Box 1
ABOVE AND BEYOND (Hugo Friedhofer) #1574
| folder 1 | Reel 1/Part 1; #1574-1. “Main Title.” Conductor’s score (4 staves); dated June 16, 1952. MS repro. 5 pp. 24.5 x 33 cm. |
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| folder 2 | Reel 1/Part 2; #1574-33. “Hiroshima Run, Part 2.” Conductor’s score (3–4 staves); dated October 1, 1952. MS repro. 5 pp. 24.5 x 33 cm. |
| folder 3 | Reel 2/Part 2 (overlaps Reel 2/Part 1); #1574-20. “B-29 Montage.” Conductor’s score (4 staves); dated June 9, 1952. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 4 | Reel 2/Part 4 (overlap from Reel 2/Part 3); 1574-25. “More B-29.” Conductor’s score (4 staves); dated June 10, 1952. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 5 | Reel 5/Part 1; 1574-15. “Labor Pains.” Conductor’s score (4 staves); dated June 3, 1952. MS repro. 5 pp. 24.5 x 33 cm. |
| folder 6 | Reel 6/Part 4 (overlap from Reel 6/Part 3); 1574-12. “During the Bawl.” Conductor’s score (3–6 staves); dated June 2, 1952. MS repro. 5 pp. 24.5 x 33 cm. |
| folder 7 | Reel 11/Part 2; 1574-30A. “Hiroshima Run – Part 1.” Conductor’s score (2–5 staves); dated June 17, 1952. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 8 | Reel 11/Part 2A (overlaps Part 1); 1574-30B. “Hiroshima Run – Part 2.” Conductor’s score (2–4 staves); dated June 19, 1952. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 9 | Reel 12/Part 1; 1574-31. “Journey’s End.” Conductor’s score (3–4 staves); dated June 19, 1952. MS repro. 7 pp. 25.5 x 33 cm. Reel 12/Part 2; 1574-32. “Armageddon.” Conductor’s score (4–5 staves); dated June 20, 1952. MS repro. 5 pp. 24.5 x 33 cm. 1/2 – “Hiroshima Run, Part 2.” repro conductor’s score |
ACE ELI AND ROGER OF THE SKIES (A. Courage – Jerry Goldsmith) #A-905
| folder 10 | Reel 1/Part 2A. “The New Wrinkle.” Sketch (reduced score; 4 staves). Pencil MS. 6 pp. 30 x 39 cm. Full score (34 staves). MS repro, with instrument names added or circled in red ink throughout score. 20 pp. 31 x 48cm. |
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| folder 11 | Reel 3/Part 1. “Off to Monument.” Sketch (reduced score; 4 staves). Pencil MS. 5 pp. 30 x 39 cm. Full score (34 staves). MS repro, with instrument names added or circled in red ink throughout score. 17 pp. 31 x 48.5 cm. |
| folder 12 | Reel 9/Part XX. “Boy Flier (Who’s for Complainin’?)” (Jim Grady and A. Courage; adapted by A. Courage). Full score (34 staves). MS repro, with instrument names added or circled in red pencil throughout score. 24 pp. 31 x 48 cm. |
| folder 13 | Reel 9/Part XX. “Boy Flier (Who’s for Complainin’?)” (Jim Grady and A. Courage; adapted by A. Courage). Sketches (reduced score; 4 staves). Pencil MS. 5 pp. 30.5 x 39.5 cm. |
THE ADVENTURES OF HUCKLEBERRY FINN (Jerome Moross) #1761
| folder 14 | Reel 2/Part 3; 1761-6. “Huck Gets Away.” Conductor’s score (4 staves); dated January 12, 1960. MS repro. 9 pp. 24.5 x 33 cm. |
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| folder 15 | Reel 8/Part 2; 1761-20. “The Raft is Destroyed.” Conductor’s score (3–4 staves); dated January 25, 1960. MS repro, with corrections to measure numbers in blue pencil. 8 pp. 24.5 x 33 cm. |
| folder 16 | Reel 12/Part 1; 1761-26. “The Chase.” Conductor’s score (3–4 staves); dated January 27, 1960. MS repro. 9 pp. 24.5 x 33 cm. |
| folder 17 | Reel 12/Part 2; 1761-27. “The New Raft.” Conductor’s score (3–4 staves); dated January 27, 1960. MS repro, with performance marking in red pencil on p. 2. 6 pp. 24.5 x 33 cm. |
THE AGONY AND THE ECSTASY (Alex North; orch. A. Courage) #A-858
| folder 18 | Reel 1/Part 3. “Marble.” Conductor’s score (4 staves); undated. Written above title: 15. MS repro. 3 pp. 25 x 33 cm. |
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| folder 19 | Reel 2/Part 1. “Vexilla Regis, Victimae Pascali” (composed by Franco Potenza, with additional music by Alex North). Conductor’s score (2 staves); undated. Written above title: 19. MS repro. 5 pp. 26 x 33 cm. |
| folder 20 | Reel 3/Part 1. “Twelve Apostles.” Conductor’s score (4 staves); undated. Written above title: 15. MS repro; revised p. 1 taped over original p. 1. 3 pp. 25 x 33 cm. |
| folder 21 | Reel 3/Part 2–Reel 4/Part 1. “Medici Party – Pt.1.” Conductor’s score (4 staves); undated. Written under title: 1. MS repro. 10 pp. 25 x 33 cm. |
| folder 22 | Reel 4/Part 1A. “Medici Party – Pt. 2.” Conductor’s score (4 staves); undated. Written above title: 2. MS repro. 7 pp. 25 x 33 cm. |
| folder 23 | Reel 4/Part 1B. “Medici Party – Pt. 3.” Conductor’s score (4 staves); undated. Written above title: 3. MS repro. 3 pp. 25 x 33 cm. |
| folder 24 | Reel 4/Part 3–Reel 5/Part 1. “Apostles Sketch.” Conductor’s score (4–5 staves); undated. Written above title: 11. MS repro. 6 pp. 25 x 33 cm. |
| folder 25 | Reel 5/Part 2. “The Tavern – Part 1.” Conductor’s score (3 staves); undated. Written above title: 5. MS repro. 11 pp. 25 x 33 cm. |
| folder 26 | Reel 5/Part 3. “The Tavern – Part 2.” Conductor’s score (3 staves); undated. Written above title: 6. MS repro. 5 pp. 25 x 33 cm. |
| folder 27 | Reel 5/Part 4. “Sketch Destroyed.” Conductor’s score (4–5 staves); undated. Written below title: 13. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 28 | Reel 6/Part 2. “Gypsy Camp.” Conductor’s score (4 staves); undated. Written above title: 4. MS repro. 4 pp. 25 x 33 cm. |
| folder 29 | Reel 6/Part 3. “The Brothel.” Conductor’s score (3 staves); undated. Written above title: 7. MS repro. 4 pp. 25 x 33 cm. |
| folder 30 | Reel 6/Part 3A. “Mountaineer’s Song.” Vocal part (tenor voice solo) (1 staff); undated. Written above title: 8. MS repro. 1 p. 25.5 x 33 cm. |
| folder 31 | Reel 6/Part 4–Reel 7/Part 1. “Refuge.” Conductor’s score (4–5 staves); undated. Written above title: 12. MS repro. 3 pp. 25 x 33 cm. |
| folder 32 | Reel 7/Part 4–Reel 8/Part 1. “The Sistine Chapel.” Conductor’s score (5–6 staves); undated. Written above title: 9. MS repro, with sparse markings in blue ink; revised p. 7 taped over original p. 7. 7 pp. 25 x 33 cm. |
| folder 33 | Reel 8/Part 4–Reel 9/Parts 1-2. “Painting.” Conductor’s score (3–6 staves); undated. Written above title: 10. MS repro. 5 pp. 25 x 33 cm. |
| folder 34 | Reel 9/Part 3. “St. Peters.” Conductor’s score (5 staves); undated. Written above title: 18. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 35 | Reel 10/Part 1. “Blind.” Conductor’s score (4–6 staves); undated. Written above title: 16. MS repro. 11 pp. 25 x 33 cm. |
| folder 36 | Reel 6/Part 4. “End Title and Cast.” Conductor’s score (4–5 staves); undated. Written above title: 17. MS repro. 3 pp. 25 x 33 cm. |
Box 2
THE AMERICANIZATION OF EMILY (Johnny Mandel) #1820
| folder 1 | Reel 6/Part 1A (overlap from Reel 6/Part 1); 1820-11. “Sussex, cont’d.” Sketch of reduced score (4 staves); undated. MS repro. 8 pp. 28 x 36 cm. |
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| folder 2 | Reel 11/Part 1; 1820-12. “Condolence Call.” Sketch of reduced score (4 staves); undated. MS repro. 6 pp. 28 x 35.5 cm. |
ANNIE GET YOUR GUN (Irving Berlin; arr. Adolph Deutsch) #1450
| folder 3 | 19505. “Doin’ What Comes Natur’lly.” Conductor’s score (4 staves); dated March 14, 1949. MS repro. 10 pp. 24.5 x 33 cm. |
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| folder 4 | 19516. “Let’s Go West Again.” Conductor’s score (5–6 staves); dated March 29, 1949. MS repro. 10 pp. 24.5 x 33 cm. |
| folder 5 | 19521. “You Can’t Get a Man With a Gun.” Conductor’s score (3–5 staves); dated March 18, 1949. MS repro. 14 pp. 24 x 33.5 cm. |
| folder 6 | 19538. “They Say That Falling in Love” (arr. Maurice de Packh). Conductor’s score (4–6 staves); dated March 21, 1949. MS repro. 9 pp. 24.5 x 33 cm. |
| folder 7 | 19585. “Show Business” (arr. Maurice de Packh). Conductor’s score (3–4 staves); dated March 28, 1949. MS repro. 13 pp. 24.5 x 33 cm. |
| folder 8 | 19586. “Show Business – Reprise.” Conductor’s score (3–4 staves); dated March 28, 1949. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 9 | Reel 9/Part 1-A; 20602. “European Montage.” Conductor’s score (4–5 staves); dated January 18, 1950. MS repro. 13 pp. 24.5 x 33 cm. |
BABES IN TOYLAND (Leslie Bricusse)
| folder 10 | Song 1. “The Happiest.” Song 1. Lead sheet (2–3 staves); copyright 1986. MS repro. 1 p. 24.5 x 33 cm. Song 1 (reprise). Lead sheet (2–3 staves); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm. Song 1 (final reprise). Lead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm. |
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| folder 11 | Song 2. “Cincinnati.” Lead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm |
| folder 12 | Song 3. “Toyland” (lyric by Leslie Bricusse and music by Victor Herbert). Lead sheet (3 staves); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 13 | Song 4. “Let’s Hear It.” Lead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 14 | Song 5. “I’ll Think of Something.” Lead sheet (1–2 staves); copyright 1986. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 15 | Song 6. “It’s the Feeling.” Lead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 16 | Song 7. “Monster Piece.” Lead sheet (2 staves); copyright 1968 [recte 1986]. MS repro. 5 pp. 24.5 x 33 cm. |
| folder 17 | Song 9. “Two Worlds.” Lead sheet (1 staff); copyright 1986. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 18 | Song 11. “Through the Eyes of a Child.” Lead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm. |
BAD DAY AT BLACK ROCK (André Previn) #1644
| folder 19 | Reel 1/Part 1; 1677-1. “Main Title.” Conductor’s score (3–4 staves); dated November 12, 1954. MS repro, with measure numbers and sparse performance markings in red pencil. 9 pp. 24.5 x 33 cm. |
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| folder 20 | Reel 4/Part 3; 1644-17. “Jeep Chase.” Conductor’s score (3–4 staves); dated November 12, 1954. MS repro. 4 pp. 24.5 x 33 cm. |
THE BAND WAGON (Arthur Schwartz; arr. A. Courage) #1610
| folder 21 | Reel 1/Part 1; 1610-1. “Main Title” (by Arthur Schwartz; arr. Conrad Salinger). Conductor’s score (3–4 staves); dated February 23, 1953. MS repro. 7 pp. 24.5 x 33 cm. |
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| folder 22 | Reel 1/Part 2; 1610-9. “Auction Bridge” (by A. Courage). Conductor’s score (4 staves); dated February 20, 1953. MS repro. 1 p. 24.5 x 33 cm. |
| folder 23 | Reel 1/Part 3; 1610-11. “House Bridge” (by A. Courage). Conductor’s score (4 staves); dated February 19, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 24 | Reel 1/Part 4; 1610-8. “Train Bridge” (by A. Courage). Conductor’s score (3–4 staves); dated February 19, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 25 | Reel 1/Part 5; 1610-10. “Ava” (by Arthur Schwartz and A. Courage). Conductor’s score (3 staves); dated February 19, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 26 | Reel 2/Part 1; 1610-15. “Forty Second Street” (music by Arthur Schwartz and Roger Edens; lyrics by Howard Dietz and Roger Edens; arr. A. Courage). Conductor’s score (3–4 staves); dated February 27, 1953. MS repro, with sparse markings on p. 1 in red pencil. 17 pp. 24.5 x 33 cm. |
| folder 27 | Reel 2/Part 2; 1610-38. “Penny Arcade” (by Arthur Schwartz; arr. Roger Edens and A. Courage). Conductor’s score (5–6 staves); dated March 10, 1953. MS repro. 8 pp. 24.5 x 33 cm. |
| folder 28 | Reel 2/Part 28; 1610-28. “Oedipus Bridge” (by A. Courage and Roger Edens). Conductor’s score (2–5 staves); dated March 3, 1953. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 29 | Reel 4/Part 1; 1610-7. “Jeff Falls” (by A. Courage). Conductor’s score (3 staves); dated February 20, 1953. MS repro. 1 p. 24.5 x 33 cm. |
| folder 30 | Reel 6/Part 3; 1610-19. “Auditions Montage” (by Arthur Schwartz, Roger Edens, and A. Courage). Conductor’s score (4–5 staves); dated February 28, 1953. MS repro. 10 pp. 24.5 x 33 cm. |
| folder 31 | Reel 7/Part 3; 1610-29. “Stage Door Alley.” Conductor’s score (4–5 staves); dated March 3, 1953. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 32 | Reel 8/Part 3; 1610-36. “New Haven Bridge.” Conductor’s score (5–6 staves); dated March 9, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 33 | Reel 8/Part 4; 1610-34. “Introduction to Confusion – Part A” (by Roger Edens and A. Courage). Conductor’s score (5 staves); dated March 9, 1953. MS repro. 1 p. 24.5 x 33 cm. |
| folder 34 | Reel 8/Part 5; 1610-20. “Off-Scene Noodles” (by Adolph Deutsch). Conductor’s score (4–6 staves); dated March 6, 1953. MS repro, with sparse measure number markings in red pencil. 4 pp. 24.5 x 33 cm. |
| folder 35 | Reel 9/Part 1; 1610-35. “Introduction to Confusion – Part B” (by Roger Edens, Adolph Deutsch, A. Courage). Conductor’s score (3–4 staves); dated March 9, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 36 | Reel 9/Part 4; 1610-13. “Opening Night” (by Conrad Salinger). Conductor’s score (2–5 staves); dated February 19, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 37 | Reel 9/Part 5; 1610-6. “The Egg” (by Conrad Salinger). Conductor’s score (3–6 staves); dated February 11, 1953. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 38 | Reel 10/Part 1; 1610-17. “Hotel Orchestra.” Conductor’s score (3–4 staves); dated February 25, 1953. MS repro. 3 pp. 24.5 x 33 cm. |
Box 3
| folder 1 | Reel 11/Part 1; 1610-30. “Bridge to ‘New Sun’” (by Arthur Schwartz, Adolph Deutsch, and A. Courage). Conductor’s score (4–5 staves); dated March 6, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
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| folder 2 | Reel 11/Part 2; 1610-26. “Bridge to Hayride.” Conductor’s score (3–4 staves); dated March 3, 1953. MS repro. 1 p. 24 x 33 cm. |
| folder 3 | Reel 11/Part 3; 1610-16. “Hayride Take-Away.” Conductor’s score (3–4 staves); dated February 26, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 4 | Reel 12/Part 1; 1610-18. “Letter to Paul Byrd.” Conductor’s score (4 staves); dated February 26, 1953. MS repro. 1 p. 24.5 x 33 cm. |
| folder 5 | Reel 12/Part 2A; 1610-27. “Fred’s Face Falls.” Conductor’s score (3–4 staves); dated March 3, 1953. MS repro, with sparse markings in red pencil. 1 p. 24.5 x 33 cm. |
| folder 6 | Reel 12/Part 3; 1610-33. “Bridge to New York” (by Arthur Schwartz, Adolph Deutsch, and A. Courage). Conductor’s score (4–5 staves); dated March 7, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 7 | Reel 12/Part 8; 1610-25. “Bridge to Triplets” (by Arthur Schwartz, Adolph Deutsch, and A. Courage). Conductor’s score (4–6 staves); dated March 7, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 8 | Reel 13/Part 1; 1610-14. “Girl Hunt – Part 1” (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger). Conductor’s score (3–6 staves); dated February 25, 1953. MS repro. 4 pp. 24 x 33 cm. |
| folder 9 | Reel 13/Part 2; 161-14A. “Girl Hunt – Part 2” (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger). Conductor’s score (3–5 staves); dated February 26, 1953. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 10 | Reel 13/Part 2A; 1610-37. “Program Montage.” (by Arthur Schwartz, Roger Edens, and Adolph Deutsch). Conductor’s score (3–4 staves); dated March 10, 1953. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 11 | Reel 13/Part 3; 1610-14B. “Girl Hunt – Part 3” (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger). Conductor’s score (3–4 staves); dated February 27, 1953. MS repro. 1 p. 24 x 33 cm. |
| folder 12 | Reel 13/Part 4; 1610-14C. “Girl Hunt – Part 4” (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger). Conductor’s score (3–7 staves); dated February 27, 1953. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 13 | Reel 13/Part 5-6; 1610-14D. “Girl Hunt – Parts 5 & 6” (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger). Conductor’s score (2–3 staves); dated March 5, 1953. MS repro. 1 p. 24.5 x 33 cm. |
| folder 14 | Reel 13/Part 7; 1610-14E. “Girl Hunt – Part 7” (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger). Conductor’s score (3–45 staves); dated March 2, 1953. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 15 | Reel 13/Part 8; 1610-14F. “Girl Hunt – Part 8” (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger). Conductor’s score (3–4 staves); dated March 4, 1953. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 16 | Reel 13/Part 9; 1610-14G. “Girl Hunt – Part 9” [corrected] (by Arthur Schwartz; arr. Roger Edens, Adolph Deutsch, and Conrad Salinger). Conductor’s score (3–5 staves); dated March 4, 1953. MS repro, with corrections in ink on p. 1. 5 pp. 24.5 x 33 cm. |
| folder 17 | Reel 13/Part 9; 1610-14G. “Girl Hunt – Part 9” [original] (by Arthur Schwartz; arr. Roger Edens, Adolph Deutsch, and Conrad Salinger). Conductor’s score (3–5 staves); dated March 4, 1953. MS repro, with corrections marked in red pencil. 5 pp. 24.5 x 33 cm. |
| folder 18 | Reel 13/Part 10; 1610-14H. “Girl Hunt – Part 10” (by Arthur Schwartz; arr. Roger Edens). Conductor’s score (3 staves); dated March 5, 1953. MS repro. 1 p. 25 x 33 cm. |
| folder 19 | Reel 14/Part 1; 1610-14J. “Girl Hunt – Part 11” (by Arthur Schwartz; arr. Roger Edens). Conductor’s score (4 staves); dated March 5, 1953. MS repro. 1 p. 24.5 x 33 cm. |
| folder 20 | Reel 14/Part 1A; 1610-14L. “Girl Hunt – Part 12” (by Arthur Schwartz; arr. Adolph Deutsch, Roger Edens, and Conrad Salinger). Conductor’s score (4–5 staves); dated March 6, 1953. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 21 | Reel 14/Part 1B; 1610-14M. “Girl Hunt – Part 13” (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger). Conductor’s score (3–7 staves); dated March 7, 1953. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 22 | Reel 14/Part 1x-1Ax; 1610-14K. “Girl Hunt – Part 11x-12x” (by Arthur Schwartz and Roger Edens). Trumpet solo (1 staff); dated March 5, 1953. MS repro. 1 p. 24.5 x 33 cm. |
| folder 23 | Reel 14/Part 2; 1610-31. “Opening Night Blues” (by Arthur Schwartz and Roger Edens). Conductor’s score (3–6 staves); dated March 6, 1953. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 24 | [no reel no.]; 1610-22. “Bop Joint Sequence” (by Arthur Schwartz; arr. Lloyd “Skip” Martin). Conductor’s score (2–6 staves); dated January 8, 1953. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 25 | [no reel no.]; 1610-07. “By Myself” (music by Arthur Schwartz; words by Howard Dietz; arr. Conrad Salinger). Conductor’s score (5–6 staves); dated September 18, 1952. MS repro. 10 pp. 24.5 x 33 cm. |
| folder 26 | [no reel no.]; 1610-019. “Damnation Sequence” (music by Arthur Schwartz; lyrics by Howard Dietz; arr. Adolph Deutsch, Roger Edens, and Conrad Salinger). Conductor’s score (3–6 staves); dated February 19, 1953. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 27 | [no reel no.]; 1610-021A. “Girl Hunt – Subway” (by Arthur Schwartz; arr. Conrad Salinger). Conductor’s score (5–6 staves); dated January 8, 1953. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 28 | [no reel no.]; 1610-016. “I Guess I’ll Have to Change My Plan.” Conductor’s score (4–5 staves); dated December 8, 1952. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 29 | [no reel no.]; 1610-016A. “I Guess I’ll Have to Change My Plan – 1st Train Montage” (by Arthur Schwartz and Adolph Deutsch; arr. A. Courage). Conductor’s score (4–5 staves); dated December 8, 1952. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 30 | [no reel no.]; 1610-016B. “I Guess I’ll Have to Change My Plan – 2nd Train Montage” (by Arthur Schwartz, Adolph Deutsch, and A. Courage). Conductor’s score (3–5 staves); dated December 10, 1952. MS repro. 2 copies. 2 pp., each. 24.5 x 33 cm. |
| folder 31 | [no reel no.]. “Change My Plan.” Sketches. Pencil MS with additions in red pencil. 2 pp. 24 x 31.5 cm. |
| folder 32 | [no reel no.]; 1610-015. “Louisiana Hayride” (music by Arthur Schwartz; lyric by Howard Dietz; vocal arr. by Roger Edens and Bobby Tucker; orch. arr. by Lloyd Martin). Conductor’s score (4–6 staves); dated December 4, 1952. MS repro, with measure numbers marked and circled in red pencil. 14 pp. 24.5 x 33 cm. |
| folder 33 | [no reel no.]; 1610. “New Sun in the Sky” (music by Arthur Schwartz; words by Howard Dietz). Piano-vocal score (3 staves); dated October 8, 1952. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 34 | [no reel no.]; 1610-017. “New Sun in the Sky” (music by Arthur Schwartz; lyric by Howard Dietz; arr. Adolph Deutsch). Conductor’s score (5 staves); dated December 9, 1952. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 35 | [no reel no.]; 1610-06. “Shine on Your Shoes” (words and music by Arthur Schwartz and Howard Dietz). Conductor’s score (4–6 staves); dated September 16, 1952. MS repro. 20 pp. 24.5 x 33 cm. |
| folder 36 | [no reel no.]; 1610. “Sweet Music” (music by Arthur Schwartz; words by Howard Dietz). Piano-vocal score (3 staves); dated October 6, 1952. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 37 | [no reel no.]; 1610-010. “That’s Entertainment – 1st Vocal” (music by Arthur Schwartz; words by Howard Dietz). Conductor’s score (3–6 staves); dated October 15, 1952. MS repro. 19 pp. 25 x 33 cm. |
| folder 38 | [no reel no.]; 1610-011. “That’s Entertainment – End Title” (music by Arthur Schwartz; words by Howard Dietz; arr. Conrad Salinger). Conductor’s score (4–6 staves); dated October 16, 1952. MS repro, with measure numbers circled in red pencil. 7 pp. 24.5 x 33 cm. |
| folder 39 | [no reel no.]. “Triplets” (music by Arthur Schwartz; words by Howard Dietz). Piano-vocal score (3 staves); dated August 22, 1952. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 40 | [no reel no.]; 1610-01. “Triplets” (music by Arthur Schwartz, Adolph Deutsch, and A. Courage; words by Howard Dietz). Conductor’s score (4–5 staves); dated December 8, 1952. MS repro. 12 pp. 24.5 x 33 cm. |
| folder 41 | [no reel no.]; 1610-08 rev. “Two-Faced Woman” (music by Arthur Schwartz, Roger Edens, and Oscar Levant; arr. Conrad Salinger; lyrics by Howard Dietz). Conductor’s score (2–6 staves); dated October 29, 1952. MS repro. 17 pp. 24.5 x 33 cm. |
Box 4
BASIC INSTINCT (Jerry Goldsmith; arr. A. Courage)
| folder 1 | Reel 9/Part 1. “Pillow Talk.” Full score (35 staves); undated. MS repro (reduced-size photocopy), accompanied by Post-It note to Sandy [A. Courage]. 15 pp. 21.5 x 28 cm. |
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BELLS ARE RINGING (Jule Styne, Betty Comden, Adolph Green) #1760
| folder 2 | Reel 1/Part 1; 1760-1. “Main Title.” Conductor’s score (4–6 staves); dated February 17, 1960. MS repro. 9 pp. 24.5 x 33 cm. |
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| folder 3 | Reel 1/Part 2; 1760-1A. “Opening.” Conductor’s score (6 staves); dated February 22, 1960. MS repro. 11 pp. 24.5 x 33 cm. |
| folder 4 | Reel 7/Part 5; 1760-4. “Great White Way.” Conductor’s score (4 staves); dated January 27, 1960. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 5 | Reel 7/Part 6; 1760-5. “Hello, Hello There.” Conductor’s score (4–6 staves); dated February 1, 1960. MS repro (mm. 1–15 crossed out). 15 pp. 24.5 x 33 cm. |
| folder 6 | [no reel no.]; 1760-07. “Better Than A Dream” (music by Jule Styne; lyrics by Betty Comden and Adolph Green; arr. Pete King). Conductor’s score (5–6 staves); dated September 24, 1959. MS repro, with marking on p. 1 in pencil. 15 pp. 24.5 x 33 cm. |
| folder 7 | [no reel no.]; 1760-09. “My Guiding Star” (music by Jule Styne; lyrics by Betty Comden and Adolph Green; arr. A. Courage). Conductor’s score (5–6 staves); dated September 25, 1959. MS repro, with performance marking on p. 5 in pencil. 6 pp. 24.5 x 33 cm. |
| folder 8 | [no reel no.]; 1760-04. “The Party’s Over” (music by Jule Styne; lyrics by Betty Comden and Adolph Green; arr. Pete King). Conductor’s score (4–6 staves); dated September 21, 1959. MS repro. 7 pp. 24.5 x 33 cm. |
LA BOHEME (MGM film version) (William Axt; synchronized by David Mendoza and William Axt)
| folder 9 | Piano score. Published music produced from MS repro copy. New York: Photo Play Music Co., [s.d.]. 144 pp. 24 x 31.5 cm. |
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CAMELOT (Loewe-Bennett)
| folder 10 | [no reel no.]. “The Lusty Month of May.” Excerpt from full score (pp. 59–65) (26 staves). MS repro (photocopy), with sparse markings on p. 59 in red pencil. 7 pp. 28 x 40 cm. |
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CAROUSEL (Rogers; arr. Leroy Anderson)
| folder 11 | [no reel no.]. “June is Bustin’ Out All Over.” Excerpt from full score (pp. 36–47) (26 staves). MS repro (photocopy). 12 pp. 25.5 x 35.5 cm. |
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CHILD OF THE CENTER RING (A. Courage) BP
| folder 12 | M11; BP 438. “Portrait of Jenny.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 9 pp. 28.5 x 24 cm. |
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| folder 13 | M13; BP 439. “Center Ring Titles.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 2 pp. 28.5 x 24 cm. |
| folder 14 | M14; BP 440. “Story of Her Life.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 5 pp. 28.5 x 24 cm. |
| folder 15 | M15/21; BP 441. “Little Old Daddy-Maker Me.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 5 pp. 28.5 x 24 cm. |
| folder 16 | M22; BP 442. “Don’t Knock It.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm. |
| folder 17 | M23; BP 443. “Rain in the Ring.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm. |
| folder 18 | M24/31; BP 444. “The Graveyard.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 2 pp. 28.5 x 24 cm. |
| folder 19 | M32; BP 445. “No-Dealer Wheeler.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 2 pp. 28.5 x 24 cm. |
| folder 20 | M33; BP 446. “Geschreier Jenny.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm. |
| folder 21 | M34; BP 447. “Rambling Jenny.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 9 pp. 28.5 x 24 cm. |
| folder 22 | M41; BP 449. “Say It!” Full score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm. |
| folder 23 | M42; BP 450. “Elephant Parade.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 4 pp. 28.5 x 24 cm. |
| folder 24 | M42A; BP 451. “The Oakie Waltz.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 5 pp. 28.5 x 24 cm. |
| folder 25 | M43; BP 452. “Hugo Talkover.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 9 pp. 28.5 x 24 cm. |
| folder 26 | M44/51; BP 453. “To Blow A Wish On.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 6 pp. 28.5 x 24 cm. |
| folder 27 | M52; BP 454. “Way Down Dere.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 3 pp. 28.5 x 24 cm. |
| folder 28 | M53; BP 455. “Back to the Couch.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm. |
| folder 29 | M54; BP 456. “Get Away Day.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 8 pp. 28.5 x 24 cm. |
| folder 30 | M55; BP 457. “Someone of the Center Ring.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 4 pp. 28.5 x 24 cm. |
| folder 31 | M61; BP 458. “The Clowns Were Wild.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 9 pp. 28.5 x 24 cm. |
| folder 32 | M62; BP 459. “Thoughts Don’t Kill.” Full score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm. |
Box 5
CONGO (Jerry Goldsmith; orch. A. Courage) #33038
| folder 1 | Reel 8/Part 2. “The Symbol” (by Jerry Goldsmith; orch. Arthur Morton). Full score (33 staves); undated. MS repro (photocopy). 2 pp. 28 x 43 cm. |
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| folder 2 | Reel 8/Part 4 (rev.). “The Other Side” (rev.). Full score (40 staves); undated. MS repro (photocopy). 6 pp. 28 x 43 cm. |
| folder 3 | Reel 9/Part 3–Reel 10/Part 1. “The Gates of Zinj” (by Jerry Goldsmith; orch. Arthur Morton). Full score (40 staves); undated. MS repro (photocopy), with sparse performance markings in red ink. 19 pp. 28 x 43 cm. |
| folder 4 | Reel 10/Part 2. “Into the Cave” (by Jerry Goldsmith; orch. Arthur Morton). Full score (33 staves); undated. MS repro (photocopy). 3 pp. 28 x 43 cm. |
| folder 5 | Reel 10/Part 3. “Going Home.” Full score (35 staves); undated. MS repro (photocopy). 3 pp. 28 x 43 cm. |
| folder 6 | Reel 10/Part 4. “Help Me.” Full score (35 staves); undated. MS repro (photocopy). 6 pp. 28 x 43 cm. |
| folder 7 | Reel 10/Part 5. “It’s Okay.” Full score (35 staves); undated. MS repro (photocopy). 3 pp. 28 x 43 cm. |
| folder 8 | Reel 11/Part 1. “We Are Watching.” Full score (35 staves); undated. MS repro (photocopy). 7 pp. 28 x 43 cm. |
| folder 9 | Reel 11/Part 2–Reel 12/Part 1. “The Mine.” Full score (35 staves); undated. MS repro (photocopy). 4 pp. 28 x 43 cm. |
| folder 10 | Reel 12/Part 2. “Gorilla Attack.” Full score (40 staves); undated. MS repro (photocopy). 19 pp. 28 x 43 cm. |
| folder 11 | Reel 12/Part 3. “Escape from Zing.” Full score (40 staves); undated. MS repro (photocopy). 23 pp. 28 x 43 cm. |
| folder 12 | Reel 13/Part 3. “The Flower.” Full score (40 staves); undated. MS repro (photocopy). 2 copies. 33 pp., each. 28 x 43 cm. |
| folder 13 | Reel 13/Part 4. “End Titles Music.” Choral score (1–5 staves); revised May 9, 1995. MS repro. 15 pp. 24.5 x 33 cm. |
DEEP IN MY HEART (Sigmund Romberg; arr. Adolph Deutsch and A. Courage) #1654
| folder 14 | Reel 1/Part 3; 1654-9. “2nd Avenue” (by Sigmund Romberg; arr. Adolph Deutsch). Conductor’s score (4–5 staves); dated July 15, 1954. MS repro. 4 pp. 24.5 x 33 cm. |
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| folder 15 | Reel 3/Part 3A; 1654-35. “Leg of Mutton Montage” (by Sigmund Romberg and A. Courage). Conductor’s score (3–4 staves); dated June 27, 1952. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 16 | Reel 5/Part 1; 1654-14. “Dorothy Intervenes” (based on “Golden Days” and “Will You Remember” by Sigmund Romberg and A. Courage). Conductor’s score (3–4 staves); dated July 19, 1954. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 17 | Reel 5/Part 2; 1654-6. “Winter Garden Montage Part 1” (by Sigmund Romberg and Adolph Deutsch). Conductor’s score (3–4 staves); dated July 15, 1954. MS repro. 1 p. 24.5 x 33 cm. |
| folder 18 | Reel 5/Part 3; 1654-7. “Winter Garden Montage Part 2 (Girlie of the Cabaret)” (by Sigmund Romberg; arr. Adolph Deutsch and A. Courage). Conductor’s score (5–6 staves); dated July 14, 1954. MS repro. 5 pp. 24.5 x 33 cm. |
| folder 19 | Reel 5/Part 4; 1654-17. “Winter Garden Montage Part 3” (based on “Will You Remember” and “Leg of Mutton” by Sigmund Romberg and A. Courage). Conductor’s score (5–7 staves); dated July 21, 1954. MS repro. 8 pp. 24.5 x 33 cm. |
| folder 20 | Reel 5/Part 5; 1654-18. “Winter Garden Montage Part 4” (by Sigmund Romberg, Adolph Deutsch, and A. Courage). Conductor’s score (3–4 staves); dated July 21, 1954. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 21 | Reel 6/Part 2; 1654-36. “Astor Hotel” (by Sigmund Romberg; arr. A. Courage). Conductor’s score (4 staves); dated July 26, 1954. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 22 | Reel 6/Part 3; 1654-30. “Shubert-Ziegfeld” (by Sigmund Romberg and A. Courage). Conductor’s score (3 staves); dated July 23, 1954. MS repro. 4 pp. 24.5 x 33 cm. |
| folder 23 | Reel 7/Part 4; 1654-22. “The Flat Tire” (by Sigmund Romberg, Roger Edens, and A. Courage). Conductor’s score (2–7 staves); dated July 23, 1954. MS repro. 8 pp. 24.5 x 33 cm. |
| folder 24 | Reel 9/Part 2; 1654-11. “Poor Pierrot” (by Sigmund Romberg and Adolph Deutsch). Conductor’s score (5–5 staves); dated July 17, 1954. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 25 | Reel 10/Part 2; 1654-19. “Violets” (by Sigmund Romberg and Adolph Deutsch). Conductor’s score (3–4 staves); dated July 22, 1954. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 26 | Reel 12/Part 1A; 1654-019. “It Waltz” (by Sigmund Romberg and A. Courage). Conductor’s score (5 staves); dated July 26, 1954. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 27 | Reel 13/Part 1; 1654-28. “You Said I’d Come” (by Sigmund Romberg and Adolph Deutsch). Conductor’s score (5–6 staves); dated July 26, 1954. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 28 | Reel 14/Part 2; 1654-23. “Better Listen – Part 1” (by Sigmund Romberg, Roger Edens, and A. Courage). Conductor’s score (3–4 staves); dated July 23, 1954. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 29 | Reel 15/Part 1; 1654-29. “Better Listen – Part 2” (by Sigmund Romberg, Roger Edens, and A. Courage). Conductor’s score (3 staves); dated July 24, 1954. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 30 | Reel 15/Part 2; 1654-31. “Bridge to ‘New Moon’ (by Sigmund Romberg, Roger Edens, and A. Courage). Conductor’s score (4–5 staves); dated July 26, 1954. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 31 | Reel 16/Part 2A; 1654-16. “Softly As In a Morning Sunrise” (by Sigmund Romberg; arr. Lloyd “Skip” Martin). Conductor’s score (4–5 staves); dated July 20, 1954. MS repro. 12 pp. 24.5 x 33 cm. |
| folder 32 | [no reel no.]; 1654-04. “Auf Wiedersehn” (music by Sigmund Romberg; lyrics by Herbert Reynolds; arr. Hugo Friedhofer). Conductor’s score (4–5 staves); dated April 20, 1954. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 33 | [no reel no.]; 1654-08 part 1. “I Love to Go Swimmin’ with Wimmin’ – Part 1” (music by Sigmund Romberg; words by Ballard MacDonald; arr. Adolph Deutsch). Conductor’s score (5–6 staves); dated April 20, 1954. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 34 | [no reel no.]; 1654-07. “Dance My Darlings” (music by Sigmund Romberg; arr. Hugo Friedhofer). Conductor’s score (4–5 staves); dated April 27, 1954. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 35 | [no reel no.]; 1654-08 part 2. “I Love to Go Swimmin’– Part 2” (music by Sigmund Romberg; words by Ballard MacDonald; arr. Adolph Deutsch). Conductor’s score (5–6 staves); dated April 22, 1954. MS repro. 12 pp. 24.5 x 33 cm. |
Box 6
| folder 1 | [no reel no.]; 1654-03 part 1. “It – Part 1” (music by Sigmund Romberg; lyrics by Otto Harbach and Oscar Hammerstein II; arr. Adolph Deutsch and A. Courage). Conductor’s score (3–6 staves); dated April 23, 1954. MS repro, with measure numbers circled in red pencil and sparse performance markings in blue pencil. 19 pp. 24.5 x 33 cm. |
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| folder 2 | [no reel no.]; 1654-03 part 2. “It – Part 2” (music by Sigmund Romberg; lyrics by Otto Harbach and Oscar Hammerstein II with additional lyrics by Roger Edens; arr. Adolph Deutsch and Lloyd “Skip” Martin). Conductor’s score (3–6 staves); dated April 25, 1954. MS repro, with sparse performance markings in red pencil. 10 pp. 24.5 x 33 cm. |
| folder 3 | [no reel no.]; —x2. “Leg of Mutton” (music by Sigmund Romberg; lyrics by Roger Edens). Piano-vocal score (3 staves); dated April 5, 1954. MS repro, with annotations and performance markings in red pencil. 3 pp. 24.5 x 33 cm. |
| folder 4 | [no reel no.]; 1654-015 part 2. “Leg of Mutton – Part 2” (by Sigmund Romberg; arr. Adolph Deutsch). Conductor’s score (5–6 staves); dated April 29, 1954. MS repro. 16 pp. 24.5 x 33 cm. |
| folder 5 | [no reel no.]; 1654-035. “Maytime Sequence” (music by Sigmund Romberg; lyric by Rida Johnson Young; arr. Conrad Salinger). Conductor’s score (2–6 staves); dated June 25, 1954. MS repro. 10 pp. 24.5 x 33 cm. |
| folder 6 | [no reel no.]; 1654-029 (rev.). “New Moon Sequence” (music by Sigmund Romberg; lyrics by Oscar Hammerstein II; arr. Hugo Friedhofer). Conductor’s score (4–6 staves); dated May 12, 1954. MS repro. 12 pp. 24.5 x 33 cm. |
| folder 7 | [no reel no.]; 1654-031. “One Alone – Charisse Ballet – 1” (music by Sigmund Romberg and Roger Edens; lyrics by Otto Harbach and Oscar Hammerstein II; arr. Hugo Friedhofer). Conductor’s score (4–6 staves); dated June 9, 1954. MS repro. 8 pp. 24.5 x 33 cm. |
| folder 8 | [no reel no.]; 1654-031A. “One Alone – Charisse Ballet – Part 2” (music by Sigmund Romberg and Roger Edens; arr. Hugo Friedhofer). Conductor’s score (4–6 staves); dated June 10, 1954. MS repro. 10 pp. 24.5 x 33 cm. |
| folder 9 | [no reel no.]; 1654-013. “Overture (Romberg Medley)” (by Sigmund Romberg; arr. Hugo Friedhofer). Conductor’s score (4–6 staves); dated April 28, 1954. MS repro, with sparse performance markings in red pencil. 11 pp. 24.5 x 33 cm. |
| folder 10 | [no reel no.]; 1654-014. “Softly, as in a Morning Sunrise – Gaby Deslys Version.” Conductor’s score (4–6 staves); dated April 28, 1954. MS repro. 8 pp. 24.5 x 33 cm. |
| folder 11 | [no reel no.]; 1654-011. “Softly, as in a Morning Sunrise – Traubel Version” (music by Sigmund Romberg; lyric by Oscar Hammerstein II; arr. Hugo Friedhofer). Conductor’s score (2–6 staves); dated April 27, 1954. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 12 | [no reel no.]; 1654-09. “Stout-Hearted Men” (music by Sigmund Romberg; lyric by Oscar Hammerstein II; arr. Hugo Friedhofer). Conductor’s score (2–6 staves); dated April 24, 1954. MS repro. 6 pp. 24.5 x 33 cm. |
| folder 13 | [no reel no.]; 1654-012. “When I Grow Too Old to Dream – End Title” ([music] by Sigmund Romberg and Hugo Friedhofer; [lyric] by Oscar Hammerstein II). Conductor’s score (3–6 staves); dated April 27, 1954. MS repro, with sparse performance markings in red pencil. 5 pp. 24.5 x 33 cm. |
| folder 14 | [no reel no.]; 1654-030. “Your Land and My Land” (music by Sigmund Romberg; words by Dorothy Donnelly; arr. Hugo Friedhofer). Conductor’s score (3–6 staves); dated May 18, 1954. MS repro. 10 pp. 24.5 x 33 cm. |
| folder 15 | [no reel no.]; 1654-010. “You Will Remember Vienna” (music by Sigmund Romberg; lyric by Oscar Hammerstein II; arr. Hugo Friedhofer). Conductor’s score (3–5 staves); dated April 28, 1954. MS repro. 8 pp. 24.5 x 33 cm. |
DENNIS THE MENACE (1993) (Jerry Goldsmith; orch. A. Courage)
| folder 16 | Reel 11/Part 2. “Beans.” Conductor’s score (9 staves); dated 1993. MS repro (photocopy). 8 pp. 43.5 x 35.5 cm. |
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| folder 17 | Reel 11/Part 3. “Reel Love” (by Jerry Goldsmith; orch. [illegible] Arthur Morton).| Conductor’s score (9 staves), labeled “w/ fixes Bruce”; dated 1993. MS repro (photocopy). 2 pp. 31 x 28 cm. Full score (33 staves), labeled “w/ fixes”; dated 1993. MS repro (photocopy). 6 pp. 28 x 43 cm. |
| folder 18 | Reel 12/Part 3. “Toasted Marshmallows.” Conductor’s score (9 staves); dated 1993. MS repro (photocopy). 11 pp. 32 x 28 cm. Full score (35 staves); dated 1993. MS repro (photocopy). 41 pp. 28 x 43 cm. |
DOCTOR DOLITTLE (Leslie Bricusse; arr. A. Courage) G18
| folder 19 | Reel 1/Part 1. “Prologue Tryout.” Conductor’s score (8 staves); undated. Written below title: 80. MS repro. 2 pp. 33 x 43 cm. |
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| folder 20 | Reel 1/Part 2. “Main Title (Revised)” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer). Conductor’s score (6–7 staves); revised September 19, 1967. Written below title: 121. MS repro. 16 pp. 25 x 33 cm. |
| folder 21 | Reel 1/Part 3. “Puddelby (2nd Revision)” (words and music by Leslie Bricusse; adapted by Cyril J. Mockridge; orch. Gus Levene). Conductor’s score (6–7 staves); undated. Written above title: 92. MS repro. 3 pp. 25 x 33 cm. |
| folder 22 | Reel 3/Part 1. “Frying Sausages.” Draft of score (reduced score, 4 staves); undated. Pencil MS. 7 pp. (2 pp. with sketches, 5 pp. blank). 30.5 x 39.5 cm. Conductor’s score (5 staves); undated. Written above title: 61. MS repro. 4 pp. 25 x 33 cm. |
| folder 23 | Reel 3/Part 2. “The Vegetarian (Revised).” Conductor’s score (6–7 staves); revised May 1, 1967. Written above title: 1. MS repro. 14 pp. 25 x 33 cm. |
| folder 24 | Reel 3/Part 2A. “The Vegetarian (Dialogue with Animals Conductor’s score (5–6 staves); undated. Written above title: 2. MS repro, p. 1 has 5-staff system pasted over original. 3 pp. 25 x 33 cm. |
| folder 25 | Reel 3/Part 2B. “The Vegetarian (Revised)” (words and music by Leslie Bricusse; arr. A. Courage and Gus Levene). Conductor’s score (5–6 staves); undated. Written above title: 3. MS repro. 9 pp. 25 x 33 cm. |
| folder 26 | Reel 3/Part 3. “Retrospect” (words and music by Leslie Bricusse; adapted by Cyril J. Mockridge; orch. Gus Levene). Conductor’s score (6–7 staves); undated. Written above title: 57. MS repro. 3 pp. 25 x 33 cm. |
| folder 27 | Reel 4/Parts 1–3. “The Hat and Mouse” (words and music by Leslie Bricusse; adapted by Lionel Newman; orch. Arthur Morton). Reel 4/Part 1. “The Hat and Mouse.” Conductor’s score (5 staves); undated. Written above title: 53. MS repro. 3 pp. 25 x 33 cm. Reel 4/Part 2. [No title.] Conductor’s score (6 staves); undated. Written at top of p. 1: 51. MS repro. 2 pp. 25.5 x 33 cm. Reel 4/Part 3. [No title.] Conductor’s score (5 staves); undated. Written at top of p. 1: 67. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 28 | Reel 5/Part 1A. “Talk to the Animals Part 1 – Inset No. 1.” Conductor’s score (4–5 staves); undated. Written above title: 6. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 29 | Reel 5/Part 1C. “Talk to the Animals Part 1 – Insert No. 2.” Conductor’s score (6 staves); undated. Written above title: 7. MS repro. 1 p. 25.5 x 33 cm. |
| folder 30 | Reel 5/Part 1E. “Talk to the Animals Part 1 – Insert No. 3.” Conductor’s score (5–6 staves); undated. Written above title: 8. MS repro. 3 pp. 25 x 33 cm. |
| folder 31 | Reel 5/Part 1G. “Talk to the Animals Part 1 – New Ending.” Conductor’s score (5 staves); undated. Written above title: 9. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 32 | Reel 5/Part 2. “Pig Talk.” Draft of score (reduced score, 4 staves); undated. Pencil MS, with markings in red pencil and measure numbers in green ink. 3 pp. 30.5 x 39.5 cm. Conductor’s score (5–6 staves); undated. Written above title: 55. MS repro. 5 pp. 25 x 33 cm. |
| folder 33 | Reel 5/Part 2A. “Talk to the Animals Part 2 (Montage).” Draft of score (reduced score, 4 staves); undated. Pencil MS, with markings in red pencil and measure numbers in black ink. 6 pp. 30.5 x 39.5 cm. Conductor’s score (4–6 staves); undated. Written above title: 56. MS repro. 9 pp. 25 x 33 cm. |
| folder 34 | Reel 5/Part 2B. “Talk to the Animals – Part II Intro.” Conductor’s score (5 staves); undated. Written above title: 66. MS repro. 1 p. 25.5 x 33 cm. |
| folder 35 | Reel 5/Part 3A. “Talk to the Animals Pt. 2 Insert.” Conductor’s score (5–6 staves); undated. Written above title: 10. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 36 | Reel 5/Part 3D. “Insert and New Ending – Talk to the Animals Part II.” Conductor’s score (6–7 staves); dated September 27, 1967. Written above title: 132. MS repro. 5 pp. 25.5 x 33 cm. |
| folder 37 | Reel 5/Part 4–Reel 6/Part 1. “Time to Retire” (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Gus Levene). Conductor’s score (5 staves); undated. Written above title: 68. MS repro. 3 pp. 25 x 33 cm. |
Box 7
| folder 1 | Reel 6/Part 2–Reel 7/Part 1. “Fox and Hounds” (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Gus Levene). Conductor’s score (5–6 staves); undated. Written above title: 52. MS repro. 10 pp. 25 x 33 cm. |
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| folder 2 | Reel 7/Part 2. “At the Crossroads – Intro Part I.” Conductor’s score (5 staves); undated. Written above title: 63. MS repro. 1 p. 26.5 x 33 cm. |
| folder 3 | Reel 7/Part 2A. “At the Crossroads – Intro Part II.” Sketches (outline of click track, incomplete sketch of music [1 note only]); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. Conductor’s score (4 staves); undated. Written below title: 64. MS repro. 1 p. 26.5 x 33 cm. |
| folder 4 | Reel 7/Part 3A. “At the Crossroads – Insert No.1.” Conductor’s score (5 staves); undated. Written above title: 14. MS repro. 1 p. 25.5 x 33 cm. |
| folder 5 | Reel 7/Part 3C. “At the Crossroads – Insert No.2.” Conductor’s score (6 staves); undated. Written above title: 15. MS repro. 3 pp. 25 x 33 cm. |
| folder 6 | Reel 7/Part 3E. “At the Crossroads – New Ending (Revised).” Conductor’s score (6 staves); undated. Written above title: 16. MS repro. 1 p. 25.5 x 33 cm. |
| folder 7 | Reel 7/Part 4–4A. [No title] (words and music by Leslie Bricusse; adapted by Arthur Morton; orch. Lionel Newman). Reel 7, Part 4. Conductor’s score (6 staves); undated. Written at top of p. 1: 59. MS repro. 2 pp. 25.5 x 33 cm. Reel 7, Part 4A. Conductor’s score (4–5 staves); undated. Written at top of p. 1: 60. MS repro. 1 p. 25.5 x 33 cm. |
| folder 8 | Reel 8/Part 1. Intro to “I’ve Never Seen Anything Like It.” Draft of score (reduced score, 4 staves); undated. Pencil MS, with markings in red pencil. 2 pp. 30.5 x 39.5 cm. Conductor’s score (4–6 staves); undated. Written above title: 54. MS repro. 4 pp. 25 x 33 cm. |
| folder 9 | Reel 8/Part 2 (inserts). “I’ve Never Seen Anything Like It – Inserts 1-10.” Part 2A. Insert No. 1. Conductor’s score (7 staves); undated. Written above title: 21. MS repro. 2 pp. 25.5 x 33 cm. Part 2C. Insert No. 2. Conductor’s score (6–7 staves); undated. Written above title: 22. MS repro. 3 pp. 25 x 33 cm. Part 2E. Insert No. 3. Conductor’s score (6–7 staves); undated. Written above title: 23. MS repro. 3 pp. 25 x 33 cm. Part 2G. Insert No. 4. Conductor’s score (6–7 staves); undated. Written above title: 24. MS repro. 2 pp. 25.5 x 33 cm. Part 2I. Insert No. 5. Conductor’s score (5–6 staves); undated. Written above title: 25. MS repro. 2 pp. 25.5 x 33 cm. Part 2JJ. Remake chord bar 162. Conductor’s score (2 staves); undated. Written above title: 26. MS repro. 1 p. 25.5 x 33 cm. Part 2K. Insert No. 6. Conductor’s score (5 staves); undated. Written above title: 27. MS repro. 1 p. 25.5 x 33 cm. Part 2M. Insert No. 7. Conductor’s score (4–5 staves); undated. Written above title: 28. MS repro. 2 pp. 25.5 x 33 cm. Part 2N. Insert No. 8. Conductor’s score (7 staves); undated. Written above title: 29. MS repro. 2 pp. 25.5 x 33 cm. Part 2P. Insert No. 9. Conductor’s score (5–6 staves); undated. Written above title: 30. MS repro. 4 pp. 25 x 33 cm. Part 2T. Insert No. 10 (Revised). Conductor’s score (7 staves); undated. Written above title: 140. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 10 | Reel 8/Part 2Q. “I’ve Never Seen Anything Like It – Montage No.1.” Conductor’s score (7 staves); undated. Written above title: 31. MS repro. 8 pp. 25 x 33 cm. |
| folder 11 | Reel 9/Part 1. “Intro to Beautiful Things.” Conductor’s score (5–6 staves); undated. Written above title: 70. MS repro. 3 pp. 25 x 33 cm. |
| folder 12 | Reel 9/Part 2A. “Beautiful Things – Insert No.1.” Conductor’s score (7 staves); undated. Written above title: 17. MS repro. 1 p. 25.5 x 33 cm. |
| folder 13 | Reel 9/Part 2G. “Beautiful Things – New Ending.” Conductor’s score (6 staves); undated. Written above title: 20. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 14 | Reel 9/Part 2H. “San José Insert – Beautiful Things.” Conductor’s score (6 staves); dated October 27, 1967. Written above title: 152. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 15 | Reel 10/Part 1. “Sophie’s Escape.” Draft of score (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. [Earlier version] (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gus Levene). Conductor’s score (5–6 staves); undated. Written above title: 74. MS repro. 7 pp. 25 x 33 cm. New version (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer). Conductor’s score (6–7 staves); undated. Written above title: 83. MS repro. 8 pp. 25 x 33 cm. |
| folder 16 | Reel 10/Part 1A–Reel 11/Part 1. “Intro to ‘When I Look in Your Eyes’” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gus Levene). Draft of score (reduced score, 4 staves); undated. Pencil MS, with markings in red pencil. 5 pp. 30.5 x 39.5 cm. Conductor’s score (5–6 staves); undated. Written above title: 75. MS repro. 16 pp. 25 x 33 cm. |
| folder 17 | Reel 10/Part 1A–Reel 11/Part 1. “Intro to ‘When I Look in Your Eyes (Revised)’” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gil Grau and Herbert Spencer). Draft of score (reduced score, 4 staves); undated. Pencil MS, with sparse markings in red pencil. 9 pp. 30.5 x 39.5 cm. Conductor’s score (6–7 staves); undated. Written above title: 84. MS repro. 18 pp. 25 x 33 cm. |
| folder 18 | Reel 10/Part 1B. “Insert in Intro to ‘When I Look in Your Eyes.’” Conductor’s score (5–6 staves); undated. Written below title: 124. MS repro. 3 pp. 25 x 33 cm. |
| folder 19 | Reel 11/Part 2. “When I Look in Your Eyes (Revised).” [First revision]. Conductor’s score (6 staves); undated. Written above title: 13. MS repro. 6 pp. 25 x 33 cm. 2nd revision. Conductor’s score (5–6 staves); undated. Written above title: 36. MS repro. 7 pp. 25 x 33 cm. |
| folder 20 | Reel 11/Part 3. “Dolittle’s Arrest” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gus Levene). Conductor’s score (6 staves); undated. Written below title: 76. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 21 | Reel 11/Part 4. [No title] (words and music by Leslie Bricusse; adapted and orch. Lionel Newman). Conductor’s score (5 staves); undated. Written at top of p. 1: 73. MS repro. 2 pp. 25 x 33 cm. |
| folder 22 | Reel 12/Part 1. [No title] (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Gus Levene). Conductor’s score (5–6 staves); undated. Written at top of p. 1: 62. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 23 | Reel 12/Part 2. “Intro and Verse to ‘Like Animals.’” Conductor’s score (5–6 staves); dated May 2, 1967. Written above title: 12. MS repro. 3 pp. 25 x 33 cm. |
| folder 24 | Reel 12/Part 4. “End of Act 1” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gus Levene). Conductor’s score (6 staves); undated. Written above title: 95. MS repro. 2 pp. 25 x 33 cm. |
| folder 25 | Reel 13/Part 2. “Intro to ‘After Today’” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer). Draft of score (reduced score, 4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. Conductor’s score (6 staves); undated. Written above title: 107. MS repro. 5 pp. 25 x 33 cm. |
| folder 26 | Reel 13/Part 4. “Dolittle’s Escape – Part 1” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer). Draft of score (reduced score, 4 staves); undated. Pencil MS, with sparse markings in black ink. 3 pp. 30.5 x 39.5 cm. Conductor’s score (5 staves); undated. Written above title: 105. MS repro. 3 pp. 26 x 33 cm. |
| folder 27 | Reel 13/Part 4A–Reel 14/Part 1. “Dolittle’s Escape – Part II” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gil Grau). Conductor’s score (6 staves); undated. Written above title: 99. MS repro. 10 pp. 25 x 33 cm. |
| folder 28 | Reel 14/Part 2. “Seaweed Pie” (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Herbert Spencer). Conductor’s score (6 staves); undated. Written above title: 85. MS repro. 4 pp. 25 x 33 cm. |
| folder 29 | Reel 14/Part 3A. “Fabulous Places – Insert No. 1.” Conductor’s score (5–7 staves); undated. Written above title: 39. MS repro. 3 pp. 25.5 x 33 cm. |
| folder 30 | Reel 14/Part 3C. “Fabulous Places – Insert No. 2.” Conductor’s score (5–6 staves); undated. Written above title: 40. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 31 | Reel 14/Part 3E. “Fabulous Places – Insert No. 3.” repro conductor’s score Conductor’s score (6–7 staves); undated. Written above title: 41. MS repro. 4 pp. 25 x 33 cm. |
| folder 32 | Reel 15/Part 1. “Emma at Work” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer). Draft of score (reduced score, 4 staves); undated. Pencil MS, with sparse markings in black ink. 8 pp. 30.5 x 39.5 cm. Conductor’s score (4–7 staves); undated. Written above title: 103. MS repro. 12 pp. 25 x 33 cm. |
| folder 33 | Reel 15/Part 1A. “Where Are the Words Insert.” Conductor’s score (6 staves); undated. Written above title: 42. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 34 | Reel 15A/Part 1C. “Where Are the Words – New Ending Rev.” Conductor’s score (6 staves); undated. Written above title: 106. MS repro. 3 pp. 25 x 33 cm. |
| folder 35 | Reel 16/Part 1. “Dart Game.” Conductor’s score (6 staves); undated. Written above title: 109. MS repro. 3 pp. 25 x 33 cm. |
| folder 36 | Reel 16/Part 2A. [No title] (words and music by Leslie Bricusse; adapted by Lionel Newman; orch. Arthur Morton). Conductor’s score (6–7 staves); dated September 26, 1967. Written at top of p. 1: 131. MS repro. 7 pp. 25 x 33 cm. |
| folder 37 | Reel 16/Part 3–Reel 17/Part 1. “Sea Star Island” (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Herbert Spencer). Conductor’s score (6 staves); undated. Written above title: 104. MS repro. 8 pp. 25 x 33 cm. |
| folder 38 | Reel 17/Part 2. “Intro and Part of Verse to ‘I Think I Like You’ 2nd revision.” Conductor’s score (5–6 staves); undated. Written above title: 110B. MS repro. 3 pp. 25 x 33 cm. |
| folder 39 | Reel 17/Part 3B. “I Think I Like You (Insert and Remake of Chorus).” Conductor’s score (6 staves); undated. Written above title: 45. MS repro. 6 pp. 25 x 33 cm. |
Box 8
| folder 1 | Reel 17/Part 3C. “Restless Natives.” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer) Draft of score (reduced score, 4 staves); undated. Pencil MS, with sparse markings in red pencil. 4 pp. 30.5 x 39.5 cm. Conductor’s score (5–6 staves); undated. Written above title: 113. MS repro. 8 pp. 25 x 33 cm. |
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| folder 2 | Reel 17/Part 4–Reel 18/Part 1. “Frosty Village” (words and music by Leslie Bricusse; adapted and orch. Fred Steiner). Conductor’s score (6–7 staves); undated. Written to right of title: 97. MS repro. 19 pp. 25 x 33 cm. |
| folder 3 | Reel 18/Part 2. “Insert – ‘The Giant Whale’ (Revised).” Conductor’s score (5–6 staves); dated October 5, 1967. Written to right of title: 144. MS repro. 5 pp. 25 x 33 cm. |
| folder 4 | Reel 18/Part 2–Reel 19/Part 1. “The Giant Whale” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer). Draft of score (reduced score, 4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm. Conductor’s score (5–7 staves); undated. Written above title: 111. MS repro. 18 pp. 25 x 33 cm. |
| folder 5 | Reel 19/Part 2A. “Intro to ‘Doctor Dolittle’ (Revised).” Conductor’s score (5–6 staves); dated October 6, 1967. Written above title: 148. MS repro. 3 pp. 25 x 33 cm. |
| folder 6 | Reel 19/Part 3. “Doctor Dolittle – Part I.” Conductor’s score (6 staves); undated. Written above title: 37. MS repro. 3 pp. 25 x 33 cm. |
| folder 7 | Reel 19/Part 3A. “Bridge (Rev.) Pt. 1 to Pt. 2 ‘Doctor Dolittle.’” Conductor’s score (7 staves); dated October 5, 1967. Written above title: 150. MS repro. 3 pp. 25 x 33 cm. |
| folder 8 | Reel 19/Part 3B. “Doctor Dolittle – Part II.” Conductor’s score (6–7 staves); undated. Written above title: 38. MS repro. 7 pp. 25 x 33 cm. |
| folder 9 | Reel 21/Part 3. “Wonderful News.” Conductor’s score (6 staves); undated. Written above title: 94. MS repro. 2 pp. 25 x 33 cm. |
| folder 10 | Reel 21/Part 4. “The Giant Luna Moth” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gil Grau). Conductor’s score (6 staves); undated. Written above title: 89. MS repro. 2 pp. 25 x 33 cm. |
| folder 11 | Reel 21/Part 4 (revised). “The Giant Luna Moth (Revised)” (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gil Grau). Conductor’s score (6 staves); dated October 4, 1967. Written above title: 145. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 12 | Reel 19/Part 4. “Doctor Dolittle – Pt. II ending.” Conductor’s score (6 staves); undated. Written above title: 48. MS repro. 1 p. 25.5 x 33 cm. |
| folder 13 | Reel 19/Part 5–Reel 20/Part 1. “The Giant Pink Sea Snail.” Conductor’s score (6 staves); dated October 6, 1967. Written above title: 151. MS repro. 8 pp. 25 x 33 cm. |
| folder 14 | Reel 20/Part 1A. “Two Weeks from Tuesday.” Conductor’s score (4–6 staves); undated. Written above title: 116. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 15 | Reel 20/Part 2. [no title] repro conductor’s score (arr. Cyril Mockridge and Gus Levene) Conductor’s score (4–5 staves); undated. Written above title: 86. MS repro. 5 pp. 25 x 33 cm. |
| folder 16 | Reel 20/Part 3–Reel 21/Part 1. “A Fond Farewell” (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Gus Levene). Conductor’s score (6 staves); undated. Written above title: 87. MS repro. 8 pp. 25 x 33 cm. |
| folder 17 | Reel 21/Part 1z. “San José Bridge to ‘Something in Your Smile.’” Conductor’s score (5 staves); dated October 27, 1967. Written above title: 153. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 18 | Reel 21/Part 2. “Something in Your Smile.” Conductor’s score (5–6 staves); undated. Written above title: 46. MS repro. 9 pp. 25 x 33 cm. |
| folder 19 | Reel 21/Part 2x. “New Ending ‘Something in Your Smile.’” Conductor’s score (6 staves); dated October 6, 1967. Written above title: 149. MS repro. 2 pp. 25.5 x 33 cm. |
| folder 20 | Reel 21/Part 5. “End Title.” Draft of score (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. |
| folder 21 | [no reel no.]. “After Today.” Draft of score (reduced score, 4 staves); undated. Pencil MS, with measure numbers in black ink. 4 pp. 30.5 x 39.5 cm. |
| folder 22 | [no reel no.]; Song 9. “After Today (Matthew).” Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 7 pp. 25 x 33 cm. |
| folder 23 | [no reel no.]. “After Today (Anthony Newley).” Conductor’s score (5–6 staves); undated. MS repro, with note in pencil on p. 1. 13 pp. 25 x 33 cm. |
| folder 24 | [no reel no.]; Song 4. “At the Crossroads.” Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 9 pp. 25 x 33 cm. |
| folder 25 | [no reel no.]. “At the Crossroads” (words and music by Leslie Bricusse; dev. A. Courage; orch. Gus Levene). With new insert. Conductor’s score (4–6 staves); dated July 7, 1966. MS repro. 2 copies. 17 pp., each. 25 x 33 cm. Copy 1 labeled “AMC” and has markings and excisions in pencil and black ink. |
| folder 26 | [no reel no.]; Song 6. “Beautiful Things – Part 1.” Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 6 pp. 25 x 33 cm. |
| folder 27 | [no reel no.]. “Beautiful Things – Part 1” (words and music by Leslie Bricusse; arr. Herbert Spencer; orch. N. Van Cleve). Conductor’s score (5 staves); undated. MS repro. 2 copies. 9 pp., each. 25 x 33 cm. Copy 1 labeled “AMC” and has excisions in pencil. |
| folder 28 | [no reel no.]; Song 6. “Beautiful Things – Part 2.” Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 4 pp. 25 x 33 cm. |
| folder 29 | [no reel no.]. “Beautiful Things – Part 2” (words and music by Leslie Bricusse; arr. Herbert Spencer; orch. N. Van Cleve). Conductor’s score (5–7 staves); dated June 14, 1966. MS repro, with markings and excisions in pencil. 9 pp. 25 x 33 cm. |
| folder 30 | [no reel no.]. “Beautiful Things – Part 3” (words and music by Leslie Bricusse; arr. Herbert Spencer; orch. N. Van Cleve). Conductor’s score (5–7 staves); dated June 15, 1966. MS repro. 2 copies. 10 pp., each. 25 x 33 cm. Copy 1 labeled “AMC” and has excisions in pencil. |
| folder 31 | [no reel no.]. “Beautiful Things/Last Chorus.” Draft of vocal parts (4 staves); undated. Pencil MS, with lyrics in blue ink on p. 2. 2 pp. 30.5 x 37.5 cm. Accompanied by MS repro copy (without lyrics added on p. 2). 2 pp. 30.5 x 38 cm. |
Box 9
| folder 1 | [no reel no.]. “Blossom and Group – Part IV.” Draft of score (reduced score, 4 staves); undated. MS repro, with markings in black ink. 4 pp. 31 x 39.5 cm. |
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| folder 2 | [no reel no.]. “Children Want to Know Why.” Full score (22 staves); undated. Pencil MS, with measure numbers in black ink. 20 pp. 28 x 38 cm. |
| folder 3 | [no reel no.]. “Circus.” Draft of score (reduced score, 4 staves); undated. MS repro, with lyrics added under vocal line in pencil and markings in black ink and red pencil. 7 pp. 30 x 39.5 cm. |
| folder 4 | [no reel no.]. “‘Doctor Doolittle’ (Verse)” and “‘Doctor Doolittle’ (Chorus).” Verse. Conductor’s score (4 staves); undated. MS repro. 2 copies. 6 pp., each. 28 x 36 cm (copy 1); 28.5 x 36.5 cm (copy 2). Chorus. [Title on copy 1: (Chorus/Final Version).] Conductor’s score (4 staves); undated. MS repro. 2 copies. 3 pp., each. 29 x 36.5 cm (copy 1); 28 x 37 cm (copy 2). |
| folder 5 | [no reel no.]. “Doctor Doolittle (Verse).” Piano-vocal score (3 staves); dated April 21, 1967. MS repro. 5 pp. 25 x 33 cm. |
| folder 6 | [no reel no.]. “The Doctor’s Dilemma,” Parts I–V (words and music by Leslie Bricusse; vocal arr. Ian Fraser). Part I. Draft of score (reduced score, 4 staves); undated. MS repro, with emendations in pencil and markings in red ink. 6 pp. 30 x 39 cm. Part II. Draft of score (reduced score, 4 staves); undated. MS repro. 1 p. 30 x 39 cm. Part III. Draft of score (reduced score, 4 staves); undated. MS repro. 1 p. 30 x 39 cm. Part IV. Draft of score (reduced score, 4 staves); undated. MS repro, with markings in red ink. 3 pp. 30 x 39 cm. Part V. Draft of score (reduced score, 4 staves); undated. MS repro, with markings in red ink. 3 pp. 30 x 39 cm. |
| folder 7 | [no reel no.]. “The Doctor’s Dilemma – Part III & IV – ‘Something in Your Smile.’” Draft of reduced score (4 staves); undated. Pencil MS, with time signatures in black ink. 6 pp. 30.5 x 39.5 cm. |
| folder 8 | [no reel no.]. “The Doctor’s Dilemma,” Parts I–III. Part I. Conductor’s score (5 staves); undated. MS repro. 2 copies. 11 pp., each. 25 x 33 cm. Part II. Conductor’s score (4–5 staves); undated. MS repro. 2 copies. 6 pp., each. 25 x 33 cm. Copy 1 has emendations on p. 1. Part III. Conductor’s score (5 staves); undated. MS repro. 2 copies. 10 pp., each. 25 x 33 cm. Copy 1 has excision in pencil (pp. 4–5). |
| folder 9 | [no reel no.]; Song 6A. “Emma’s Dilemma.” Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 2 copies. 2 pp., each. 25.5 x 33 cm. |
| folder 10 | [no reel no.]. “Emma’s Solo Act I (Possible Verse).” Piano-vocal score (3 staves); undated. MS repro. 4 pp. 25.5 x 33 cm. |
| folder 11 | [no reel no.]. “Entr’acte (2nd version)” (words and music by Leslie Bricusse; adapted and orch. Herbert Spencer). Conductor’s score (6–7 staves); dated October 8, 1967. MS repro. 15 pp. 25.5 x 33 cm. |
| folder 12 | [no reel no.]; Song 10. “Fabulous Places.” Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 9 pp. 25 x 33 cm. [Revised version.] Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 19 pp. 25 x 33 cm. |
| folder 13 | [no reel no. (Reel 14/Part 3)]. “Fabulous Places” (words and muisc by Leslie Bricusse; arr. Pete King). Conductor’s score (4–6 staves); dated June 15, 1966. MS repro, with emendations and excisions in red ink. 28pp. 25 x 33 cm. |
| folder 14 | [no reel no.]. “I Don’t Want to Be A King.” Piano-vocal score (3 staves); undated. MS repro. 2 copies. 8 pp., each. 25 x 33 cm. [Revised version.] Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 9 pp. 25 x 33 cm. |
| folder 15 | [no reel no.]. “If I Could Be Anyone At All.” Piano-vocal score (3 staves); dated February 22, 1966. MS repro. 2 copies. 6 pp., each. 25 x 33 cm. |
| folder 16 | [no reel no.]. “I’ll Fight a Lion.” [Version A in E-flat.] Piano-vocal score (3 staves); undated. MS repro. 6 pp. 25.5 x 33 cm. [Version A in G.] Piano-vocal score (3 staves); undated. MS repro. 6 pp. 25.5 x 33 cm. [Version B in G.] Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 11 pp. 25 x 33 cm. |
| folder 17 | [no reel no.]; Song 12. “I Think I Like You.” Piano-vocal score (3 staves); dated May 16, 1966. MS repro. 8 pp. 25 x 33 cm. [Revised version.] Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 9 pp. 25 x 33 cm. |
| folder 18 | [no reel no. (Reel 17/Part 3)]. “I Think I Like You” (words and music by Leslie Bricusse; arr. Bernard Mayers). Conductor’s score (5–6 staves); undated. MS repro. 2 copies. 17 pp., each. 25 x 33 cm. Copy 1 has markings in pencil; copy 2 has markings for corrections in red ink. |
| folder 19 | [no reel no.]. “I’ve Never Seen Anything Like It.” Piano-vocal score (3 staves); undated. MS repro, with markings in pencil. 15 pp. 23 x 31.5 cm. |
Box 10
| folder 1 | [no reel no.]. “I’ve Never Seen Anything Like It.” Parts I–V. Part 1 (3 items): Part 1 [June 10 version]. Piano-vocal score (3 staves); undated. MS repro, with markings in pencil. 12 pp. 25.5 x 33 cm. Song 5; Part 1 [June 14 version]. Piano-vocal score (3 staves); undated. MS repro, with markings in pencil. 12 pp. 25 x 33 cm. Part 1 (Revised) (words and music by Leslie Bricusse; arr. A. Courage; dev. Betty Walberg). Conductor’s score (5–6 staves); undated. MS repro. 2 copies. 11 pp., each. 25 x 33 cm. Copy 1 has markings in red ink. Part 2 (3 items): Part 2 [June 10 version.] Piano-vocal score (3 staves); undated. MS repro. 4 pp. 25.5 x 33 cm. Song 5; Part 2 [June 14 version]. Piano-vocal score (3 staves); undated. MS repro. 4 pp. 25 x 33 cm. Part 2 (Revised) (words and music by Leslie Bricusse; arr. A. Courage; orch. Herbert Spencer; dev. Betty Walberg). Conductor’s score (5 staves); undated. MS repro. 2 copies. 6 pp., each. 25 x 33 cm. Copy 1 has markings in red ink and pencil. Part 3 (2 items): Part 3 (Old version). Conductor’s score (5–6 staves); undated. MS repro. 4 pp. 25.5 x 33 cm. Part 3 (New version). Conductor’s score (4–5 staves); undated. MS repro, with markings in pencil, red pencil, and red ink. 6 pp. 25 x 33 cm. Part 4 (2 items): Part 4 (Old version). Conductor’s score (5–6 staves); undated. MS repro, with markings in pencil. 15 pp. 25 x 33 cm.| Part 4 (Revised version) (words and music by Leslie Bricusse; dev. Betty Walberg; arr. A. Courage; orch. Herbert Spencer). Conductor’s score (4–5 staves); undated. MS repro. 2 copies. 7 pp., each. 25 x 33 cm. Copy 1 has markings in pencil and red ink. Part 5 (1 item): Part 5 (Revised) (words and music by Leslie Bricusse; dev. Betty Walberg; arr. A. Courage; orch. Herbert Spencer). Conductor’s score (4–5 staves); undated. MS repro. 5 pp. 25 x 33 cm. Gavotte (1 item): Gavotte (Revised) (words and music by Leslie Bricusse; dev. Betty Walberg; arr. A. Courage; orch. Herbert Spencer). Conductor’s score (4–5 staves); undated. MS repro. 2 copies. 5 pp., each. 25 x 33 cm. Copy 1 has markings in pencil and red ink. |
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| folder 2 | [no reel no.]. “I’ve Never Seen Anything Like It.” Parts I–V. “I’ve Never Seen Anything Like It” (Revised). Part I. Draft of score (reduced score, 4 staves); undated. Pencil MS, with time signature in black ink. 4 pp. 30.5 x 38 cm. Part I and Part II. Draft of score (reduced score, 4 staves); undated. Pencil MS, with measure numbers in black ink. 9 pp. 30.5 x 39.5 cm. Part III. Draft of score (reduced score, 4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. Part IV. Draft of score (reduced score, 4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. Part V. Draft of score (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. |
| folder 3 | [no reel no.]. “Like Animals.” [April 14 version]. Piano-vocal score (3 staves); dated April 14, 1966. MS repro, with markings in red pencil. 13 pp. 25 x 33 cm. [April 29 version]. Piano-vocal score (3 staves); dated April 29, 1966. MS repro, with sparse markings in red pencil on p. 3. 14 pp. 25 x 33 cm. Song 8; [June 14 version]. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 14 pp. 25 x 33 cm. |
| folder 4 | [no reel no.]. “Like Animals.” [June 9 version.] Conductor’s score (3 staves); undated. MS repro, with markings in pencil. 23 pp. 25 x 33 cm. Revised version. Conductor’s score (3 staves); undated. MS repro. 23 pp. 25 x 33 cm. |
| folder 5 | [no reel no.]. “A Man Can Do Anything” (words and music by Leslie Bricusse; piano arr. Ian Fraser). Piano-vocal score (3 staves); dated October 25, 1966. MS repro. 3 copies. 4 pp., each. 24–25.5 x 33 cm. |
| folder 6 | [no reel no.]. “A Man Can Do Anything (New Verse)” (words and music by Leslie Bricusse; arr. Ian Fraser). Draft of score (reduced score; 4 staves); undated. MS repro. 2 pp. 30.5 x 39.5 cm. |
| folder 7 | [no reel no.]. “My Friend the Doctor.” [Undated version]. Piano-vocal score (3 staves); undated. MS repro. 13 pp. 25 x 33 cm. Song I [April 14 version]. Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 8 pp. 25 x 33 cm. |
| folder 8 | [no reel no.]. “My Friend the Doctor.” Draft of score (reduced score; 4 staves); undated. Pencil MS, with measure numbers in black ink. 9 pp. 30.5 x 39.5 cm. |
| folder 9 | [no reel no.]. “My Friend the Doctor – Concertina.” Draft of score (reduced score; 4 staves); undated. MS repro, with markings in red pencil. 15 pp. 30.5 x 39.5 cm. |
| folder 10 | [no reel no.]. “My Friend the Doctor.” Composer’s score (4–6 staves); undated. MS repro. 2 copies. 26 pp., each. 25 x 33 cm. |
| folder 11 | [no reel no.]. “Polka.” Draft of score (reduced score; 4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm. |
| folder 12 | [no reel no.]. “The Reluctant Vegetarian.” Piano-vocal score (3 staves); undated. MS repro. 11 pp. 25 x 33 cm. |
| folder 13 | [no reel no.]. “Talk to the Animals.” [April 14 version]. Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 11 pp. 25 x 33 cm. [May 25 version]. Piano-vocal score (3 staves); dated May 25, 1966. MS repro, with sparse markings in pencil and blue ink. 10 pp. 25 x 33 cm. Song 3; [June 14 version]. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 10 pp. 25 x 33 cm. |
| folder 14 | [no reel no.]. “Talk to the Animals,” Parts 1–2 (words and music by Leslie Bricusse; arr. A. Courage; orch. Gus Levene). Part 1. Composer’s score (4–6 staves); undated. MS repro. 2 copies. 18 pp., each. 25 x 33 cm. Copy 1 has markings in pencil and red pencil. Part 2. Composer’s score (5–6 staves); dated June 13, 1966. MS repro, with markings in pencil. 9 pp. 25 x 33 cm. |
Box 11
| folder 1 | [no reel no.]. “Talk to the Animals” and “Talk to the Animals – Reprise.” “Talk to the Animals.” Full score (22 staves); undated. Pencil MS. 37 pp. 28 x 37.5 cm. “Talk to the Animals – Reprise.” Full score (23 staves); undated. Pencil MS. 22 pp. 28.5 x 36.5 cm. |
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| folder 2 | [no reel no.]; Song 2. “The Vegetarian.” [June 9 version]. Piano-vocal score (3 staves); dated May 26, 1966 June 9, 1966. MS repro, with markings in red pencil. 15 pp. 25 x 33 cm. [June 14 version]. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 14 pp. 24.5 x 33 cm. |
| folder 3 | [no reel no.]. “The Vegetarian.” Draft of score (reduced score; 8 staves); undated. Pencil MS, with measure numbers in black ink. 20 pp. 30.5 x 39.5 cm. |
| folder 4 | [no reel no.]. “The Vegetarian” (words and music by Leslie Bricusse; arr. A. Courage; orch. Gus Levene). Conductor’s score (4–5 staves); undated. MS repro. 2 copies. 17 pp., each. 25 x 33 cm. Copy 1 has markings in pencil. |
| folder 5 | [no reel no.]. “When I Look in Your Eyes.” [December 28 version]. Piano-vocal score (3 staves); dated December 28, 1965. MS repro. 3 pp. 25.5 x 33 cm. [April 29 version]. Piano-vocal score (3 staves); dated April 29, 1966. MS repro. 3 pp. 25.5 x 33 cm. [June 14 version]. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 3 pp. 25.5 x 33 cm. |
| folder 6 | [no reel no.]. “When I Look in Your Eyes.” Conductor’s score (5 staves); undated. MS repro. 2 copies. 7 pp., each. 25 x 33 cm. Copy 1 has emendations on pp. 1–2 in pencil. |
| folder 7 | [no reel no.]. “Where Are the Words.” Song 11. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 4 pp. 25.5 x 33 cm. Song 12A (“Where Are the Words – Reprise”). Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 4 pp. 25.5 x 33 cm. |
| folder 8 | [no reel no.]. “Where Are the Words.” Draft of score (reduced score; 4 staves); undated. Pencil MS, with measure numbers in black ink. 7 pp. 31 x 38 cm. |
| folder 9 | [no reel no.]. “Where Are the Words.” Conductor’s score (4 staves); undated. MS repro, with markings in red pencil and pencil. 12 pp. 30.5 x 39.5 cm. |
| folder 10 | [no reel no.]. “Where Are the Words.” Conductor’s score (4–5 staves); undated. MS repro. 19 pp. 25 x 33 cm. |
| folder 11 | [no reel no.]. “Where Are the Words” (words and music by Leslie Bricusse; arr. Herbert Spencer). Conductor’s score (4–5 staves); undated. MS repro. 2 copies. 8 pp., each. 25 x 33 cm. |
| folder 12 | Unidentified MS repro score [draft of “I’ve Never Seen Anything Like It”]. Early draft of conductor’s score (4 staves); undated. MS repro, with markings and notes in pencil. 14 pp. 24 x 33 cm. |
| folder 13 | Unidentified sketches. Sketches; undated. Pencil MS. 1 p. 24 x 33 cm. Unidentified draft (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 38.5 cm. |
Box 12
FAR AND AWAY (John Williams; arr. John Neufeld)
| folder 1 | Reel 13/Part 3. “Oklahoma Territory.” New [insert]. Draft of score (8 staves); undated. MS repro (photocopy). 2 pp. 28 x 43 cm. Full score (44 staves); undated. MS repro (photocopy). 17 pp. 28 x 43 cm. |
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FIDDLER ON THE ROOF
| folder 2 | Sketches (3 items). Note: “Some material from Fiddler on the Roof, London 1970.” Ink MS. 1 p. Melodies of two Hebrew songs (“Yome Yome—shpiel mir a Lidele” and “Zohl zein a Bissele Shtill”). Sketch (1 staff); undated. Ink MS. 1 p. 22.5 x 31 cm. “Balalaika part for ‘Fiddler on the Roof.’” Part, in tablature. MS repro. 2 pp. 24.5 x 32.5 cm. |
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FIRST KNIGHT (Jerry Goldsmith; orch. A. Courage)
| folder 3 | Reel 2/Part 2. “The Ambush.” Full score (35 staves); undated. MS repro (photocopy). 42 pp. 28 x 43 cm. |
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| folder 4 | Reel 4/Part 2. “Camelot.” Full score (35 staves); undated. MS repro (photocopy), with sparse marking on p. 14 in red pencil. 14 pp. 28 x 43 cm. |
| folder 5 | Reel 15/Part 2–Reel 16/Part 1. “Never Surrender.” Complete sketch (18 staves); undated. MS repro (photocopy). 23 pp. 30.5 x 28 cm. Accompanied by note: “Complete sketch. This was composed by J. G. in 2 1/2 days. Orchestrated by A. C. in 2 1/2 days. Recorded 5 June ’95.” Partial sketch (18 staves); undated. MS repro (photocopy). 15 pp. 30.5 x 28 cm. |
| folder 6 | Reel 15/Part 2–16/Part 1. “Never Surrender.” Full score (40 staves); undated. MS repro (photocopy). 45 pp. 28 x 43 cm. |
| folder 7 | Reel 16/Part 2. “Arthur’s Farewell.” Original sketch (9 staves); undated. MS repro (photocopy). 6 pp. 31.5 x 28 cm. |
FOREVER YOUNG (Jerry Goldsmith; orch. A. Courage)
| folder 8 | Reel 1/Part 1. “Test Flight (Main Title).” Full score (40 staves); undated. MS repro (photocopy). 35 pp. 28 x 43 cm. |
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| folder 9 | Reel 11/Part 1. “Reunited.” Full score (40 staves); undated. MS repro (photocopy). 48 pp. 28 x 43 cm. |
| folder 10 | FOREVER YOUNG (Jerry Goldsmith; orch. A. Courage) Conductor’s score (4 staves); undated. Fax of computer-generated score, with markings in pencil. 4 pp. 21.5 x 30.5 cm. |
THE FOUR HORSEMEN OF THE APOCALYPSE (André Previn)
| folder 11 | Reel 6/Part 4. “Quai D’Orleans – Revised.” Conductor’s score (3–5 staves); dated August 22, 1961. MS repro, with markings in red pencil and pencil. 6 pp. 24 x 33 cm. |
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FUNNY FACE (George & Ira Gershwin; arr. A. Courage) #11520
| folder 12 | [no reel no.]. “Warpath.” Conductor’s score (1–5 staves); dated September 11, 1956. MS repro. 5 pp. 23.5 x 31 cm. |
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| folder 13 | Reel 3/Part 2 (3B). “The Kiss.” Conductor’s score (4 staves); dated September 13, 1956. MS repro. 2 pp. 23 x 30.5 cm. |
| folder 14 | Reel 4/Part 1 (4B). “The Books Are Here.” Conductor’s score (4 staves); dated September 13, 1956. MS repro. 2 pp. 23 x 30.5 cm. |
| folder 15 | Reel 4/Part 2 (4C). “Bring Her Back Alive.” Conductor’s score (4 staves); dated September 11, 1956. MS repro. 2 pp. 23 x 30.5 cm. |
| folder 16 | Reel 6/Part 1. “Basal Metabolism Pts. 1 & 2.” Full score (20 staves); undated. MS repro. 32 pp. 25.5 x 33.5 cm. |
| folder 17 | Reel 6/Parts 1–3. “Basal Metabolism Pts. 1–4.” Parts 1–2; 6A (R6-1). Conductor’s score (5 staves); dated September 17, 1956. MS repro, with markings in colored pencil. 15 pp. 23 x 30.5 cm. Part 3; 6C (R6-2). Conductor’s score (4 staves); dated September 14, 1956. MS repro. 2 pp. 23 x 30.5 cm. Part 4; CD (R6-P3). Conductor’s score (3–4 staves); dated September 17, 1956. MS repro. 8 pp. 23 x 30.5 cm. |
| folder 18 | Reel 6/Part 4–7/Part 1. “Street Scene.” Part 1A; 6E. Conductor’s score (4 staves); dated September 18, 1956. MS repro. 9 pp. 23 x 30.5 cm. Part 1C (“Plaisir d’amour”); 6G (6-4C). Conductor’s score (4 staves); dated September 14, 1956. MS repro. 3 pp. 23 x 30.5 cm. Part 2; 7A (7-1). Conductor’s score (4 staves); dated September 13, 1956. MS repro. 1 p. 23 x 30.5 cm. |
| folder 19 | Reel 7/Part 2. “Bird of Paradise.” 7C (7-2). Conductor’s score (4 staves); dated September 11, 1956. MS repro. 4 pp. 23 x 30.5 cm. |
Box 13
| folder 1 | Reel 7/Part 3A–Reel 8/Part 1C. “Photo Montage” (by Gershwin and Edens; arr. Edens and A. Deutsch; orch. Bob Franklyn). “Tuileries.” Photo Montage, Part 1; 7D (R7-3A). Conductor’s score (5 staves); dated September 12, 1956. MS repro. 6 pp. 23 x 30.5 cm. “Gare du nord.” Photo Montage, Part 2; 7E (R7-3B). Conductor’s score (5 staves); dated September 13, 1956. MS repro. 4 pp. 23 x 30.5 cm. “Marche aux fleurs.” Photo Montage, Part 3; 7F (R7-3C). Conductor’s score (6 staves); dated September 13, 1956. MS repro. 3 pp. 23 x 30.5 cm. “La Seine, Parts 1 and 2.” Photo Montage, Part 5; 7H–8A (R7-3E–R8-1A). Conductor’s score (4 staves); dated September 14, 1956. MS repro. 6 pp. 23 x 30.5 cm. “Versailles.” Photo Montage, Part 6; 8A1 (8-1B). Conductor’s score (6 staves); dated September 14, 1956. MS repro. 4 pp. 23 x 30.5 cm. “Louvre” (arr. Edens and Gershe). Photo Montage, Part 7; 8A2 (8-1C). Conductor’s score (6 staves); undated. MS repro. 4 pp. 23 x 30.5 cm. |
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| folder 2 | Reel 8/Part 4. “The Reluctant Bride” (A. Courage). Conductor’s score (1–5 staves); dated September 3, 1956. MS repro. 8 pp. 23 x 30.5 cm. |
| folder 3 | Reel 9/Part 1. “Bozazz” (incorporating “On How to be Lovely” by Edens and Gershe; arr. and orch. A. Courage). 9B (R.9, Pt.1). Conductor’s score (3 staves); dated September 18, 1956. MS repro. 1 p. 23 x 30.5 cm. |
| folder 4 | Reel 9/Part 3. “News of Flostre.” 9E (9-3). Conductor’s score (4 staves); dated September 12, 1956. MS repro. 5 9p. 23 x 30.5 cm. |
| folder 5 | Reel 10/Part 2. “Fanfare for Kay” (A. Courage). Conductor’s score (4 staves); dated September 7, 1956. MS repro. 1 p. 23 x 30.5 cm. |
| folder 6 | Reel 12/Part 3. “Wedding Day.” 12C (12-3). Conductor’s score (4–5 staves); dated September 13, 1956. MS repro. 5 pp. 23 x 30.5 cm. |
| folder 7 | Reel 12/Part 4–5. “The Chapel,” Parts 1–2. 12D (12-4). Conductor’s score (4 staves); dated September 10, 1956. MS repro. 2 pp. 23 x 30.5 cm. 12F (12-5). Conductor’s score (4 staves); dated September 11, 1956. MS repro. 1 p. 23 x 30.5 cm. |
| folder 8 | [no reel no.]. “Basal Metabolism.” Parts 1–2; 6AA (6-1). Click track; undated. Ink, pencil, and colored pencil MS. 3 pp. 25.5 x 32 cm. Part 3; 6CC (6-2). Click track; undated. Ink, pencil, and colored pencil MS. 1 p. 25.5 x 32 cm. Part 4; 6DD (6-3). Click track; undated. Ink, pencil, and colored pencil MS. 2 pp. 25.5 x 32 cm. Sketches (3 staves); undated. Pencil MS. 6 pp. 23 x 30.5 cm. Parts 1–2; 6AA. Draft of score (reduced score, 3 staves); undated. Pencil MS. 5 pp. 29 x 33 cm. |
| folder 9 | [no reel no.]. “Basal Metabolism.” Name “rows” for “prelude” to “Basal Metabolism.” Consists of pencil note assigning a chromatic note to each letter of the alphabet (1 p.) and sketch of motifs corresponding to Alexander, Audrey Hepburn, Roger Edens, Adolph Deutsch, Mareile B. Courage, and Funny Face (1 p.). 2 pp., total. 24 x 30.5 cm. |
| folder 10 | [no reel no.]. “Bon Jour, Paris (Revised)” (by Roger Edens and Leonard Gershe; arr. and orch. Van Cleave). Conductor’s score (4 staves); dated March 20, 1956. MS repro, with markings in red pencil. 28 pp. 23 x 30.5 cm. |
| folder 11 | [no reel no.]. “Clap Yo’ Hands” (music by George Gershwin; lyric by Ira Gershwin; additional music by Roger Edens; arr. and orch. Skip Martin). Conductor’s score (4 staves); undated. MS repro. 18 pp. 23 x 30.5 cm. |
| folder 12 | [no reel no.]. “Funny Face” (by George and Ira Gershwin; additional lyrics by Edens and Gershe; arr. Conrad Salinger; orch. Robert Franklyn). Conductor’s score (4 staves); dated March 23, 1956. MS repro, with markings in pencil on p. 1. 8 pp. 23 x 30.5 cm. |
| folder 13 | [no reel no.]. “He Loves and She Loves” (by George and Ira Gershwin; new lyric by Edens and Gershe; arr. Conrad Salinger; orch. Robert Franklyn). Conductor’s score (4 staves); dated March 22, 1956. MS repro, with sparse markings in pencil. 10 pp. 23 x 30.5 cm. |
| folder 14 | [no reel no.]. “How Long Has This Been Going On?” (by George and Ira Gershwin; additional lyrics by Edens and Gershe; arr. Conrad Salinger; orch. Robert Franklyn). Conductor’s score (6 staves); dated September 14, 1956. MS repro. 2 copies. 8 pp., each. 23 x 30.5 cm. |
| folder 15 | [no reel no.]. “Part I. Jo’s Jazz Dance (Basil Metabolism)” (A. Courage). Conductor’s score (4 staves); dated March 22, 1956. MS repro, with sparse markings in pencil. 10 pp. 23 x 30.5 cm. |
| folder 16 | [no reel no.]. “Let’s Kiss and Make Up” (by George and Ira Gershwin; new lyric by Edens and Gershe). [Earlier version] (arr. and orch. A. Courage). Conductor’s score (4 staves); undated. MS repro. 23 pp. 23 x 30.5 cm. Revised (arr. and orch. Van Cleave); consists of 12 revised pages (pp. 1–12) taped into beginning of earlier version (with pp. 11–23 renumbered). Conductor’s score (4 staves); dated April 4, 1956. MS repro, with markings in pencil and red pencil. 25 pp. 23 x 30.5 cm. |
| folder 17 | [no reel no.]. “‘S Wonderful – Prelude” (by George and Ira Gershwin; arr. Adolph Deutsch; orch. Gus Levene). Conductor’s score (4 staves); dated March 23, 1956. MS repro. 1 p. 23 x 30.5 cm. |
| folder 18 | [no reel no.]. “Think Pink.” Parts 1 and 3. Part 1. Conductor’s score (4 staves); dated March 15, 1956. MS repro. 14 pp. 23 x 30.5 cm. Part 3. Conductor’s score (5–6 staves); dated April 2, 1956. MS repro. 10 pp. 23 x 30.5 cm. |
| folder 19 | Sketch labeled “Prepared Piano.” Sketch indicating timbres created by the prepared piano. Pencil MS. 1 p. 24 x 30.5 cm. |
LES GIRLS (Cole Porter; arr. A. Deutsch & A. Courage)
| folder 20 | [no reel no.]. “Why Am I So Gone About That Gal,” Parts 1–5. Part 1; 1707-010A. Conductor’s score (4–6 staves); dated May 16, 1957. MS repro. 5 pp. 24.5 x 33 cm. Part 2; 1707-010B. Conductor’s score (4–6 staves); dated May 16, 1957. MS repro. 4 pp. 24.5 x 33 cm. Part 3; 1707-010C. Conductor’s score (4–6 staves); dated May 17, 1957. MS repro. 7 pp. 24.5 x 33 cm. Part 4; 1707-010D. Conductor’s score (4–6 staves); dated May 18, 1957. MS repro. 5 pp. 24.5 x 33 cm. Part 5; 1707-010E. Conductor’s score (4–6 staves); dated May 17, 1957. MS repro. 2 pp. 24.5 x 33 cm. |
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GLORY (James Horner; arr. A. Courage)
| folder 21 | Glory (Concert Version). Draft of score (reduced score, 4 staves) [labeled “Pops. Glory”]; undated. Pencil MS. 7 pp. 31 x 39.5 cm. Conductor’s score (7 staves) [titled “Glory (Concert Version)”]; undated. MS repro (photocopy), with measure numbers and sparse markings in pencil. 20 pp. 22 x 28 cm. |
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GO NAKED IN THE WORLD (Adolph Deutsch)
| folder 22 | Reel 1/Part 2; 1766-x4. “Livid Eye.” Piano-instrumental score (or piano-vocal score with lyrics missing?) (3 staves); dated August 22, 1960. 3 pp. 24.5 x 33 cm. |
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| folder 23 | Reel 1/Part 3; 1766-x8. “Extra Nice.” Piano score (2 staves); dated August 22, 1960. 3 pp. 24.5 x 33 cm. |
| folder 24 | Reel 12/Part 2; 1766-8. “Go Naked in the World (Guitar arr.—long version).” Score for harmonica and two guitars (3 staves); dated September 7, 1960. 2 pp. 24.5 x 33 cm. |
GOODBYE CHARLIE (André Previn; arr. Billy May)
| folder 25 | Reel 1/Part 2. “Main Title.” Conductor’s score (4–5 staves); undated. Written below title: 21. MS repro. 15 pp. 25 x 33 cm. |
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Box 14
GREAT CHERUB KNITWEAR STRIKE (Alexander Courage)
| folder 1 | M1. “Main Title.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 5 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number (M-1), title, and instrumentation. |
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| folder 2 | M2. “Job Hunting Montage.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 5 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 3 | M4. “Office Work Montage.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 4 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 4 | M5. “First Pangs.” For piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 1 p. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 5 | M6. “Social Montage.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 4 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 6 | M8. “Spring Make Out.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 5 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 7 | M9. “Picketing Montage.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 4 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 8 | M10. “The Beating.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 1 p. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 9 | M11. “May Day Montage.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 8 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 10 | M12. “End Credits.” For trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink and markings and excisions in pencil and red pencil; MS repro revisions taped over staves on pp. 4–6. 11 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation. |
| folder 11 | MS drafts. Includes M1, M12, M2, M5, M4, M6, M8, M9, and M11. Drafts of score (reduced score; 4 staves). Pencil MS. 15 pp., total. 30.5 x 39.5 cm. |
| folder 12 | “New York High School Song” (music and lyrics by Ethel Tyne). Source music. MS repro (photocopy). 2 pp. 21.5 x 35 cm. |
GREEN MANSIONS (Bronislau Kaper) #1734
| folder 13 | [no reel no.]; 1734-4931. “Song of Green Mansions” (music by Bronislau Kaper; lyrics by Paul Francis Webster). Piano-vocal score (3 staves); dated July 18, 1958. MS repro. 4 pp. 24.5 x 33 cm. |
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GREMLINS 2 (Kander & Ebb; arr. A. Courage)
| folder 14 | Reel 10/Part 2. “New York, New York (Beginning).” Sketch of score with click track (8 staves); undated. Pencil MS, with sparse markings in red ink. 4 pp. 30.5 x 41.5 cm. Full score (35 staves); undated. Pencil MS, with measure numbers in black ink and vocal in red ink. 8 pp. 32 x 48.5 cm. |
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| folder 15 | Reel 10/Part 3. [Section from] “Rhapsody in Blue” (George Gershwin, arr. A. Courage). Click track, outlined on staff paper (8 blank staves); undated. 3 pp. 30.5 x 41.5 cm. Sketch of score [early draft?] (reduced score, 4 staves); undated. Pencil MS. 2 pp. 31 x 39.5 cm. Sketch of score [revised version? corresponds to music in full score] (reduced score, 4 staves); undated. Pencil MS. 2 pp. 31 x 39.5 cm. Full score (35 staves); undated. Pencil MS, with measure numbers in black ink; MS repro revisions taped over staves on pp. 10–11. 12 pp. 32 x 48.5 cm. |
| folder 16 | Reel 10/Part 4. “Broadway to Bowery.” Sketch of score with click track (8 staves); undated. Pencil MS, with marking in red ink on p. 1. 4 pp. 30.5 x 42 cm. Sketch of score (reduced score, 9 staves); undated. Pencil MS. 7 pp. 28 x 43.5 cm. Full score (35 staves); undated. Pencil MS, with measure numbers in black ink; MS repro revisions taped over staves on pp. 9–10. 14 pp. 32 x 48.5 cm. |
| folder 17 | Reel 10/Part 4A. “New York, New York (Ending).” Sketch of vocal line with click track (8 staves); undated. Pencil MS, with sparse markings in red ink. pp. 30.5 x 42 cm. Sketch of score (reduced score, 9 staves); undated. Pencil MS. 2 pp. 28 x 43.5 cm. Full score (35 staves); undated. Pencil MS, with measure numbers in black ink and vocal line in red ink. 4 pp. 32 x 48.5 cm. |
| folder 18 | Reel 11/Part 3 “The Gremlin Bride” (based on the bridal chorus by Richard Wagner; arr. A. Courage). Sketch of score (reduced score, 4 staves); undated. Pencil MS. 2 pp. 31 x 39.5 cm. Full score (35 staves); undated. Pencil MS, with measure numbers in black ink. 10 pp. 32 x 48.5 cm. |
| folder 19 | Reel 6/Part 7. “Police TV Theme.” Sketch of score (reduced score, 4 staves); undated. Pencil MS. 2 pp. 31 x 39.5 cm. Full score (35 staves); undated. Pencil MS, with measure numbers in black ink; MS repro revisions taped to staves on p. 4. 5 pp. 32 x 48.5 cm. |
Box 15
GUYS AND DOLLS (Frank Loesser) #7400
| folder 1 | (arr. Herbert Spencer & Bernard Mayers) 1/1 [No title] repro conductor’s score |
|---|---|
| folder 2 | (arr. Nelson Riddle, Jay Blockton) [no reel no.] – “Adelaide” repro conductor’s score |
| folder 3 | (arr. H. Spencer & A. Iavello) [no reel no.] – “I’ll know” repro conductor’s score |
HANDLE WITH CARE (A. Courage) #1727
| folder 4 | Reel 1/Part 1; 1727-1. “Main Title.” Conductor’s score (4 staves); dated December 30, 1957. MS repro, with measure numbers in red pencil. 4 pp. 24.5 x 33 cm. |
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| folder 5 | Reel 1/Part 2; 1727-9. “I’m Late.” Conductor’s score (4 staves); dated December 30, 1957. MS repro, with measure numbers in red pencil. 2 pp. 24.5 x 33 cm. |
| folder 6 | Reel 1/Part 3; 1727-10. “Big Help.” Conductor’s score (4 staves); dated December 30, 1957. MS repro, with measure numbers in red pencil. 2 pp. 24.5 x 33 cm. |
| folder 7 | Reel 2/Part 1; 1727-2. “Walk to Work.” Conductor’s score (3 staves); dated December 23, 1957. MS repro, with measure numbers in red pencil. 3 pp. 24.5 x 33 cm. |
| folder 8 | Reel 2/Part 2. “The Books.” Conductor’s score (4 staves); dated December 28, 1957. MS repro. 2 copies. 2 pp., each. 24.5 x 33 cm. Copy 1 has measure numbers in red pencil. |
| folder 9 | Reel 2/Part 3–Reel 3/Part 1. “The Survey,” Parts 1–2. Part 1; 1727-5. Conductor’s score (3 staves); dated December 28, 1957. MS repro, with measure numbers in red pencil. 1 p. 24.5 x 33 cm. Part 2; 1727-11. Conductor’s score (4 staves); dated December 31, 1957. MS repro, with measure numbers in red pencil. 4 9p. 24.5 x 33 cm. |
| folder 10 | Reel 6/Part 2; 1727-8. “Fired.” Conductor’s score (4 staves); dated December 28, 1957. MS repro, with measure numbers in red pencil. 3 pp. 24.5 x 33 cm. |
| folder 11 | Reel 6/Part 3; 1727-7. “No, Zach!” Conductor’s score (4 staves); dated December 28, 1957. MS repro. 2 copies. 3 pp., each. 24.5 x 33 cm. Copy 1 has measure numbers in red pencil. |
| folder 12 | Reel 8/Part 1; 1727-3. “The Drought.” Conductor’s score (3–4 staves); dated December 23, 1957. MS repro, with measure numbers in red pencil. 5 pp. 24.5 x 33 cm. |
| folder 13 | Reel 8/Part 1A; 1727-4. “Lees Pleas.” Conductor’s score (4–6 staves); dated December 26, 1957. MS repro, with measure numbers in red pencil. 5 pp. 24.5 x 33 cm. |
| folder 14 | Reel 8/Part 2; 1727-12. “Come Back, Zach! and End Title.” Conductor’s score (4 staves); dated December 31, 1957. MS repro, with measure numbers in red pencil. 3 pp. 24.5 x 33 cm. |
HEART LIKE A WHEEL (L. Rosenthal; arr. A. Courage)
| folder 15 | M121. “The Garage.” Reduced score (9 staves); undated. MS repro (printed on thermal fax paper). 3 pp. 30.5 x 42.5 cm. Full score (22 staves); undated. MS repro (printed on thermal fax paper). 4 pp. 30.5 x 37 cm. |
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HELLO DOLLY (Jerry Herman; arr. A. Courage)
| folder 16 | Reel 1/Part XA-1. “Clip Clop. Call on Dolly.” Conductor’s score (5–6 staves); undated. Written above title: 103. MS repro. 13 pp. 25 x 33 cm. |
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| folder 17 | Reel 1/Part 3. “Main Title.” Conductor’s score (5–8 staves); undated. Written above title: 101. MS repro; MS repro revision taped over staves on p. 2. 22 pp. 25 x 33 cm. |
| folder 18 | [no reel no.]. “Before the Parade Passes By,” Parts 2–3. Part 2; scene 45. Conductor’s score (2–3 staves); dated February 16, 1968, and revised March 4, 1968. MS repro. 8 pp. 25 x 33 cm. Part 3; scene 48. Piano-vocal score (3 staves); revised March 4, 1968. MS repro. 5 pp. 25 x 33 cm. |
| folder 19 | [no reel no.] “[Before the] Parade [Passes By].” Part I. Draft of score (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. Part II. Draft of score (reduced score, 4 staves); undated. Pencil MS. 7 pp. 30.5 x 39.5 cm. |
| folder 20 | [no reel no.] “Before the Parade Passes By,” Parts 2–3. Part 2. Conductor’s score (4–7 staves); undated. MS repro. 18 pp. 25 x 33 cm. Part 3. Conductor’s score (6–7 staves); undated. MS repro, with emendations in red pencil on pp. 7–8; MS repro revisions taped over staves on p. 5. 9 pp. 25 x 33 cm. |
| folder 21 | [no reel no.]. “Dancing.” Piano-vocal score (2–3 staves); dated March 11, 1968 [recorded March 27]. MS repro, with markings in pencil and red ink. 28 pp. 25 x 33 cm. |
| folder 22 | [no reel no.] “Dancing” Parts 2–4. Part II. Draft of score (reduced score, 4 staves); undated. Pencil MS. 5 pp. 30.5 x 39 cm. Part III. Draft of score (reduced score, 4 staves); undated. Pencil MS. 4 pp. 30.5 x 39 cm. Part IV. Draft of score (reduced score, 4 staves); undated. Pencil MS. 7 pp. 30.5 x 39 cm. |
HOME ALONE (John Williams)
| folder 23 | Reel 8/Part 6. “Setting the Trap.” Draft of score (8 staves); undated. MS repro (photocopy). 10 pp. 28 x 34.5 cm. |
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| folder 24 | [no reel no.]. “Holiday Flight.” Full score (35 staves); undated. MS repro (photocopy). 19 pp. 28 x 43 cm. |
HOOK (John Williams; orch. A. Courage)
| folder 25 | Reel 13/Parts 1–2. “Tink Grows Up.” Full score (35 staves); undated. MS repro (photocopy). 114 pp. 28 x 43 cm. |
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| folder 26 | Reel 13/Part 3. “Crossed Swords.” Full score (40 staves); undated. MS repro (photocopy). 24 pp. 28 x 43 cm. |
| folder 27 | Reel 15/Part 2. “The End of Hook.” Draft of score (8 staves); undated. MS repro (photocopy). 6 pp. 32 x 39.5 cm. |
Box 16
I’LL CRY TOMORROW #1679
| folder 1 | [no reel no.]; 1679-02. “Happiness is a Thing Called Joe” (by Harold Arlen and Y. P. Harburg; arr. A. Courage and Charles Henderson). Conductor’s score (5–6 staves); dated June 1, 1955. MS repro. 7 pp. 24 x 33 cm. Annotation on original folder (in A. Courage’s hand): “rest of show/Alex North.” |
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| folder 2 | [no reel no.]; 1679-01. “When The Red, Red Robin Comes Bob, Bob, Bobbin’ Along” (Harry Woods; arr. C. Henderson & A. Courage). Conductor’s score (4–6 staves); dated May 24, 1955. MS repro. 9 pp. 24.5 x 33 cm. |
INDIANA JONES & THE LAST CRUSADE (John Williams)
| folder 3 | Reel 8/Part 2. “Koeniggraetzer March.” Sketches (written notes and 2 mm. music only, on manuscript paper with 8 staves); undated. 1 p. 32 x 39.5 cm. Draft of score (reduced score; 4 staves); undated. 4 pp. 30.5 x 39.5 cm. |
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| folder 4 | Reel 11/Part 4–Reel 12/Part 2. “The Canyon of the Crescent Moon.” Draft of score (8 staves); undated. MS repro (photocopy). 7 pp. 33 x 40 cm. |
INSIDE DAISY CLOVER (André Previn)
| folder 5 | [no reel no.]. “The Circus Is a Wacky World.” Piano-vocal score (3 staves); dated February 5, 1965. MS repro. 12 pp. 25.5 x 33.5 cm. “The Circus Is a Wacky World” and “Circus (Dance).” Piano-vocal score (3 staves); dated February 5, 1965. MS repro, with excisions (i.e., sections of music covered with blank paper) and extensive markings in pencil and colored pencil. 16 pp. 25.5 x 33 cm. |
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| folder 6 | [no reel no.]. “The Circus is a Wacky World.” Conductor’s score (4–5 staves); undated. MS repro. 22 pp. 30.5 x 37.5 cm. |
| folder 7 | [no reel no.]. “A Happy Song.” “A Happy Song.” Piano-vocal score (3 staves); dated February 9, 1965. MS repro, with markings in pencil on p. 1. 7 pp. 25.5 x 33 cm. “Happy Song – Special Verse.” Piano-vocal score (3 staves); dated April 18, 1965. MS repro, with measure numbers in red pencil. 2 pp. 25.5 x 33 cm. “Happy Song Routine.” Piano score (2 staves); undated. MS repro, with measure numbers in red pencil and markings in pencil and red pencil. 6 pp. 25.5 x 33 cm. |
| folder 8 | [no reel no.]. “A Happy Song.” Conductor’s score (4–5 staves); undated. MS repro. 18 pp. 30.5 x 37 cm. |
| folder 9 | [no reel no.]. “You’re Gonna Hear From Me.” Sketches (2 staves); undated. Pencil MS. 2 pp. 25.5 x 33 cm. Piano-vocal score (3 staves); dated February 3, 1965. MS repro. 2 copies. 5 pp., each. 25.5 x 33 cm. Copy 1 has markings in pencil. Additional chorus and coda. Vocal/piano-vocal score (1–3 staves); dated April 18, 1965. MS repro, with markings in pencil. 2 pp. 25.5 x 33 cm. |
| folder 10 | [no reel no.]. “You’re Gonna Hear From Me.” Conductor’s score (5 staves); undated. MS repro. 9 pp. 30.5 x 37 cm. |
JFK (John Williams)
| folder 11 | [no reel no.]. “Theme from JFK.” Draft of score (8 staves); undated. MS repro (photocopy), with measure numbers circled in red pencil on pp. 3–5. 6 pp. 28 x 35.5 cm. |
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JULIET IN MANTUA (A. Courage)
| folder 12 | #1. “A Man Going Home.” Sketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature and tempo markings in black ink. 3 pp. 24 x 30.5 cm. Score for voice and guitar (2 staves); undated. Ozalid master (ink MS). 3 pp. 24 x 33 cm. |
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| folder 13 | #2. “A Woman Alone in Her Bed.” Sketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature in black ink. 2 pp. 24 x 30.5 cm. Score for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm. |
| folder 14 | #3. “What Promises Do Lovers Ever Keep?” Sketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature and tempo markings in black ink. 2 pp. 24 x 30.5 cm. Score for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm. |
| folder 15 | #4. “I Had A Father.” Sketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature and tempo markings in black ink. 2 pp. 24 x 30.5 cm. Score for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm. |
| folder 16 | #5. “Where Do The Young Days Go?” Sketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signatures in black ink. 2 pp. 24 x 30.5 cm. Score for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm. |
| folder 17 | #6. “I Was In Love.” Sketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature and tempo markings in black ink. 2 pp. 24 x 30.5 cm. Score for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm. |
KISMET (Robert Wright & George Forrest) #1676
| folder 18 | [no reel no.]; 1676-015. “Baubles, Bangles and Beads” (arr. C. Salinger). Conductor’s score (4–6 staves); dated May 12, 1955. MS repro. 17 pp. 24.5 x 33 cm. |
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| folder 19 | [no reel no.]; 1-1169D. “Gesticulate” (based on themes of A. Borodin). Conductor’s score (4–5 staves); undated. MS repro, with markings in pencil and colored pencil. 25 pp. 24.5 x 33 cm. |
| folder 20 | [no reel no.]; 1676-013. “Gesticulate” (arr. A. Courage; vocal arr. Jeff Alexander). Conductor’s score (4–6 staves); undated. MS repro. 27 pp. 24.5 x 33 cm. |
| folder 21 | [no reel no.]; 1-1169L. “Rhymes Have I.” Conductor’s score (4 staves); undated. MS repro, with sparse markings in pencil and colored pencil. 19 pp. 24.5 x 33 cm. |
KISS ME STUPID (George Gershwin)
| folder 22 | [no reel no.]. “All the Livelong Day.” Piano-vocal score (3 staves); undated. MS repro, with revised lyrics in pencil on pp. 3–4. 4 pp. 24.5 x 33 cm. |
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| folder 23 | [no reel no.]. “Sophia.” Piano-vocal score (3 staves); undated. MS repro, with markings in black ink. 7 pp. 24.5 x 33 cm. “Sophia, Part 1” (Dean Martin vocal). Conductor’s score (3–4 staves); undated. 8 pp. 24.5 x 33 cm. “Sophia, Part 2” (Dean Martin vocal). Conductor’s score (3–4 staves); undated. 11 pp. 24.5 x 33 cm. |
Box 17
THE LAST BUTTERFLY (Alex North)
| folder 1 | [no reel no.]; scene 20. “Children’s (Song) Theme.” Draft of score (3 staves); undated. MS repro (photocopy). 2 copies. 3 pp., each. 25.5 x 35.5 cm. |
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| folder 2 | [no reel no.]; scene 57. “Ghetto Song” (arr. M. Dvořák). Draft of score (4 staves); undated. MS repro (photocopy). 5 pp. 25.5 x 35.5 cm. |
| folder 3 | [no reel no.]. “The Last Butterfly Theme” (by A. Courage). Draft of score (reduced score, 4 staves); undated. Pencil MS. 4 pp. 31 x 39.5 cm. |
| folder 4 | [no reel no.]. “The Last Butterfly Theme.” Arranged for violin and piano. Draft of score (3 staves); undated. MS repro (photocopy), with markings in pencil and red ink. 3 pp. 21.5 x 28 cm. |
| folder 5 | [no reel no.]. “The Last Performance” (arr. A. Courage). Draft of score with click track (4 staves); undated. MS repro (photocopy). 2 pp. (p. 2 cut off at m. 20 [45 seconds]). 25.5 x 35.5 cm. |
| folder 6 | [no reel no.]. “Revolutionary Song.” Draft of score (4 staves); undated. MS repro (photocopy). 3 copies. 1 p., each. 21.5 x 35.5 (copy 1)/28 (copies 2–3) cm. |
LEGEND (Jerry Goldsmith)
| folder 7 | Reel 2/Part 2. “The Cottage.” Annotation on original folder (in A. Courage’s hand): “thrown out in US, substituted ‘Tangerine Dream’ but stayed in rest of world.” Draft of score (8 staves); undated. MS repro (photocopy), with markings in pencil. 13 pp. 30 x 43 cm. |
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| folder 8 | Reel 2/Part 3–Reel 3/Part 1. “Teach Me.” Draft of score (8 staves); undated. MS repro (photocopy), with markings in pencil. 21 pp. 30 x 42 cm. |
| folder 9 | Reel 5/Part 2. “Fairie Dance.” Draft of score with click track (4 staves); undated. MS repro (photocopy). 5 pp. 29.5 x 37.5 cm. “Notes for R5P2 Bar chart.” Typescript document. 1 p. |
| folder 10 | [no reel no.]. “The Bumps and Hollows.” Lower key version in B-flat. Vocal lead sheet (2 staves); undated. MS repro (photocopy), with brackets in green ink on mm. 48 and 64. 3 pp. 30 x 37.5 cm. |
| folder 11 | [no reel no.]. “Bumps & Hollows.” Draft of score (8 staves); undated. Pencil MS, with measure numbers in blue ink and sparse markings in red ink. 6 pp. 32 x 39.5 cm. |
| folder 12 | [no reel no.]. “Dress Waltz.” Draft of score (8 staves); undated. MS repro (photocopy), with markings in red ink and additions in pencil on p. 11. 18 pp. (pages numbered 1–11 and 22–28). 29.5 x 42 cm. |
| folder 13 | [no reel no.]. “Fairie Dance.” Draft of score (8 staves); undated. Pencil MS, with markings in red ink. 10 pp. 32 x 39.5 cm. |
| folder 14 | [no reel no.]. “Legend” (by Jay A. Wanamaker). For drum line (bells, xylophone, snare drum, tom toms, bass drum, cymbals, and aux. percussion). Photocopy of published score from unidentified source (pp. 11–13). [s.l.]: Alfred Publishing Co., c1981. 3 pp. 21.5 x 28 cm. Percussion parts (4 parts: snare drum, bass drum, quads, cymbals). MS repro (photocopies). 4 pp. 21.5 x 28 cm. |
| folder 15 | [no reel no.]. “Sing the Wee.” Vocal score (4 staves); undated. MS repro. 2 copies. 1 p., each. 29.5 x 42 cm. Copy 1 has sparse markings in pencil. |
| folder 16 | [no reel no.]. “Unicorn.” Sketch (1 staff); undated. Pencil MS. 1 p. of music on folio (4 pp.). 24 x 31 cm. |
| folder 17 | [no reel no.]. “When I Look In My True Love’s Eyes.” Vocal part (1 staff); undated. MS repro, with chord for verse added in pencil. 1 p. 30 x 42 cm. |
LONG HOT SUMMER (A. Courage) #2023
| folder 18 | M62. “Exit Smiling.” Draft of score (8 staves); undated. MS repro. 3 pp. 33 x 43 cm. |
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LOST IN THE STARS (Kurt Weill; adapted by A. North; orch. A. Courage) #Y-01
| folder 19 | Reel 1/Part 1. “Main Title Overlay.” A Version. Draft of score (8 staves); undated. Written at top of p. 1: 34. MS repro, with instrument names added or circled in red pencil throughout score. 11 pp. 31 x 43.5 cm. B Version. Draft of score (8 staves); undated. Written at top of p. 1: 33. MS repro, with instrument names circled in red ink on p. 1. 6 pp. 31 x 43.5 cm. |
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| folder 20 | Reel 1/Part 2. “Train to Johannesberg.” Full score (23 staves); undated. Written at top of p. 1: 1. MS repro, with sparse markings in red ink. 24 pp. 28.5 x 36.5 cm. |
| folder 21 | Reel 1/Part 3. “To Brother John.” Full score (23 staves); undated. Written at top of p. 1: 17. MS repro, with instrument names added or circled in red ink throughout score. 7 pp. 28.5 x 36.5 cm. |
| folder 22 | Reel 2/Part 1. “Come Home.” Full score (23 staves); undated. Written at top of p. 1: 18. MS repro, with instrument names added or circled in red pencil throughout score. 10 pp. 28.5 x 36.5 cm. |
Box 18
| folder 1 | Reel 2/Part 2. “Thousands of Miles” (by Weill–Anderson; arr. A. Courage). Full score (23 staves); undated. Written at top of p. 1: 11. MS repro, with instrument names added or underlined in red ink throughout score. 29 pp. 28.5 x 36.5 cm. |
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| folder 2 | Reel 3/Part 1A. “The Little Gray House” (by Weill–Anderson; arr. A. Courage). Full score (23 staves); undated. MS repro. 2 copies. 22 pp., each. 28.5 x 36.5 cm. Copy 1 has “10” written at top of p. 1 and instrument names added or circled in red ink throughout score. Copy 2 has “3” written at top of p. 1. |
| folder 3 | Reel 3/Part 2. “Big Mole” (by Weill–Anderson; arr. A. North and A. Courage). Draft of score (8 staves); undated. MS repro, with markings in red pencil and green ink. 32 pp. 32 x 44 cm. |
| folder 4 | Reel 4/Part 1–Reel 5/Part 1–1A. ”Prelude to Trouble Man” and “Trouble Man.” Reel 4/Part 1–/Reel 5/Part 1. “Prelude to Trouble Man” (by Weill; adapted by A. North; orch. A. Courage). Full score (23 staves); undated. Written at top of p. 1: 20. MS repro, with instrument names added or circled in red ink throughout score. 5 pp. 29 x 37 cm. Reel 5/Part 1A. “Trouble Man” (by Weill–Anderson; arr. A. Courage). Full score (23 staves); undated. Written at top of p. 1: 16. MS repro, with instrument names added or circled in red pencil throughout score. 16 pp. 28.5 x 36.5 cm. |
| folder 5 | Reel 5/Part 2. “Murder in Parkwold and Fear” (by Weill–Anderson; adapted by A. North; arr. A. Courage). Full score (33 staves); undated. Written at top of p. 1: 2. MS repro. 45 pp. 29.5 x 49 cm. |
| folder 6 | Reel 5/Part 3–Reel 6/Part 1. “Prison Scene” (by Weill–Anderson; adapted by A. North; orch. A. Courage). Full score (23 staves); undated. Written at top of p. 1: 21. MS repro, with instrument names added or circled in red ink throughout score. 17 pp. 28.5 x 37 cm. |
| folder 7 | Reel 6/Part 2A. “Lost in the Stars.” Full score (23 staves); undated. Written at top of p. 1: 7. MS repro, with instrument names added or circled in orange pencil throughout score. 13 pp. 29 x 37 cm. |
| folder 8 | Reel 7/Part 1A. “Stay Well.” Full score (23 staves); undated. Written at top of p. 1: 8. MS repro, with instrument names added or circled in orange pencil throughout score. 13 pp. 28.5 x 37 cm. |
| folder 9 | Reel 7/Parts 3A–3E. “Wild Justice.” Reel 7/Part 3 and 3C. “Wild Justice,” Part A, Sections 1 and 4. Full score (23 staves); undated. Written at top of p. 1: 15. MS repro, with instrument names added or circled in red pencil throughout score. 6 pp. 28.5 x 36.5 cm. Reel 7/Part 3A and 3D. “Wild Justice,” Part B, Sections 2 and 5. Full score (23 staves); undated. Written at top of p. 1: 14. MS repro, with instrument names added or circled in red pencil throughout score. 4 pp. 28.5 x 36.5 cm. Reel 7/Part 3B. “Wild Justice,” Part C, Section 3. Full score (33 staves); undated. Written at top of p. 1: 12. MS repro, with instrument names added or circled in red ink throughout score. 15 pp. 30 x 49 cm. Reel 7/Part 3E. “Wild Justice,” Part D, Section 6. Full score (33 staves); undated. Written at top of p. 1: 12. MS repro, with instrument names added or circled in red ink throughout score. 12 pp. 30 x 49 cm. |
| folder 10 | Reel 8/Part 1. “Two Races in Africa.” Full score (23 staves); undated. Written at top of p. 1: 22. MS repro, with instrument names added or circled in red ink throughout score. 4 pp. 28.5 x 36.5 cm. |
| folder 11 | Reel 9/Part 1. “Sentence Passed.” Full score (23 staves); undated. Written at top of p. 1: 9. MS repro, with instrument names added or circled in orange pencil throughout score. 5 pp. 28.5 x 36.5 cm. |
| folder 12 | Reel 10/Part 1. “The Hills of Ixopo.” Full score (33 staves); undated. Written at top of p. 1: 5. MS repro. 16 pp. 28 x 37 cm. |
| folder 13 | Reel 11/Part 2A. “End Title–‘Cry, the Beloved Country.’” Full score (23 staves); undated. MS repro. 9 pp. 29.5 x 49 cm. |
| folder 14 | No. 1. “The Hills of Ixopo.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Rental score (full score, 23 staves), from the rental library of Chappell & Co., c1950. MS repro. 16 pp. of music. 28 x 39.5 cm. |
| folder 15 | No. 2. “Thousands of Miles.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Rental score (full score, 23 staves) [from the rental library of Chappell & Co., c1950]. MS repro. 15 pp. (numbered 17–31). 28 x 39.5 cm. |
Box 19
| folder 1 | No. 3. “Incidental Music.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). No. 3. “Incidental Music.” Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 3 pp. (numbered 32–34). 28 x 39.5 cm. No. 4A. “Change of Scene.” Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 61–62). 28 x 39.5 cm. Accompanied by Post-It note: “Lost in the Stars / orig. stage orchestration / + Courage’s notations in pencil of future orchestration / see pagination for order.” Pencil MS. 1 p. |
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| folder 2 | No. 4 “Train to Johannesburg.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro, with sparse rehearsal markings on pp. 52–53. 26 pp. (numbered 35–60). 28 x 39.5 cm. |
| folder 3 | No. 5. “The Search.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 24 pp. (numbered 63–86). 28 x 39.5 cm. |
| folder 4 | No. 6. “Change of Scene.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 4 pp. (numbered 87–90). 28 x 39.5 cm. |
| folder 5 | No. 7. “The Little Gray House.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). No. 7. “The Little Gray House.” Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 18 pp. (numbered 91–108). 28 x 39.5 cm. No. 7A. “Reprise.” Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 109–110). 28 x 39.5 cm. |
| folder 6 | No. 8. “Who’ll Buy.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–25 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 16 pp. (numbered 111–34). 28 x 39.5 cm. |
| folder 7 | No. 9. “Change of Scene.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 127–128). 28 x 39.5 cm. |
| folder 8 | No. 10. “Trouble Man.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (24 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 16 pp. (numbered 129–144). 28 x 39.5 cm. |
| folder 9 | No. 11. “Murder in Parkwold.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 10 pp. (numbered 145–154). 28 x 39.5 cm. |
| folder 10 | No. 12. “Fear!” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 26 pp. (numbered 155–180). 28 x 39.5 cm. |
| folder 11 | No. 13. “Change of Scene.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 3 pp. (numbered 181–183). 28 x 39.5 cm. |
| folder 12 | No. 14. “Change of Scene.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 184–185). 28 x 39.5 cm. |
| folder 13 | No. 15. “Lost in the Stars.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (24–26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 9 pp. (numbered 186–194). 28 x 39.5 cm. |
| folder 14 | No. 16. “Entr’act.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 15 pp. (numbered 195–209). 28 x 39.5 cm. |
| folder 15 | No. 17. “The Wild Justice.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–26 staves) [photocopy of pages from rental score from Chappell & Co.]; incomplete (see Box 19/16 for pp. 223–230 of “Wild Justice”). MS repro. 13 pp. of music (numbered 210–222), with title pages (2 pp.); 15 pp. total. 28 x 39.5 cm. |
| folder 16 | No. 18. “O Tixo, Tixo, Help Me!” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–24 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 22 pp. (numbered 231–252). 28 x 39.5 cm. Ending of “Wild Justice” (see Box 19/15). Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 8 pp. of music (numbered 223–230). 28 x 39.5 cm. |
| folder 17 | No. 19. “Stay Well.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–24 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 22 pp. (numbered 253–274). 28 x 39.5 cm. |
| folder 18 | No. 20. “Change of Scene.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 275–276). 28 x 39.5 cm. |
| folder 19 | No. 21. “Reprise ‘The Wild Justice.’” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 3 pp. (numbered 277–279). 28 x 39.5 cm. |
| folder 20 | No. 22. “Cry, the Beloved Country.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 16 pp. (numbered 280–295). 28 x 39.5 cm. |
Box 20
| folder 1 | No. 23. “Big Mole.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23–24 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 18 pp. (numbered 296–313). 28 x 39.5 cm. |
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| folder 2 | No. 24. “Incidental Music.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 314–315). 28 x 39.5 cm. |
| folder 3 | No. 25. “A Bird of Passage.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (24–26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 7 pp. (numbered 316–322). 28 x 39.5 cm. |
| folder 4 | No. 26. “Four O’Clock.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (24–25 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 7 pp. (numbered 323–329). 28 x 39.5 cm. |
| folder 5 | No. 27. “Finale.” From orchestral arrangement of Lost in the Stars: A Musical Tragedy (a composite of Weill’s original Broadway scoring and augmented orchestration). Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 4 pp. (numbered 330–333). 28 x 39.5 cm. |
| folder 6 | [no reel no.] “Big Mole” (music by Kurt Weill; lyrics by Maxwell Anderson). Piano-vocal score (3 staves); undated. MS repro, with markings in pencil, red pencil, and ink. 7 pp. 24.5 x 33 cm. |
| folder 7 | [no reel no.] “Wild Justice” (music by Kurt Weill; lyrics by Maxwell Anderson). Piano-vocal score (3 staves); undated. MS repro, with markings in pencil and green ink. 13 pp. 24.5 x 33 cm. |
MALICE (Jerry Goldsmith)
| folder 8 | Reel 1/Part 1. “The Cyclist.” Sketch of score (reduced score, 9 staves); dated 1993. MS repro (photocopy). 8 pp. 31.5 x 28 cm. Accompanied by Post-It note: “Copy of 1MI for your reference.” |
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| folder 9 | Reel 11/Part 2. “Final Chapter.” Sketch of score (reduced score, 9 staves); dated 1993. MS repro (photocopy), with sparse markings in ink. 8 pp. 31.5 x 28 cm. Accompanied by Post-It note addressed to Sandy [A. Courage]. |
MATINEE (Jerry Goldsmith & Alexander Courage)
| folder 10 | Reel 3/Part 4. “The Shopping Cart.” Full score (35 staves); undated. MS repro (photocopy). 14 pp. 28 x 43 cm. |
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| folder 11 | Reel 3/Part 4. “The Shopping Cart.” Conductor’s score (4 staves); undated. Pencil MS, with markings in red ink. 3 pp. 31 x 39.5 cm. Accompanied by note (1 p.): “Some very silly music from a [silly] movie. Red marks are Ken Hall’s …” Also in folder: Reel 1/Part 3. “Rhumba Playoff.” Conductor’s score (4 staves); undated. Pencil MS, with markings in red ink. 1 p. 31 x 39.5 cm. |
| folder 12 | Reel 3/Part 5–Reel 4/Part 1. “Hold On (Insert).” Full score (35 staves); undated. MS repro (photocopy). 13 pp. 28 x 43 cm. |
| folder 13 | Reel 6/Part 2. “Showtime.” Sketch of score (reduced score, 9 staves); undated. MS repro (photocopy). 5 pp. 30 x 28 cm. |
MEET ME IN ST. LOUIS (Hugh Martin & Ralph Blane) #1317
| folder 14 | [no reel no.]; 12772. “Clang, Clang, Clang Went the Trolley.” Conductor’s score (2–5 staves); undated. MS repro (photocopy). 23 pp. 25.5 x 35.5 cm. |
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MOM AND DAD SAVE THE WORLD (J. Goldsmith; orch. A. Courage)
| folder 15 | Reel 1/Part 1. “Meet Spengo.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 17 pp. 21 x 34.5 cm. |
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| folder 16 | Reel 1/Part 2. “The Death Ray Laser.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 10 pp. 21 x 30 cm. |
| folder 17 | Reel 1/Part 4. “Morning Paper.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 7 pp. 21 x 30 cm. |
| folder 18 | Reel 2/Part 1. “The Abduction.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 29 pp. 21 x 30 cm. |
| folder 19 | Reel 2/Part 3. “Rough Landing.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 9 pp. 24 x 31.5 cm. Reel 2/Part 3A. “Rough Landing (Extended).” Full score (35 staves); undated. MS repro (reduced-size photocopy). 3 pp. (numbered 10–12). 22 x 28 cm. |
| folder 20 | Reel 2/Part 5. “Photo Session.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 10 pp. 21.5 x 28 cm. |
| folder 21 | Reel 3/Part 1. “Family Talk.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 5 pp. 21.5 x 28 cm. |
| folder 22 | Reel 3/Part 2. “The Dungeon.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 3 pp. 21.5 x 28 cm. |
| folder 23 | Reel 3/Part 3. “Open My Pants.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 15 pp. 21.5 x 28 cm. |
| folder 24 | Reel 3/Part 4A. “Tod the Destroyer.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 6 pp. 21 x 29.5 cm. |
| folder 25 | Reel 3/Part 6. “Take Her Away.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 3 pp. 21 x 29.5 cm. |
| folder 26 | Reel 4/Part 1. “The Mind Machine.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 10 pp. 21.5 x 28 cm. |
Box 21
| folder 1 | Reel 4/Part 2. “The Needle.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 20 pp. 24 x 32 cm. |
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| folder 2 | Reel 4/Part 3–Reel 5/Part 1. “The Lub-Lubs.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 29 pp. 21 x 30 cm. |
| folder 3 | Reel 5/Part 2. “True Power.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 27 pp. 21.5 x 28 cm. |
| folder 4 | Reel 5/Part 5. “Captured.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 9 pp. 21.5 x 28 cm. |
| folder 5 | Reel 6/Part 2. “Target Practice.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 13 pp. 21.5 x 28 cm. |
| folder 6 | Reel 6/Part 1. “The Camp.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 2 pp. 24 x 32 cm. |
| folder 7 | Reel 6/Part 2A. “Hot Lub Lub.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 2 pp. 21 x 29.5 cm. |
| folder 8 | Reel 6/Part 5. “I Love My Wife.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 7 pp. 24 x 32 cm. |
| folder 9 | Reel 7/Part 1. “Gathering Forces.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 30 pp. 24 x 32 cm. |
| folder 10 | Reel 7/Part 3. “The Ceremony.”| Full score (35 staves); undated. MS repro (reduced-size photocopy). 5 pp. 21 x 30 cm. |
| folder 11 | Reel 7/Part 3A. [no title]. Full score (35 staves); undated. MS repro (reduced-size photocopy). 3 pp. 21 x 30 cm. |
| folder 12 | Reel 8/Part 1. “Misunderstood.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 36 pp. 21 x 30 cm. |
| folder 13 | Reel 8/Part 2. “Let’s Have Lunch.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 31 pp. 21 x 34.5 cm. |
| folder 14 | Reel 9/Part 1. “The Flight Home.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 16 pp. 21 x 30 cm. |
| folder 15 | Reel 9/Part 3. “On the Roof.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 6 pp. 21 x 30 cm. |
| folder 16 | [no reel no.] “Link #1 & #2.” “Link #1.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 1 p. 18 x 25.5 cm. “Link #2.” Full score (35 staves); undated. MS repro (reduced-size photocopy). 1 p. 17.5 x 27.5 cm. |
MR. BASEBALL (Jerry Goldsmith)
| folder 17 | Reel 8/Part 2. “Team Effort.” Conductor’s score (9 staves); dated 1992. MS repro (photocopy), with markings in pencil and red ink. 4 pp. 40.5 x 35.5 cm. |
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| folder 18 | Reel 10/Part 3. “Final Shot (End Credits).” Conductor’s score (9 staves); undated. MS repro (photocopy). 5 pp. 32 x 28 cm. Accompanied by Post-It note: “Sandy—this master C.S. for your reference only …” |
| folder 19 | Reel 11/Part 5. “Final Score.” Conductor’s score (9 staves); dated 1992. MS repro (photocopy). 6 pp. 40 x 35.5 cm. |
Box 22
MY FAIR LADY (Lerner & Loewe)
| folder 1 | Reel 1/Part 2. “After the Theater.” repro conductor’s score Conductor’s score (4 staves); undated. MS repro. 7 pp. 31 x 37.5 cm. |
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| folder 2 | Reel 1/Part 2A. “Sudden Shower.” Conductor’s score (4 staves); undated. MS repro. 5 pp. 31 x 37.5 cm. |
| folder 3 | Reel 3/Part 4A. “Flower Market Bustle.” Conductor’s score (4 staves); undated. MS repro. 5 pp. 31 x 37.5 cm. Sketches of score (4 staves); undated. Pencil MS. 5 pp. 31 x 38.5 cm. |
| folder 4 | Reel 14/Part 1. “Introduction to Promenade.” Conductor’s score (4 staves); undated. MS repro. 1 p. 30.5 x 36.5 cm. |
| folder 5 | Reel 14/Part 2. “Embassy Waltz; Eliza Enters.” Conductor’s score (4 staves); undated. MS repro. 11 pp. 31 x 37 cm. [Slight water damage across all pages in center of outside margin.] |
| folder 6 | Reel 14/Part 3. “Royalty Arrives.” Conductor’s score (4 staves); undated. MS repro. 3 pp. 30.5 x 37 cm. |
| folder 7 | Reel 14/Part 4. “The First Waltz.” Conductor’s score (4 staves); undated. MS repro. 2 copies. 4 pp., each. 31 x 37 cm. Copy 1 has performance markings in red pencil. |
| folder 8 | Reel 14/Part 5–Reel 15/Part 1. “Another Dance.” Conductor’s score (4 staves); undated. MS repro. 2 copies. 4 pp., each. 31 x 37 cm. Copy 1 has sparse performance markings in red pencil. |
| folder 9 | Reel 15/Part 2. “The Tango.” Conductor’s score (4 staves); undated. MS repro. 3 pp. 30.5 x 37 cm. |
| folder 10 | Reel 15/Part 3. “Intro to ‘You Did It.’” Conductor’s score (4 staves); undated. MS repro. 5 pp. 30.5 x 37 cm. |
| folder 11 | Reel 15/Part 4. “You Did It.” Conductor’s score (4 staves); undated. MS repro. 1 p. 30.5 x 36.5 cm. |
| folder 12 | Reel 20/Part 1. “Women – Insert One.” Conductor’s score (4 staves); undated. MS repro. 2 pp. 30.5 x 36.5 cm. |
| folder 13 | Reel 20/Part 2. “Woman – Insert II.” Conductor’s score (4 staves); undated. MS repro. 1 p. 31 x 36.5 cm. |
| folder 14 | Reel 22/Parts 1 and 3. “‘Accustomed – Intro and Extension.” Reel 22/Part 1. “Accustomed – Intro.” Conductor’s score (4 staves); undated. MS repro. 3 pp. 31 x 37 cm. Reel 22/Part 3. “Accustomed – Extension.” Conductor’s score (4 staves); undated. MS repro. 3 pp. 31 x 36.5 cm. |
| folder 15 | Reel 22/Part 5. “End Title.” Conductor’s score (4 staves); undated. MS repro. 1 p. 31 x 36.5 cm. |
| folder 16 | [no reel no.]; No. 2. “Why Can’t The English?” Piano-vocal score (3 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 10 pp. (numbered pp. 14–23). 22 x 30.5 cm. |
| folder 17 | [no reel no.]; No. 3. “Wouldn’t It Be Loverly?” Piano-vocal score (2–5 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 12 pp. (numbered pp. 24–35). 22 x 30.5 cm. |
| folder 18 | [no reel no.]; No. 4. “With A Little Bit of Luck.” Piano-vocal score (3–4 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 10 pp. (numbered pp. 36–45). 22 x 30.5 cm. |
| folder 19 | [no reel no.]; No. 5. “I’m An Ordinary Man.” Piano-vocal score (3 staves); undated. Reproduction of published score, with markings in ink, pencil, and red pencil. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 17 pp. (numbered pp. 47–63). 22 x 30.5 cm. |
| folder 20 | [no reel no.]; No. 6. “Reprise: With A Little Bit of Luck.” Piano-vocal score (2–6 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 9 pp. (numbered pp. 65–73). 22 x 30.5 cm. |
| folder 21 | [no reel no.]; No. 7. “Just You Wait.” Piano-vocal score (3 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 8 pp. (numbered pp. 75–82). 22 x 30.5 cm. |
| folder 22 | [no reel no.]; No. 8. “The Servant’s Chorus.” Piano-vocal score (2–6 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 7 pp. (numbered pp. 83–89). 22 x 30.5 cm. [All pages have water damage on lower outside corner.] |
| folder 23 | [no reel no.]; No. 9. “The Rain in Spain.” Piano-vocal score (2–3 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 6 pp. (numbered pp. 90–95). 22 x 30.5 cm. [Pages 93–95 have water damage on lower outside corner.] |
| folder 24 | [no reel no.]; No. 10. “I Could Have Danced All Night.” Piano-vocal score (3–4 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 10 pp. (numbered pp. 96–107). 22 x 30.5 cm. |
| folder 25 | [no reel no.]; No. 11. “Ascot Gavotte.” Piano-vocal score (2–6 staves); undated. Reproduction of published score, with sparse markings in pencil on p. 108. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 10 pp. (numbered pp. 108–117). 22 x 30.5 cm. [Pages 115–116 have water damage on lower outside corner.] |
| folder 26 | [no reel no.]; No. 13. “On the Street Where You Live.” Piano-vocal score (2–3 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 8 pp. (numbered pp. 120–127). 22 x 30.5 cm. |
| folder 27 | [no reel no.]; No. 21. “The Flower Market.” Piano-vocal score (2–6 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 7 pp. (numbered pp. 182–188). 22 x 30.5 cm. [Pages have water damage on lower and/or upper outside corners.] |
| folder 28 | [no reel no.]; No. 22. “Get Me to the Church on Time.” Piano-vocal score (2–7 staves); undated. Reproduction of published score, with markings in pencil. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 16 pp. (numbered pp. 189–192, 195–200, 207–212). 22 x 30.5 cm. Sketch of score (2 staves); undated. MS repro, with markings in pencil. 6 pp. 25.5 x 33 cm. [Pages 2–4 have water damage on outside margin.] |
| folder 29 | [no reel no.]; No. 24. “A Hymn to Him.” Piano-vocal score (3 staves); undated. Reproduction of published score, with sparse markings in pencil. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 11 pp. (numbered pp. 214–224). 22 x 30.5 cm. |
Box 23
| folder 1 | [no reel no.]; No. 25. “Without You.” Piano-vocal score (3 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 6 pp. (numbered pp. 226–231). 22 x 30.5 cm. [All pages have slight water damage to lower outside corner.] |
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| folder 2 | [no reel no.]; No. 26. “I’ve Grown Accustomed to Her Face.” Piano-vocal score (2–3 staves); undated. Reproduction of published score, with markings in pencil. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 15 pp. (numbered pp. 232–246). 22 x 30.5 cm. [Pages 233–238 have water damage on lower outside corner.] |
| folder 3 | [no reel no.]. “Ascot Gavotte.” “Ascot Reprise (Partial).” Conductor’s score (4 staves); undated. MS repro, with performance marking (caesura) in blue pencil. 8 pp. 25.5 x 33 cm. “Ascot Gavotte – Part 2.” Conductor’s score (3–4 staves); undated. MS repro. 9 pp. 25.5 x 33 cm. |
| folder 4 | [no reel no.]. “Get Me to the Church on Time,” Parts 1–3. Part 1. Conductor’s score (4 staves); undated. MS repro. 7 pp. 31 x 36.5 cm. Part 2. Conductor’s score (4 staves); undated. MS repro. 13 pp. 31 x 36.5 cm. [Several pages have water damage on center of outside margin.] Part 3. Conductor’s score (3–5 staves); undated. MS repro. 8 pp. 25.5 x 33.5 cm. |
| folder 5 | [no reel no.]. “I’m An Ordinary Man.” Conductor’s score (4 staves); undated. MS repro, with sparse markings in pencil. 29 pp. 25.5 x 33.5 cm. [Several pages have water damage.] |
| folder 6 | [no reel no.]. “I’ve Grown Accustomed to Her Face.” Conductor’s score (4 staves); undated. MS repro. 25 pp. 25.5 x 33 cm. [Several pages have water damage.] |
| folder 7 | [no reel no.]. “Just You Wait.” Conductor’s score (4 staves); undated. MS repro. 11 pp. 25.5 x 33 cm. [Several pages have water damage.] “Just You Wait – Reprise.” Conductor’s score (4 staves); undated. MS repro. 2 pp. 25.5 x 33 cm. [All pages have water damage.] |
| folder 8 | [no reel no.]. “On the Street Where You Live.” Conductor’s score (4 staves); undated. MS repro, with sparse markings in pencil on p. 1. 18 pp. 25.5 x 33 cm. |
| folder 9 | [no reel no.]. “Overture.” Conductor’s score (4 staves); undated. MS repro, with markings in red pencil. 2 copies. 12 pp., each. 25.5 x 33.5 cm. |
| folder 10 | [no reel no.]. “The Pygmalion Waltzes.” Piano score (2 staves); undated. MS repro, with sparse markings in pencil. 9 pp. 25.5 x 33.5 cm. [Pages 2–5 have water damage on lower outside corner.] |
| folder 11 | [no reel no.]. “Trailer and Exit Music – I Could Have Danced All Night.” Conductor’s score (4 staves); undated. MS repro. 4 pp. 30.5 x 37 cm. |
| folder 12 | “R. R. Bennett’s orchestrations for the stage version.” Folder heading taken from annotation in A. Courage’s hand. “Overture and Opening.” Full score (20 staves); undated. MS repro; pages torn from spiral bound copy. 24 pp. 32 x 36 cm. No. 11. “Ascot Gavotte.” Full score (20 staves); undated. MS repro; pages torn from spiral bound copy. 16 pp. 32 x 36 cm. No. 13. “On the Street Where You Live.” Full score (20 staves); undated. MS repro; pages torn from spiral bound copy. 17 pp. 32 x 36 cm. No. 20A. “Street Where You Live (Reprise).” Full score (20 staves); undated. MS repro; pages torn from spiral bound copy. 8 pp. 32 x 36 cm. |
MY SON THE WITCH DOCTOR (A. Courage & Owen Crump)
| folder 13 | “Title Tune” (music by A. Courage; lyrics by Owen Crump). Sketch of piano-vocal score (3 staves); undated. Pencil MS. 2 pp. 28.5 x 37 cm. Sketch of vocal line (1 staff); undated. Pencil MS. 2 pp. 24 x 32 cm. Lyrics; undated. Typescript copy. 1 p. 21.5 x 28 cm. Sketches; undated. Pencil MS. 1 p. 24 x 32 cm. |
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NORTH BY NORTHWEST (Bernard Hermann) #1743
| folder 14 | Reel 2–Reel 3/Part 1; 1743-5. “The Wild Ride.” Full score (26 staves); dated [1959]. MS repro. 17 pp. 32 x 36 cm. Accompanied by Post-It note: “Bernard Herrmann / “North by Northwest” 1959 / B. H.’s MS.” |
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ONE PIECE BATHING SUIT (Adolph Deutsch) #1567
| folder 15 | Reel 10/Part 1; 1567-47. “The Tank Fills” (by Adolph Deutsch and A. Courage). Conductor’s score (5–6 staves); dated June 20, 1952. MS repro. 2 pp. 24.5 x 33 cm. |
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| folder 16 | Reel 12/Part 6; 1567-52. “Christmas Party” (arr. A. Courage). Conductor’s score (3–4 staves); dated June 30, 1952. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 17 | [no reel no.]. “Smoke Number – Part II and Part 2B rev.” Part 2; 1567-3B. Conductor’s score (4 staves); dated May 23, 1952. MS repro, with sparse markings in pencil and red pencil. 14 pp. 24.5 x 33 cm. Part 2B rev.; 1567-3B rev. Conductor’s score (4–5 staves); dated July 28, 1952. MS repro. 5 pp. 24.5 x 33 cm. |
PAGAN LOVE SONG (Harry Warren, Roger Edens, and A. Courage) #1489
| folder 18 | Reel 3/Parts 1–3; 21228. “You Stay.” Conductor’s score (3–6 staves); dated August 25, 1950. MS repro. 7 pp. 24.5 x 33 cm. |
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| folder 19 | Reel 7/Parts 3A–D; 21263. “Fete Dance.” Conductor’s score (3–6 staves); dated August 31, 1950. MS repro. 12 pp. 24.5 x 33 cm. |
| folder 20 | Reel 8/Part 3B; 21257. “Quinn’s Cont’d.” Conductor’s score (4 staves); dated August 30, 1950. MS repro. 3 pp. 24.5 x 33 cm. Also in folder: [no reel no.]; 21013. “Etiquette.” Music by Harry Warren. Lyric by Arthur Freed. Arranged by Adolph Deutsch. Composer’s score (3–5 staves); dated June 13, 1950. MS repro, with measure numbers circled in red pencil. 5 pp. 24.5 x 33 cm. |
Box 24
THE PATSY (David Raksin) #10394
| folder 1 | Reel 1C. “Back to the Drawing Board” (by David Raksin; orch. Ruby Raksin). Conductor’s score (4 staves); dated May 1, 1964. MS repro. 5 pp. 23 x 30.5 cm. |
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| folder 2 | Reel 2/Parts B and BA. “Main Title” (by David Raksin; orch. A. Courage). Part 2B. Conductor’s score (4 staves); dated May 12, 1964. MS repro. 16 pp. 23 x 30.5 cm. Part 2BA. Conductor’s score (4 staves); dated May 11, 1964. MS repro. 12 pp. 23 x 30.5 cm. |
| folder 3 | Reel 2C. “Scurry” (by David Raksin; orch. Ruby Raksin). Conductor’s score (4 staves); dated May 5, 1964. MS repro. 5 pp. 23 x 30.5 cm. |
| folder 4 | Reel 12B. “End Title” (by David Raksin; orch. A. Courage). Conductor’s score (4 staves); dated May 11, 1964. MS repro. 12 pp. 23 x 30 cm. |
PEPE (Dory Langdon & André Previn; orch./arr. A. Courage) #8476
| folder 5 | “The Rumble,” Parts 1–3. Part 1. Conductor’s score (4 staves); undated. MS repro. 6 pp. 28.5 x 36 cm. Part 2. Conductor’s score (4 staves); undated. MS repro. 3 pp. 28 x 36 cm. Part 3. Conductor’s score (4 staves); undated. MS repro. 8 pp. 28 x 36 cm. |
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PORGY & BESS (George Gershwin)
| folder 6 | Act I. Full score (30 staves), with pages from the piano-vocal score interleaved; copyright 1935. MS repro (photocopy), spiral bound. 155 pp. 28 x 36 cm. |
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| folder 7 | Act II. Full score (30 staves), with pages from the piano-vocal score interleaved; [copyright 1935]. MS repro (photocopy), spiral bound. 224 pp. 28 x 36 cm. |
Box 25
| folder 1 | Act III. Full score (30 staves), with pages from the piano-vocal score and the typescript libretto interleaved; [copyright 1935]. MS repro (photocopy), spiral bound [plastic comb binding broken]. 160 pp. 28 x 36 cm. |
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| folder 2 | Medley (for Barbara Streisand) (arr. A. Courage). Full score (34 staves); undated. MS repro (photocopy), with performance markings in colored pencil. 19 pp. 32 x 48.5 cm. |
THE POWER AND THE PRIZE (B. Kaper) #1697
| folder 3 | Reel 5/Part 3; 1697-15. “In the Park.” Conductor’s score (4–5 staves); undated. MS repro, with measure numbers and timings circled in red pencil and markings in pencil. 5 pp. 24.5 x 33 cm. |
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THE RACK (Adolph Deutsch) #1686
| folder 4 | Reel 1/Part 1; 1686-1. “Main Title.” Conductor’s score (4–6 staves); dated January 31, 1956. MS repro. 5 pp. 24.5 x 33 cm. |
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| folder 5 | Reel 1/Part 3; 1686-9. “Ed on Stretcher.” Conductor’s score (4–6 staves); dated February 3, 1956. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 6 | Reel 4/Part 1; 1686-3. “The Dark Kitchen.” Conductor’s score (4 staves); dated January 24, 1956. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 7 | Reel 6/Part 1; 1686-4. “Scars.” Conductor’s score (4 staves); dated January 31, 1956. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 8 | Reel 9/Part 1; 1686-10. “Father and Son.” Conductor’s score (4 staves); dated February 3, 1956. MS repro. 5 pp. 24.5 x 33 cm. |
| folder 9 | Reel 10/Part 1; 1686-2. “Court Recess.” Conductor’s score (5–6 staves); dated January 25, 1956. MS repro. 3 pp. 24.5 x 33 cm. |
THE RIVER WILD (Jerry Goldsmith)
| folder 10 | Reel 11/Part 2. “Vacation’s Over.” Full score (35 staves); undated. MS repro (photocopy). 51 pp. 28 x 43 cm. |
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| folder 11 | Reel 11/Part 3–Reel 12/Part 1. “Vacation’s Over Part II.” Sketch of score (reduced score, 9 staves); undated. MS repro (photocopy). 14 pp. 30 x 28 cm. |
| folder 12 | Reel 11/Part 3–Reel 12/Part 1. “Vacation’s Over Part II.” Full score (35 staves); undated. MS repro (photocopy). 55 pp. 28 x 43 cm. |
THE RUSSIA HOUSE
| folder 13 | “Alone in the World” (music by Jerry Goldsmith; lyrics by Alan and Marilyn Bergman). Piano-vocal score (3 staves); copyright 1990. MS repro, with measure numbers in pencil. 4 pp. 24 x 33 cm. |
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SAY ONE FOR ME (James Van Heusen)
| folder 14 | “Say One for Me” (music by James Van Heusen; words by Sammy Cahn). Piano-vocal score (3 staves); revised February 3, 1959. MS repro. 4 pp. 25 x 33 cm. |
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Box 26
SEVEN BRIDES FOR SEVEN BROTHERS (Gene de Paul & Johnny Mercer) #1643
Production formerly titled “Sobbin’ Women”
| folder 1 | [no reel no.]; 1643-02. “Barn Dance” (arr. Saul Chaplin and Adolph Deutsch). Conductor’s score (3–5 staves); dated November 13, 1953. MS repro (photocopy). 24 pp. 24 x 33 cm. |
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| folder 2 | [no reel no.]; 1643-03. “Bless Your Beautiful Hide” (arr. Adolph Deutsch). Conductor’s score (5–6 staves); dated November 2, 1953. MS repro. 14 pp. 24.5 x 33 cm. |
| folder 3 | [no reel no.]; 1643-05. “Goin’ Co’tin’” (arr. Saul Chaplin and Adolph Deutsch). Conductor’s score (4–6 staves); dated November 2, 1953. MS repro, with markings in red pencil and pencil. 18 pp. 24.5 x 33 cm. |
| folder 4 | [no reel no.]; 1643-08. “June Bride” (arr. Conrad Salinger). Conductor’s score (4–6 staves); undated. MS repro, with markings in red pencil. 14 pp. 24 x 33 cm. |
| folder 5 | [no reel no.]; 1643-04. “Sobbin’ Women” (orch. arr. Leo Arnaud; vocal arr. Jeff Alexander). Conductor’s score (3–6 staves); dated November 20, 1953. MS repro, with measure numbers in red pencil and markings in pencil. 13 pp. 24.5 x 33 cm. |
| folder 6 | [no reel no.]; 1643-06. “Wonderful, Wonderful Day” (arr. Conrad Salinger). Conductor’s score (2–6 staves); dated January 14, 1954. MS repro. 12 pp. 24.5 x 33 cm. |
THE SHADOW (Jerry Goldsmith; orch. A. Courage)
| folder 7 | Reel 1/Part 1. “The Poppy Fields (Main Title).” Full score (35 staves); undated. MS repro. 23 pp. 28 x 43 cm. Also in folder: Typescript list of film scores received by Sibley Music Library on June 22, 1995 (for Alexander Courage Collection). 1 p. |
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| folder 8 | Reel 1/Part 3. “The Clouded Mind.” Full score (35 staves); undated. MS repro. 23 pp. 28 x 43 cm. |
| folder 9 | Reel 4/Part 1. “Do You Believe?” Full score (33 staves); undated. MS repro. 10 pp. 28 x 43 cm. |
| folder 10 | Reel 4/Part 1A. “The Sanctum.” Full score (35 staves); undated. MS repro. 31 pp. 28 x 43 cm. |
| folder 11 | Reel 8/Part 3. “The Tank.” Full score (35 staves); undated. MS repro. 42 pp. 28 x 43 cm. |
| folder 12 | Reel 11/Part 1A. “Time Bomb.” Full score (35 staves); undated. MS repro. 28 pp. 28 x 43 cm. |
| folder 13 | Reel 11/Part 2. “Frontal Lobotomy.” Full score (35 staves); undated. MS repro. 13 pp. 28 x 43 cm. |
SHOWBOAT (Jerome Kern; arr. C. Salinger) #1520
| folder 14 | [no reel no.]; 21509. “Bill (Last Chorus).” Conductor’s score (4–5 staves); dated November 10, 1950. MS repro. 2 pp. 24.5 x 33 cm. |
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| folder 15 | [no reel no.]. “Buck & Wing.” H-396. “Buck & Wing.” Piano score (2 staves); dated October 19, 1950. MS repro, with markings in pencil. 4 pp. 24.5 x 33 cm. 21503. “Buck and Wing – 1st Encore.” Conductor’s score (3–4 staves); dated November 10, 1950. MS repro, with markings in pencil and red pencil. 6 pp. 24.5 x 33 cm. |
| folder 16 | [no reel no.]; 21502. “Can’t Help Lovin’ Dat Man.” Conductor’s score (3–5 staves); dated November 10, 1950. MS repro. 2 copies. 4 pp., each. 24.5 x 33 cm. |
| folder 17 | [no reel no.]; H-393. “Hey fellah!” Piano-vocal score (3 staves); dated October 18, 1950. MS repro. 2 copies. 4 pp., each. 24.5 x 33 cm. Copy 1 has markings in pencil. |
| folder 18 | [no reel no.]; 21643. “Life Upon the Wicked Stage” (arr. Adolph Deutsch). Conductor’s score (4 staves); dated December 11, 1950. MS repro, with measure numbers circled in red pencil. 18 pp. 24.5 x 33 cm. |
| folder 19 | [no reel no.]; 21436. “Make-Believe.” Conductor’s score (4–6 staves); dated October 30, 1950. MS repro. 11 pp. 24.5 x 33 cm. |
| folder 20 | [no reel no.]; 21501. “Why Was I Born?” Conductor’s score (3–4 staves); dated November 10, 1950. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 21 | [no reel no.]; 21445–21446. “You Are Love – Nos. 1 & 2.” [no reel no.]; 21445. No. 1. Conductor’s score (4–6 staves); dated October 31, 1950; revised November 8, 1950. MS repro. 10 pp. 24.5 x 33 cm. [no reel no.]; 21446. No. 2. Conductor’s score (4–6 staves); dated October 31, 1950. MS repro. 6 pp. 24.5 x 33 cm. |
SINGIN’ IN THE RAIN (Nacio Herb Brown; arr. C. Salinger) #1546
| folder 22 | [no reel no.]. “Singin’ in the Rain.” Conductor’s score (3–6 staves); undated. MS repro (photocopy). 12 pp. 25.5 x 35.5 cm. |
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SPACE CAMP (John Williams)
| folder 23 | Reel 11/Part 2. “Home Again.” Draft of score (reduced score, 8 staves); undated. MS repro (photocopy of oversized score, upper and lower systems from original copied separately). 11 pp. 35.5 x 25.5 cm. |
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| folder 24 | Reel 11/Part 3. “End Credits.” Draft of score (reduced score, 8 staves); undated. MS repro (photocopy), with markings in red pencil. 11 pp. 33 x 40.5 cm. |
Box 27
STORY OF MONTY STRATTON (Nacio Herb Brown, Adolph Deutsch; arr. A. Courage) #1424
| folder 1 | Reel 5/Part 1; 19370. “Back to Omaha.” Conductor’s score (3–4 staves); dated January 28, 1949. MS repro. 6 pp. 24.5 x 33 cm. |
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| folder 2 | Reel 9/Part 2; 19392. “The Turning Point.” Conductor’s score (3–4 staves); dated February 3, 1949. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 3 | Reel 10/Part 2B; 19387. “You Look Just Fine.” Conductor’s score (4 staves); dated February 2, 1949. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 4 | [no reel no.]; 19393. “How’s About It, Honey?” Conductor’s score (4 staves); dated February 3, 1949. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 5 | [no reel no.]; 19426. “Main Title.” Conductor’s score (2–4 staves); dated February 9, 1949. MS repro. 5 pp. 24.5 x 33 cm. |
SUMMER OF ’42 (Michel Legrand)
| folder 6 | [no reel no.]. “The Summer Knows.” Piano-vocal score (3 staves); copyright 1971. Reproduction of published score. [s.l.]: WB Music Corp., c1971. Pl. no. TM-414-2. 2 pp. 24 x 32 cm. |
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SUPERMAN (John Williams)
| folder 7 | 1M1. “Main Title.” “1M1, Main Title.” Conductor’s score (8 staves); undated. MS repro (photocopy), with markings in pencil and red ink. 5 pp. (pages numbered 2–6). 33 x 41.5 cm. “M59 12M8, End Credits.” Conductor’s score (8 staves); undated. MS repro (photocopy), with markings in pencil and red ink. 1 p. 33 x 41.5 cm. “1M1 (insert).” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. (numbered 2A). 33 x 41.5 cm. “New 1M1, Main Titles, Part 1.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41.5 cm. “1M1, Main Title (B).” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41.5 cm. “1M1, Main Title.” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41.5 cm. “New 1M1 – Part II.” Conductor’s score (8 staves); undated. MS repro (photocopy). 8 pp. (pages numbered 7–8, 8A–D, 9–10). 33 x 41.5 cm. |
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| folder 8 | 1M1A (“new”). “Krypton.” Conductor’s score (8 staves); undated. MS repro (photocopy). 6 pp. 33 x 41 cm. |
| folder 9 | 1M2. “Kryptonopolis.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. |
| folder 10 | 1M3. “The Dome Opens.” “1M3. The Dome Opens.” Conductor’s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm. “1M3 revised. The Dome Opens.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. |
| folder 11 | 2M1. “The Council’s Decision.” “2M1. The Council’s Decision.” Conductor’s score (8 staves); undated. MS repro (photocopy). 10 pp. 33 x 41 cm. “2M1, New Ending (bars 140 new to 155 new).” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41.5 cm. |
| folder 12 | 2M2 (“new”). “The Kryptonquake.” Conductor’s score (8 staves); undated. MS repro (photocopy), with sparse markings in red ink. 4 pp. 33 x 41 cm. |
| folder 13 | 3M2(M5). “3M2 (M5). Baby’s Trip to Earth.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 copies. 6 pp., each. 33 x 41 cm. Copy 2 constructed from half-sheets taped together. “New 3M2. Baby Makes an Entrance.” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm. “3M2. To Earth.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. “3M5. Baby Lifts Lorry.” Conductor’s score; undated. MS repro (photocopy). 1 p. 33 x 41 cm. |
| folder 14 | 4M1. “Kansas High School.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. Accompanied by ink note: “Superman I Source.” |
| folder 15 | 4M2. “Racing the Train.” Conductor’s score (8 staves); undated. MS repro (photocopy), with markings in ink. 4 pp. 33 x 41 cm. |
| folder 16 | 4M3. “Kansas Kids.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. |
| folder 17 | 4M4/5M1. “New 4M4/5M1. The Fortress of Solitude.” Conductor’s score (8 staves); undated. MS repro (photocopy), with sparse markings in ink. 7 pp. 33 x 41 cm. “4M4/5M1. Jonathan’s Death.” Conductor’s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm. |
| folder 18 | 5M2. “5M2. Late Night Country Music.” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm. “5M2. Sunday Meeting.” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm. “New 5M2 (M16). Father’s Instruction.” Conductor’s score (8 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 2 pp. 33 x 45 cm. |
| folder 19 | 5M3. “Kryptonite Calls.” Conductor’s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm. “New 5M3 (M16A).” Conductor’s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm. |
| folder 20 | 5M4/6M1 (“new start”). “The Fortress of Solitude.” Conductor’s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm. |
| folder 21 | 6M2/7M1. “Introducing Otis.” Conductor’s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 8 pp. 33 x 41 cm. |
| folder 22 | 7M1. “The Mugger.” Conductor’s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm. Revised version: “7M1 (M17). More Mugger (revised).” Conductor’s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm. |
| folder 23 | 7M2. “The Helicopter Sequence.” Conductor’s score (8 staves); undated. MS repro (photocopy). 12 pp. 33 x 41 cm. |
| folder 24 | 8M2. “The Burglar Sequence.” Conductor’s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm. |
| folder 25 | 8M4. “The Cat Rescue.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. |
| folder 26 | 8M5. “Air Force One.” Conductor’s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41.5 cm. |
| folder 27 | 9M2. “Chasing Crooks.” Conductor’s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm. |
| folder 28 | 9M4. “Another Navy Grog, Please.” Conductor’s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm. |
| folder 29 | 10M1. “Lois’ Pad.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. |
| folder 30 | 10M2. [no title]. Conductor’s score (8 staves); undated. MS repro (photocopy), with sparse markings in red ink. 3 pp. 33 x 41 cm. |
| folder 31 | 10M3. “I Like Pink.” Conductor’s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm. |
| folder 32 | 10M4/11M1. “I Can Fly.” Conductor’s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 6 pp. 33 x 41 cm. Accompanied by duplicate photocopy without markings (with duplicate copies of p. 2 and p. 6). 8 pp. 28–32 x 39–43 cm. “11MC-R-1. Flying Part III.” Conductor’s score (8 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 37 cm. “11MC (M27C). Flying, Part III.” Conductor’s score (8 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 37.5 cm. |
| folder 33 | 11M1. “The Truck Convoy.” Conductor’s score (8 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 37 cm. |
| folder 34 | 11M2. “To The Moon.” “11M2. To The Moon.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 31.5 x 37 cm. “New 11M2 (M3o). Miss Teschmacher Helps.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 31.5 x 37 cm. |
| folder 35 | 11M4. “Clark Loses His Nerve.” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm. |
Box 28
| folder 1 | 12M1 (“new”). “To the Lair. Conductor’s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm. |
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| folder 2 | 12M2 (“new”). “Trajectory Malfunction.” “New 12M2. Trajectory Malfunction.” Conductor’s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 2 pp. 33 x 41 cm. “New12M2 fix. Trajectory Malfunction.” [Contains 10 new/revised measures for beginning of cue.] Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. |
| folder 3 | 12M3 (“new”). [no title]. Conductor’s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm. |
| folder 4 | 12M6. “End Credits.” Conductor’s score (8 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 9 pp. 32.5 x 40.5 cm. |
| folder 5 | 13M1 (“new”). “Miss T’s Rescue.” “New 13M1 (M34). Miss T’s Rescue.” Conductor’s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm. |
| folder 6 | 13M2 (M35). “Chasing Rockets.” Conductor’s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 9 pp. 33 x 41 cm. |
| folder 7 | 13M3 (M36). “Golden Gate Bridge.” Conductor’s score (8 staves); undated. MS repro (photocopy), with sparse markings in red ink. 6 pp. 33 x 41 cm. |
| folder 8 | 13M4 (M37). “The Rescue of Jimmy.” “13M4 (M37). The Rescue of Jimmy. Not Edited.” Conductor’s score (8 staves); undated. MS repro (photocopy). 7 pp. 33 x 41 cm. Accompanied by duplicate copy of p. 1 (upper system and lower system photocopied separately on 11” x 17” paper). 2 pp. |
| folder 9 | 14M1 (M38). “Pushing Boulders.” Conductor’s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm. |
| folder 10 | 14M2 (M39). “Flying to Lois.” Conductor’s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm. |
| folder 11 | 14M3 (M40). “Turning Back the World.” Conductor’s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm. |
| folder 12 | 14M4 (M41). “The Prison Yard.” Conductor’s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. |
| folder 13 | 16M1–2 “Kids on the Bus” and “Lois’s Vocal.” “16M1. Kids on the Bus.” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm. “16M2. Lois’s Vocal.” Conductor’s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm. |
| folder 14 | [no reel no.]. “End Credits.” “End Credits.” Conductor’s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 8 pp. (pages numbered 2–9). 33 x 41 cm. “Love Theme from Superman; Part II of End Credits.” Conductor’s score (8 staves); undated. MS repro (photocopy). 6 pp. 33 x 41 cm. |
| folder 15 | [no reel no.]. “March of the Villains.” Conductor’s score (8 staves); undated. MS repro (photocopy). 7 pp. 33 x 41 cm. |
| folder 16 | [no reel no.]. “Superman Material.” Sketches (1 staff); undated. Pencil MS, with cues added in red ink. 4 pp. 23.5 x 31 cm. Note on top of p. 1: “JW’s material for Superman I which Courage used on Superman IV.” |
| folder 17 | Arr. of “Superman Theme.” Title on score: “Lacy’s Theme #1.” Full score (30 staves); undated. MS repro (photocopy). 10 pp. 30 x 44 cm. Annotation on original folder (in A. Courage’s hand): “London arranger.” |
SUPERMAN IV (John Williams; adapted by A. Courage)
| folder 18 | M1. “Space Saver.” “M1. 1M1. Space Saver.” Full score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 4 pp. 30.5 x 44.5 cm. “M1. 1M1.” Conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. “MA. 1MA. Warner Bros. Logo.” Sketch of score (1 staves with markings); undated. 1 p. 28 x 43 cm. |
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| folder 19 | M2/1M2. “Main Title.” Conductor’s score (9 staves); undated. Pencil MS. 11 pp. 28 x 43.5 cm. Full score (35 staves); undated. Pencil MS. 11 pp. 32 x 48.5 cm |
| folder 20 | M3. “Back in Time.” “New M3. 1M3. Back in Time (Revised).” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black and green ink. 3 pp. 30.5 x 45 cm. Accompanied by duplicate photocopy with markings on pp. 1 and 3 in red ink. 3 pp. “M3. 1M3. Back in Time.” Conductor’s score (12 staves), with time signatures and select time cues in black ink; undated. Pencil MS. 4 pp. 30.5 x 45.5 cm. Accompanied by duplicate photocopy (constructed from half-sheets taped together), with markings on p. 2 in green ink. 4 pp. Also in folder: “M27 6M1. Back at the Fortress.” Conductor’s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together), with markings in green ink. 2 pp. 30.5 x 45.5 cm. |
| folder 21 | M5. “Good Morning.” “M5A. 2M1A. Good Morning.” Conductor’s score (4 staves); undated. Pencil MS, with sparse markings in red ink. 1 p. 30.5 x 39.5 cm. “M5. 1M5/2M1.” Conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. [Page 3 labeled “3rd Draft.”] “New New M5. 1M5/2M1 (2nd rev.) 3rd Draft.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45 cm. |
| folder 22 | M7. “Smoke the Yokes.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm. Conductor’s score (12 staves); undated. Pencil MS, with time signatures and time cues in black ink. 1 p. 30.5 x 45 cm. |
| folder 23 | M8. “Nefarious.” “M8. 2M4. Nefarios.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm. [Large X written over full page in pencil.] “M8. 2M4 Nefarios.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. [Large X written over p. 1 in pencil.] Accompanied by 2 duplicate photocopies: Copy 2 has additions and excisions in green ink (photocopy comprised of half sheets previously taped together, now 4 pp., 30 x 22–26 cm). Copy 3 is photocopy of Copy 2 (with additions) (photocopy comprised of half sheets taped together, 2 pp., 30 x 46 cm), with large X written over both pages in pencil. “M8 New. 2M8. 3rd draft. Nefarios.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm. “M8 New. 2M8. 3rd draft. [no title.]” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 1 p. 30.5 x 45 cm. “M8A. 2M8A (for real). [no title.]” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm. Also in folder: “10MA. [no title.]” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm. “M25. 5M2. Headline.” Conductor’s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 1 p. 30.5 x 45.5 cm. [Large Xs written over both systems on p. 1 in green ink.] Blank staff paper (4 staves per system). 1 p. 30.5 x 39 cm. |
| folder 24 | M10. “To Work.” Conductor’s score (9 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 28 x 43.5 cm. |
| folder 25 | M13. “Train Stopper.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39 cm. Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45 cm. |
| folder 26 | M14. “The Class.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39 cm. [Last system of p. 1 and all of p. 2 contain revised/extended version of cue M14.] Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 1 p. 30.5 x 45 cm. |
| folder 27 | M15. “Hair Raisers.” “M15. 3M2. Hair Raisers. Changed.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39 cm. “M15. 3M2. Hair Raisers.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. “(M.15) 3.M.2.” Full score (35 staves); undated. Pencil MS, with measure numbers and sparse markings in ink. 7 pp. 32 x 48.5 cm. “New M15. 3M2. Hair Raisers. 2nd draft.” Conductor’s score (12 staves); undated. MS repro (photocopy) with pencil MS insertion, with additions and revisions in green ink. 2 pp. 30.5 x 45.5 cm. Also in folder: “New M14. 3M1. The Class (rev.).” Conductor’s score (12 staves); undated. MS repro (p. 1; photocopy) with extension (p. 2) in pencil MS, with markings in green ink. 2 pp. 30.5 x 46 cm. |
| folder 28 | M16. “Lacy.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. Conductor’s score (12 staves); undated. Pencil MS, with time signatures and final time cue in black ink. 1 p. 30.5 x 45 cm. |
| folder 29 | M17. “The Visit.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. Conductor’s score (12 staves); undated. Pencil MS, with time signatures and final time cue in black ink. 2 pp. 30.5 x 45 cm. [Large X written over p. 1 in pencil.] “New M17. 3M4. The Visit (rev.).” Conductor’s score (12 staves); undated. MS repro, with excisions in green ink. 2 pp. 30 x 45.5 cm. “New Extension of M17. 3M4.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures in black ink and time cues and measure numbers in green ink. 1 p. 30.5 x 45 cm. |
| folder 30 | M18. “First Nuclear Man.” Conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. Conductor’s score (12 staves); undated. Pencil MS, with time signatures and final time cue in black ink. 8 pp. 30.5 x 45 cm. Also in folder: “M23. 4M6. [no title.].” Conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. “New M25. 5M2. [no title.].” Conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. “M27. 6M1. [no title.].” Conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. |
Box 29
| folder 1 | M22. “Nuc I Fight.” Conductor’s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm. Conductor’s score (12 staves); undated. Pencil MS, with time signatures in black ink and sparse markings in green, red, and black ink. 5 pp. 30.5 x 45 cm. Also in folder: “M23. 4M6. Ashes.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. |
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| folder 2 | M25. “Headline.” “New M25. 5M2. Headline (rev.).” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45 cm. Accompanied by duplicate photocopy (constructed from half-sheets taped together). 3 pp. 30.5 x 45.5 cm. “M25. 5M2. Headline. Old version.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. Post-It note on p. 1 of score: “Ernie. This is the old M25/5M2…” “(M25) 5.M.2 (old version).” Full score (35 staves); undated. Pencil MS, with measure numbers in ink. 5 pp. 32 x 48.5 cm. |
| folder 3 | M26. “Fresh Air.” “M26. 5M3. Fresh Air.” Conductor’s score (4 staves); undated. Pencil MS. 7 pp. 30.5 x 39.5 cm. “New M26. 5M3. Fresh Air (rev). 2nd draft.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings (revisions) in red ink. 10 pp. 30.5 x 45.5 cm. “New M26. 5M3. Fresh Air (rev).” Conductor’s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 10 pp. 30.5 x 45.5 cm. [Photocopy of pencil MS revised score (earlier draft).] “New M26. 5M3.” Full score (35 staves); undated. Pencil MS, with time signatures in black ink and markings in blue and red ink. 34 pp. 32 x 48.5 cm. |
| folder 4 | M27. “Back at the Fortress.” “M27. 6M1. Back at the Fortress.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45.5 cm. [Large X written over p. 1 in pencil.] “M27. 6M1. Back at the Fortress.” Conductor’s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 2 pp. 30.5 x 46 cm. |
| folder 5 | M28. “United Nations.” “M28. 6M2.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “M28. 6M2. United Nations.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45.5 cm. |
| folder 6 | M29. “Netman.” “M29. 6M3.” Conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. “M29. 6M3. Netman.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 4 pp. 30.5 x 45.5 cm. [Large Xs written over systems on pp. 1 and 3.] “New M29. 6M2. Netman (rev.). Revisions inside.” Conductor’s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together), with emendations in green ink. 4 pp. 30.5 x 46 cm. |
| folder 7 | M30. “Sun Stroke.” “M30. 6M3.” Conductor’s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm. “New M30. 6M3. Insert.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “New M30. 6M3. Sun Stroke (rev.) Contains new insert.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and directional markings in red and green ink. 8 pp. 30.5 x 45 cm. |
| folder 8 | M31. “Enter Nuclear II.” “M31. 7M1.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “M31. 7M1. Enter Nuclear II.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. Also in folder: “M31. M3. Back in Time.” Conductor’s score (4 staves); undated. Pencil MS, with measure numbers in black ink on p. 3. 3 pp. 30.5 x 39.5 cm. “M33. 7M3. Flight to Earth.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “M33. 7M3. Flight to Earth.” Conductor’s score (12 staves); undated. Pencil MS. 1 p. 30.5 x 45 cm. |
| folder 9 | M35. “Introducing Nuc II.” “M35. 7M5.” Conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. Accompanied by ink MS note (1 p.): “Bar 35.” “M35. 7M5. Introducing Nuc II.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 4 pp. 30.5 x 45 cm. |
| folder 10 | M36. “Lacy’s Place (French Farce).” “M36. 7M6/8M1. Lacy’s Place (‘French Farce’).” Conductor’s score (4 staves); undated. Pencil MS. 8 pp. 30.5 x 39.5 cm. “M36. 7M6/8M1. Lacy’s Place (‘French Farce’).” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 11 pp. 30.5 x 45.5 cm. Also in folder: “Suggested treatment. Farce Sequence.” Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm. “Lacy’s Theme #1.” Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm. “Lacy’s Theme #2.” Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm. “The Nuclear Menace.” Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm. “The Nuclear Man.” Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm. “The Nuclear Man. Additional material.” Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm. |
| folder 11 | M37. “The Come On.” “M37. 8M2.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “M37. 8M2. The Come On.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 1 p. 30.5 x 45 cm. Accompanied by duplicate photocopy (constructed from half-sheets taped together). 1 p. 30.5 x 46.5 cm. [Pencil MS has large X over upper system.] Also in folder: “M37. 8M2. Earache.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 1 p. 30.5 x 45 cm. |
| folder 12 | M38. “Confrontation.” “M38. 8M3. Confrontation.” Conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. “M38. 8M3. Confrontation.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 8 pp. 30.5 x 45.5 cm. |
| folder 13 | M39. “Tornado Flight.” “M39. 8M4. Tornado Fight.” Conductor’s score (4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm. “M39. 8M4. Tornado Fight. Redo.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 9 pp. 30.5 x 45.5 cm. |
| folder 14 | M39. [no title]. Separated to Box 34, Folder 1. |
| folder 15 | M40. “Volcano Flight.” “M40. 9M1. Volcano Fight. 2nd draft.” Conductor’s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm. “M40. 9M1. Volcano Fight. 2nd draft.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 5 pp. 30.5 x 45.5 cm. “M40. 9M1.” Full score (35 staves). Pencil MS. 10 pp. 32 x 48.5 cm. |
| folder 16 | M41. “Red Square Band.” “M41. 9M2. Russian March.” Sketch (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “M41. 9M2. Red Square Band.” Conductor’s score (9 staves); undated. Pencil MS. 1 p. 28 x 43.5 cm. |
| folder 17 | M42. “Statue of Liberty Fight.” “M42. 9M3. Statue of Liberty Fight.” Conductor’s score (4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm. “M42. 9M3. Statue of Liberty Fight.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 9 pp. 30.5 x 45 cm. |
Box 30
| folder 1 | M43. “Down With Flu.” “M43. 9M5. [Down with Flu].” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “M43. 9M4. Down with Flu.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45 cm. Also in folder: “M43A. 10MA. Two-Faced Lex.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “M43. 10MA. Two-Faced Lex.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. |
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| folder 2 | M44. “Missile Buildup.” “M44. 10M1. Missile Buildup.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “M44. 10M1. Missile Buildup.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures in black ink. 2 pp. 30.5 x 45 cm. |
| folder 3 | M45. “The Persuader.” “M45. 10M2. 2nd draft.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “M45. 10M2. 2nd draft. The Persuader.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 3 pp. 30.5 x 45 cm. |
| folder 4 | M46. “Awakened.” “M46. 10M3. Awakened.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. [First system on page crossed out in pencil.] “M46. 10M3. Awakened.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 1 p. 30.5 x 45 cm. |
| folder 5 | M47. “Abducted.” “M47. 10M4. Abducted.” Conductor’s score (4 staves); undated. MS repro (photocopy). 3 pp. 31.5 x 38.5 cm. “M47. 10M4. Abducted.” Conductor’s score (12 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 44.5 cm. |
| folder 6 | M48. “Mutual Distrust.” “M48. 10M5. Mutual Distrust.” Conductor’s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm. “M48. 10M5. Mutual Distrust.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 6 pp. 30.5 x 45 cm. |
| folder 7 | M49. “Metropolis Fight.” “M49. 11M1. Metropolis Fight.” Conductor’s score (4 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 39 cm. |
| folder 8 | M50. “Lift to the Moon.” “M50. 11M2. Lift to the Moon.” Conductor’s score (4 staves); undated. MS repro (photocopy). 3 pp. 31.5 x 38.5 cm. |
| folder 9 | M51. “Moon Fight.” “M51. 11M3. Moon Fight.” Conductor’s score (4 staves); undated. Pencil MS, with time signatures in blue ink. 7 pp. 30.5 x 39.5 cm. |
| folder 10 | M52. “Goodbye, Nuc.” “M52. 11M4/12M1. Goodbye, Nuc.” Conductor’s score (4 staves); undated. Pencil MS, with time signatures in black ink and markings in red ink. 4 pp. 30.5 x 39.5 cm. |
| folder 11 | M53. “Come-uppance.” “M53. 12M2. Comeuppance.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “M53. 12M2. Come-uppance.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. |
| folder 12 | M54. “Lifted.” “M54. New 12M1. [Lifted].” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “M54. 12M3. Lifted.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black and red ink; revised lower system taped over original. 1 p. 30.5 x 45 cm. Also in folder: “New M5. 1M5/2M1.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “M25. 5M2.” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. List of music cues for Superman IV. Red ink MS. 1 p. 30.5 x 39.5 cm. |
| folder 13 | M55. “Quarried.” “M55. 12M4. Quarried.” Conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. “M55. 12M4. Quarried.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 4 pp. 30.5 x 45 cm. |
| folder 14 | M58. “Flying With Jeremy.” “M58. 12M7.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “M58. 12M7. Flying with Jeremy.” Conductor’s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. “Flying with Jeremy.” Note in pencil: “new material for Superman IV, later orchestrated by AC.” Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm. |
| folder 15 | [no reel no.]. “End Credits (New Ending).” Conductor’s score (9 staves); undated. Pencil MS. 2 pp. 28 x 43 cm. |
| folder 16 | Breakdown sheet. Chart listening instrumentation for each musical cue. Pencil MS, with markings in ink. 2 pp. 28 x 43.5 cm. |
THE TENDER TRAP (Jeff Alexander) #1681
| folder 17 | Reel 11/Part 1; 1681-31. “Hungover Squares.” Conductor’s score (3–4 staves); dated September 12, 1955. MS repro, with markings in pencil and red pencil. 2 pp. 24 x 33 cm. |
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THREE GUYS NAMED MIKE (B. Kaper) #1509
| folder 18 | [no reel no.]; 1509-1. “Main Title.” Conductor’s score (5–6 staves); undated. MS repro, with measure numbers and markings in red pencil. 11 pp. 24.5 x 33 cm. |
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TOP HAT (Irving Berlin)
| folder 19 | “Top Hat, White Tie and Tails.” Piano vocal score. Photocopy of published score. New York: Irving Berlin Inc., c1935. 4 pp. 22.5 x 30.5 cm. |
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TRIBUTE TO A BAD MAN (David Raksin) #1581
| folder 20 | Reel 10/Part 4; 1581-42. “James Lee’s Narrative.” Conductor’s score (4 staves); dated July 21, 1952. MS repro. 8 pp. 24.5 x 33 cm. |
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| folder 21 | Reel 14/Part 2; 1581-40. “The Spellbinder.” Conductor’s score (4–6 staves); dated July 21, 1952. MS repro. 5 pp. 24.5 x 33 cm. |
TRIUMPH OF THE SPIRIT (Alexander Courage)
| folder 22 | [no reel no.]. “Schatzlein.” Full score (18 staves); dated September–October 1989. MS repro (photocopy). 9 pp. 43 x 28 cm. |
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UNFAITHFULLY YOURS (Alexander Courage)
| folder 23 | [no reel no.]. “Daniella’s Theme.” Sketch of melody (1 staff); undated. Pencil MS. 1 p. 24 x 31.5 cm. Sketch of melody (1 staff); undated. Pencil MS, with measure numbers in red ink. 1 p. 24 x 31.5 cm. Lead sheet (1 staff); undated. MS repro. 2 pp. 24.5 x 32 cm. Lead sheet (1 staff); undated. MS repro. 1 p. 24 x 32 cm. Conductor’s score (4 staves); undated. Pencil MS, with measure numbers in red ink 1 p. 30.5 x 39.5 cm. |
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| folder 24 | [no reel no.]. “Rumania, Rumania” (by Aaron Lebedeff; arr. A. Courage). Conductor’s score (6 staves); undated. MS repro. 8 pp. 30.5 x 46 cm. |
| folder 25 | [no reel no.]. “Two Guitars.” Conductor’s score (6 staves); undated. MS repro. 4 pp. 30.5 x 46 cm. |
Box 31
THE UNSINKABLE MOLLY BROWN [Meredith Willson; arr. Leo Arnaud, A. Courage, and Calvin Jackson]
| folder 1 | Score No. 1, Vol. 1. Conductor’s score (2–6 staves); dated August 12, 1963. MS repro, spiral bound. 133 pp. 23 x 28.5 cm. |
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| folder 2 | Score No. 1, Vol. 2. Conductor’s score (2–4 staves); dated August 12, 1963. MS repro, spiral bound. 128 pp. 23 x 28.5 cm. Also in folder: [no reel no.]; 1815-01. “Colorado, My Home.” Conductor’s score (2–5 staves); dated August 16, 1963. MS repro. 12 pp. 24.5 x 33 cm. Reel 8/Part 2; 1815-25. “Gold!” Conductor’s score (4–6 staves); dated January 21, 1964. MS repro. 6 pp. 24.5 x 33 cm. Reel 8/Part 1; 1815-26. “Johnny Lights the Fire.” Conductor’s score (3–6 staves); dated January 21, 1964. MS repro. 8 pp. 24.5 x 33 cm. Reel 6/Part 7–Reel 8/Part 1; 1815-24. “The Disillusioned Bride.” Conductor’s score (4–5 staves); dated January 21, 1964. MS repro. 7 pp. 24.5 x 33 cm. Reel 7/Part 3; 1815-35. “Molly Hides the Money.” Conductor’s score (3–6 staves); dated January 27, 1964. 8 pp. 24.5 x 33 cm. |
THE VINTAGE (David Raksin) #1702
| folder 3 | Reel 1/Part A; 1702-31. “The Grape Stomp (Main Title).” Conductor’s score (3–4 staves); undated. MS repro. 5 pp. 24.5 x 33 cm. |
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| folder 4 | Reel 1/Part B. “The Message.” Conductor’s score (3 staves); dated January 10, 1957. MS repro. 5 pp. 24.5 x 33 cm. [Note on score: “This is alternate cutting version of opening sequence.”] |
Box 32
| folder 1 | Reel 1/Part C; 1702-2. “The Border.” Conductor’s score (4 staves); dated December 14, 1956. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm. |
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| folder 2 | Reel 1/Part 1; 1702-1. “Figures on a Bridge.” Conductor’s score (4 staves); dated undated. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm. |
| folder 3 | Reel 1/Part 2; 1702-8. “Two of Us.” Conductor’s score (4–5 staves); dated December 18, 1956. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm. |
| folder 4 | Reel 1/Part 3; 1702-6. “A Friendly Sound” Conductor’s score (4 staves); dated December 19, 1956. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm. |
| folder 5 | Reel 2/Part 1; 1702-3. “Easy, Brother.” Conductor’s score (4 staves); dated December 14, 1956. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 6 | Reel 2/Part 2; 1702-4. “My Choice.” Conductor’s score (4 staves); dated December 17, 1956. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 7 | Reel 2/Part 3; 1702-7. “My Name is Lucienne.” Conductor’s score (4 staves); dated December 18, 1956. MS repro. 1 p. 24.5 x 33 cm. |
| folder 8 | Reel 3/Part 1; 1702-12. “My Name is Giancaro.” Conductor’s score (4 staves); dated December 21, 1956. MS repro. 2 pp. 24.5 x 33 cm. |
| folder 9 | Reel 3/Part 2; 1702-9. “Not the Same.” Conductor’s score (4–6 staves); dated December 19, 1956. MS repro. 5 pp. 24.5 x 33 cm. |
| folder 10 | Reel 3/Part 3; 1702-10. “Brothers. Sisters.” Conductor’s score (4 staves); dated December 21, 1956. MS repro, with sparse markings in red pencil. 4 pp. 24.5 x 33 cm. |
| folder 11 | Reel 4/Part 2. “Harvest.” 1702-11. “Harvest.” Conductor’s score (3–4 staves); dated December 22, 1956. MS repro, with sparse markings in red pencil. 8 pp. 24.5 x 33 cm. 1702-5. “Harvest – Alternative Start.” Conductor’s score (4 staves); dated December 18, 1956. MS repro. 1 p. 24.5 x 33 cm. |
| folder 12 | Reel 5/Part 1; 1702-13. “Something He Loves.” Conductor’s score (4 staves); dated December 26, 1956. MS repro, with sparse markings in red pencil. 6 pp. 24.5 x 33 cm. |
| folder 13 | Reel 5/Part 2; 1702-15. “A Strike.” Conductor’s score (4 staves); dated December 31, 1956. MS repro, with markings in red pencil. 5 pp. 24.5 x 33 cm. |
| folder 14 | Reel 5/Part 3–Reel 6/Part 1; 1702-16. “Coq Au Vin.” Conductor’s score (4 staves); dated December 28, 1956. MS repro, with sparse markings in red pencil. 5 pp. 24.5 x 33 cm. |
| folder 15 | Reel 6/Part 2; 1702-22. “Not Enough.” Conductor’s score (4 staves); dated January 8, 1957. MS repro, with sparse markings in red pencil. 5 pp. 24.5 x 33 cm. |
| folder 16 | Reel 6/Part 4; 1702-14. “The Dogs.” Conductor’s score (4–6 staves); dated December 29, 1956. MS repro, with marking in red pencil on p. 6. 6 pp. 24.5 x 33 cm. |
| folder 17 | Reel 6/Part 5; 1702-19. “The Sisters.” Conductor’s score (4 staves); dated January 2, 1957. MS repro. 1 p. 24.5 x 33 cm. |
| folder 18 | Reel 7/Part 1; 1702-20. “This Is Going to Hurt.” Conductor’s score (4 staves); dated January 2, 1957. MS repro. 7 pp. 24.5 x 33 cm. |
| folder 19 | Reel 7/Part 2; 1702-17. “Looking for This.” Conductor’s score (4 staves); dated December 31, 1956. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm. |
| folder 20 | Reel 8/Par t1. “What Hurts You.” Conductor’s score (4–6 staves); dated December 31, 1956. MS repro, with marking in red pencil on p. 1. 5 pp. 24.5 x 33 cm. |
| folder 21 | Reel 8/Part 2; 1702-21. “It Didn’t Happen.” Conductor’s score (3–4 staves); dated 1957. MS repro. 4 pp. 24.5 x 33 cm. Also in folder: Reel 9/Part 1; 1702-26. “The Wine Press.” Conductor’s score (4 staves); dated January 10, 1957, revised January 11, 1957. 3 pp. 24.5 x 33 cm. |
| folder 22 | Reel 10/Part 2. “The Old Fifer.” Conductor’s score (2 staves); dated January 10, 1957. MS repro. 3 pp. 24.5 x 33 cm. |
| folder 23 | Reel 11/Part 1; 1702-25. “Something to Decide.” Conductor’s score (4 staves); dated December 21, 1956. MS repro, with sparse markings in red pencil. 5 pp. 24.5 x 33 cm. |
| folder 24 | Reel 11/Part 3; 1702-28. “Farewell, Ernesto.” Conductor’s score (4 staves); revised January 14, 1957. MS repro, with emendation on p. 1 in red pencil. 3 pp. 24.5 x 33 cm. |
| folder 25 | Reel 11/Part 5; 1702-27. “Not So Far.” Conductor’s score (4 staves); undated. MS repro. 4 pp. 24.5 x 33 cm. |
WORDS AND MUSIC (Conrad Salinger) #18958
| folder 26 | Reel 15/Part 1. “Larry’s Death.” Conductor’s score (2–4 staves); dated August 26, 1948. MS repro. 7 pp. 24.5 x 33 cm. |
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THE WITCHES OF EASTWICK (John Williams)
| folder 27 | Reel 6/Part 2. “The Tennis Game.” Conductor’s score (8 staves); undated. MS repro (photocopy). 6 pp. 32.5 x 40.5 cm. |
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YES, GIORGIO #1959
| folder 28 | [no reel no.]. “Ave Maria” (Hymne an die Jungfrau) (by Franz Schubert). Piano vocal score (3 staves). Photocopy of published score from unidentified source (pages numbered 107–112). [s.l.]: Oliver Ditson Co., [s.d.]. Pl. no. ML-600-6. 2 copies. 6 pp., each. 22 x 31.5 cm. Copy 1 has markings in red ink. Copy 2 has markings in pencil. |
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| folder 29 | [no reel no.]. “Cielo e mar” (by Amilcare Ponchielli). Piano vocal score (3 staves). Photocopy of published score, with markings in red and green ink. [s.l.]: G. Schirmer Inc., c1931. Pl. no. 30813r. 2 copies. 8 pp., each. 22 x 28 cm. |
| folder 30 | [no reel no.]. “Comme Facette Mammeta.” Draft of conductor’s score (4 staves); undated. Pencil MS. 3 pp. 31 x 38 cm. |
| folder 31 | [no reel no.]. “Comme Facette Mammeta” (arr. A. Courage). Full score (22 staves); dated June 17, 1981. MS repro (reduced-size photocopy). 15 pp. 21.5 x 35.5 cm. |
Box 33
| folder 1 | [no reel no.]. “Did I Remember.” Lead sheet (1 staff); undated. MS repro, with timing cues added in pencil. 2 pp. 24.5 x 33 cm. |
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| folder 2 | [no reel no.]. “Donna Non Vidi Mai” [by Puccini]. Full score (16 staves). Photocopy of published score from unidentified source (pages numbered 86–96), with markings in red ink and pencil. [s.l.: s.n., s.d.]. Pl. no. P.R.113. 11 pp. 22 x 28 cm. |
| folder 3 | [no reel no.]. “Una Furtiva Lagrima” (by Donizetti). Conductor’s score (9 staves). Photocopy of published score. [s.l.: s.n., s.d.]. No pl. no. 6 pp. 21.5 x 33 cm. |
| folder 4 | [no reel no.]. “If We Were In Love” (John Williams). Lead sheet (1 staff); undated. MS repro, with pencil MS additions on p. 3. 3 pp. 24.5 x 33 cm. |
| folder 5 | [no reel no.]. “If We Were In Love” (John Williams; arr. Herb Spencer). Full score (34 staves); undated. MS repro (photocopy). 13 pp. 22 x 35.5 cm. Concert version. Full score (32 staves); undated. MS repro (photocopy). 15 pp. 22 x 35.5 cm. |
| folder 6 | [no reel no.]. “Marechiare” (by Francesco Paolo Tosti).Piano-vocal score (3 staves). Photocopy of published score. Milano: G. Ricordi & Co., [s.d.]. Pl. no. 126437. 4 pp. 23.5 x 30.5 cm. |
| folder 7 | [no reel no.]. “Mattinata” (by Ruggiero Leoncavallo). Piano-vocal score (3 staves). Photocopy of published score. [Milano]: G. Ricordi & Co., c1904. No. pl. no. 2 copies. 4 pp., each. 21.5 x 28 cm. Copy 1 has timing cues added in pencil. Copy 2 has timing cues and measure numbers in red ink. |
| folder 8 | [no reel no.]. “Nessun Dorma” (by Puccini). Instrumental parts (9 parts: cello, oboe II, contrabassoon III, harp II, celeste, percussion, triangle, bass drum/cymbals, glockenspiel/gongs). Photocopies of published parts. [s.l.: s.n., s.d.]. Pl. no. 119768. 10 pp., total. 22 x 33 cm. |
| folder 9 | [no reel no.]. “O Sole Mio!” (by Eduardo di Capua). Piano-vocal score (3 staves). Photocopy of published score, from unidentified source (pages numbered 55–57). [s.l.]: Oliver Ditson Co., c1909. Pl. no. 5-61-67830-3. 3 copies. 3 pp., each. 22 x 28 cm. Copy 2 has timing cues added in pencil. Copy 3 has timing cues and measure numbers in red ink. |
| folder 10 | [no reel no.]. “Santa Lucia.” Draft of conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. |
| folder 11 | [no reel no.]. “Santa Lucia” (arr. A. Courage). Full score (23 staves); undated. MS repro (photocopy). 11 pp. 21.5 x 35.5 cm. |
| folder 12 | [no reel no.]. “La Spagnola” (by Vincenzo di Chiara). Piano-vocal score (3 staves). Photocopy of published score. [s.l.: s.n., s.d.]. 3 pp. 22 x 35.5 cm. |
| folder 13 | [no reel no.]. “This Heart of Mine.” Lead sheet (1 staff); undated. MS repro, with pencil MS additions on p. 1. 2 copies. 2 pp., each. 24.5 x 33 cm. |
| folder 14 | [no reel no.]. “Turandot Montage” (G. Puccini; arr. A. Courage). “Turandot Bridge I.” Draft of conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “Turandot Montage Bridge No. 2.” Full score (22 staves); dated 1959. Pencil MS, with markings in ink. 1 p. 28 x 37.5 cm. |
| folder 15 | Unidentified [“Celeste Aida”] (by Puccini). Full score (4–15 staves). Photocopy of published score (pages numbered 8–18). [s.l.: s.n., s.d.]. Pl. no. 10. 11 pp. 21.5 x 33 cm. |
