Box 4
| folder 1 | Fleugel — [without date] Sketches In pencil; 6 pages of music |
| folder 9 | Piece for Eddie Powell — [undated] For Orchestra; sketches In pencil; 10 pages of music |
| folder 10 | Powell Piece — [undated] For Orchestra Reproduction, fair copy 50 pages of music; some pages photo-static copies in negative exposure |
| folder 11 | Shakespeare (girl) — [undated] Draft MS In pencil; 11 pages of music Provenance: Margun Music |
| folder 12 | Shakespeare II: Ophelia. — [undated] Draft MS In pencil; 9 pages of music Provenance: Margun Music |
| folder 13 | Song bag suite — [undated] Suite Sketches; 1st mood 2nd mood 3rd mood 4th mood In pencil; 22 pages of music |
| folder 17 | New England suite — [without date] Sketches Seasons Hopscotch Cambridge Valley Lullaby Grandma Anna Mary Viennese Farmer’s Daughter Pioneer Stock Sewing Hopscotch Pastorale In pencil; 57 pages of music |
| folder 18 | Grey [the gaunt] — [without date] Sketches In pencil; 14 pages of music Provenance: Margun Music |
Box 6
| folder 21 | Blue & [untitled] “Swing easy” — [without date] MS horn parts In pencil; 2 pages of music |
| folder 32 | Piece for Strings #1 — [without date] Draft MS In pencil; 6 pages of music |
Box 8
| folder 15 | I’ll get by — [without date] For big band Reproduction 17 parts, incl. one labeled for “Benny” 29 pages of music Provenance: Yale University – Benny Goodman papers |
| folder 16 | As long as we still believe — [without date] For big band Reproduction; 8 pages of music Provenance: Yale University – Benny Goodman papers |
Box 9
| folder 24 | Suite for brass quintet and strings — [without date] Fair copy score; 61 pages of music |
Box 15
| folder 6 | Four sentiments — [without date] See oversize box 2/4 |
| folder 7 | Four sentiments (and an afterthought) — [without date] Fair copy 18 parts: Flutes (picc), oboes, clarinets, bassoons, horn 1 & 2, horn 3 & 4, trumpets 1 & 2, trumpet 3, trombones 1 & 2, trombone 3, percussion & timpani, percussion – set, harp, violin I, violin II, viola, cello, bass Ink on Ozalid masters; 89 pages of music Provenance: Mitch Miller |
| folder 8 | Entertainment no. III — [without date] See oversize box 3/1 |
| folder 9 | Entertainment [no.] 6 — [1974-1975] See oversize box 3/2 |
| folder 10 | Entertainment # 6 — [1975] See oversize box 3/3 |
| folder 14 | Suite for Chamber Orchestra (“Small Pieces”) — [without date] Music by Jerome Hill; Orchestration by Alec Wilder Reproduction, 5 wind parts (fl, ob, clar, hrn, bsn) Three part invention Petite suite Canone all’ottava (no hrn) Lament (no fl, clar) Episode #2 (no fl, ob, clar, hrn) Episode #3 (no clar, hrn) Variations on a theme Theme Variation II Variation V Variation X (no fl) Air pathétique, homage à Scriabine Calliope waltz Barcarolle Improvisation 11, 14, 15, 15, 18 (73) pages of music, respectively |
| folder 15 | Suite for Chamber Orchestra (“Small Pieces”) — [without date] Music by Jerome Hill; Orchestration by Alec Wilder Reproduction, Harpsichord/percussion parts Petite Suite Canone All’Ottava Episode #2 (glockenspiel) Episode #3 (glockenspiel) Barcarolle Improvisation 8 pages of music |
| folder 16 | Suite for Chamber Orchestra (“Small Pieces”) — [without date] Music by Jerome Hill; Orchestration by Alec Wilder Reproduction, violin I parts Three part invention (6 copies) Petite Suite (6 copies) Sarabande (6 copies) Canone All’Ottava (6 copies) Episode #2 (2 copies) Episode #3(1 copy) Variations on a theme (1 copy) Theme Variation II Variation V Variation X (6 copies) Air pathétique (6 copies) Calliope waltz (6 copies) Barcarolle (1 copy) 67 Pages of music; multiple copies of most parts Some water damage to margins |
| folder 17 | Suite for Chamber Orchestra (“Small Pieces”) — [without date] Music by Jerome Hill; Orchestration by Alec Wilder Reproduction, violin II parts Three part invention (6 copies) Petite Suite (6 copies) Canone All’ottava (6 copies) Episode #2 (2 copies) Episode #3 (6 copies) Variation X (6 copies) Air pathétique (6 copies) Calliope waltz (6 copies) 74 Pages of music; multiple copies of most parts Some water damage to margins |
| folder 18 | Suite for Chamber Orchestra (“Small Pieces”) — [without date] Music by Jerome Hill; Orchestration by Alec Wilder Reproduction, viola parts Three part invention (6 copies) Petite Suite (6 copies) Sarabande (6 copies) Canone all’ottava (6 copies) Lament (6 copies) Episode #2 (2 copies) Episode #3 (1 copy) Variation on a theme (1 copy) Theme Variation II Variation V Variation X (6 copies) Air pathétique (6 copies) Calliope waltz (6 copies) Barcarolle (1 copy) 66 pages of music; multiple copies of most parts Some water damage to margins |
| folder 19 | Suite for Chamber Orchestra (“Small Pieces”) — [without date] Music by Jerome Hill; Orchestration by Alec Wilder Reproduction, cello parts Three part invention (6 copies, one missing second page) Petite suite (6 copies) Sarabande (6 copies) Canone all’ottava (6 copies) Lament (6 copies) Episode #2 (2 copies) Episode #3 (1 copy) Variation on a theme (1 copy) Theme Variation II Variation V Variation X (6 copies) Air pathétique (6 copies) Calliope waltz (6 copies) Barcarolle (1 copy) 79 pages of music; multiple copies of most parts |
| folder 20 | Suite for Chamber Orchestra (“Small Pieces”) — [without date] Music by Jerome Hill; Orchestration by Alec Wilder Reproduction, Production score Three part invention (2 copies) Petite suite (2 copies) Sarabande (2 copies) Canone All’ottava (2 copies) Lament (2 copies) Episode #2 (2 copies) Episode #3 (2 copies) Variation on a theme (2 copies) Theme Variation II Variation V Variation X (2 copies) Air pathétique (1 copy) Calliope waltz (1 copy) Barcarolle (2 copies) Improvisation (2 copies) 40 pages of music; two copies of most parts |
Box 17
| folder 37 | The way you look — [without date] MS fair copy – incomplete In pencil; 13 pages of music |
Box 18
| folder 1 | It’ll never sell – [without date] MS score – misc. jazz band arrangements In pencil; 12 pages Provenance: Gunther Schuller |
| folder 2 | Instrumental piece See oversize 4/7 |
| folder 3 | Spring morning See oversize 4/8 |
| folder 4 | Something for the girls See oversize 4/9 |
| folder 5 | Lonely man seeks company See oversize 4/10 |
Box 8
| folder 13 | Entertainment no. 4 — [without date] For French horn and chamber orchestra Draft MS In pencil; 98 pages of music Corrections and notes in black ink. “For Verne Reynolds” in heading Provenance: Donald Hunsberger |
| folder 24 | Concerto for cello and orchestra — [without date] Fair copy – bound score in hard cover In ink; 86 pages of music Accompanied by an excerpt of a letter to Aaron Copland in which he refers to this concerto (excerpt from Letters I Never Mailed by Alec Wilder) Provenance: Margun Music |
| folder 25 | Concerto for cello and orchestra [4th movement only] — [without date] Draft MS, piano reduction In ink with corrections in pencil; 7 pages of music Provenance: Margun Music |
Box 9
| folder 18 | Elegy for the whale — [without date] For tuba and orchestra Reproduction score ( 2 copies) 19 pages of music each Provenance: Margun Music |
| folder 20 | Elegy for the whale — [without date] Draft MS, piano reduction In pencil; 5 pages of music Provenance: Margun Music |
| folder 23 | Concerto for flute and chamber orchestra — [without date] Draft MS In pencil; 98 pages of music “For Frances Miller” in heading Provenance: Margun Music |
| folder 25 | Suite for tenor saxophone and strings — [without date] Fair copy, score In pencil; 38 pages of music |
| folder 26 | Suite for horn and strings — [without date] Fair copy, score In pencil; 38 pages of music Provenance: Margun Music |
Box 10
| folder 3 | Concerto for alto saxophone and concert band — [without date] Reproduction, piano reduction by David Demsey 25 pages of music Contains performance markings Provenance: David Demsey |
| folder 4 | Concerto for alto saxophone and concert band — [without date] Reproduction, piano reduction by David Demsey Folder only contains movement III 8 pages of music Provenance: David Demsey |
| folder 5 | Concerto for alto saxophone and concert band — [without date] Errata sheet 5 pages of handwritten notes Provenance: David Demsey |
Box 16
| folder 16 | Piece for piano and small orchestra — [without date] Bound draft MS In pencil; 34 pages of music Performance markings in red and blue pencil |
Box 17
| folder 35 | It had to be you — [without date] MS fair copy In pencil; 12 pages of music |
| folder 36 | Madelaine — [without date] MS fair copy In pencil; 7 pages of music |
Box 18
| folder 6 | Spring magic – [without date] See oversize Box 4/11 |
| folder 7 | Clarinet suite no. 1 – [without date] For clarinet and string ensemble MS, score In pencil; 53 pages |
Box 1
| folder 37 | Behind the barn — [without date] Draft MS, lead sheet In pencil. 1 page of music Provenance: Marian McPartland |
| folder 39 | Incurably romantic — [without date] Draft MS, lead sheet In pencil 2 pages of music |
Box 2
| folder 21 | Clarinet suite — [without date] Sketches In ink and pencil; 35 pages of music |
| folder 22 | Clarinet suite — [without date] Reproduction Score; 18 pages of music |
Box 4
| folder 19 | What a way to go! — [without date] MS horn part In ink; one page of music Slight water damage to part Provenance: Margun Music |
| folder 20 | Sonata for baritone horn (euphonium) W131 — [without date] Fair copy; Ozalid masters 2 parts; baritone horn (10 pages of music), piano (22 pages of music) |
| folder 21 | Suite No. 2 for tuba and piano (Jesse suite) — [without date] Reproduction; 9 pages of music Provenance: Marian McPartland |
| folder 22 | Suite No. 3 for tuba and piano (suite for little Harvey) — [copyright 1980] Fair copy and Reproduction Fair copy – Ozalid masters for tuba part and piano part (13 pages of music); photocopy – piano part only (9 pages of music) Provenance: fair copy: Margun Music; photocopy: Marian McPartland |
| folder 23 | Suite No. 4 for tuba and piano (“Thomas suite”) W127 — [copyright 1981] Fair copy and Reproduction Ozalid masters for tuba part and piano part (10 pages of music) Reproduction of piano part (8 pages of music) Fair copy of tuba part and piano part (10 pages of music) “For Thomas Phillips” in upper left hand corner of title page Provenance: Margun Music |
| folder 24 | Sonatina for violin and piano — [without date] MS sketch and Reproduction In ink; 2 pages of music 2 photocopies of handwritten draft; each 5 pages of music 1 violin part, missing solo interludes (4 pages of music) with piano score (21 pages of music) Note on score indicates, “2 different MS copies of score and part of vln sonatina in hand of Ken Richmond.” Reproduction of violin part (2 copies); 9 pages of music each Note: Copies are different; printed pages 6 and 7 are switched so that in one copy the second interlude comes after mvt III and in the other edition, it comes in the middle of mvt III Reproduction of score; 11 pages of music Contains only the 1st and 2nd movements and no interludes Reproduction of violin interludes; 2 pages of music Written on head of page in AW’s hand, “For Dr. M. H. Presberg” Provenance: Max Presberg |
| folder 25 | Sonatina for violin and piano — [without date] Draft MS & Reproduction In pencil; 24 pages of music “For M. H. Presberg” at head of title page Reproduction of movement III; 5 pages of music Corrections in red ink Photocopies of MS for first and second interludes; 2 pages of music Provenance: Max Presberg |
| folder 26 | Sonatina for violin and piano — [without date] Sketches contained in a MS book Also contains sketches titled, Tuba, Piano suite (childhood suite), Tuba and strings In pencil; 17 pages of music In memo section, “By Alec Wilder to Dr. May Presberg” Provenance: Louis Ouzer |
| folder 28 | Small suite for bass and piano — [without date] Reproduction; 15 pages of music Provenance: Marian McPartland |
Box 5
| folder 1 | Flute pieces no. 3 & 4 — [without date] MS flute parts In ink; 4 pages of music Provenance: Gift of Margun Music |
| folder 2 | Geiger suite for flute — [without date] Reproduction; 4 pages of music On head of page, “for Michael” Provenance: Marian McPartland |
| folder 3 | Sonata No. I for flute and piano — [without date] Draft MS In pencil; 23 pages of music Corrections in red pencil Provenance: Gif of Margun Music |
| folder 4 | English Horn Sonata W 133 — [copyright 1981] Fair copy 2 parts; piano score (18 pages of music), English horn part (8 pages of music) Provenance: Margun Music |
| folder 5 | Erica suite for clarinet & piano — [without date] Draft MS. In pencil; 4 pages of music Provenance: Gift of Margun Music |
Box 6
| folder 6 | Two pieces for flute with bongos — [without date] Sketches & reproduction Sketch in pencil; 5 pages of music Repro; 6 pages Piece No. I requires switching between flute and alto flute. Provenance: Sam Baron 5/24/88 |
Box 8
| folder 17 | Sonatina for violin and piano — [without date] Reproduction Complete score; 21 pages of music Second copy of 1st movement; 6 pages of music Second copy of 2nd movement; 5 pages of music Possibly a different version; begins on page 8 rather than page 7 as in the complete score. Also does not contain “Interlude 1 – Tacet” marking at the end of the movement as marked in the complete score Violin part; 6 pages of music Contains 1st and 2nd movements and 2 interludes Violin part; 4 pages of music Contains 1st and 2nd movements w/o interludes Provenance: Rose Presberg 5/12/97 |
| folder 18 | Sonatina for violin and piano — [without date] Reproduction of sketch Violin part; 2 pages of music. In heading, “For M. H. Presberg” Provenance: Rose Presberg |
Box 10
| folder 6 | Suite for trumpet and marimba — [without date] Reproduction; 13 pages of music Provenance: Margun Music |
| folder 7 | French horn solo no. 1-3 — [without date] “Suite” for French horn solo with improvisatory percussion Draft MS No I and II in ink with corrections in pencil, no III in pencil; 12 pages of music “For David Kappy from Alec Wilder” written in heading of no. III Also contains one page typed letter from David Kappy with notes about the piece According to letter:
Also mentions that part or all of MS is in Barrow’s handwriting, not AW’s |
| folder 8 | Air for French horn and concert band — [without date] Draft MS In pencil; 9 pages of music Corrections in red ink Provenance: Margun Music |
Box 11
| folder 11 | Blues — [without date] Sketch, Flute part Alternate flute part in place of horn 1 in Horn duets (see Series 4 folder 10) In ink; 1 page of music |
| folder 12 | Harp [Unidentified piece] — [without date] Draft MS In ink; 3 pages of music Contains performance markings Provenance: Margun Music |
| folder 14 | Violin piece — [without date] Sketch In pencil; 2 pages of music Provenance: Margun Music |
| folder 15 | Violin piece — [without date] Draft MS Vln part and incomplete piano score (missing first 2 pages and last page) In ink; 11 pages of music Provenance: Margun Music |
| folder 17 | [Piece for cello and piano]. — [without date]. Fair copy, single movement orchestrated as part of Cello concerto. In ink; 7 pages of music. Provenance: Margun Music. |
| folder 18 | [Cello pieces]. — [without date]. Sketches. In ink; 3 pages of music. Provenance: Margun Music. |
| folder 19 | Cello piece. — [without date]. Sketch. In pencil; 2 pages of music. Provenance: Margun Music. |
| folder 20 | [Cello piece]. — [without date]. Draft MS. In ink; 6 pages of music. Provenance: Margun Music. |
| folder 21 | Cello piece. — [without date]. Draft MS, fragment. In ink; 2 pages of music. Provenance: Margun Music. |
| folder 22 | Cello piece. — [without date]. Sketch. Last page titled, Little Miss Pink. In pencil; 5 pages of music. Provenance: Margun Music |
| folder 23 | Piece for bassoon and strings. — [without date]. For bassoon, violin 1A, IIA, B, C, D; viola A, B; cello A, B; bass; percussion. Photo-static reproduction of score and 11 parts. Score, 22 pages of music. Parts; 29 pages of music.| Provenance: Margun Music. |
| folder 33 | Bassooner or later. — [without date]. Reproduction, 2 copies. 2 pages of music. Provenance: Gift of Margun Music 7/18/96. |
| folder 34 | Double reed goof off. — [1955]. Reproduction; 1 page of music. Copied from volume V 1975(6) – No. 3 of “To the World’s Bassoonists” newsletter. Includes note about piece by Bernie Garfield at foot of page. Provenance: Gift of Margun Music 7/18/96. |
Box 16
| folder 10 | Sonata #2 for tuba and piano. — [without date]. Reproduction, solo tuba part. 10 pages of music. |
| folder 11 | Low register flute suite no. 3. — [without date]. Reproduction, flute part. 7 pages of music. Additional 3rd movement possibly intended for another low register flute suite. Holograph for additional 3rd movement in series 7, box 1, folder 12. |
| folder 13 | Nothing but love. — [without date]. For bass and piano. MS reproduction; 2 pages of music. “For Al Hall from Alec Wilder” in upper right corner of title page. “August 15, 1972 – To Alec Wilder: So many thanks for taking time out to think of me, in the form of your beautiful notes! Love, Al” written on back. |
| folder 19 | Trumpet Suite. W132— [without date]. Reproduction, piano reduction. 14 pages of music. Performance markings in pencil and red ink. |
Box 17
| folder 15 | 2nd horn sonata. — [without date]. MS fair copy. In ink; 10 pages of music. In pencil; 2 page of music on reverse. |
Box 18
| folder 1 | Clarinet Sonata Reproduction, fair copy clarinet part Two copies of the 1st, 2nd and 3rd movements, one copy of 4th movement 35 pages of music |
Box 2
| folder 23 | Suite for flute and strings. — [without date]. Draft MS. Titled Flute Piece No. 1. In pencil, corrections in red pencil; 68 pages of music. Provenance: Margun Music. |
| folder 24 | Suite for flute and strings. — [without date]. Sketches. Titled Flute Piece No. 1. In pencil; 20 pages of music. At head of page, “(4 Movements)” Note on separate lined paper, “Second movement [of] a Suite for Flute and Strings has been re-written in third movement for 1st Flute Sonata and is, therefore, invalid”; one page. Provenance: Margun Music. |
Box 4
| folder 30 | Moosacaglia. — [without date]. Draft MS. In pencil; 3 pages of music. On head of page, “For Charles Lunde”. Provenance: Margun Music. |
Box 5
| folder 6 | No Plans. — [without date]. Reproduction; 22 pages of music. |
| folder 7 | Nobody’s heart. — [without date]. Draft MS. In pencil; 9 pages of music. Includes photocopy. |
| folder 8 | Pop, what’s a passacaglia?. — [without date]. Reproduction; 20 pages of music. Missing copy of page 13. |
| folder 9 | Woodwind quintet no. 7. — [without date]. Draft MS. In pencil; 32 pages of music. Provenance: Margun Music. |
| folder 10 | Woodwind quintet no. 8 (Suite for non-voting quintet). — [November 1964]. Reproduction. On title page, “A present from Alec Wilder”. On second page, “Written especially for the following on election weekend, November 1964:Chris Nelsen, flute Janet Rarick, oboe Kent Stahlman, clarinet Douglas McNaughton, bassoon Nancy Schallert, horn”. 22 pages of music. Provenance: Margun Music. |
| folder 11 | Woodwind quintet no. 8 (Suite for non-voting quintet). — [without date]. Fair copy. 5 parts: Flute; 5 pages of music and one Ozalid strip. Oboe; 6 pages of music. Clarinet; 6 pages of music. Horn; 5 pages of music. Bassoon; 6 pages of music. Separate copy of each part (different fair copy version); 5 parts (3 pages of music for each part). Score; 22 pages. Provenance: Margun Music. |
| folder 12 | Woodwind quintet no. 9. — [without date]. Reproduction. 30 pages of music. Provenance: Margun Music. |
| folder 13 | Woodwind quintet no. 9 W157. — [1972]. Fair copy. 5 parts; draft fair copy; flute; 5 pages of music and one Ozalid strip. oboe; 6 pages of music. clarinet; 4 pages of music and one Ozalid strip. horn; 4 pages of music. bassoon; 7 pages of music. 5 parts; each part 4 pages of music. Score; 15 pages of music. At foot of page, “Copyright 1972 Wilder Music, Inc. Assigned 1976 to Margun music, Inc.”. Provenance: Margun Music. |
| folder 14 | Woodwind quintet no. 10. — [without date]. Reproduction. 32 pages of music. Provenance: Margun Music. |
| folder 15 | Woodwind quintet no. 12. — [without date]. Draft MS. In pencil; 8 pages. Provenance: Margun Music. |
| folder 16 | She never wore makeup. — [without date]. Reproduction. 15 pages of music. |
| folder 17 | Soon. — [without date]. For trumpet, viola, 3 celli, bass, guitar and drums. Draft MS. In pencil; 7 pages. |
| folder 18 | Soon. — [without date]. For trumpet, viola A, B & C, cello A, B & C, guitar, bass and drums. Reproduction. 10 parts; each part 2 pages each. Provenance: Margun Music. |
| folder 19 | Suggestion for bored dancers. — [without date]. Reproduction. 18 pages of music. |
| folder 20 | Suite for clarinet, horn and piano W 143. — [copyright 1980]. Fair copy. 2 parts: clarinet, 10 pages of music; horn, 9 pages of music. Score; 37 pages of music. Performance marking throughout all parts. Foot at bottom of music, “Copyright Margun Music Inc.” In score, in AW’s hand beside his name is the date “1964” on 2nd, 3rd and 4th movements. Provenance: Margun Music. |
| folder 21 | Suite for clarinet, horn and piano. — [copyright 1980]. Fair copy. 2 parts: clarinet, 10 pages of music; horn, 8 pages of music Score; 32 pages. Provenance: Margun Music. |
| folder 22 | Suite for flute, clarinet and piano. — [without date]. Draft MS. In pencil; 32 pages of music. Provenance: Margun Music. |
| folder 23 | Suite for flute, clarinet and piano W 144.— [copyright 1980]. Fair copy. 2 parts: flute, 9 pages of music; clarinet, 10 pages of music Score; 24 pages of music. Provenance: Margun Music. |
| folder 24 | Suite for flute and marimba. — [without date]. Draft MS. In pencil; 16 pages of music. Provenance: Gift of Margun Music. |
| folder 25 | Suite no. 1 for tuba and bass [and piano]. — [without date]. Fair copy. 2 parts: string bass, 5 pages of music; tuba, 5 pages of music. Piano score; 21 pages. “(For Carol)” in caption of 3rd movement of all parts. Provenance: Margun Music. |
Box 6
| folder 1 | Suite no. 2 for French horn, tuba and piano W 140. — [copyright 1980]. Fair copy. Score and parts; 52 pages of music. Provenance: Margun Music. |
| folder 2 | Tacet for neurotics. — [without date]. Reproduction; 27 pages of music. |
| folder 3 | They didn’t believe me. — [without date]. Draft MS. In pencil; 7 pages of music. |
| folder 4 | Trio for violin, cello and piano. — [without date]. Draft MS. In pencil; 34 pages of music. In head of page, “For Milton Kaye”. Provenance: Gift of Margun Music. |
| folder 5 | Twelve duets for horn and bassoon. — [without date]. Draft MS. In ink; 16 pages of music. Provenance: Gift of Margun Music. |
| folder 7 | An unrelenting memory. — [without date]. Reproduction; 13 pages of music. |
| folder 8 | Walk softly. — [without date]. Reproduction; 12 pages of music. |
| folder 9 | What happened last night?. — [without date]. Reproduction; 15 pages of music. |
| folder 10 | When I fall in love. — [without date]. Draft MS. In pencil; 9 pages of music. |
| folder 13 |
[Violin parts, misc. pieces]. — [without date].
Entrada Fiambre secundo
38-40. [Tacet]
In ink; no.’s 16, 21-26, 28-29, 31, 35-36, 41-43, 46- 49. |
| folder 14 |
[Viola parts, misc. pieces]. — [without date].
In ink; 18 pages of music. |
| folder 15 |
[Horn 1 parts, misc. pieces]. — [without date].
Entrada Fiambre secundo
In ink; |
| folder 16 |
[Horn 2 parts, misc. pieces]. — [without date].
Entrada Fiambre secundo
In ink; 31 pages of music. |
| folder 17 |
[Horn 3 parts, misc. pieces]. — [without date]. 1.“B” [tacet]
Entrada Fiambre secundo
In ink; 30 pages of music. |
| folder 18 | [Unidentified parts for horn and trumpet]. — [without date]. Draft MS. 3 numbered pages with header, “Horn”. Trumpet sketch, titled, “Blue”. In pencil; 6 pages of music. |
| folder 19 |
[Bassoon parts, misc. pieces]. — [without date]. 1.“B”[tacet]
Entrada Fiambre secundo
In ink; 19 pages of music. |
| folder 20 | [Unidentified horn part]. — [without date]. MS In pencil; one page of music. |
| folder 22 | [Unidentified trumpet part]. — [without date]. MS. In ink; 1 page of music. |
| folder 23 | Dance for B.B.. — [without date]. Draft MS. In pencil; 3 pages of music. Provenance: Margun Music. |
| folder 24 | The endless quest. — [without date]. Reproduction; 9 pages of music. |
| folder 26 | [Fall of] the House of Usher. — [without date]. For flute, oboe/English horn, clarinet, bassoon, horn and percussions. Draft MS. In pencil; 30 pages of music. Contains abundant performance marking in colored pencil. Provenance: Margun Music. |
| folder 27 | In a sentimental mood. — [without date]. Draft MS. In pencil; 5 pages of music. |
| folder 28 | Lady in white. — [without date]. For clarinet and flute. Draft MS. Score and 5 parts (flute/clar, 2nd clar, eng. horn , bass clar, trombone). In ink; 5 pages of music. In pencil; 2 pages of music (score). |
| folder 29 | Let’s get together and cry. — [without date]. Reproduction; 11 pages of music. |
| folder 30 | Mama never dug this scene. — [without date]. Reproduction; 23 pages of music. |
| folder 31 | String quartet for Alec to scat over. — [without date]. MS. Score and 4 parts. In pencil; 6 pages of music (score). In ink; 12 pages of music (parts – each part 3 pages of music). Provenance: Margun Music. |
Box 7
| folder 1 | String quartet. W256.— [without date]. Draft MS. In pencil; 38 pages of music. Provenance: Margun Music. |
| folder 2 | Quintet for French horn and string quartet. — [without date]. Fair copy. In pencil; 41 pages of music. Provenance: Gift of Margun Music. |
| folder 3 | Four horn study. — [without date]. Draft MS. Score and 4 parts. In pencil; 9 pages of music. Provenance: Gift of Margun Music. |
| folder 4 | Suite for trombones. — [without date]. For 19 trombones. Fair copy. In pencil; 35 pages of music. Provenance: Margun Music. |
| folder 6 | Suite for oboe, clarinet and bassoon. W 142.— [without date]. Fair copy. Score and 3 parts. Score in pencil; 20 pages of music. Parts in ink; 26 pages of music. In caption, “(For Beverly)”, below that, “(2nd movement only)” Provenance: Gift of Margun Music. |
| folder 7 | The April age. — [without date]. In pencil; 8 pages of music. Corrections in red ink. Draft MS. |
| folder 8 | Around the world in 2:34. — [without date]. Reproduction; 21 pages of music. |
| folder 9 | Woodwind quintet no. 4 (Aloha Suite). — [1957]. Draft MS & reproduction. MS in pencil; 25 pages of music. Corrections in ink. Repro; 16 pages of music. Provenance: Margun Music |
| folder 10 | Woodwind quintet no. 5. — [without date]. Draft MS. In pencil; 36 pages of music. Provenance: Margun Music. |
| folder 11 | Woodwind quintet no. 6. — [1960]. Fair copy. In pencil; 39 pages of music. In caption, “(Dedicated to April 1960)”. Provenance: Margun Music. |
| folder 12 | Canons for recorders. — [without date]. Draft MS. In pencil; 4 pages of music. Provenance: Margun Music. |
| folder 13 | Woodwind quintet no. 1. — [without date]. Parts in fair copy; score in reproduction. 5 parts; 45 pages of music. Full score; 39 pages of music. Score of 3rd and 4th movements only; 9 pages of music. Provenance: Judy Bell, TRO. |
| folder 14 | Woodwind quintet no. 2. — [spring 1956]. Reproduction; 56 pages of music. Contains form and analysis marked in pencil throughout. Provenance: Margun Music. |
| folder 15 | Woodwind quintet no. 3. — [without date]. Draft MS. In pencil; 18 pages of music. Provenance: Margun Music. |
| folder 16 | Saxophone quartet. — [without date]. Fair copy. In pencil; 29 pages of music. Provenance: Gift of Margun Music. |
| folder 17 | Sentimental journey.— [without date]. For flute, oboe, clarinet, horn, bassoon, trumpet, trombone, guitar and bass. Draft MS. In pencil; 8 pages of music. Corrections in red ink. Provenance: Margun Music. |
| folder 18 | Suite for four bassoons. W 145. — [without date]. Score in draft MS; 4 parts in fair copy. Parts; 8 pages of music. Score in pencil; 16 pages of music. Provenance: Margun Music. |
| folder 19 | Tape talk.— [without date]. For woodwind quintet. Draft MS. In pencil; 2 pages of music. Provenance: Margun Music. |
| folder 20 | Trio for flute, clarinet and bassoon. — [without date]. Reproduction; 12 pages of music. In heading, “For Virginia”. Provenance: Louis Ouzer. |
| folder 23 | Children’s suite. — [without date]. Draft MS. In pencil; 9 pages of music. Provenance: Gift of Margun Music. |
Box 8
| folder 1 | Dynamism — [without date] Oboe, clarinet and bassoon parts Draft MS In ink; 3 pages of music Provenance: Margun Music |
| folder 2 | Father and son suite no. 2 — [without date] For oboe and English horn Draft MS In pencil; 5 pages of music Provenance: Gift of Margun Music |
| folder 3 | Jingle bells — [without date] For woodwind quintet Draft MS In pencil; 3 pages of music Provenance: Margun Music |
| folder 7 | Ophelia — [without date] For woodwind quintet Draft MS & reproduction In pencil; 4 pages of music Repro; 4 pages of music Provenance: Margun Music |
| folder 8 | Overture — [without date] For woodwind quintet Draft MS In pencil; 6 pages of music Provenance: Margun Music |
| folder 9 | Passacaglia — [without date] For woodwind quintet Draft MS score and 5 parts Score in pencil; 2 pages of music Sketch in pencil on back of oboe part; one page of music Parts in ink; 5 pages of music Provenance: Margun Music. |
| folder 10 | Pavane and chaconne by Purcell — [without date] For woodwind quintet Draft MS In pencil; 11 pages of music Provenance: Gift of Margun Music |
| folder 11 | A present for Mr. G — [without date] For woodwind quintet Draft MS In pencil; 5 pages of music Provenance: Margun Music |
| folder 22 | Woodwind quintet no. 1 — [without date] Draft MS In pencil; 39 pages of music Provenance: Judy Bell, TRO |
| folder 23 | Woodwind quintet no. 1 — [without date] MS copy – 3rd and 4th movements 3rd movement: In pencil; 5 pages of music Performance markings in margins 4th movement: In ink; 4 pages of music Provenance: Judy Bell, TRO |
Box 9
| folder 1 | String quartet — [without date] Fair copy, score Contains 5 movements In ink; 39 pages of music Contains corrections and markings in pencil and colored pencil Provenance: Margun Music |
| folder 2 | String quartet — [without date] Fair copy, 4 parts Contains 5 movements In ink; 79 pages of music Contains markings in colored pencil Provenance: Margun Music |
| folder 3 | Movement, invention and round W255 — [without date] For flute, oboe, viola and cello Draft MS score and parts and sketches Sketch in pencil; 5 pages of music Score in pencil; 11 pages of music Parts in ink; 12 pages of music Additional sketch titled Walking home from school included on back of 3rd page sketch Provenance: Margun Music |
| folder 4 | [Octet No.] XV (The children met the train) — [without date] For flute/clar 2, oboe/English horn, clar 1, bass clar, bsn, harp, drums, bass Draft MS In pencil; 33 pages of music. Provenance: Margun Music |
| folder 7 | [Octet] No. X (Dance man buys a farm) — [without date] For flute/clar 2, oboe/English horn, clar 1, bass clar, bsn, harp, drums, bass Draft MS In pencil; 28 pages of music. Provenance: Margun Music |
| folder 9 | [Octet] No. XIV ( It’s silk, feel it) — [without date] For flute/clar 2/picc or penny whistle, oboe/English horn, clar 1, bass clar, bsn, harp, drums, bass Draft MS In pencil; 31 pages of music Provenance: Margun Music |
| folder 12 | [Octet No.] XXIII (Bull fiddle in [a] china shop) — [without date] For flute/clar 2, oboe/English horn, clar 1, bass clar, bsn, harp, drums, bass Draft MS plus bass solo part Score in pencil; 24 pages of music Part in ink; 1 page of music Corrections in red and blue pencil Provenance: Margun Music |
| folder 13 | [Octet No.] XXIV (Kindergarten flower pageant) — [without date] For flute/clar 2, oboe/English horn, clar 1, bass clar, bassoon, harp, drums, bass Draft MS In pencil; 31 pages of music Corrections in red and blue pencil Provenance: Margun Music |
| folder 16 | Andante and scherzo for strings — [without date] Draft MS and reproduction In pencil; 10 pages of music Photocopy; 10 pages of music Provenance: Margun Music |
| folder 17 | Suite for trumpet and tuba — [without date] Draft MS In pencil; 13 pages of music Provenance: Margun Music |
Box 10
| folder 2 | Piece for solo guitar and chamber group — [without date] Draft MS In pencil; 11 pages of music “For Frances” written at head of page Provenance: Margun Music |
Box 11
| folder 3 | Piece for string quartet no. 1 — [without date] MS, 3 parts – lacks violin 1 In ink; 6 pages of music Provenance: Margun Music |
| folder 4 | Piece for string quartet no. 2 — [without date] MS, 4 parts In ink; 8 pages of music Provenance: Margun Music |
| folder 5 | Movement for a string quartet no. 3 — [without date] MS, 4 parts In ink; 8 pages of music Provenance: Margun Music |
| folder 7 | Movement for a string quartet — [without date] Draft MS, 4 parts and score Score in pencil; 7 pages Parts in ink; 8 pages of music Provenance: Margun Music |
| folder 8 | Movement for a string quartet — [without date] Draft MS, score In ink; 6 pages of music Provenance: Margun Music |
| folder 9 | Horn duets — [without date] Draft MS, 2 parts. Blues Dance A staunch supporter of athletics Gigue Andante Theme without variationsIn ink; 14 pages of music Provenance: Margun Music |
| folder 10 | Horn duets — [without date] Fair copy, 2 parts, missing second page of Hrn I
In ink on Ozalid paper; 13 pages of music |
| folder 13 | Trio for violin, cello and piano no. 2 — [without date] Draft MS, 3 parts In ink; 9 pages of music Parts contain performance markings Provenance: Margun Music |
| folder 16 | Trio — [without date] For violin, cello and piano Draft MS, score (missing pages 7 and 8) Contains 2 different versions of violin and cellos parts Score in pencil; 8 pages of music Parts in ink; 10 pages of music Provenance: Margun Music |
| folder 26 | [Octet] No. VII (Such a tender night) — [without date] For fl/alto fl/clar II, oboe/Eng horn, clar I, bass clar, bassoon, harp, bass and drums Draft MS In pencil; 22 pages of music |
| folder 27 | [Octet] No. XI (She’ll be seven in May) — [without date] For fl/clar II, oboe/Eng horn, clar I, bass clar, bassoon, harp, bass and drums Draft MS In pencil; 20 pages of music Provenance: Margun Music |
| folder 29 | [Octet] No. XII (Sea fugue mama) — [without date] For fl/clar II, oboe/Eng horn, clar I, bass clar, bassoon, harp, bass and drums Draft MS In pencil; 27 pages of music Provenance: Margun Music |
| folder 30 | [Octet no.] XXII (Seldom the sun) — [without date] Draft MS In pencil; 20 pages of music Provenance: Margun Music |
Box 15
| folder 4 | Brass quintet no. 8 — [without date] See oversize Box 1/6 |
| folder 5 | Trio for flute, clarinet and bassoon — [without date] See oversize Box 1/7 |
| folder 11 | Serenade for winds — [without date] Reproduction; 33 pages of music (missing 3rd movement, pages 21-25) Accompanied by separate folder of proof pages with notes and suggestions, possibly by Gunther Schuller Provenance: Margun Music |
| folder 12 | Serenade for winds — [without date] See oversize Box 3/4 |
| folder 13 | Serenade for winds. [movement III only] — [without date] See oversize Box 3/5 |
Box 16
| folder 2 | Peacock Feathers: Piece for recorder and bass — [without date] Reproduction, piano part 2 pages of music Perhaps related to sub-series 6, Box 3, folder 16: “Peacock feathers”: Intro to “Vespa Waltz” |
| folder 12 | Duets for french horn and tuba — [without date] Reproduction, score and 2 parts 31 pages of music “For Marty and Gary” in heading of parts [For holograph score see Sketchbook I series 13, box 10, folder 13] |
| folder 18 | IX – Pop, what’s a passacaglia? — [March 1956] Draft MS In pencil; 21 pages of music Performance markings in red ink |
Box 17
| folder 1 | Suite for harpsichord and flute — [without date] Reproduction. Flute part and piano score In heading, “for Frank Lowe” Flute part; 3 pages of music Score; 6 pages of music Red ink correction in piano score Also in red ink in caption, “Even in red ink, this is still for Frank Lowe, that is, Frank Lowe the harpsichordist. Alec Wilder |
| folder 2 | Suite for baroque quartet — [without date] For flute, oboe, harpsichord and bass Reproduction, 4 parts 51 pages of music |
| folder 22 | If I could hold you in my arms — [without date] Repro, violins A-B-C part 2 pages of music |
| folder 38 | Lover — [without date] For 2 fl doubling B-flat clar; bass clar doubling B-flat clar; 2 vlns; viola; Vlc; bass MS fair copy In pencil; 17 pages of music |
| folder 39 | My romance — [without date] For 2 fl doubling B-flat clar; bass clar doubling Bb clar; 2 vlns; viola; Vlc; bass MS fair copy In pencil; 8 pages of music |
| folder 40 | I could write a book — [without date] For 1 fl doubling Bb clar; 1 fl doubling Bb clar and English horn; bass clar doubling Bb clar; 2 vlns; viola; Vlc; bass MS fair copy In pencil; 9 pages of music |
| folder 41 | Small hotel — [without date] For 2 fl doubling Bb clar; 1 Bb clar doubling English horn; 2 vlns; viola; Vlc; bass MS fair copy In pencil; 10 pages of music. |
| folder 42 | Suite for horn and tuba.— [without date] Repro, score 10 pages of music |
Box 18
| folder 9 | Suite for non-voting quintet – [November 1964] “A present from Alec Wilder” on title page in ink “Written especially for the following on election weekend, November 1964: Chris Nelson, flute Janet Rarich, oboe Kent Stahlman, clarinet Douglas McNaughten, bassoon Nancy Schallert, horn” In pencil; 22 pages Provenance: Nancy Schallert |
| folder 10 | Woodwind quintet no. 2 — [without date] Photocopy of MS score 27 pages Provenance: Judy Bell, The Richmond Organization |
| folder 11 | Woodwind quintet no. 12 [actual #11] – [without date] MS score “For the Wingra woodwind quintet” written in ink in heading “For Glenn Bowen” written in ink on back of last page In pencil; 27 pages |
| folder 46 | Trio for violin, cello and piano. — [without date]. Reproduction, print by request. Score and parts. Score, 29 pages; violin part, 10 pages; cello part, 9 pages. Accompanied by original invoice; typescript, one page. Provenance: Barry Snyder. |
| folder 47 | Suite for Woodwind Quintet — [1956]. MS repro parts, 5 parts 34 pages Provenance: David Van Hoesen, received July 27, 2016 |
Box 19
| folder 5 | Pieces for Two Recorders — [without date]. Four pieces for soprano recorder and bass recorder MS parts, 2 parts; written on front and back of single folio In pencil; 4 pages Written in lower right margin of bass recorder part in AW’s hand: “For the Pinslers who are a mutual act of faith.” Accompanied by typescript letter from Teri Chavkin containing information about the item’s provenance (1 p.). Provenance: Teri Chavkin, received April 12, 2022. |
Box 1
| folder 1 | June in February — [without date]. Draft MS For voice, bassoon, two horns, piano and cello Six parts in ink (each one page of music) and score in pencil (4 pages of music) Provenance: Margun Music |
| folder 13 | Song of Solomon — [without date] W648 Sketch & Fair cop For voice, English horn and harp In pencil; sketch of score (8 pages of music) In ink; sketches of all 3 parts with penciled corrections: Vocal part (2 pages of music) English horn (2 pages of music) Harp (4 pages of music) In ink; fair copies of voice, English horn and score (3, 3 and 9 pages respectively) Fair copy score contains performance markings Provenance: Margun Music |
| folder 17 | Phyllis McGinley Song Cycle — [without date] For voice, bassoon and harp Draft MS in pencil Includes 5 pages of poetry by Phyllis McGinley with AW’s notes and sketches. Red numbers indicate which poems were set as well as the numerical order in which they appear in the sketch 22 pages of music “For Frances” written on head of title page in AW’s hand Provenance: Margun Music |
| folder 18 | Pretend you’re innocent — [without date] For voice, bassoon, 2 horns, piano and cello Sketches in pencil; contains: full score (6 pages of music); condensed score (2 pages of music); one additional page of sketches (one page of music) and; individual parts (each one page of music) Provenance: Margun Music |
| folder 19 | Serving Dinah [sic] for six — [without date] For voice, bassoon, 2 horns, piano and cello Draft MS In pencil; score (5 pages of music) Opposite side of last page contains sketch entitled “string quartet” In ink; individual parts (one page of music each) and additional sketch (one page of music) Provenance: Margun Music |
| folder 35 | Songs of innocence — [without date] Draft MS. In pencil For flute, oboe, clarinet, bass clarinet, bassoon, celli, tenor, soprano and alto Poem by E. E. Cummings 42 pages of music. Provenance: Margun Music |
Box 1
| folder 10 | John the Aptest — [without date] For voice, bassoon, two horns and piano Draft MS In ink; 5 parts (one page of music each, with the exception of piano which contains two pages of music) |
| folder 11 | Girl meets voice — [without date] For voice, bassoon, two horns, piano and cello In pencil; sketch of score (3 pages of music) In ink; 5 parts (each part 3 pages of music). Missing part for Horn 1 |
Box 7
| folder 22 | Twelfth night songs — [without date] Draft MS of vocal score, full score, 5 woodwind parts and “Tunes of”: Oh mistress, mine Come away, Death Also labeled, Chanson du Feu The rain it raineth Vocal score in pencil; 8 pages of music Full score in pencil; 17 pages of music 5 parts in ink; 15 pages of music Contains performance markings Tunes [written out melody line without text] in ink; 2 pages of music Provenance: Gift of Margun Music |
Box 8
| folder 21 | Antoinette the clarinette; Knute the flute; Bobo the oboe; Muldoon the bassoon — [without date] From A child’s introduction to the orchestra Draft MS and photocopy In pencil; 21 pages of music Photocopy; 21 pages of music Provenance: Richmond Organization |
| folder 34 | Fig Lief [sic] Ericson — [without date] Sketch. In pencil One page of music Provenance: Marian McPartland |
| folder 36 | Ballet for puppets — [without date] Draft MS (& Reproduction) In pencil. 4 pages of music Provenance: Margun Music |
| folder 38 | Chromatic quest — [without date] Draft MS. In ink “For M.M.” at head of page in AW’s hand Provenance: Marian McPartland |
Box 2
| folder 9 | Follow the lieder — [without date] For voice, bassoon and cello Sketch & Reproduction In ink; 3 parts, one page of music each Photocopy of sketch, one page of music Crossed out draft of cello part on reverse of final; one page of music Provenance: Margun Music |
Box 3
| folder 1 | Floccinauncinihilipilification — [without date] Reproduction; 2 pages of music In caption, “(real word meaning: ‘estimating as worthless’)” Provenance: Marian McPartland |
| folder 2 | Eleven pieces for piano 4 hands — [without date] Sketches No. 1 Thank you for what flowers? No. 2 [without title] No. 3 [without title] No. 4 [without title] No. 8 A small tune (which later is reprised by 7000 violins) No. 9 Schubert meets a Parisian No. 11 [without title] In pencil with corrections in red; 15 pages of music Provenance: Gift of Margun Music |
| folder 3 | Eleven pieces for piano 4 hands — [without date] Reproduction; 26 pages of music No. 1 [untitled] No. 2 [untitled] No. 3 Aaron goes to the ball No. 4 Son of whistle stop No. 5 Le petit jazz No. 6 Thanks for what flowers? No. 7 A small march (to be played with a left arm around partner) No. 8 A small tune (which later is reprised by 7000 violins) No. 9 Schubert meets a Parisian No. 10 [untitled] No. 11 [untitled] Provenance: Gift of Margun Music |
| folder 4 | Gentle ways — [without date] Draft MS, lead sheet In ink, accompanied by photocopy; one page of music each Written on head of page in AW’s hand, “For M.M.” Provenance: Marian McPartland |
| folder 5 | Homework — [1974] Draft MS In ink, accompanied by photocopy; one page of music each Written on head of page in AW’s hand, “For M.M.” In foot of MS, “Copyright 1974 Ambrose Music” Performance markings in foot of photocopy Provenance: Marian McPartland |
| folder 6 | Homework — [1974] Reproduction 2 pages of music Written on head of page in AW’s hand, “(for M.M.)” Provenance: Marian McPartland |
| folder 7 | Hymn for a her — [without date] Draft MS, lead sheet In ink; one page of music In bottom right hand corner in AW’s hand, “McPartlandize! signed Alec Wilder” Provenance: Marian McPartland |
| folder 8 | Jazz tango — [without date] Draft MS In ink; two pages of music Provenance: Marian McPartland |
| folder 9 | Jazz waltz for a friend Marion McPartland — [1974] Draft MS. Laminated In ink; one page of music On foot of page, “Copyright 1974 Ambrose Music” Provenance: Marian McPartland |
| folder 11 | Lullaby for a lady — [without date] Draft MS. Laminated In ink; 2 pages of music Written on head of page in AW’s hand, “For Marian McPartland” Provenance: Marian McPartland |
| folder 12 | Mama never dug this scene — [without date] Sketch, lead sheet In pencil; 4 pages of music Provenance: Marian McPartland |
| folder 13 | The marryon kind — [without date] Sketch, lead sheet In ink; one page of music Provenance: Marian McPartland |
| folder 14 | Name calling — [without date] Sketch, lead sheet In ink; 2 pages of music Provenance: Marian McPartland |
| folder 15 | Name calling — [without date] Reproduction 2 copies, each copy 2 pages of music Correction in red ink on one copy. Provenance: Marian McPartland |
| folder 16 | “Peacock feathers”: Intro to “Vespa Waltz” — [without date] Reproduction; one page of music Provenance: Marian McPartland |
| folder 17 | Piano piece no. 5 — [without date]. Reproduction; 2 pages of music. Accompanied by photocopy. Provenance: Barry Snyder, photocopy from Marian McPartland |
| folder 18 | Piano piece no. 25 — [without date] Reproduction; 2 pages of music Accompanied by photocopy. Provenance: Barry Snyder, photocopy from Marian McPartland |
| folder 19 | Piano Piece No. 27 — [without date] Reproduction; one page of music Accompanied by photocopy. Provenance: Barry Snyder, photocopy from Marian McPartland |
| folder 20 | Piano Piece No. 34 — [without date] Reproduction; 2 pages of music Accompanied by photocopy. Provenance: Barry Snyder, photocopy from Marian McPartland |
| folder 21 | Theme and variations “3 blind mice” — [without date] Draft MS In pencil; 3 pages of music Provenance: Margun Music |
| folder 22 | Piano Piece No. 1 (Prelude) — [without date] Sketches titled “Prelude” In ink and pencil; 15 pages of music Provenance: Margun Music |
| folder 23 | [Unidentified piece for piano] — [without date] Sketch In ink; 2 pages of music |
| folder 24 | Invention for too many fingers — [without date] Draft MS In pencil; 3 pages of music Accompanied by photocopy; 3 pages of music Provenance: Margun Music |
| folder 25 | The march of the goons — [without date] Sketch In ink; one page of music. Provenance: Margun Music |
| folder 26 | Pieces for Ellis Larkins — [without date] Reproduction Featherfall; one page of music A Taste; one page of music Bittersweet; one page of music Walkin’ on down; 2 copies (one page of music each) At top right hand corner of each piece in AW’s hand is noted, “For Ellis Larkins from Alec Wilder” |
| folder 27 | Ralph P. Puppydog March — [without date] Draft MS In pencil; 2 pages of music On title page, “Dedicated to Roger Brackett*” Footnote of title page, “*The composition of this march, although commissioned and therefore financially compensated, must also include as part of its spiritual payment petting privileges” “Found by Bob Levy 5/5/88. See letter to J. Bell” on separate note along with draft MS Provenance: Margun MusicAlso included in folder: Reproduction 2 copies of bassoon part; one page each 2 copies of percussion part; one page each Provenance: Margun Music |
| folder 28 | Second small gift for M.M. — [without date] Reproduction 3 copies; each copy one page of music Provenance: Marian McPartlandRappin’ and humpin’ — [without date] Sketch, lead sheet In pencil; 2 pages of music Accompanied by 2 photocopies Provenance: Marian McPartland |
| folder 29 | Seventeen — [without date] Reproduction; 2 pages of music Provenance: Marian McPartland |
| folder 30 | Small fry suite — [without date] Draft MS
In pencil; 12 pages of music |
| folder 31 | Sonata fantasy — [without date] Sketches in a MS notebook Titled, “Piano Sonata”; appears to be score from 1st movement of W258 Sonata Fantasy In pencil; 15 pages of music |
| folder 32 | Sonata fantasy “Sonata for Vera and piano” — [without date] Draft MS & Reproduction Photocopy of first movement In ink; 2nd, 3rd and 4th movements In ink and pencil; sketches 26 pages of music |
| folder 33 | Sonata – fantasy (W258) — [without date] For piano. Reproduction and photocopy. 4 movements; 24 pages of music. Provenance: Photocopy from Barry Snyder. |
| folder 34 | Straight ahead — [without date] Sketch, lead sheet 2 parts – copy of piano part (2 pages of music) In ink; bass part In upper right hand of score, “a small present from Alec Wilder” In marker; sketches on bottom of bass part and reverse side for MacArthur Park. In marker; at bottom of MacArthur Park sketch, “Written on the back of one of my ? bass parts (1960s) M McP” Provenance: Marian McPartland |
| folder 35 | Suite for Piano (No.1-5) — [without date] Sketch In pencil; 7 pages of music In red ink; marked measure numbers Provenance: Gift of Margun Music |
| folder 36 | Theme number four — [without date] Draft MS In pencil; 2 pages of music Provenance: Margun Music |
| folder 37 | Two Pieces for Two Pianos — [without date] Reproduction (#1); 2 copies (4 pages of music each) (#2); 2 copies (2 pages of music each) Provenance: Marian McPartland |
| folder 38 | The walkaway — [without date] Draft MS, lead sheet In ink; 2 pages of music. Provenance: Marian McPartland |
| folder 39 | Where are the good companions? — [without date] Fair copy & draft MS In pencil; draft (2 pages of music). In ink; fair copy (2 pages of music) “for M.M.” in upper left hand corner of fair copy Performance marking in fair copy; slight water damage on second page. Provenance: Marian McPartland |
| folder 40 | Will I be upset — [without date] MS lead sheet In ink; in hand of Marian McPartland One page of music; 2 photocopies present Provenance: Marian McPartland |
| folder 41 | Why? — [1974] Draft MS In pencil; 2 pages of music At head of page, “Can you suffer through the five measure phrases? (Forgive me, but it fascinates me)” At foot of page, “Copyright 1974 Ambrose Music” “Title: ‘Why?’” written after end of piece Provenance: Marian McPartland |
Box 4
| folder 2 | Padelford — [without date] Sketch In pencil; 2 pages of music |
| folder 27 | Gift for sharing, not shearing — [without date] Draft MS In ink; piano and bass parts (2 pages of music each) Provenance: Marian McPartland |
Box 8
| folder 14 | Her first party dress — [without date] Reproduction; 5 pages of music Provenance: Marian McPartland |
Box 16
| folder 3 | Mimosa’s solitude dance — [without date] Reproduction, piano part 2 pages of music. |
| folder 4 | Gypsy theme — [without date] Reproduction 1 page of music Penultimate and last measures crossed out, edited ending in pencil |
| folder 5 | 50 short pieces for piano — [without date] Reproduction, spiral bound No 1 – 50 49 pages of music |
| folder 6 | Short studies for piano — [without date] Reproduction, spiral bound No. 51 – 85 43 pages of music. |
Box 17
| folder 19 | Seven lively arts – opening — [without date] Repro; 5 pages of music. |
| folder 23 | Garden (sunken, of course) — [without date] Repro; 1 page of music. |
Box 18
| folder 12 | Pieces written for Charlotte Allen — [without date] Romantic Waltz In ink; one page Jolly Waltz In ink; one page Boston Lullaby Waltz In ink; one page A small tribute to elegance In ink; one page Pas seul In ink; two pages Provenance: Jerry Wnuck |
| folder 20 | Piano piece no. 1. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 21 | Piano piece no. 2. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 22 | Piano piece no. 3. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 23 | Piano piece no. 4. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 24 | Piano piece no. 6. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 25 | Piano piece no. 7. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 26 | Piano piece no. 8. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 27 | Piano piece no. 10. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 28 | Piano piece no. 11 [incomplete]. — [without date]. Reproduction. 1 page. Provenance: Barry Snyder |
| folder 29 | Piano piece no. 13. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 30 | Piano piece no. 14. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 31 | Piano piece no. 15. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 32 | Piano piece no. 16. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 33 | Piano piece no. 17. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 34 | Piano piece no. 19. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 35 | Piano piece no. 20. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 36 | Piano piece no. 21. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 37 | Piano piece no. 22. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 38 | Piano piece no. 23. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 39 | Piano piece no. 24. — [without date]. Reproduction. 3 pages. Provenance: Barry Snyder |
| folder 40 | Piano piece no. 26. — [without date]. Reproduction. 1 page. Provenance: Barry Snyder |
| folder 41 | Piano piece no. 28. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 42 | Piano piece no. 29. — [without date]. Reproduction. 1 page. Provenance: Barry Snyder |
| folder 43 | Piano piece no. 32. — [without date]. Reproduction. 2 pages. Provenance: Barry Snyder |
| folder 44 | Piano piece no. 33. — [without date]. Reproduction. 1 page. Provenance: Barry Snyder |
| folder 45 | Sonatina for violin and piano. — [without date]. Reproduction; 21 pages. Print by request. Accompanied by photocopy of violin part; 9 pages. Provenance: Barry Snyder. |
Box 1
| folder 2 | Love’s like a lark. — [without date]. Lead sheet. Sketch in pencil; 1 page of music with vocal line and chord changes. Provenance: Margun Music |
| folder 3 | Life goes on. — [without date]. For voice and piano. Sketch in pencil; 2 pages of music Lyrics by Fran Landesman. On previous folder: “Song found by Bob Levy 5/5/88. See letter to J. Bell” Provenance: Margun Music |
| folder 4 | Never seek to tell thy love. — [without date]. For voice and piano. Reproduction 2 copies of score; one with performer marking in red ink, one with performer marks in pencil (each 5 pages). Poem by William Blake. Provenance: Marian McPartland |
| folder 12 | [Sketchbook]. — [without date]. Various sketches within a green spiral bound notebook with “Song Cycle” written on the cover in AW’s hand. Contains the following titles at the head of various pages: Intro – song cycle & connecting passage Honest confession Apologia Serenade Low register flute suite Serenade for winds Second detective suite One more road If it’s true Napa Little boat Sometimes I lie Five poems of Phyllis McGinley – I know a village In pencil; 58 pages of music. Provenance: Louis Ouzer |
| folder 14 | [Songs] — [without date]. Various draft MS’s contained within a bound MS paper book. Contains the following titles: Animal song Bathtub song Chauncey the chipmunk Charlie Austin Gordon the gopher In it together Lyrics by Arnold Sondgaard. In pencil; 13 pages of music. |
| folder 15 | Nobody’s home. — [without date]. Reproduction. Lyrics by Loonis McGlohon. One page of music. |
| folder 16 | Peaceful. — [without date]. Draft MS. Piano part (2 pages of music) and bass (1 page of music). In pencil with red and blue colored pencil in piano part. Provenance: Margun Music |
| folder 20 | I’m off. — [without date]. Draft MS. In pencil. One page of music. Provenance: Margun Music |
| folder 21 | If you are happy. . — [without date]. For voice and piano. Reproduction. Contains performance marking in red ink. Poem by Tennessee Williams. Provenance: Marian McPartland |
| folder 22 | Soul is like a star. — [without date]. Draft MS, lead sheet. In pencil. 2 pages of music. Found on reverse side: It’s fun. — [without date]. Draft MS, lead sheet. In pencil. 2 pages of music. Provenance: Margun Music |
| folder 23 | Stay Away!. — [without date]. Reproduction, lead sheet. Music by Jack O’Brien, lyric by Alec Wilder. One page of music. Provenance: Marian McPartland |
| folder 24 | Sunday come-a-courtin’ afternoon. — [without date]. Draft MS. Lyric by Jack Lawrence. 3 pages of music. Contains one typed page of lyric along with a quote about the piece from AW. Contains note on separate page: “Song found by Bob Levy 5/5/88. See letter to J. Bell.” Provenance: Margun Music |
| folder 25 | The thing about cats. — [without date]. Reproduction. Poem by John L’Heureux. 3 pages of music. Provenance: Marian McPartland |
| folder 26 | [How sweet is the] time remembered. — [without date]. Draft MS. In pencil. 4 pages of music. Provenance: Margun Music |
| folder 27 | Today girl. — [without date]. Reproduction, draft. Poem by Irving Townsend. 4 pages of music. Provenance: Margun Music |
| folder 28 | Weather is bad. — [without date]. Sketch. In pencil. One page of music. Provenance: Margun Music |
| folder 29 | Welcome home. — [without date]. Reproduction, lead sheet. One page of music. Provenance: Marian McPartland |
| folder 30 | Who can I tum to?. — [without date]. Draft MS. In pencil. Piano, guitar (in slash notation) and bass parts (2 pages, 1 page and 1 page respectively). Additional potentially unrelated sketch on the reverse of the bass part with “song Bregman” written on the head of the page. In pencil, with red and blue colored pencil markings throughout. Provenance: Margun Music |
| folder 31 | Why do I wait any longer?. — [without date]. Draft MS, lead sheet. Words by Arnold Songaard [sic] In pencil. 2 pages of music. Contains note on separate page: “Song found by Bob Levy 5/5/88. See letter to J. Bell.” Provenance: Margun Music |
| folder 32 | Songs for Patricia. — [without date]. Draft MS. In pencil. Poems by Norman Rosten. 20 pages of music. Provenance: Margun Music |
| folder 33 | Snow. — [without date]. Draft MS. In pencil. 3 pages of music. Provenance: Margun Music |
Box 2
| folder 1 | Ballad of the old man and time. — [without date]. Fair copy. In ink; 4 pages of music. Lyric by Bob Lehman. Provenance: Margun Music. |
| folder 2 | Be not afraid. — [without date]. Draft MS, lead sheet. In ink; 1 page. Provenance: Margun Music. |
| folder 3 | The boy who cried “wolf!” . — [without date]. Draft MS. In pencil; 3 pages of music. Lyric by Jack Lawrene [sic]. Provenance: Margun Music |
| folder 4 | Cast your bread upon the waters. — [1955]. Reproduction, lead sheet. Words by Marshall Barer. 2 pages of music. In ink, on foot of first page, “1955 – Hollis Music, Inc.” Provenance: Marian McPartland. |
| folder 5 | Daffodil drift. — [without date]. Sketch. In pencil; one page of music. Provenance: Margun Music |
| folder 6 | The dream is gone from the land. — [without date]. Draft MS, lead sheet. In ink; 2 pages of music. In head of first page “For Tony Bennett”. |
| folder 7 | Easy the hard way. — [without date]. Sketch, lead sheet. In pencil; 3 pages of music. Provenance: Margun Music |
| folder 8 | Ever so fair. — [without date]. Sketch, lead sheet. In pencil; 4 pages of music. Lyric by Arnold Sundgaard. Also contains pencil sketches possibly for Jersey boy and separate page of typed lyrics with pencil markings. Provenance: Margun Music. |
Box 1
| folder 29 | While we’re young. — [without date]. MS lead sheet; laminated. In pencil; one page of music. At bottom of page, “for Jimmy McPartland one of the true believers, thank God! Alec Wilder”. Provenance: Marian McPartland. |
Box 9
| folder 21 | Vocalese [sic] # 1 – 5. — [without date]. Draft MS. In pencil; 15 pages of music. |
Box 10
| folder 18 | Louie [Let’s sing to the memory of our loving friend]. — [without date]. Draft MS, lead sheet. In ink; 1 page of music; 1 page of lyrics. |
| folder 21 | Hymn for a friend. — [without date]. Reproduction; 1 page of music. “(Jenny Lind Hyde)” written in caption. |
| folder 22 | Let’s go where the music is!. — [without date]. Reproduction; 1 page of music Missing 2nd page – [see box 16, folder 19 for complete copy]. Lyrics by Roger Brackett and AW. “David Platz” written in pencil in heading |
Box 15
| folder 21 | Things to do tomorrow. — [without date]. Music by Jack End; words by Alec Wilder. Reproduction, lead sheet. 3 pages of music with accompanying letter in accession report. Provenance: Thomas Hampson 5/5/97. |
Box 16
| folder 1 | A.M. Victor Hugo. — [without date]. Reproduction. In ink; 4 pages of music. “Dedicated to Jerome Hill” in heading. Poem: Alfred De Musset. |
| folder 7 | Things to do tomorrow. — [without date]. Music by Jack End; words by Alec Wilder. Reproduction, lead sheet. 2 copies; 3 pages of music each. Provenance: Desmond Stone. |
| folder 9 | Something is up. — [without date]. Reproduction. 2 pages of music. Poem by Percy Seitlin. |
| folder 14 | Let’s go where the music is!. — [without date]. Reproduction; 2 pages of music. Lyrics by Roger Brackett and AW. In pencil at bottom of second page, “…Forget all the lovely and loving” |
| folder 17 | Phyllis McGinley Song Cycle. — [1979]. For voice, bassoon and harp. Reproduction; 18 pages of music. “for Frances” in heading. Corrections in ink and pencil. |
| folder 20 | A long night. — [without date]. Reproduction lead sheet. 2 pages of music. Words by Loonis McGlohon. |
| folder 21 | [Untitled song – “So sweet…”]. — [without date]. MS, fair copy. In pencil; 3 pages of music. |
| folder 22 | [Untitled song – “You incredibly lovely human being…”]. — [without date]. MS, fair copy. In pencil; 3 pages of music. |
| folder 23 | Give me time. — [without date]. MS, Fair copy. In pencil; 3 pages of music. |
| folder 24 | Just one. — [without date]. MS, fair copy. In pencil; 3 pages of music. |
| folder 25 | Sing me to sleep. — [without date]. MS, fair copy. In pencil; 2 pages of music. |
| folder 26 | Clam-bake. — [without date]. MS, draft. In pencil; 4 pages of music. Markings in red pencil. |
| folder 27 | Lovely. — [without date]. Draft MS. In ink; 2 pages of music. |
| folder 28 | Once in a million years. — [without date]. MS, fair copy. In pencil; 2 pages of music. |
| folder 29 | [Untitled song – “Sunlight’s got me”] . — [without date]. Draft MS. In pencil; 4 pages of music. |
| folder 30 | Why so much talk about love. — [without date]. Draft MS. Words and music Alex Wilder In pencil; 4 pages of music. |
| folder 31 | It’s all done with mirrors. — [without date]. Fair copy MS. In pencil; 4 pages of music. |
| folder 32 | Poor little debutante — [without date] Fair copy MS Music and words by Alex Wilder In ink; 3 pages of music |
| folder 33 | Time and tide — [without date] Fair copy MS; in laminate sleeve Words & music Alexander Wilder In ink; 4 pages of music. |
Box 17
| folder 12 | [Unidentified song] — [without date] MS repro. 6 (11.5” x 18”) pages. |
Box 18
| folder 13 | Manuscript book Contains: I’ll be around Hello, hello Sing a melody [Untitled] [Untitled] lead sheet In pencil; 6 pages |
| folder 14 | A.M. Victor Hugo MS, Fair copy Poem by Alfred de Musset “Dedicated to Jerome Hill” in heading One correction in pencil; 4 pages Accompanied by four reproductions, one marked Fargo Provenance: Louis Ouzer |
| folder 15 | A long night Lead sheet, photocopy Music by AW, words by Loonis McGlohon 2 pages |
| folder 16 | Down in the coal mine “To Charlotte Whitney Allen” written inside title page “J.L. & A.W.” written at foot of third page Accompanied by typescript poem “Down in a coal mine” by J.B. Georghegan 3 pages of music; one page typescript poem Provenance: Jerry Wnuck |
Box 19
| folder 1 | After Love. Music by Alec Wilder; lyric by Norman Gimbel. MS repro, black ink 2 pages of music. Vocal line with piano accompaniment. Copy right 1955 Meridian Music. 35 W. 51st Street (New York City). Provenance: from the legacy of the late Mel Larned |
| folder 2 | Best of Friends. Music by Alec Wilder; lyric by Norman Gimbel. MS repro, black ink; 2 pages of music. Vocal line with piano accompaniment. Copyright 1955 Meridian Music, 35 W 51st Street, New York City. Provenance: from the legacy of the late Mel Larned. |
| folder 3 | Love Among the Young. Music by Alec Wilder; lyric by Norman Gimbel. MS repro, black ink; 4 pages of music. Vocal line with piano accompaniment. Copyright 1954 Meridian Music, 35 West 51st Street, New York City. Provenance: from the legacy of the late Mel Larned. |
| folder 4 | “The New Outfit.” Music by Alec Wilder. Published in: Tenggren’s Cowboys and Indians, stories by Kathryn and Byron Jackson with pictures by Gustaf Tenngren (New York: Simon and Schuster, 1948). “The New Outfit” is on pages 82-83. Provenance: gift of Marjorie Searl – 9/5/2021. |
Box 1
| folder 5 | Children’s plea for peace — [without date] For chorus and piano Reproduction. Two copies of score (each 16 pages of music) Libretto by Children of Avon Both scores contain performance markings in pencil On cover of one score: “From one old child to another To Lou From Alec” Provenance: Louis Ouzer |
| folder 6 | It’s so easy to say — [without date] For chorus and piano Draft MS in pencil; 9 pages Provenance: Margun Music |
Box 2
| folder 15 | Story of a good man — [without date] Reproduction (photocopy) Solo vocal parts and score (5 and 10 pages of music respectively) Provenance: Margun Music |
| folder 17 | Mountain boy. — [4 Oct 80] Reproduction; 42 pages of music Contains photocopies of pages 23-24 and 37-41 Libretto by Loonis McGloHon [sic] Provenance: Louis Ouzer |
| folder 18 | Mountain boy — [without date] Draft MS In ink and pencil, some corrections and notes in ink or colored pencil; 38 pages Libretto by Loonis McGlohon Provenance: Margun Music |
| folder 20 | Children’s piece — [without date] Written in foot, “For tenor, boys’ choir, flute, oboe, clar, bass clar, bssn, + 4 celli” Draft MS In pencil; 16 pages of music |
Box 17
| folder 3 | Children’s plea for peace — [without date] Reproduction 16 pages of music |
Box 18
| folder 17 | Children’s plea for peace— [without date] Reproduction; vocal solos 2 copies; 14 pages of music each |
Box 2
| folder 12 | The truth about windmills — [without date] Sketches contained in two MS books In pencil; 94 pages of music total Book 1 (54 pages of music), Book 2 (40 pages of music) Provenance: Louis Ouzer |
| folder 13 | [The] truth about windmills — [without date] Draft MS; 146 pages of music Libretto by Arnold Sundgaard Contains abundant performance markings in various colored pencils and highlighter At head of first page “Music dedicated to Arnold Sundgaard” In caption, “(Opera in one act)” Provenance: Louis Ouzer |
| folder 14 | Touch and see — [without date] Ballet sketches & reproduction Sketch in pencil; 18 pages each Provenance: Margun Music |
| folder 19 | Alice in Wonderland — [without date] For woodwind quintet and percussion Reproduction 6 parts; flute (23 pages of music), oboe (18 pages of music), clarinet (23 pages), bassoon (21 pages of music), horn (23 pages of music), and percussion (18 pages of music) Contains title page with tempo markings for each chapter: Prologue Prologue to chapter II Mock turtle’s story [horn solo] Prologue to chapter III Prologue to chapter IV Fourth Chapter Prologue to chapter V: A romantic caterpillar (Larva for Sale) Sixth Chapter 6-A Duchess Lullaby Chapter VII Chapter VIII Prologue to chapter 9 [only in horn part] Chapter X 10-A Lobster Quadrille 10-B Beautiful soup Chapter 11 Chapter 12 Father William [no perc part] [Possibly parts from both Alice in Wonderland Suite and Alice in Wonderland] Provenance: Margun Music |
Box 7
| folder 21 | Overture to twelfth night — [without date] For woodwind quintet Draft MS score and 5 parts Parts in ink; 15 pages of music Score in pencil; 10 pages of music Provenance: Gift of Margun Music |
Box 8
| folder 1 | Miss chicken little — [without date] Chicken Little – coloratura soprano Cocky Locky – lyric tenor Goosey Loosey – soprano Ducky lucky – mezzo soprano Turkey Lurkey (professor) – baritone The fox – high baritone A,B,C,D,E – soloists in chorus A, B, E – soprano C, D alto Chorus: sopranos – altos- tenors – baritones – basses 1 fl, 1 ob, 1 cl, 1 bsn, 2 hn, 1 tpt, 1 perc, 1 pno, 6 vln, 3 vla, 3vc, 1 bass Draft MS In pencil; 80 pages of music Contains abundant performance markings. Libretto by William Engvick Provenance: Judy Bell, TRO |
Box 10
| folder 11 | Life goes on — [without date] Fair copy, 26 parts 114 pages of music One copy of each part with the exception of: 2 copies of part for drums; 4 copies of violin A; 3 copies of violin B; 3 copies of violin C; 4 copies of viola; 4 copies of cello; 2 copies of bass parts Markings in all parts with blue and red pencil Provenance: Margun Music |
Box 15
| folder 1 | [No. 1] False dawn (Three ballets in search of a dancer) — [without date] See oversize Box 2/1 |
| folder 2 | [No. 2] Life goes on (Three ballets in search of a dancer).— [without date] See oversize Box 2/2 |
| folder 3 | [No. 3] The green couch (Three ballets in search of a dancer) — [without date] See oversize Box 2/3 |
Box 18
| folder 18 | The truth about windmills Reproduction Performance markings in pencil; 101 pages |
| folder 19 | The truth about windmills Reproduction Performance markings in pencil; 98 pages Provenance: Madge Briggs, widow of Wm. F Briggs MM ‘58 |
| folder 20 | The Scarlet Sail [from] The Lowland Sea See oversize 5/1 |
Box 2
| folder 16 | Grocer and the dragon — [without date] Sketches In pencil; 13 pages Provenance: Margun Music |
Box 4
| folder 16 | Fall of the house of usher — [without date] Sketches In pencil; 24 pages of music |
Box 8
| folder 4 | Just in case – cue I — [without date] For flute, oboe, clarinet, horn, bassoon, trumpet, trombone, guitar and bass Draft MS In pencil; 3 pages of music Corrections in red ink Provenance: Margun Music |
| folder 5 | Just in case – cue II — [without date] For flute, oboe, clarinet, horn, bassoon, trumpet, trombone, guitar and bass Draft MS In pencil; 4 pages of music Provenance: Margun Music |
Box 12
| folder 1 |
Albert Schweitzer, Reel I — [without date]
Reproduction; 8 pages of music; missing Title Idea and Chorale in G |
| folder 2 |
Albert Schweitzer, Reel II — [without date]
Reproduction; 4 pages of music |
| folder 3 |
Albert Schweitzer, Reel III (Reel I German version) — [without date]
Reproduction; 13 pages of music; some pages unidentified and parts incomplete |
| folder 4 |
Albert Schweitzer, Reel IV (Reel II German version) — [without date]
Reproduction; 9 pages of music |
| folder 5 |
Albert Schweitzer, Reel V (Reel III German version) — [without date]
Reproduction; 8 pages of music |
| folder 6 |
Albert Schweitzer, Reel VI — [without date]
Reproduction; 10 pages of music; 4 copies of Preface to arrival |
| folder 7 |
Albert Schweitzer, Reel VII — [without date]
Reproduction; 6 pages of music |
| folder 8 |
Albert Schweitzer, Reel VIII — [without date]
Reproduction; 1 page of music |
| folder 9 |
Albert Schweitzer, Reel IX — [without date]
Reproduction; 9 pages of music |
| folder 10 |
Albert Schweitzer, Reel X — [without date]
Reproduction. 8 pages of music |
| folder 11 |
Albert Schweitzer, Reel XI — [without date]
Reproduction; 13 pages of music |
| folder 12 | Garden (sunken, of course) [from] Albert Schweitzer — [without date] Reproduction; 1 page of music. |
| folder 13 | New patient [from] Albert Schweitzer — [without date] Reproduction; 4 pages of music |
| folder 14 | Cadences for commentary [from] Albert Schweitzer — [without date] Reproduction; 1 page of music |
| folder 15 | Decision II [from] Albert Schweitzer — [without date] Reproduction; 2 pages of music |
| folder 16 | Beastly elevenses [from] Albert Schweitzer — [without date] Reproduction; 6 pages of music |
| folder 17 | Storm [from] Albert Schweitzer — [without date] Reproduction; 5 pages of music Contains performance markings |
| folder 18 | Storm Revisited [from] Albert Schweitzer — [without date] Reproduction; 4 copies – 24 pages of music 3 copies contain performance markings |
| folder 19 | Letter Writing II (in G) [from] Albert Schweitzer — [without date] Reproduction; 2 pages of music Contains performance markings |
| folder 20 | [Albert Schweitzer – notes] — [without date] Reproduction Handwritten notes on performance order and measure numbers in various reels In pencil, ink and colored pencil; 13 pages of notes |
| folder 21 | [Albert Schweitzer sketches] — [without date] Reproduction Includes titles, Preface to arrival Storm revisited Last letter writing Family portrait In pencil, corrections in red pencil; 7 pages of music |
| folder 22 | Albert Schweitzer, Reel I & II — [without date] See oversize Box 1/1 |
| folder 23 | Albert Schweitzer, Reel III & IV — [without date] See oversize Box 1/2 |
| folder 24 | Albert Schweitzer, Reel V & VI — [without date] See oversize Box 1/3 |
| folder 25 | Albert Schweitzer, Reel VII & VIII — [without date] See oversize Box 1/4 |
| folder 26 | Albert Schweitzer, Reel IX – XI — [without date] See oversize Box 1/5 |
Box 13
| folder 1 | Albert Schweitzer, oboe part — [without date] Reproduction; 40 pages of music Contains performance markings in pencil |
| folder 2 | Albert Schweitzer, clarinet l part — [without date] Reproduction; 43 pages of music Contains performance markings in pencil |
| folder 3 | Albert Schweitzer, clarinet II/bass clarinet part — [without date] Reproduction; 42 pages of music Contains performance markings in pencil |
| folder 4 | Albert Schweitzer, bassoon part — [without date] Reproduction; 41 pages of music Contains performance markings in pencil |
| folder 5 | Albert Schweitzer, horn I & II part — [without date] Reproduction; 41 pages of music Contains performance markings in pencil |
| folder 6 | Albert Schweitzer, horn I & II part — [without date] Reproduction; 41 pages of music Contains performance markings in pencil |
| folder 7 | Albert Schweitzer, horn III & IV part — [without date] Reproduction; 41 pages of music Contains performance markings in pencil |
| folder 8 | Albert Schweitzer, horn III & IV part — [without date] Reproduction; 41 pages of music Contains performance markings in pencil |
| folder 9 | Albert Schweitzer, violin A part — [without date] Reproduction; 48 pages of music Note: Contains joint violin A & B part until Reel XI in which A and B parts are separate Contains performance markings in pencil |
| folder 10 | Albert Schweitzer, violin A part — [without date] Reproduction; 48 pages of music Note: Contains joint violin A & B part until Reel XI in which A and B parts are separate Contains performance markings in pencil |
| folder 11 | Albert Schweitzer, violin A part — [without date] Reproduction; 48 pages of music Note: Contains joint violin A & B part until Reel XI in which A and B parts are separate Contains performance markings in pencil |
| folder 12 | Albert Schweitzer, violin A part — [without date] Reproduction; 48 pages of music Note: Contains joint violin A & B part until Reel XI in which A and B parts are separate Contains performance markings in pencil |
| folder 13 | Albert Schweitzer, violin B part — [without date] Reproduction; 48 pages of music Note: Contains joint violin A & B part until Reel XI in which A and B parts are separate Contains performance markings in pencil |
Box 14
| folder 1 | Albert Schweitzer, violin B part — [without date] Reproduction; 48 pages of music Note: Contains joint violin A & B part until Reel XI in which A and B parts are separate Contains performance markings in pencil |
| folder 2 | Albert Schweitzer, violin A & B parts — [without date] Reproduction; 51 pages of music Note: Contains joint violin A & B part until Reel XI in which A and B parts are separate Contains both violin A & B parts for Reel XI |
| folder 3 | Albert Schweitzer, violin A & B parts — [without date] Reproduction; 51 pages of music Note: Contains joint violin A & B part until Reel XI in which A and B parts are separate Contains both violin A & B parts for Reel XI |
| folder 4 | Albert Schweitzer, viola part — [without date] Reproduction; 42 pages of music Contains performance markings in pencil |
| folder 5 | Albert Schweitzer, viola part — [without date] Reproduction; 42 pages of music Contains performance markings in pencil |
| folder 6 | Albert Schweitzer, percussion part — [without date] Reproduction; 42 pages of music Extra copy of part from Reel XI Contains performance markings in pencil |
| folder 7 | Albert Schweitzer, percussion part — [without date] Reproduction; 39 pages of music Contains performance markings in pencil |
| folder 8 | Albert Schweitzer, bass part — [without date] Reproduction; 37 pages of music Contains performance markings in pencil |
| folder 9 | Albert Schweitzer, cello part — [without date] Reproduction; 44 pages of music Contains performance markings in pencil |
| folder 10 | Albert Schweitzer, cello part. — [without date]. Reproduction; 44 pages of music. Contains performance markings in pencil. |
| folder 11 | Albert Schweitzer, bass part — [without date] Reproduction; 37 pages of music Contains performance markings in pencil |
Box 1
| folder 7 | Broom commercial — [undated] Ozalid master; 4 pages of music Lyrics by William Engvick Accompanied by incomplete photocopy (2 pages of music) and 5 Ozalid strips used in master copy |
| folder 8 | Greyhound jingle — [undated] Fair copy In ink on Ozalid paper. Score (2 pages of music) |
| folder 9 | Halo waltz — [undated] For woodwind quintet Fair copy In ink on Ozalid paper; 5 parts (each 2 pages of music) |
| folder 10 | Jingle – spring cigarettes — [undated] Fair copy In ink on Ozalid paper; Score (2 pages of music) |
| folder 11 | Tip top bread — [2/29/60] Reproduction; for voice and clarinet quintet In pencil; score (6 pages of music) and sketch (2 pages of music) In ink; 6 copies of vocal solo part (2 pages of music each), one copy of each instrumental part (2 pages of music each) Instrumental parts contain performance markings |
Box 4
| folder 3 | [Unidentified] — [undated] Sketch; for large ensemble In pencil; one page of music |
| folder 4 | [Sketchbook] — [undated] In pencil; 3 pages of music Includes short sketches titled: Fl & Marimba Hrn & piano |
| folder 5 | [Unidentified sketches] — [undated] MS lead sheets In pencil; 4 pages of music |
| folder 6 | Xmas cookies — [undated] Sketches In pencil; 3 pages of music Provenance: Glenn Bowen |
| folder 7 | Separate tables — [undated] Sketch lead sheets In pencil; one page of music Includes one photocopy |
| folder 8 | Ahright ahready — [undated] Sketch for clarinet In ink; one page of music |
| folder 14 | Three attitudes — [undated] Sketches in MS notebook In pencil; 5 pages of music, 1 page of notes At head of page, “(For Mitch Miller)” In caption, “Joy after misery” Corrections and edits in red marker Provenance: Louis Ouzer |
| folder 15 | Blue. — [undated] Sketch; for orchestra In pencil; 4 pages of music Provenance: Margun Music |
Box 6
| folder 11 | Chorale fantasy, Jesu meine freude — [without date] Sketch In pencil and ink; 1 page of music Provenance: Gift of David Koppy – 10/2/92 |
| folder 12 | Chorale fantasy, Jesu meine freude — [without date] Sketch In pencil; 3 pages of music Provenance: Gift of David Koppy – 10/2/92 |
| folder 25 | “Horn & bassoon” — [without date] Sketch In pencil; 4 pages of music |
Box 7
| folder 5 | Suite for alto and bass flutes — [without date] Sketches In pencil; 4 pages of music Performance markings in red ink Provenance: Margun Music |
Box 8
| folder 6 | Oboe jungle — [without date] Sketch In pencil; 2 pages of music On reverse side of Oboe jungle: Duet yourselves — [without date] Sketch In pencil; 2 pages of music Provenance: Margun Music |
| folder 12 | Woodwind suite no. 2 — [without date] Sketches contained within MS notebook In pencil; 31 pages of music Also contains sketches titled, Follow the lieder In pencil; 2 pages of music Good night ladies In pencil; 1 page of music Provenance: Margun Music |
| folder 19 | Peaceful — [without date] Sketch, lead sheet In pencil; one page of music |
Box 9
| folder 5 | [Octet] No. XV ([The] children met [the] train) — [without date] Sketch In pencil; 9 pages of music Provenance: Margun Music |
| folder 6 | [Octet] No. 8 (Suburban Weekend) (Jack, this is my husband) — [without date] Sketch In pencil; 9 pages of music |
| folder 8 | [Octet] No. 10 [(Dance man buys a farm)] — [without date] For flute/clar 2, oboe/English horn, clar 1, bass clar, bassoon, harp, drums, bass Sketch In pencil; 6 pages of music Provenance: Margun Music |
| folder 10 | [Octet] No. 14 (It’s silk, feel it) — [without date] For flute/clar 2/picc or penny whistle, oboe/English horn, clar 1, bass clar, bassoon, harp, drums, bass Sketch In pencil; 8 pages of music Provenance: Margun Music |
| folder 11 | [Octet No.] XXIII (Bull fiddle [in a china shop]) — [without date] For flute/clar 2, oboe/English horn, clar1, bass clar, bassoon, harp, drums, bass Sketch In pencil; 9 pages of music Corrections in red pencil Provenance: Margun Music |
| folder 14 | [Octet No.] XXIV (Kindergarten [flower pageant]) — [without date] For flute/clar2, oboe/English horn, clar1, bass clar, bassoon, harp, drums, bass Sketch In pencil; 8 pages of music Provenance: Margun Music |
| folder 15 | [Octet No.] XXV [(Little white samba)] — [without date] Sketch In pencil; 12 pages of music Provenance: Margun Music |
| folder 19 | Elegy for the whale — [without date] Sketch reproduction 2 copies; 4 pages of music each Provenance: Margun Music |
| folder 22 | Flute concerto — [without date] Sketches within MS notebook In pencil; 33 pages of music |
Box 10
| folder 1 | Woodwind trio — [without date] For flute, clarinet and bassoon Sketches in MS notebook “For Virginia” at heading Also includes sketches titled, Loneliness after love (brass quintet) Attitudes Air for trumpet Warm feeling Guitar and strings In pencil; 31 pages of music Corrections in red ink Provenance: Louis Ouzer |
| folder 9 | Entertainment no. 1 — [without date] Sketches in MS notebook In pencil; 24 pages of music “Fennel” written in the heading of each movement Corrections in red Provenance: Margun Music |
| folder 10 | Chapter 12 [from Alice in Wonderland] — [without date] Sketch repro; 1 page of music In ink at heading, “Possible sketches for Enter. No 1 or Alice in Wonderland. TRO has original. R.L. 5/2/88” Sketch repro; 1 page of music |
| folder 12 | Ladies love to be looked at — [without date] Sketch In pencil; 2 pages of music, 2 pages of prose Provenance: Arlene Bouras |
| folder 13 | [Sketchbook no. 1] — [without date] Contains sketches titled, WW Quin #14 Beginning Verse to be a child Woodwind Quintet #14 “For Art Dedrick” in heading Hrn + Tuba [Duets for French horn and tuba] [For horn and tuba parts see series 4, box 16, folder 12] Flute In pencil; 26 pages of music Provenance: Margun Music |
| folder 14 | [Sketchbook No. 2] — [without date] Contains sketches titled, WW Quintet #14 “For Art Dedrick” in heading Suite for low register flute (1 page of music) Waltz for dainty feet Viola concerto WW Quintet #13 with marimba Suite for woodwind quintet In caption, “Air” In pencil; 55 pages of music |
| folder 15 | [Sketchbook No. 3] — [without date] Contains sketches titled, Not too hard horn solos Concerto for tuba “For Michael Lind” in heading Warmer Place [possibly from South – to a warmer place] “Vln” In pencil; 11 pages of music Provenance: Margun Music |
| folder 16 | [Sketchbook No. 4] — [without date] Contains sketches titled, Violin interlude Interlude #2 See the world through every eye Page titled, Concerto for tuba and string orch with “for Michael Lind” written in the heading – no music on page In pencil; 3 pages of music |
| folder 17 | Let’s sing to the memory of our loving friend — [without date] Sketch lead sheet In ink; 1 page of music Contains lyrics in pencil Includes 2 photocopies of lead sheet, 1 photocopy of writing on back |
| folder 19 | Brass quintet — [without date] Sketch In pencil; 2 pages of music “For Marian” written on one side |
| folder 20 | The Marian kind — [without date] Sketch lead sheet In pencil; 2 pages of music Provenance: Marian McPartland |
| folder 23 | Concerto for tuba — [without date] Sketch [fragment] In pencil; 1 page of music |
Box 11
| folder 1 | Octet [no.] XVIII (Her old man was suspicious) — [without date] Sketches In pencil; 8 pages of music Provenance: Margun Music |
| folder 2 | [Brass quintet no. 1] — [without date] Sketches In pencil; 18 pages of music Provenance: Margun Music |
| folder 6 | Movement for a string quartet no. 3 — [without date] Sketch In pencil; 4 pages of music Provenance: Margun Music |
| folder 24 | Octet [no.] IV (Neurotic goldfish) — [without date] Sketch In pencil; 6 pages of music Includes 1 typed page with comments about piece from Margun Music Provenance: Margun Music |
| folder 25 | [Octet] No. 7 ([Such a] tender night) — [without date] Sketch In pencil; 6 pages of music |
| folder 28 | [Octet no.] XII (Sea fugue mama) — [without date] Sketch In pencil; 16 pages of music Provenance: Margun Music |
| folder 31 | [Octet no. XXII [(Seldom the sun) — [without date] Sketch In pencil; 5 pages of music Provenance: Margun Music |
| folder 32 | Octet [no.] XVII — [without date] Sketch In pencil; 7 pages of music |
| folder 35 | [Octet] No. 9 (Walking home in spring) — [without date] Additional title in heading, “(It was her first cruise)” Sketch Also includes sketch titled, Jack, this is my husband In pencil; 9 pages of music Provenance: Margun Music |
Box 16
| folder 8 | Three [Four] sentiments — [without date] Sketches
In pencil; 14 pages of music |
| folder 15 | [Sketchbook – Brass Quintets] — [without date] Sketches Br. Quintet #7 Sometimes I lie Flt + vlns Br Quint #8 In pencil; 38 pages of music |
| folder 34 | [Unidentified] — [without date] MS repro; 1 page of music “for Charlotte Allen” in caption |
Box 17
| folder 4 | Quintet (I hope) [quintet sketches] — [without date] Sketches In pencil; 4 pages of music |
| folder 5 | For Julie — [without date] Sketch In pencil; 4 pages of music |
| folder 6 | What does a woman do? — [without date] Sketch In pencil; 2 pages of music On reverse: Zex — [without date] Sketch In pencil; 2 pages of music |
| folder 7 | [Sketches for trumpet] — [without date] Sketches In pencil; 7 pages of music Unidentified clarinet part on back of one page |
| folder 8 | Lightly — [without date] Sketch In pencil; 2 pages of music |
| folder 9 | D’Jan֑um’s Song No. 1 and No. 2 — [without date] MS sketch In ink; 2 half pages of music |
| folder 10 | Red Sky — [without date] MS sketch In pencil; 1 page of music |
| folder 11 | Minute spot #3; Minute spot #4 — [without date] Sketch In pencil; 2 pages of music |
| folder 13 | Scherzo for 3rd horn sonata — [without date] Sketch In pencil; 2 pages of music |
| folder 14 | 2nd horn sonata — [without date] Sketches In pencil and ink; 16 pages of music |
| folder 16 | French horn sonata — [without date] Sketch In pencil; 14 pages of music |
| folder 17 | Soliloquy — [without date] Music by R. Bloom, arr. Alec Wilder AW’s first arrangement – unfinished In pencil; 2 pages of music |
| folder 18 | Seven lively arts — [without date] For 1 fl, 2 ob, 1 cl, 1 bass cl, 1 bsn, trp, 4 hrns, guitar, bass, and drums Sketches Draft in pencil; 4 pages of music Draft in ink; 4 pages of music |
| folder 20 | [Instrumental sketches] — [without date] Sketches In pencil; 21 pages of music |
| folder 21 | [Untitled – became part of horn sonata] — [without date] Sketch In pencil; 5 pages of music |
| folder 24 | [Unidentified sketch – orchestra with chorus] — [without date] Sketch In pencil; 8 pages of music |
| folder 25 | [Instrumental ideas] — [without date] Sketches In pencil; 15 pages of music |
| folder 26 | [Misc. sketches] — [without date] Sketches Lead up to K’s table pounding Brass Suite Piano piece Aloha Bassoon No 2 Aloha 3 Love song + opening Bassoon no. 2 Pinochio [sic] Bassoon piece For three oboes In pencil; 20 pages of music |
| folder 27 | Rock me, mother — [without date] Sketch In pencil; 2 pages of music |
| folder 28 | What is time? — [without date] Sketch In pencil; 2 pages of music |
| folder 29 | Mundel idea — [without date] Sketch In pencil; 4 pages of music |
| folder 30 | [Instrumental sketches] — [without date] Sketches, includes some lead sheets Cello, viola, oboe, flute [the rest untitled] In pencil; 8 pages of music |
| folder 31 | [Unidentified sketches] — [without date] Sketches Usprey (heard along a branch five track) Horn Verse to “after love” Best of friends Mit yamel kah Bassoon sonata Penguins Christmas song Yvonne Yours not to reason why Brass – tuba Duchesses Lullaby Twinkle – theme for variations In pencil; 49 pages of music |
| folder 32 | [Unidentified sketches] — [without date] Sketches In pencil; 28 pages of music |
| folder 32 | [Unidentified sketches] — [without date] Sketches Sansone idyll Horseshoes Passacaglia Strings Orch piece Moment Momentous Easy to say (verse) In pencil; 35 pages of music |
| folder 33 | [Misc. song sketches] — [without date] Sketches, lead sheets Summer rain Virginny Old Black Joe Piano piece A little louie song Mother’s lil children Crawdads It’s fun when you’re me Lyrics by Sarah Churchill Good night, sweet heart An axe an apple Boy at a window Timber Johnny Appleseed Were you lost 2nd birdsong Waltz II In pencil; 21 pages of music |
| folder 43 | Flute piece #1 — [without date] Sketch. In pencil; 2 pages of music |
Box 1
| folder 28 | Entertainment No. 6 for orchestra Newton Centre: Margun Music, Inc., 1979 “To Howard Scott” in heading “Commissioned by the New York State Arts Council” in caption |
| folder 36 | Entertainment No. 6 for orchestra. [copy 2] Newton Centre: Margun Music, Inc., 1979 “To Howard Scott” in heading “Commissioned by the New York State Arts Council” in caption |
Box 2
| folder 1 | Suite for solo guitar Transcribed for marimba by Gordon Stout Wilder Music, Inc. 1968 Assigned 1976 to Margun Music Inc. 1980 Studio 4 Productions |
| folder 2 | Air for oboe and strings – copyright 1952 Parts and score New York, NY: The Richmond Organization, |
Box 1
| folder 8 | Sonata for euphonium and piano Newton Centre: Margun Music, Inc., 1982 Edited by Gunther Schuller |
| folder 35 | Five love songs for horn and chamber orchestra Virginia Beach: A Moll Dur Publishing House, 1980 “for Morris Secon” in heading 2 copies of the piano reduction and horn part. |
Box 1
| folder 3 | Such a tender night – Alec Wilder octette for woodwinds and rhythm. [Octet No. 7] New York: Regent Music Corp, 1944 Edited by Walter Mourant Columbia record no. 36315 Provenance: Margun Music |
| folder 7 | Octet no. XXV Little white samba Newton Centre: Margun Music, Inc., 1981 |
| folder 23 | Suite for alto and bass flutes W147 Wilder Music Inc., 1970 |
| folder 24 | Suite for string bass and guitar [in “D”] W 134 Newton Centre: Margun Music, Inc., 1981 |
| folder 25 | Suite for four bassoons. Newton Centre: Margun Music, Inc., 1982 Edited by Gunther Schuller |
| folder 26 | [Woodwind] Quintet No. 4. [Aloha suite] Newton Centre: Margun Music, Inc., 1980 |
| folder 30 | Woodwind Quintet No. 13 Delevan, New York: Kendor Music, Inc., 1978 “for Art Dedrick” in caption |
| folder 31 | 22 duets for horns Newton Centre: Margun Music, Inc., 1968 |
| folder 34 | Brass Quintet No. 1 Newton Centre: Margun Music, Inc., 1980 Parts and score |
Box 2
| folder 3 | Alice and Wonderland Suite For flute, oboe, clarinet, bassoon, horn and percussion Parts and score New York: TRO Ludlow Music, Inc., 1958 Provenance: Judy Bell, The Richmond Organization |
| folder 4 | House detective registers (Octette No. VI) For flute/clarinet, oboe/English horn, clarinet, bass clarinet, bassoon, harpsichord, drums and bass Parts and score New York: TRO Ludlow Music, Inc., 1948 Provenance: Judy Bell, The Richmond Organization |
| folder 5 | Please do not disturb (Octette No. XIII) For clarinet, clarinet 2/flute, English horn/oboe, bass clarinet/flute, bassoon, harpsichord, drums and bass Parts and score New York: TRO Ludlow Music, Inc., 1942 Provenance: Judy Bell, The Richmond Organization |
| folder 6 | Remember me to youth (Octette No. XXVI) For flute/clarinet, oboe/English horn, clarinet, bass clarinet, bassoon, harpsichord, drums and bass Parts and score New York: TRO Ludlow Music, Inc., 1947 Provenance: Judy Bell, The Richmond Organization |
Box 1
| folder 1 | Seldom the sun. New York: Regent Music Corp, 1942 Columbia record no. 35648 |
| folder 2 | Such a tender night. New York: Regent Music Corp, 1942 Columbia record no 36315 |
| folder 4 | She’ll be seven in May. New York: Regent Music Corp, 1942 |
| folder 5 | Dance man buys a farm. New York: Regent Music Corp, 1948 Columbia record no. 36189 |
| folder 6 | The children met the train. New York: Regent Music Corp, 1948 Columbia record no. 35648 |
| folder 10 | Jazz waltz for a friend Ambrose Music, 1974 |
| folder 27 | Her old man was suspicious New York: Regent Music Corp, 1948 Reproduction Provenance: Margun Music, Inc. Original plus two reproductions |
Box 2
| folder 7 | David Diamond solo piano books David Diamond album for the young Bryn Mawr, PA: Elkan-Vogel, Inc., 1947 Then and now – 11 pieces for very young pianists “like Louis Ouzer, from his old friend David Diamond 20 August, 1990 – Rochester, NY” written on cover New York: Southern Music Publishing Co. Inc., 1966 Alone at the piano, book one New York: Southern Music Publishing Co. Inc., 1968 Alone at the piano, book two New York: Southern Music Publishing Co. Inc., 1968 Alone at the piano, book three New York: Southern Music Publishing Co. Inc., 1968 |
Box 1
| folder 9 | Love among the young New York: Meridian Music Corp., 1954 Lyric by Norman Gimbel |
| folder 11 | I’m headin’ west (for a rest) New York: Cromwell Music, Inc., 1950 Words by Marshall Barer Introduced and featured by Dick Jurgens on Columbia Records |
| folder 12 | I got big eyes for you New York: Essex Music, Inc., 1952 Introduced and recorded by Tommy Dorsey on Decca Records |
| folder 13 | Goodbye, John New York: Robert Music Corp., 1949 Lyric by Edward Eager |
| folder 14 | Give me time New York: Regent Music Corp., 1941 Featured and recorded by Jeri Southern |
| folder 15 | Everywhere I look New York: Regent Music Corp., 1943 Words by Bill Engvick |
| folder 16 | Songs were made to sing New York: TRO Ludlow Music, Inc. Provenance: Judy Bell, TRO |
| folder 17 | Songs by Alec Wilder New York: TRO Hollis Music, Inc. Provenance: Judy Bell, TRO |
| folder 18 | Western Star New York: Hampshire House Publishing Corp & TRO Ludlow Music, Inc. Words by Arnold Sundgaard |
| folder 19 | Sleep, my heart New York: Regent Music Corp, 1941. By AW and Bill Engvick |
| folder 20 | It’s so peaceful in the country New York: Regent Music Corp., 1941 “Especially when you are there – Little Aley” written in caption Three photocopies One original copy; missing pages 3 and 4 |
| folder 22 | Moon and sand New York: Regent Music Corp., 1941 Music by AW and Morty Palitz Lyric by Bill Engvick “and Ellen would make a perfect picture” written in caption “Me” written beside AW’s printed name on title page 8 photocopies |
| folder 29 | Where do you go? New York: Barton Music Corp, 1959 Lyric by Arnold Sundgaard |
| folder 32 | Soft as spring New York: Regent Music, Corp., 1941 8 “professional use only” photocopies and one original |
| folder 33 | Listen to your heart New York: Devon Music, Inc., 1957 Words by Bill Engvick “(from the Talent Associates TV production, ‘Pinocchio’)” in caption |
Box 2
| folder 8 | J.P. Dooley III By AW, Bill Engvick and Morty Palitz New York: Regent Music Corp., 1942 |
| folder 9 | Tomorrow Music by Eddie Sauter, lyric by AW New York: Harman Music, Inc., 1943 |
| folder 10 | Remember, my child (Vespa waltz) From the film, “Open the door and see all the people” Lyric by Bill Engvick New York: Hollis Music, Inc. |
| folder 11 | Did you ever cross over to Sneden’s? New York: Edwin H. Morris & Company, Inc., 1947 5 photocopies |
| folder 12 | Who can I turn to? New York: Regent Music Corp., 1941 8 photocopies |
| folder 13 | I’ll be around New York: Vogue Music Corp., 1942 |
| folder 14 | Songs by Alec Wilder [copy 2 and 3] New York: TRO Hollis Music, Inc. Photographs by Louis Ouzer Provenance: Judy Bell, TRO |
| folder 15 | Songs were made to sing [copy 2 and 3] New York: TRO Ludlow Music, Inc. Provenance: Judy Bell, TRO |
| folder 16 | Songs were made to sing, second edition New York: TRO Ludlow Music, Inc. Photographs by Louis Ouzer Provenance: Judy Bell, TRO |
| folder 17 | The Alec Wilder song collection, centennial edition New York: TRO Ludlow Music, Inc. In collaboration with William Engvick Photos by Louis Ouzer |
| folder 18 | Alec Wilder American popular song New York: TRO Ludlow Music, Inc. In collaboration with William Engvick Photos by Louis Ouzer |
Box 1
| folder 21 | Wyoming East Stroudsberg, Penna.: Shawnee Press, Inc., 1945 Lyric by Eddie Pola Arranged by Roy Ringwald Fred Waring Choral Arrangement Provenance: Glenn Bowen |
| folder 5 |
