile. 4 pp. |
| folder 25 | “So Soft-like” (n.d.). For voice and piano. Tune and words by Azell Taylor. Accompaniment by John La Montaine. Score. Manuscript facsimile, with annotations in pencil and ink. 3 pp. |
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| folder 17 | “So Wiste I Never Non” (n.d.). For two voices. Score. Ozalid manuscript. 1 p. of music. |
| folder 18 | “Sorrow” (n.d.). For trombone and piano. Score. Typescript. 5 pp. of music. Score (copy 2), bound with “Trombone Toys” and “Wide Horizon.” Typescript. 25 pp. of music. |
| folder 19 | “Sour Wood Mountain” (n.d.). For medium voice and piano. Score. Ozalid manuscript. 2 pp. of music. |
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| folder 26 | “Sour Wood Mountain” (n.d.). For medium voice and piano. Score. Manuscript facsimile. 2 pp. of music. Score (copy 2). Manuscript facsimile, with annotations in pencil. 3 pp. of music. |
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| folder 20 | “Sparklers.” For solo piano. Score. Evanston, IL: Summy-Birchard Publishing Co., 1957. 5 pp. Score (copy 2). Hollywood, CA: Fredonia Press, 1976. 5 pp. |
| folder 21 | “Stopping by Woods on a Snowy Evening.” For medium voice and piano. Score. Manuscript facsimile (reverse printing). 3 pp. of music. Score (copy 2). New York: Galaxy Music Corp., 1963. 4 pp. |
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| folder 27 | “Symphony” (n.d.). Instrumental parts (incomplete): bassoon I-II. Ozalid manuscript. 1 p. of music. |
Box 10
| folder 22 | Symphonic Encounter (Paul J. Sifler). Arranged for organ and orchestra. 3 documents. Items include: Full score, marked “Working copy.” Typescript. 32 pp. of music. Full score (copy 2), marked “Personal Copy.” Hollywood, CA: Fredonia Press, 2000. 58 pp. Instrumental parts (incomplete): clarinets I-II in B flat. 3 pp. of music. |
| folder 23 | Tambourin. Arranged for voice and symphony orchestra (n.d.). Full score. Ozalid manuscript. 13 pp. of music. Instrumental parts: flutes I-II, oboes I-II, clarinet I-II in B flat, bassoon I-II, violin I-II, viola, violoncello, contrabass, timpani, tenor drum, triangle. 12 pp. of music. |
| folder 24 | Tambourin. Arranged for voice and symphony orchestra (n.d.). Full score. Manuscript facsimile, bound. 13 pp. of music. |
| folder 25 | “That Hallow’d Season” (n.d.). For voice. Score. Ozalid manuscript. 1 p. of music. |
| folder 26 | “That Hallow’d Season” (1963). For voice, bells, and piano. Score. Typescript. 4 pp. of music. |
| folder 27 | “That Special Part of You.” For voice and piano. 19 documents. Items include: Full score (n.d.). Fair copy, incomplete. 1 p. of music. Full score (n.d.). Fair copy, in F minor. 2 pp. of music. 2 copies. Copy 1 has annotations in pencil. Vocal lead sheet (1988). Fair copy. 1 p. of music. 2 copies, in 2 keys. Copy 2 has typescript lyrics. Vocal lead sheet (1988). Manuscript facsimile. 1 p. of music. 3 copies. Copy 1 has annotations in pencil. Copy 3 in different key. Full score (1988). Fair copy, with annotations in pencil and blue pencil. 2 pp. of music. Full score (1988). Manuscript facsimile, with notes for second verse in pencil. 2 pp. of music. Full score (1989). Fair copy, with typescript lyrics. 2 pp. of music. Full score (1989). Manuscript facsimile. 2 pp. of music. Vocal lead sheet (1995). Typescript. 1 p. of music. Full score (1995). Typescript (in B flat minor). 3 pp. of music. Full score (n.d.). Typescript (in F minor). 3 pp. of music. 2 copies. Full score (1996). Typescript, incomplete. 2 pp. of music. Full score (1996). Typescript, in B flat minor. 3 pp. of music. Full score (August 2004). Typescript. 4 pp. of music. |
| folder 28 | “Theophilus Thistleby.” For SA and piano (n.d.). Score. Ozalid manuscript. 2 pp. of music. |
| folder 29 | Three English Folk Songs. For voice and piano. Score. Ozalid manuscript. 1 p. of text, 7 pp. of music. |
| folder 30 | Three English Folk Songs. For voice and piano. Score. Manuscript facsimile. 7 pp. Score (copy 2). Hollywood, CA: Fredonia Press, 1991. 12 pp. 4 copies. |
Box 44
| folder 28 | Three English Folk Songs. For voice and piano. Score. Manuscript facsimile, bound. 7 pp. of music. 2 copies. Score (copy 3). Manuscript facsimile (1974). 7 pp. of music. |
Box 10
| folder 31 | Three Hymns and an Anthem. For SATB chorus. Score, missing pages. Hollywood, CA: Fredonia Press, 1977. 2 pp. of music. 2 copies. |
Box 44
| folder 29 | Three Hymns and an Anthem. For SATB chorus. Score. Hollywood, CA: Fredonia Press, 1977. 8 pp. |
Box 10
| folder 32 | Three Pieces for Piano Solo. Score. Hollywood, CA: Fredonia Press, 1962. 13 pp. of music. 3 copies. Copy 3 marked “1st edition.” |
Box 44
| folder 30 | Transformations. Two movements: Come into My Garden; Wide Horizons. For trombone and electric piano. Score. Hollywood, CA: Fredonia Press, [n.d.]. 23 pp. |
Box 10
| folder 33 | Trio. For unspecified instruments (violin, cello, piano?) (n.d.). Score, incomplete. Ink manuscript, with annotations in pencil and red pencil. 1 p. of music. |
| folder 34 | Trio. For unspecified instruments (violin, cello, piano?) (n.d.). Score, incomplete. Ozalid manuscript. 2 pp. of music. |
| folder 35 | Trio Sonata. For flutes (n.d.). Score. Typescript, with annotations in pencil and inscription in red ink. 17 pp. of music. Missing pp. 2-4 of score. |
| folder 36 | Trombone Quartet. 10 documents. Items include: Score (2001). Typescript. 24 pp. of music. Instrumental parts: trombone I (complete). 7 pp. of music. 3 copies. Instrumental parts (mvmt. 1 only): trombone II. 2 pp. of music. Instrumental parts (mvmt. 3 only): trombone III. 3 pp. of music. 2 copies. Score, marked “Edit Copy,” with annotations in pencil, colored pencils, and ink. Hollywood, CA: Fredonia Press, 2001. 20 pp. of music. Score, marked “Personal Copy.” Hollywood, CA: Fredonia Press, 2001. 20 pp. of music. Score (2001), incomplete (mvmt. 1 only). Typescript. 4 pp. of music. |
Box 44
| folder 31 | Trombone Quartet. Full score and parts. Score edited by David Begnoche. Hollywood, CA: Fredonia Press, 2001. Score 24 pp. of music; parts 8 pp., 8 pp., 8 pp., and 7 pp. of music, respectively. |
Box 10
| folder 37 | Trombone Toys (n.d.). For trombone and piano. Score. Typescript. 10 pp. of music. Score, pp. 4-5. Typescript. 2 pp. of music. |
| folder 38 | Untitled composition (1987). For organ. Score. Ozalid manuscript. 10 pp. of music. |
| folder 39 | Untitled composition (1987). For organ. Score. Manuscript facsimile. 10 pp. of music. |
| folder 40 | Variations for the Very Young (1985). For two violins. Score. Manuscript facsimile. 9 pp. of music. |
Box 44
| folder 32 | “What Would I Have a Woman Know?” (1982). For voice and piano. Lyrics by Ralph Cain. Score. Manuscript facsimile. 3 pp. of music. |
Box 10
| folder 41 | Wide Horizons (n.d.). For trombone and piano. Items include: Score. Typescript, with annotations in pencil and ink. 12 pp. of music. Draft of score, incomplete (assorted pages). Typescript. 30 pp. of music. Score. Typescript. 11 pp. of music. 2 copies. Draft of score, incomplete (assorted pages). Typescript. 7 pp. of music. Draft of score, marked “Some good stuff,” incomplete (assorted pages). Typescript. 20 pp. of music. |
Box 11
| folder 1 | Sketchbook. On cover: “May 1945—First Sketch Book; Cello Sonata; When Morning Gilds the Skies; Songs of Nativity; Islanded in Thought; Rose of Sharon; Piano Quar.; Fugue; Toccata; Rose of Sh.” 70 pp. |
| folder 2 | Sketchbook. On cover: “Copy cats; Misc. sketches; Spreading News; Some Say; Happy Birthday; Fragments.” 68 pp. |
| folder 3 | Sketchbook. On cover: Canons: “12 Relationships, Op. 40) c. 1950; Colloquy for Strings Op. 21; Sparklers; Piano Concerto #1 Op. 9; Spreading the News Op. 27; Theophilus Thistebe; Misc. Sketches.” 36 pp. |
| folder 4 | Sketchbook. On cover: “12 Invertible sets.” 42 pp. |
| folder 5 | Sketchbook. On cover: “Spreading News; Sonnets; full exc. incomp.; When to the Sessions; How like a winter; end of Not from Stars.” 24 pp. |
| folder 6 | Sketchbook. On cover: “4 Hand Sonata; Spreading News; easy conc. grosso; ?; D maj. string frag.” 24 pp. |
| folder 7 | Sketchbook. On cover: “Symphony; Nine Lessons; misc.; Be Glad; etc.” 66 pp. |
| folder 8 | Sketchbook. On cover: “Symphony; Fragments from Song of Songs; Sdre; for Symph, 3rd mvt.; slow vers. of Piano Scherzo with orch.” 40 pp. |
| folder 9 | Sketchbook. On cover: “Symphony; Violin Concerto Sketches; Fragments from Song of Songs.” 40 pp. |
| folder 10 | Sketchbook. On cover: “Song of Songs (see turned pages for other material).” 68 pp. |
| folder 11 | Sketchbook. On cover: “Song of Songs (and other material).” 56 pp. |
| folder 12 | Sketchbook. On cover: “Novellis and Sea to Sh. S.” 50 pp. |
| folder 13 | Sketchbook. On cover:” Even Song for Organ; Novellis, Op. 31; Fragments Interlude; Venice West.” 36 pp. |
| folder 14 | Sketchbook. On cover: “63; Novellis; Wonder Tidings; John Kameny: tune (Africa).” 52 pp. |
| folder 15 | Sketchbook. On cover: “63; John Peak; Karlsruhe.” 58 pp. |
| folder 16 | Sketchbook. On cover: “Mass of Nature; Novellis.” 44 pp. |
| folder 17 | Sketchbook. On cover: “63; Novellis; Wonder Tidings; Birds of Paradise; Birds firs sketches; Venice West.” 54 pp. |
| folder 18 | Sketchbook. On cover: “63; Misc.; Birds; Te Deum.” 52 pp. |
| folder 19 | Sketchbook. On cover: “May ’63; Jul. ’68; Birds; Mass; Herod.” 54 pp. |
Box 12
| folder 1 | Sketchbook. On cover: “Mass of Nature; Credo.” 42 pp. |
| folder 2 | Sketchbook. On cover: “Mass of Nature.” 26 pp. |
| folder 3 | Sketchbook. On cover: “The Shepherds Play, Vol. I.” 64 pp. |
| folder 4 | Sketchbook. On cover: “The Shepardes Playe, Vol. II.” 56 pp. |
| folder 5 | Sketchbook. On cover: “Scene V Shepherds.” 54 pp. |
| folder 6 | Sketchbook. On cover: “Scene V Shepherds; “For God is Made Thy Friend, now on this morne”; Woodwind Quartet.” 56 pp. |
| folder 7 | Sketchbook. On cover: “Shepherds; Novellis.” 42 pp. |
| folder 8 | Sketchbook. On cover: “Erode the Greate.” 60 pp. |
| folder 9 | Sketchbook. On cover: “Earth is the Lord’s; Erode Act II Scene II.” 64 pp. |
| folder 10 | Sketchbook. On cover: “Mass; Erode; Mysterium; Naturae; Erode end.” 36 pp. |
| folder 11 | Sketchbook. On cover: “Piano sketches; Wilderness Journal; Canons; In Wildness.” 34 pp. |
| folder 12 | Sketchbook. On cover: “I, In Wildness full.” 54 pp. |
| folder 13 | Sketchbook. On cover: “I, In Wildness, full.” 48 pp. |
| folder 14 | Sketchbook. On cover: “Canons; In Wildness II; Wizard.” 56 pp. |
| folder 15 | Sketchbook. On cover: “Percuss. plan; III & IV, In Wildness; canons; full.” 24 pp. Sketchbook, without cover, marked “Wilderness Journal (Credo), also Whittier Service.” 32 pp. |
| folder 16 | Sketchbook. On cover: “I & II; Nature Studies; full.” 42 pp. |
| folder 17 | Sketchbook. On cover: “Conversations.” 40 pp. |
Box 13
| folder 1 | Sketchbook. On cover: “Be Glad.” 50 pp. |
| folder 2 | Sketchbook. On cover: “8 voice fugue; Be Glad Then.” 18 pp. |
| folder 3 | Sketchbook. On cover: “Hymns I; Whittier Service Op. 45; Duos for Two Flutes; Viola Talk.” 56 pp. |
| folder 4 | Sketchbook. On cover: “II; Book of Hymns; Whittier.” 46 pp. |
| folder 5 | Sketchbook. On cover: “Hymns III; Whittier; No surveyed perf.” 38 pp. |
| folder 6 | Sketchbook. On cover: “Hymns; Advent; Full.” 54 pp. |
| folder 7 | Sketchbook. On cover: “Harp; Advent.” 56 pp. |
| folder 8 | Sketchbook. On first page: “9 Lessons.” 38 pp. |
| folder 9 | Sketchbook. On cover: “Nine Lessons; Wizard; now.” 48 pp. |
| folder 10 | Sketchbook. On cover: “I & II; Wizard.” 40 pp. |
| folder 11 | Sketchbook. On cover: “Wizard; Canons for children.” 40 pp. |
| folder 12 | Sketchbook. On cover: “Concerto III children’s games.” 40 pp. |
| folder 13 | Sketchbook. On cover: “Concerto III finale; Marshes of Glynn; Shows & children’s games, finale.” 26 pp. |
| folder 14 | Sketchbook. On cover: “Concerto II Full.” 14 pp. |
| folder 11 | Sketchbook. On cover: “Concerto IV.” 12 pp. |
| folder 16 | Sketchbook. On cover: “Picc. Sonata; Be B.” 34 pp. |
| folder 17 | Sketchbook. On first page: “Studies for Flute Concerto.” 30 pp. |
| folder 18 | Sketchbook. On cover: “12 Set; Flute Concerto.” 30 pp. |
| folder 19 | Sketchbook. On cover: “Fl.; Fl. & Cl.; Canonic Variations Op. 47; Flute Concerto, Op. 48.” 40 pp. |
| folder 20 | Sketchbook. On cover: “Var. 2 Fl.; Twelve Studies for 2 Flutes, Op. 46; Canonic Variations, Op. 47; Fl. & Cl.; Flute Concerto Op. 48.” 42 pp. |
| folder 21 | Sketchbook. On cover: “Flute Concerto; 3rd movt. 1st sketches.” 40 pp. |
Box 14
| folder 1 | Sketchbook. On cover: “Flute Concerto III.” 44 pp. |
| folder 2 | Sketchbook. On cover: “Flute Concerto; Be Glad; Full.” 34 pp. |
| folder 3 | Sketchbook. On first page: “Symphonic Variations.” 26 pp. |
| folder 4 | Sketchbook. On cover: “Symphonic Variations I and other.” 70 pp. |
| folder 5 | Sketchbook. On cover: “Symphonic Variations; descant for Ascent.” 44 pp. |
| folder 6 | Sketchbook. On cover: “Symphonic Variations I.” 40 pp. |
| folder 7 | Sketchbook. On cover: “Ballet: The Black Mask (some used the “Six Dance Preludes, Op. 18) (some used in “Fragments Op. 29); Sanctuary.” 26 pp. |
| folder 8 | Sketchbook. On cover: “Ballet Masque, never completed material later used in Song of Songs, Dance Preludes for pian & others.” 40 pp. |
| folder 9 | Sketchbook. On cover: “Ballet Sketches, full.” 40 pp. |
| folder 10 | Sketchbook. On first page: “Long melodies.” 48 pp. |
| folder 11 | Sketchbook. 12 pp. |
| folder 12 | Sketchbook. On cover: “From Sea to Shining Sea; Venice West; Novellis; Woodwind Quintet; Questioning.” 52 pp. |
| folder 13 | Sketchbook. On cover: “Miscell Sketches.” 10 pp. |
| folder 14 | Sketchbook. On cover: “2001.” 56 pp. |
| folder 15 | Assorted loose sketches and partial scores. Manuscript sketches, manuscript facsimiles, and typescript drafts. 88 pp. |
| folder 16 | Assorted partial scores (unidentified). Ozalid manuscript. 14 pp. |
Box 15
| folder 1 | Hymn texts and poems. 7 documents. Items include: Hymn: “A Precious Stone”; typescript. 2 copies. Selections from The Collected Poems of John La Montaine: Jimmy Lobotimus, Diatonic Dittymunch; typescript. 1 p. of text. Three untitled poems: “I am a little baby…”; “Lullaby Colas my little brother…”; “Beside my blond…”; manuscript facsimile. 1 p. of text. Draft of untitled poem: “I am just a little boy…”; typescript, with annotations in pencil. 1 p. of text. Untitled hymn: “From darkest earth…”; manuscript, with annotations in pencil. 1 p. of text. Poem: “O Lull the Pain Away”; typescript, on personal letterhead. 1 p. of text. |
| folder 2 | Lecture “What a Composer Hopes for from Performers.” 3 documents. Items include: Manuscript draft of lecture in pencil. 1 p. of text. Draft of lecture, typescript, with annotations in pen. 8 pp. of text. Second draft of lecture, typescript, with annotations in pen. 5 pp. of text. |
| folder 3 | Materials for Symposium Lectures “Steps to Creativity.” Manuscript and typescript notes. 75 pp. of text. Accompanied by envelope labeled “Steps Toward Creativity ’76.” |
| folder 4 | Articles, lectures, and other writings. 12 documents. Items include: Untitled notes in pencil and blue pencil. 28 pp. of text. Press clipping: “Mining Oneself: Composer Must Delve Within for His Music,” New York Times (November 23, 1958). 1 p. of text. Facsimile of press clipping: “A Break for Young Composers,” Los Angeles Times (August 29, 1976). 1 p. of text. “New and Old Precepts for Composers,” typescript. 2 pp. of text. Draft of “New and Old Precepts for Composers,” typescript. 4 pp. of text. Draft of “Do We Need a New National Anthem?” typescript, with emendations in ink. 2 pp. of text. Draft of “Do We Need a New National Anthem?” typescript, with emendations in pencil. 2 pp. of text. Draft of Whittier Lecture “The Creative Process,” dated November 15, 1977, typescript. 7 pp. of text. Notes about Larry King’s suggested initial topics for discussion, typescript, with annotations in pencil. 3 pp. of text, Untitled notes about creativity, in ink. 2 pp. of text. Untitled notes, in pencil. 2 pp. of text. Music Clubs Magazine, Winter 1995. Includes reprint of “Creativity,” an address delivered at Hilton Head Island, South Carolina, NFMC Fall Session, August 25, 1995. |
| folder 5 | Sonata for Piano, Op. 3. Manuscript program notes, in ink. 1 p. of text. On reverse, letter from Ramon Salvatore to John La Montaine, typescript, signed in ink, dated February 18, 1988. |
| folder 6 | Concerto for Piano and Orchestra, Op. 9. Typescript program notes. 1 p. of text. |
| folder 7 | Twelve Relationships, Op. 10, for solo piano. Typescript program notes, on personal letterhead. 1 p. of text, Canons for Orchestra, Op. 10a. Typescript notes. 1 p. of text. |
| folder 8 | Five Sonnets of Shakespeare, Op. 12. Typescript reprints of select Shakespeare sonnets, with annotations in blue pencil. 17 pp. of text. Facsimile of page with six Shakespeare sonnets. 1 p. of text. |
| folder 9 | Nonsense Songs from Mother Goose, Op. 19. Typescript composer’s notes, with annotations in pencil. 1 p. of text. |
| folder 10 | Jubilant Overture, Op. 20. Facsimile of typescript program notes including information about the composer, the music, and performance notes. 1 p. of text. Facsimile of typescript composer’s notes, on personal letterhead. 1 p. of text. |
| folder 11 | Wonder Tidings, Op. 23. Manuscript program notes in pencil, with annotations in ink. 2 pp. of text. |
| folder 12 | Spreading the News, Op. 27. 11 documents. Items include: Lady Gregory, Spreading the News. A Comedy in One Act. French’s Acting Edition No. 889. London: Samuel French, 1932. 3 copies. Letter from the Mechanical-Copyright Protection Society Ltd. to Paul J. Sifler; typescript, on professional letterhead; dated February 2, 1956. Letter from the Mechanical-Copyright Protection Society Ltd. to John La Montaine; typescript, signed in ink, on professional letterhead; dated April 1, 1959. Letter from John La Montaine to Earl of Longford; typescript, with annotations in ink and pencil; undated. Letter from Longford Productions to John La Montaine; typescript, signed in ink; dated May 15, 1958. Letter from Amharclann na Mainstreach (Abbey Theatre, Dublin) to John La Montaine; typescript, signed in ink; dated May 27, 1958. Draft of letter from John La Montaine to Mrs. Gough; typescript, signed in ink; dated July 24, 1958. Letter from Amharclann na Mainstreach (Abbey Theatre, Dublin) to John La Montaine; typescript, signed in ink; dated October 1, 1958. Letter from Rea Moorery to John La Montaine; ink manuscript; dated July 4, 1960. |
| folder 13 | Fragments from the Song of Songs, Op. 29. Typescript composer’s notes, on professional letterhead. 1 p. of text. Facsimile of The Song of Solomon, with annotations in ink; text used for Fragments highlighted in yellow and orange. 16 pp. of text. |
| folder 14 | Novellis, Novellis, Op. 31. 14 documents. Items include: Excerpt from the “Pageant of the Company of Shearmen and Tailors in Coventry,” from Collection of English Miracle Plays, ed. William Marriott. Typescript, on Cordon Press letterhead, with annotations in red ink. 1 p. of text. Excerpts from pageant plays, in French. Typescript, on Queens College letterhead. 2 pp. of text. Excerpts from assorted pageant plays. Typescript, with annotations in ink, pencil, and colored pencils. 20 pp. of text. Draft of Novellis, Novellis libretto. Typescript, with annotations in ink, pencil, and colored pencils. 19 pp. of text. Notes on libretto. Typescript and pencil manuscript, with annotations in pencil. 2 pp. of text. Correspondence with Dr. Hardin Craig, University of Missouri. 3 items: Hardin Craig to John La Montaine; typescript, signed in ink; dated February 16, 1961. John La Montaine to Hardin Craig, 2 letters; typescript; undated. Notes on medieval English pronunciation, ink manuscript, on Cordon Press letterhead. 1 p. of text. Notes on “Medieval Musical Idioms in Novellis,” in pencil, 7 pp. of text. Notes on production, in pencil and ink, 7 pp. of text. Composer’s notes on “Novellis, Novellis” (“News, News”). Typescript draft, with annotations in pencil, 2 pp. of text. Typescript notes, 4 pp. of text. Novellis, Novellis libretto. Typescript, with annotations in ink. 32 pp. of text. |
| folder 15 | Birds of Paradise, Op. 34. 4 documents. Items include: Draft of letter to M. Szell, pencil manuscript, undated. 2 pp. of text. Draft of letter to Dr. Mahler, pencil manuscript, dated June 3, 89. 3 pp. of text. Drafts of composer’s notes, pencil manuscript. 9 pp. of text. Typescript composer’s notes. 2 pp. of text. |
| folder 16 | Te Deum, Op. 35. Notes on Latin text and translations, in pencil, with annotations in pencil, colored pencils, and ink. 6 pp. of text. |
| folder 17 | Mass of Nature, Op. 37. Typescript composer’s notes. 1 p. of text. |
| folder 18 | Sacred Service (Mass of Nature, Op. 37; Birds of Paradise, Op. 34; Te Deum, Op. 35). Composer’s notes, in pencil. 6 pp. of text. |
| folder 19 | The Shephardes Playe, Op. 38. Working copy of libretto, typescript, with annotations in pencil, colored pencils, and ink. 18 pp. of text. Facsimile of title pages to published score. 2 pp. of text. |
| folder 20 | Incantation for Jazz Band, Op. 39. Draft of composer’s notes, in pencil and ink. 4 pp. of text. Typescript composer’s notes, with annotations in ink. 1 p. of text. |
| folder 21 | Erode the Greate, Op. 40. Typescript synopsis. 3 pp. of text. Typescript libretto, with annotations in ink and colored pencils. 31 pp. of text. |
| folder 22 | Wilderness Journal, Op. 41. 3 documents. Items include: Specifications for the Filene Memorial Organ, Kennedy Center for the Performing Arts. 3 pp. of text. Typescript copy of texts. 2 pp. of text. List of performers participating in recording of Wilderness Journal, October 10, 1972, typescript, on Fredonia Discs letterhead. 2 pp. of text. |
| folder 23 | The Nine Lessons of Christmas, Op. 44. Typescript texts. 11 pp. of text. Booklet with title page and typescript texts. 4 pp. of text. |
| folder 24 | The Whittier Service, Op. 45. 3 documents. Items include: Typescript program notes with German translations of hymn texts. 5 pp. of text. Typescript composer’s notes. 1 p. of text. Notes for lecture on The Whittier Service, typescript, with annotations in ink. 2 pp. of text. |
| folder 25 | Concerto for Flute, Op. 48. 3 documents. Items include: “Biography of the La Montaine Flute Concerto,” typescript, on Fredonia Press letterhead. 2 pp. of text. Facsimile of excerpt from unidentified letter, labeled “Flute Concerto Program Notes?” in ink. 1 p. of text. Typescript composer’s notes. 1 p. of text. |
| folder 26 | The Marshes of Glynn, Op. 53. Typescript texts. 1 p. of text. |
| folder 27 | Concerto IV for Piano and Orchestra, Op. 59. Typescript notes on “The Evolution of Piano Concerto IV.” 1 p. of text. 2 copies. |
| folder 28 | In Praise of Britain’s Queen and Elgar’s Enigma, Op. 63 (Solutions to Elgar’s “Enigma”). 6 documents. Items include: Letter from John La Montaine to Tim Page, The New York Times, typescript, on personal letterhead, dated November 9, 1985. Accompanied by music excerpts and notes pertaining to In Praise of Britain’s Queen. 5 pp. of text, 3 pp. of music. Correspondence with Andrew Porter, The New Yorker. 2 items. John La Montaine to Andrew Porter, typescript, on personal letterhead, dated October 2, 1990. Andrew Porter to John La Montaine, typescript, signed in ink, dated October 12, 1990. Correspondence with Stan Weintraub. 3 items: John La Montaine to Stan Weintraub, facsimile of manuscript letter, dated June 3, 1991. Stanley Weintraub to John La Montaine, 2 letters, typescript, signed in ink, dated June 3, 1991; June 7, 1991. Craig R. Whitney, “A New Answer to Elgar’s ‘Enigma,’” The New York Times (November 7, 1991). Accompanied by letter from John La Montaine to the Chief Editor of “The Living Arts,” The New York Times, typescript, dated December 5, 1991. Draft of letter to Simon Rattle, in pencil. On reverse, letter from Pearl Yeadon-Erny to John La Montaine, typescript, signed in ink, on personal letterhead, dated May 28, 1981. Facsimile of Irving Kolodin, “Winners of the ‘Enigma’ Contest,” The Saturday Review (May 30, 1953). 2 pp. of text. William D. Montalbano, “Strains of an Unfinished Symphony,” Los Angeles Times (March 20, 1997). Manuscript notes, in ink and pencil. 3 pp. of text. Excerpts from Michael De-la-Noy, Elgar the Man (London: A. Lane, 1983). 5 pp. of text. Excerpts from Jerrold Northrop Moore, Edward Elgar: A Creative Life (New York: Oxford University Press, 1984). 18 pp. of text. Program to The Los Angeles Philharmonic concert, December 5, 1974. Typescript “Elgar Notes.” 11 pp. of text.| Typescript “Notes on Elgar’s Enigma Variations,” with annotations in pencil. 1 p. of text. Music sketches titled “Elgar’s Enigma Solved.” 3 pp. of music. Notes on Elgar, Enigma Variations, and In Praise of England’s Queen. Typescript and manuscript notes. 45 pp. of text. Publisher advertisement for In Praise of England’s Queen and Elgar’s Enigma (Fredonia Press). 2 pp. of text. |
| folder 29 | The Black Masque (unfinished). Typescript scenario, with annotations in pencil. 2 pp. of text. Facsimile of typescript scenario. 2 pp. of text. |
| folder 30 | The Lance of Kanana (unfinished). Typescript list of characters and scenario, with annotations in pencil. 3 pp. of text. Typescript libretto, with emendations in pencil and pen. 19 pp. of text. |
| folder 31 | Of Wondrfull Marvellys. Notes and correspondence. 6 documents. Items include: Correspondence with Ernest Simpson, director of the City of Coventry Libraries, Art Gallery and Museums Department. 1 item. Ernest Simpson to John La Montaine, typescript, signed in ink, on professional letterhead, dated July 8, 1960. Brochure: The Cathedral Church of St. Michael Coventry (Gloucester: British Publishing Co. Ltd., [n.d.]). 20 pp. Brochure: Alice Lynes, Coventry’s Miracle Plays: A Short Account, Local History Pamphlets No. 1 (Coventry: Coventry City Libraries, 1959). 8 pp. 2 copies. Correspondence with Wayne Dirksen. 2 items. Wayne Dirksen to John La Montaine, typescript with annotations in ink, signed in ink, on professional letterhead, dated November 29, 1962. Accompanied by typescript “Comment on Of Wonderfull Marvellys” with annotations in red and blue ink. 2 pp. of text. Typescript acknowledgements. 1 p. of text. |
| folder 32 | Of Wondrfull Marvellys. Libretto. 4 documents. Items include: Draft of libretto, typescript, with emendations in ink. 20 pp. of text. Revised draft of libretto, typescript, with annotations and emendations in pencil and ink. 39 pp. of text. Typescript cast of characters. 1 p. of text. Accompanied by envelope labeled “Libretto of ‘Of Wondrfull Marvellys’…” |
Box 16
| folder 1 | Sheba (unfinished). Notes and correspondence. 19 documents. Items include: Correspondence with Dr. Rivkah Scharf Kluger. 2 items. John La Montaine to Dr. Rivkah Scharf Kluger, typescript, dated January 9, 1968. Rivkah Schärf Kluger to John La Montaine, typescript, signed in ink, on personal letterhead, dated January 13, 1968. List of questions for Dr. Kluger. Typescript, on John La Montaine letterhead, with annotations in ink. 2 pp. of text. Bibliography from “The Queen of Sheba in Bible and Legends” by Rivkah S. Kluger. Manuscript notes. 2 pp. of text. Correspondence with Jim Durbin. 1 item. Jim Durbin to John La Montaine, typescript, signed in ink, on University of Southern California letterhead, undated. Correspondence with Professor Wolf Leslau. 2 items. John La Montaine to Wolf Leslau, typescript, dated January 25, 1968. Wolf Leslau to John La Montaine, typescript, signed in ink, dated February 20, 1968. Correspondence with Martha England. 4 items. John La Montaine to Martha, typescript, dated January 26, 1968. Martha England to John La Montaine, typescript, on personal letterhead, dated March 7, 1968. John La Montaine to Martha, typescript, undated. Martha England to John La Montaine, typescript, on personal letterhead, undated. Correspondence with “Joanie.” Manuscript letter, dated January 27, 1968. Correspondence with the officials in the Imperial Ethiopian Government. 5 items. John La Montaine to Haile Selassie I, facsimile of typescript letter, dated November 4, 1969. John La Montaine to Admassu Badima (Assistant Minister), typescript, on personal letterhead, dated June 15, 1970. Lionel S. Mosley to John La Montaine, typescript, signed in ink, on letterhead for the United States Information Agency, dated June 17, 1970. Yohannes Kidane Mariam (Private Secretary to His Imperial Majesty) to John La Montaine, facsimile of typescript letter, on professional letterhead, dated July 31, 1970. Getachew Mekasha (Minister of State) to John La Montaine, typescript, signed in ink, on professional letterhead, dated October 5, 1970. “An Opera for Jessye Norman.” Typescript, signed by John La Montaine. 2 pp. of text. Assorted notes. Manuscript and typescript. 14 pp. of text. |
| folder 2 | Sheba (unfinished). Print materials and references. 5 documents. Items include: Press clippings. 2 items. Excerpt from National Geographic, vol. 138 (December 1970), pp. 843-84. 42 pp. B. Lewis, Ch. Phellat, and J. Schacht, eds., The Encyclopaedia of Islam, New Edition, Vol. I (London: Luzac & Co., 1960). 64 pp. Facsimile of excerpts from Magda Queen of Sheba, trans. Hugues Le Roux and Mrs. John Van Vorst (New York: Funk & Wagnalls, 1907), pp. 29-145. 117 pp. |
| folder 3 | Notes from University of Utah guest lecture on 20th-century music (Spring 1967). 3 documents. Items include: Memo from Powell Durham, typescript, signed in ink, on University of Utah Department of Music message pad, dated April 18, 1967. 1 p. of text. Accompanied by list of possible questions for discussion, typescript. 2 pp. of text. Memo from Jerry Call, typescript, undated. 1 p. of text. Typescript notes from La Montaine lecture, by Jerry Call. 2 pp. of text. |
| folder 4 | Pedagogy of Music Theory course materials. 4 documents. Items include: Lecture notes, typescript. 18 pp. of text. Notes on writing a fugue, in pencil. 1 p. of text, 1 p. of music. List of “Miscellaneous advice on fugue writing,” typescript, on John La Montaine letterhead. 2 pp. of text. Lecture outline, in ink and pencil. 6 pp. of text. Notes on “Palestrina Style,” compiled by Gustave Fredric Soderlund, typescript. 5 pp. of text. |
| folder 5 | Rudolf Ganz’s notes on Brahms. Manuscript facsimile. 8 pp. of text. Accompanied by envelope marked “Rudolf Ganz’s notes on Brahms.” |
| folder 6 | Miscellaneous teaching notes. Includes typescript and manuscript notes. 55 pp. of text. Unidentified press clipping. 1 p. of text. |
| folder 7 | Photograph of John La Montaine, undated. 4 B/W prints: 2 – 8” x 10”; 2 – 4.5” x 6.5”, mounted on 9” x 12.75” mat board. Accompanied by envelope marked “JLM Photos by Wilton? JLM’s brother.” |
| folder 8 | Photographs and negatives from productions of La Montaine’s pageant operas. 5 photographs, 3 pages of negatives printed on photo paper. Sleeve 1: Photograph of rehearsal, B/W, 8” x 10”. Photo by Frank Taylor, Municipal Art Department, Bureau of Music, Los Angeles, CA. Sleeve 2: Photograph of John La Montaine and unidentified boy with sheep, B/W, 8” x 10”. Photo by Frank Taylor, Municipal Art Department, Bureau of Music, Los Angeles, CA. Sleeve 3: Photograph from unidentified production, B/W, 8” x 10”. Photo by Rotschild Photo, Los Angeles, CA. Sleeve 4: Photograph of production of Novellis, Novellis, Washington Cathedral, B/W, 8” x 10”. Unattributed. Sleeve 5: Photograph of performance of Novellis, Novellis, Pasadena Presbyterian Church, B/W, 8” x 10”. Unattributed. 3 contact sheets containing images from unidentified production (print from negatives), B/W, 8.5” x 11”. Photos by Peter B. Troxell, dated December 6, 1968. |
| folder 9 | Other photographs. 4 photographs. Photograph of Howard Mitchell, John F. Kennedy, Jackie Kennedy, and John La Montaine, from the Inaugural Concert, 1961. 1 B/W photograph, 8” x 10”. Unattributed. Photograph of Howard Mitchell, John F. Kennedy, Jackie Kennedy, and John La Montaine, from the Inaugural Concert, 1961. 1 B/W photograph, 8” x 10”. Unattributed. Photograph of display for “The Creative Process: John La Montaine, Session III.” 1 B/W photograph, 8” x 10”. Photo by Rick Corrales, Norwalk, CA. |
| folder 10 | Tabula: [literary magazine] published semi-annually by the students of the Oak Park and River Forest Township High School (December 1937). Includes “Ode” by John La Montaine. |
| folder 11 | Student documents from the Eastman School of Music. 5 documents. Items include: Facsimile of grade report for the second semester, 1938-39. 1 p. of text. Facsimile of scholarship letter from Howard Hanson, typescript, on Eastman School of Music letterhead, dated July 6, 1939. Facsimile of letter to John La Montaine from Margaret Neville (Executive Secretary, Family Welfare Association, Oak Park, IL), typescript, undated. Essay “An Analytical Study of the Fugue with Special Emphasis on Its Importance in the Style of Bach,” by John La Montaine, dated March 20, 1939. Typescript, with annotations in pencil. 6 pp. of text. Letter to John La Montaine from Charles [illegible], typescript, signed in ink, on Eastman School of Music letterhead, dated January 21, 1942. |
| folder 12 | Personal journal titled “Concert Records.” 180 pp. |
| folder 13 | Poems, hymns, and other texts by various authors. Mixed formats: typescript, manuscript, printed cards, and clippings. 30 pp. |
| folder 14 | Documents pertaining to the 1994 Pulitzer Prize Music Jury. Items include: Letter to John La Montaine from the Office of the Administrator of the Pulitzer Prize Board, typescript, on professional letterhead, dated October 15, 1993. 1 p. of text (missing p. 2 of letter). Accompanied by list of members of the 1994 Pulitzer Prize Nominating Jury in Music. 1 p. of text. Letter to Music Jury members from Betsy Mahaffey, typescript, on professional letterhead, dated September 21, 1993. Printout of list of Pulitzer prizes in music from www.minotaurz.com/minotaur/articles/pulitzer.html (accessed June 11, 2001). 8 pp. of text. Manuscript notes, in pencil and ink. 5 pp. of text. Letter to John La Montaine from Seymour Topping (Administrator, The Pulitzer Prizes), typescript, signed in ink, on professional letterhead, dated April 18, 1994. Accompanied by envelope marked “JL as judge for 1994 Pulitzer Prize,” with additional notes. |
| folder 15 | Notes on Ravel’s Gaspard de la Nuit. 4 documents. Items include: List of printing or editing errors, in pencil. 3 pp. of text. Facsimile of list of printing or editing errors. 3 pp. of text. Assorted notes on and translations of poems from Aloysius Bertrand, Gaspard de la Nuit, manuscript and typescript. 7 pp. of text. |
| folder 16 | Biographies, introductions, and notes about other musicians. 8 documents. Items include: Polly Jo Baker: handbill for. 2 pp. Nadia Boulanger: reminiscences about studies with Boulanger, typescript. 2 pp. of text. Michael Charry: biographical sketch for Fredonia Records, typescript. 1 p. of text. Harold Daugherty: draft of recommendation letter, typescript, on John La Montaine letterhead. 1 p. of text. Rudolph Ganz: reminiscences about studies with Ganz, typescript, signed in ink by John La Montaine. Rudolph Ganz: press clipping of obituary, Daily News (August 2, 1972). Howard Hanson: press clipping, Democrat and Chronicle (July 18, 1981). Merle Montgomery: biographical sketch, typescript. 3 pp. of text. |
| folder 17 | Documents pertaining to Catherine Filene Shouse Celebration, June 9, 1995. Reminiscences by G. William Miller, typescript. 3 pp. of text. Catherine Shouse vita, typescript. 5 pp. of text. |
| folder 18 | ASCAP Title Registration Forms for recordings of John La Montaine compositions to be published by Fredonia Discs. 27 pp. |
| folder 19 | Other personal documents and items. Items include: Concert program for Chicago Symphony Orchestra, January 22, 1935, with annotations in ink. Certificate from the National Society of the Daughters of the American Revolution in recognition of the commissioning and production of Be Glad, Then, America. Handmade “World Premiere Award” for Wilderness Journal, dated August 12, 1971. Unattributed. Itinerary for John La Montaine, dated November 24, 1964. 2 pp. of text. Press release from the Ford Foundation, dated March 3, 1975. 2 pp. of text. Letter to John La Montaine from Richard Dirksen, typescript, signed in ink, on personal letterhead, dated July 27, 2006. Handout from presentation “Structure and Style in Three Flute Works of John La Montaine.” Unattributed. 7 pp. Credit report, dated October 25, 1995. 5 pp. Invitation from the National Federation of Music Clubs to concert dated October 18, 1985. 1 p. Manuscript note about Allan Travis recital. 1 p. Excerpt from stereo manual. 6 pp. Manuscript note about using Finale. 1 p. Pamphlet on Sibley Music Library. 6 pp. Clipping of “Broom-Hilda” cartoon, laminated. |
Box 51
| folder 1 | Photographs of John La Montaine, unattributed, undated. 8 B/W photographs, 8” x 10”. |
| folder 2 | Photograph of the Washington Cathedral, unattributed, undated. Inscription on reverse from the “Orgelmakers.” 1 photograph. |
| folder 3 | In Wildness is the Preservation of the World. Selections and photographs by Eliot Porter, with notes and texts for Wilderness Journal, Op. 41, by John La Montaine. Front and back cover. 1 p. of text. Layout (incomplete), with poems by Henry David Thoreau, photographs, and typescript texts from Wilderness Journal, with annotations in colored pencil. 26 pp. |
| folder 4 | Printouts of library catalog records for Nightwings (motion picture). Printout of search on WorldCat. 3 pp. of text. Printout of catalog record from the New York Public Library. 1 p. of text. |
