University of Rochester

BERNARD ROGERS COLLECTION

Series 5: Personal papers

Sub-series A: Personal papers of Bernard Rogers

Box 13

folder 1 Correspondence 1920–1959, plus undated.
Correspondence from various individuals to Bernard Rogers. 11 letters.
folder 2 Correspondence regarding the recording of Apparitions, 1970.
Correspondence between Elizabeth Rogers and various correspondents. 12 letters; dated November 1969–March 1970.
Also in folder: 1 facsimile of press clipping (1968) and 1 publicity flyer issued by MCA Music.
folder 3 Correspondence between Bernard and Betty Rogers and Ruth Shaw Wylie, 1949–1951.
48 letters and postcards.
folder 4 Correspondence between Bernard and Betty Rogers and Ruth Shaw Wylie, 1952–1954.
34 letters and postcards.
folder 5 Correspondence between Bernard and Betty Rogers and Ruth Shaw Wylie, 1955–1965.
38 letters, postcards, and cards.
folder 6 Correspondence between Bernard and Betty Rogers and Ruth Shaw Wylie, 1967–1979.
15 letters, with accompanying materials (e.g., envelopes, press clippings).
folder 7 Correspondence between Bernard and Betty Rogers and Ruth Shaw Wylie, undated.
9 cards and letters.
folder 8 Correspondence and libretto of Horse Opera, 1947–48.
Card with print of a design for a portable shell for Flushing Meadows Swimming Stadium. Initial sketch by Lumen Martin Winter.
John Harkrider to Bernard Rogers. 1 letter pertaining to contract for Horse Opera; dated September 24, 1947. 1 page.
Paul Brown to Bernard Rogers. 1 letter. Pencil MS; dated October 13, 1947. 2 pages.
Libretto for Horse Opera. Concept by John Harkrider. Edited by A. Gordon Melvin. Lyrics by Martha Keller. Typescript, with annotations in colored pencil and ink. 2 drafts, certain pages affixed to cardboard. 11 + 5 pages, total.
folder 9 Biography and list of works.
Biography and works list. Typescript. 3 copies. 6 pages, each.
List of commissions. Typescript. 2 copies. 1 page, each.
List of music for chamber or small orchestra. Typescript. 1 page.
folder 10 Musicians of Bremen–Heiken Puppet Theatre.
Photograph of puppets used for the Heiken Puppets’ production of The Musicians of Bremen (with the Indianapolis Symphony Orchestra). 1 color photograph, 3.5” x 3.5”.
Concert program from “Puppet Tales for Symphony Concerts” program by the Heiken Puppets; undated.
Today in the Twin Cities, Vol. 2, No. 11 (Oct 28–Nov 3, 1972).
folder 11 Newspaper Clippings.
12 press clippings and facsimiles, pertaining to the professional activities of Dr. Rogers and his colleagues; dated 1965–1968; 3 undated.
folder 12 Obituary. Memorial.
Notes from Eastman, Vol. 2, No. 3 (June 1968). Includes in memoriam for Bernard Rogers (p. 25).
Notes from Eastman, Vol. 4, No. 2 (February 1970). Includes announcement about the establishment of the Bernard Rogers Memorial Award (p. 1).
9 press clippings and facsimiles; dated 1968–1977.
folder 13 Photographs 1946–1955.
Sleeve 1: Bernard Rogers studying a score (1946). Photograph by Alexander Leventon. 1 B/W photograph, 8” x 10”.
Sleeve 2: Deems Taylor and Bernard Rogers at ASCAP party before performance of The Warrior, Lotus Club (January 1, 1947). 1 B/W photograph, 8” x 10”.
Sleeve 3: Crowd of people mingling at ASCAP party [for performance of] The Warrior, Lotus Club. Photograph by Standard Studios. 1 B/W photograph, 8” x 10”.
Sleeve 4: Sam Leve, Edward Johnson, Deems Taylor, Regina Resnik, Norman Corwin, William Schuman, Bernard Rogers, and Gladys Swarthout at ASCAP party after preview of The Warrior, Lotus Club (January 10, 1947). 1 B/W photograph, 8” x 10”.
Sleeve 5: Mack Harrell, Regina Resnik, and other performers in Scene I from dress rehearsal (preview) of The Warrior. 1 B/W photograph, 8” x 10”.
Sleeve 6: Bernard Rogers, Wayne Barlow, Olin Downes, Howard Hanson, Winthrop Sargent, and Louis Mennini “listening to contestants in Koussevitzky Award,” Kilbourn Hall (May 1955). Photograph by Loulen Studio, Rochester. 1 B/W photograph, 8” x 10”.
folder 14 Roger’s “Quips,” collected by Wm. Patterbaum. Facsimile of typescript document. 6 pages.
folder 15 Sympathy letters, May 1968.
35 cards and letters to Elizabeth Rogers (offering condolences after Bernard Roger’s death).
folder 16 Sympathy letters, June-July 1968.
18 letters to Elizabeth Rogers (offering condolences after Bernard Roger’s death).
folder 17 Sympathy letters, Western Union and undated.
16 telegrams, cards, and letters to Elizabeth Rogers (offering condolences after Bernard Rogers’s death).
folder 18 Sympathy letter and clippings, Raymond Premru.
Ray Premru to Elizabeth Rogers. 1 letter (offering condolences after Bernard Rogers’s death); dated July 1969. Accompanied by 5 newspaper clippings, 2 concert programs, and 1 publicity flyer, all for performances of Premru’s compositions.
folder 19 Programs 1913–1938.
11 concert programs and facsimiles from performances of compositions by Bernard Rogers.
folder 20 Programs 1940–1942.
4 concert and festival programs.
folder 21 Programs 1944, May Music Festival.
Festival program from the 35th May Music Festival, Cincinnati. 2 copies.

Box 14

folder 1 Programs 1945–1959.
11 concert programs and publicity flyers.
folder 2 Programs 1960–1966.
15 concert, symposia, festival, and church programs and facsimiles.
folder 3 Programs 1967–1969.
11 church, concert, symposia, and festival programs.
folder 4 Programs 1970–1993 and undated.
27 concert and festival programs.
folder 5 Scrapbook–1920s Works Premiered Clippings.
Contains concert programs and newspaper clippings from performances of compositions by Bernard Rogers; dated 1920–1934. 8 leaves with contents and 11 loose items.
Oversized clippings (6 clippings) separated; see Box 15/2.
folder 6 Scrapbook: Programs 1929–1936.
Contains 25 concert and festival programs.
Also in scrapbook: insurance documents

Box 15

item 1 Rogers’s Retirement Scrapbook, May 1967.
Leather 3-ring scrapbook containing correspondence from students of Dr. Rogers on the occasion of his retirement from Eastman. 119 telegrams and letters.
folder 2 Materials from “Scrapbook–1920s Works Premiered Clippings.”
Items separated from Box 14/5.
8 newspaper and magazine clippings; dated 1914–1926; 1 undated.
folder 3 “Record of publications and commissions.”
6 publisher’s catalogues/brochures, journals, and magazines.

Sub-series B: Documents pertaining to other composers

Box 14

folder 8 Programs: [Charles] Fussell.
9 concert programs, 1 invitation, and 3 press clippings pertaining to performances of compositions by Charles Fussell; dated 1970–1974.
folder 7 Programs: [James] Willey.
8 concert programs and 1 press clipping pertaining to performances of compositions by James Willey; dated 1973–1979; 1 undated.

Series 6: Works by other composers

Box 15

folder 15/4 Clark, Elizabeth. Concerto for Flute and Orchestra.
Full orchestral score. MS repro. 93 pages. Three books of sketches.
folder 15/5 Clark, Elizabeth. Concerto for Flute and Orchestra.
Three spiral-bound notebooks containing sketches for the concerto. 12 + 14 + 7 leaves with sketches.
folder 15/6 Clark, Elizabeth. Little Concerto. For flute and orchestra.
Reduced score for flute and piano. MS repro (from Ozalids in Box 15/7), bound. 24 pages. 36 cm. Accompanied by typescript errata list. 2 copies. 3 pages, each.
folder 15/7 Clark, Elizabeth. Little Concerto. For flute and orchestra.
Reduced score for flute and piano. Ozalid masters (ink MS). 24 pages. 36 cm.

Box 16

folder 16/1 Clark, Elizabeth. Two preludes for flute and piano.
Piano score and part. MS repro (from Ozalids in Box 16/2), bound. 3 copies. 11 + 3 pages. 36 cm.
folder 16/2 Clark, Elizabeth. Two preludes for flute and piano.
Piano score and part. Ozalid masters (ink MS). 3 copies. 11 + 3 pages. 36 cm.
folder 16/3 Fussell, Charles. Caligula. Text by Albert Camus.
Act I. Piano vocal score (June 29, 1962). MS repro, spiral bound. 60 pages. 36 cm.
folder 16/4 Fussell, Charles. Eurydice. For dramatic soprano, flute, clarinet, violin, cello, and piano, plus obbligato trumpet, horn, trombone, and bass drum. Text by Edith Sitwell.
[Dedicated] to Betty [Rogers?].
Draft of full score. Pencil MS. 39 leaves with music.

Box 17

folder 17/1 Fussell, Charles. Eurydice. For dramatic soprano, flute, clarinet, violin, cello, and piano, plus obbligato trumpet, horn, trombone, and bass drum. Text by Edith Sitwell.
For Betty Rogers.
Full score (September 1975). MS repro, bound. 104 pages. 39 cm.
Accompanied by printed program from performance by the University of Massachusetts Group for New Music (date lacking).
folder 17/2 Fussell, Charles. Poems. For chamber orchestra with voices after Hart Crane.
[Dedicated] to Bernard and Betty Rogers.
Full score (May–August 1964). MS repro, bound. 22 pages. 46 cm.
“Revisions 1969.” Typescript text with music excerpts. 11 pages.

Box 16

folder 16/5 Fussell, Charles. Resumè. Cycle for soprano, clarinet, string bass, and piano after poems by Dorothy Parker.
Commissioned in 1976 by the University of Massachusetts Fine Arts Council for soprano Dorothy Ornest.
Nine movements: I. Resumè; II. A very short song; III. Unfortunate coincidence; IV. Comment; V. The thin edge; VI. Love song; VII. The small hours; VIII. Post-graduate; IX. General review of the sex situation.
Full score. MS repro, bound. 38 pages. 36 cm.
Bound with (2 items):
Fussell, Charles. A Prophecy. For SATB chorus and piano. Score (May 1968). MS repro. 12 pages. 36 cm.
Fussell, Charles. Greenwood Sketches. For string quartet. Score (November 1976), MS repro. 16 pages. 36 cm.
folder 16/6 Fussell, Charles. Symphony II in Two Movements. For soprano and large orchestra.
Piano vocal score (August 26, 1967). MS repro, bound. 45 pages. 36 cm.

Box 17

folder 17/3 Fussell, Charles. Symphony II in Two Movements. For soprano and large orchestra.
Full score (March 21, 1967). Pencil MS, hardbound. 106 pages. 48 cm.
Interleaved in score (12 items): 9 printed programs (2 with notes from “Charles” [Fussell] to “Betty” [Rogers], 1 press review (facsim.), 2 pages biographical sketches/data for various performers/composers.
folder 17/4 Fussell, Charles. Symphony II in Two Movements. For soprano and large orchestra.
Full score (completed March 21, 1967; ink score November 14, 1970). MS repro, bound. 113 pages. 48 cm.
folder 17/5 Fussell, Charles. Symphony II in Two Movements. For soprano and large orchestra.
Movement I. Full score (October 7, 1967; January 17, 1966 [ink copy]). MS repro, loose. 43 pages. 48 cm.
folder 17/6 Fussell, Charles. Three Processionals. For orchestra.
Full score (August 5, 1973). MS repro, bound. 38 pages. 48 cm.

Box 16

folder 16/7 Fussell, Charles. Three Processionals. For orchestra.
Published score (New York: G. Schirmer, c1977). 42 pages. 48 cm. Inscribed by composer: “Dear Betty / it took forever / but was worth waiting for! / Love, / Charles.”

Box 18

folder 18/1 Fussell, Charles. Voyages. For soprano and tenor solos, piano, and chorus of sopranos and altos with speaker (pre-recorded) and solo wind instrument.
Full score (original; March 1970). MS repro. 58 pages. 36 cm. Interleaved in score: publicity poster for concert of May 4, 1970; 3 pages of corrections (MS repro).
Full score (revised June 1970). MS repro. 2 copies. 58 pages, each. 36 cm. Copy 2 features decorative color (painted sea motif).

Box 16

folder 16/8 Gilbert, David. Petit Concert. For soprano, baritone, bass and flute, bassoon, trumpet in C, bass-trombone, percussion, and piano. Text by Geoffrey Chaucer (“Truth Balade de bon Conceyl”).
Full score (August 12, 1959). MS repro, bound. 72 pages. 36 cm.

Box 18

folder 18/2 Hodkinson, Sydney. Caricatures. Five paintings for symphony orchestra.
Full score (August 1966). MS repro, bound. 44 pages. 43 cm.

Box 16

folder 16/9 Hodkinson, Sydney. Lengeren. For voice and double quintet. Poem by Alvin Greenberg.
Inscribed to Betty Rogers by the composer.
Full score (October 1973). MS repro. 32 pages. 36 cm.
folder 16/10 Phillips, Burrill. Huntingdon Twos and Threes. For flute, oboe, and cello.
Written for and dedicated to the Huntingdon Trio.
Published score and parts (3 parts) (New York: King’s Crown, c1977). 24 (score) + 24 (parts) pages. 31 cm. Inscribed by composer to Betty [Rogers].
folder 16/11 Phillips, Burrill. Letters from Italy Hill. [For soprano, flute, clarinet, string quartet, and piano. Text by Alberta Phillips.]
Four movements: I. Summer–Fall; II. From a letter to Kathy; III. Winter; IV. For Vera.
Piano part. MS repro, bound. 25 pages. 36 cm.
Interleaved in piano part: concert program and performers’ biographical notes from performance given at SUNY–Geneseo, September 23, 1989. 2 copies of program.

Box 19

folder 19/3 Willey, James. Concerto for Violin, Violoncello, and Orchestra.
Composed for Eva Szekely and Carleton Spotts.
Full score (November 22, 1977). MS repro, bound. 104 pages. 51 cm. Interleaved in score: first page of flute 1/piccolo part. MS repro. 1 page.

Box 16

folder 16/3 Willey, James. Elegy. For string quartet.
[Dedicated] to Bernard Rogers.
Score. MS repro. 17 pages (numbered 3–19). 37 cm.

Box 18

folder 18/3 Willey, James. Fanfares. For piano.
[Dedicated] to Mrs. Elizabeth C. Rogers.
Score (completed January 1971, revised September 1973). MS repro, bound. 11 pages. 36 cm.

Box 16

folder 16/13 Willey, James Gacelas. For voice and piano. Poems by Fernando Garcia Lorca.
Score (completed January 1970; revised November 1972). MS repro. 80 pages. 36 cm.
Interleaved in score: concert program from performance at SUNY-Geneseo, December 17, 1972).
folder 16/14 Willey, James. Mendon. For string quartet.
[Dedicated to] Elvira Wonderlich, in memoriam.
Score (November 1972). MS repro. 72 pages. 36 cm.
folder 16/15 Willey, James. Robert Frost Settings. For soprano and piano.
Score (August 11, 1978). MS repro. 56 pages. 36 cm.
Interleaved in score: concert program and program notes (date of performance unknown).
folder 16/16 Willey, James. Sonata for Piano.
For Joseph Fennimore.
Score (June 7, 1976). MS repro. 26 pages. 36 cm. Manuscript facsimile of the score (26 pp.); 36 cm.

Box 18

folder 18/4 Willey, James. String Quartet.
[Dedicated] to Bernard Rogers.
Full score. MS repro. 13 pages. 37 cm. Interleaved in score: “Instructions” [notes on performance]. Typescript. 1 page.

Box 16

folder 16/17 Willey, James. Two Sonnets of Gerard Manley Hopkins. For SATB chorus.
[Dedicated] to Charles Fussell.
Two movements: I. Patience, hard thing! The hard thing but to pray; II. My own heart let me more have pity on.
Score. MS repro. 18 pages. 32 cm.

Box 18

folder 18/5 Willey, James. Violin Concerto.
Full score. MS repro. 72 pages. 47 cm. Note on first page of score: “Uncorrected score.”

Box 16

folder 16/18 Wood, William. “Theme.” For solo piano.
[Dedicated] to Bernard Rogers.
Score (May 21, 1967). Ozalid master (ink MS), with inscription to Dr. Rogers. 1 page.
folder 16/19 Wylie, Ruth Shaw. Five Occurrences. For woodwind quintet (March, 1971).
Score (March 1971). MS repro, bound. 34 pages. 25 x 33 cm.
Accompanied by concert program from performance at Wayne State University, May 1, 1972.
folder 16/20 Wylie, Ruth Shaw. Involution. For small orchestra.
For Morris Hochberg.
Score (September 1967). MS repro, bound. 31 pages. 32 cm.

Box 18

folder 18/6 Wylie, Ruth Shaw. The Long Look Home. For orchestra.
Based upon five ecology poems from a set of 45 titled The Long Look Home written by Jeanne Wylie Torosian.
Dedicated to Jeanne Wylie Torosian.
Five movements: I. Moon; II. Clouds; III. Snow; IV. Desert; V. Nuclear Energy.
Full score (September 20, 1975). MS repro, bound. 76 pages. 49 cm. Inscribed to Betty [likely Rogers] by the composer.

Box 16

folder 16/21 Wylie, Ruth Shaw. Sonata No. 1. For flute and piano. (December 1, 1959).
In memory of “Joady”—Christmas, 1957.
Score and part. MS repro, bound. 35 + 10 pages. 36 cm.

Box 18

folder 18/7 Wylie, Ruth Shaw. Three Inscapes. For flute, viola, guitar, piano, and percussion.
To Anna Husband and the Detroit Community Music School.
Full score (June 1970). MS repro, bound. 51 pages. 32 x 48 cm. On title page:

Box 16

folder 16/22 Wylie, Ruth Shaw. Toward Sirius. For flute, oboe, violin, cello, piano, and harpsichord.
In memory of Toby, December 5, 1975.
Written in fulfillment of a commission from Wayne State University, April 1976.
Score (April 14, 1976). MS repro, bound. 28 pages. 36 cm.

Box 18

folder 18/8 Various. Compilation of variations on themes by Bernard Rogers. Five variations:
Barlow, Wayne. Variations on a theme from “The Musician of Bremen by Bernard Rogers.” For flute, oboe, clarinet, bassoon, French horn, trumpet, timpani, percussion, and piano. Score. Ink MS. 8 pages. 35 cm.
Provenzano, A. “The Cat” Variation. On theme by Rogers. For chamber orchestra. Score (May 15, 1967). Pencil MS. 7 pages. 34 cm.
Gauldin, R. Rogers Variation. For flute, oboe, clarinet, bassoon, horn, violin, and cello. Score. MS repro. 4 pages. 35 cm.
Adler, Samuel. Variation IV: “The Rooster.” On a theme by Bernard Rogers. For flute, oboe, clarinet, bassoon, French horn, trumpet, timpani, percussion, piano, and strings. Score. MS repro. 12 pages. 35

Series 7: Annotated miniature scores

Box 20

item 20/1 Beethoven, Ludwig van. Coriolanus Overture, opus 62. London: Boosey & Hawkes, [s.d.]. Pl. no. 8612. 28 pages. 19 cm.  
item 20/2 Beethoven, Ludwig van. Egmont Overture, opus 84. New York: Kalmus, [s.d.]. No pl. no. 44 pages. 18 cm.  
item 20/3 Berg, Alban. Drei Bruchstücke aud der Oper “Wozzeck”: für Gesang und Orchester [Three Excerpts from Wozzeck for voice and orchestra], opus 7. Wien: Wiener Philharmonischer Verlag; New York: Associated Music Publishers, c1924. Philharmonia Partituren, 1002. Pl. no. U.E.7660. 60 pages. 19 cm.  
item 20/4 Berg, Alban. Drei Bruchstücke aud der Oper “Wozzeck”: für Gesang und Orchester [Three Excerpts from Wozzeck for voice and orchestra], opus 7. Wien: Wiener Philharmonischer Verlag; Bryn Mawr, PA: Theodore Presser Co., c1952. Philharmonia Partituren, 1002. Pl. no. U.E.7660. 60 pages. 19 cm.  
item 20/5 Berlioz, Hector. Benvenuto Cellini Overture, opus 23. London: Eulenburg, [s.d.]. Pl. no. 3722. 64 pages. 19 cm.  
item 20/6 Berlioz, Hector. Le Carnaval Romain Ouverture, opus 9. Paris: Heugel, c1951. Pl. no. 31441. 59 pages. 19 cm. (Copy 1.)  
item 20/7 Berlioz, Hector. Le Carnaval Romain Ouverture, opus 9. Paris: Heugel. Pl. no. 31441. 59 pages. 19 cm. (Copy 2.)  
item 20/8 Berlioz, Hector. Fantastic Symphony, opus 14. Scarsdale, NY: Kalmus, [s.d.]. 231 pages. 18 cm.  
item 20/9 Berlioz, Hector. Marche Hongroise. [s.l.: s.n., s.d.] Pl. no. 31. 68 pages. 19 cm. Front and back covers missing.  
item 20/10 Berlioz, Hector. Ouverture du Corsaire. Leipzig: Eulenburg, [s.d.]. Pl. no. E.3959 D. 63 pages. 19 cm.  
item 20/11 Bizet, Georges. L’Arlesienne Suite No. l. Scarsdale, NY: Kalmus, [s.d.]. Pl. no. 2. 58 pages. 19 cm.  
item 20/12 Bloch, Ernest. Quatuor à cordes (No. 2). London: Boosey & Hawkes, c1947. Pl. no. B.& H. 15894. 72 pages. 19 cm.  
item 20/13 Bloch, Ernest. Trois poemes juifs. New York: G. Schirmer, c1945. Pl. no. 41660. 87 pages. 26 cm.  
item 20/14 Borodin, Alexander. Polovetsian Dances. No pl. no. New York. Kalmus, [s.d.]. 99 pages. 19 cm.  
item 20/15 Britten, Benjamin. The Young Person’s Guide to the Orchestra, opus 34. London: Boosey & Hawkes, c1947. Pl. no. B. & H. 15958. 69 pages. 19 cm.  
item 20/16 Chabrier, Emmanuel. España: Rhapsody for Orchestra. No pl. no. New York: Kalmus, c1933. 61 pages. 23 cm.  
item 20/17 Copland, Aaron. El Salon Mexico. London: Boosey & Hawkes, c1939. Pl. no. B. & H. 8765. 44 pages. 19 cm.  
item 20/18 Debussy, Claude. Afternoon of a Faun (Prelude à après-midi d’un Faune). New York: Kalmus, [s.d.]. No pl. no. 31 pages. 19 cm.  

Box 22

item 22/8 Debussy, Claude. La Mer. New York: Kalmus, [s.d.]. No. pl. no. 137 pages. 31 cm.

Box 20

item 20/19 Debussy, Claude. “Nuages.” No. 1 from Nocturnes. New York: Kalmus, [s.d.]. No pl. no. 17 pages. 23 cm.
item 20/20 Dukas, Paul. The Sorcerer’s Apprentice. New York: Kalmus, c1933. 74 pages. 23 cm.
item 20/21 Franck, Cesar. Symphony in D Minor. New York. Kalmus, c1932. No pl. no. 160 pages. 19 cm.

Box 21

item 21/1 Mahler, Gustav. Symphony No. 4. New York: International Music Co., 1948. 188 pages. 20 cm.
item 21/2 Mendelssohn-Bartholdy, Felix. A Midsummer Night’s Dream, opus 21. Scarsdale, NY: Kalmus, [s.d.]. 56 pages. 19 cm.
item 21/3 Mendelssohn-Bartholdy, Felix. Fingal’s Cave (The Hebrides) Overture, opus 26. New York: Kalmus, [s.d.]. 48 pages. 19 cm.
item 21/4 Mozart, Wolfgang Amadeus. The Marriage of Figaro Overture, K. 492. New York: Kalmus, c1933. 24 pages. 19 cm.
item 21/5 Mozart, Wolfgang Amadeus. Magic Flute Overture. London: Boosey & Hawkes, [s.d.]. Pl. no. B. & H. 8541. 32 pages. 19 cm.
item 21/6 Mozart, Wolfgang Amadeus. Die Zauberflöte ouverture. Wien, Universal Edition. Pl. no. W.Ph.V.12. 32 pages. 19 cm.
item 21/7 Mussorgsky, Modest. Tableaux d’une exposition. Orchestration by Maurice Ravel. London: Boosey & Hawkes, c1929. Pl. no. B. & H. 8716. 151 pages. 19 cm.
item 21/8 Rimsky-Korsakov, Nikolay A. Ouverture la grande pâque russe, opus 36. Leipzig: Ernst Eulenburg, [s.d.]. Pl. no. 3271. 105 pages. 19 cm.

Box 22

item 22/9 Rogers, Bernard. Once upon a Time: Five Fairy Tales. New York: Edwin F. Kalmus, c1936. No pl. no. 64 pages. 31 cm.

Box 21

item 21/9 Shostakovich, Dmitrii Dmitrievich. Fifth Symphony, opus 47. New York: Edition Musicus, [s.d.]. Pl. no. M 16313. 165 pages. 23 cm.
item 21/10 Sibelius, Jean. Swan of Tuonela: Legend, opus 22, no. 3. New York: E. F. Kalmus, [s.d.]. No pl. no. 16 pages. 23 cm.
item 21/11 Smetana, Bedrich. The Bartered Bride Overture. London: Boosey & Hawkes, [s.d.]. Pl. no. B. & H. 8897. 52 pages. 19 cm.
item 21/12 Smetana, Bedrich. The Bartered Bride Overture. London: Ernst Eulenburg, Ltd., [s.d.]. No pl. no. 50 pages. 19 cm.

Box 22

item 22/10 Strauss, Richard. Till Eulenspiegel, opus 28. New York: E. F. Kalmus, [s.d.]. No pl. no. 60 pages. 31 cm.

Box 21

item 21/13 Strauss, Richard. Death and Transfiguration, opus 24. New York: E. F. Kalmus, c1933. 90 pages. 23 cm.
item 21/14 Strauss, Richard. Tod und Verklärung, opus 24. Leipzig: Ernst Eulenburg, c1904. Pl. no. U.E.1078 E.E.3501. 123 pages. 19 cm.
item 21/15 Stravinsky, Igor. Chant du rossignol. Berlin: Edition Russe, c1921. Pl. no. R.M.V.343b. 83 pages. 21 cm.
item 21/16 Stravinsky, Igor. Fire-bird Suite. New York: E. F. Kalmus, c1932. 78 pages. 19 cm.
item 21/17 Stravinsky, Igor Suite de l’oiseau de feu. Orchestrated by the composer in 1919. London: J. & W. Chester, c1920. Pl. no. J.W.C.17. 78 pages. 19 cm.

Box 22

item 22/1 Stravinsky, Igor. Firebird Suite. Reorchestrated by the composer in 1919. London: Boosey & Hawkes, Ltd., [s.d.]. Pl. no. B. & H. No. 573. 78 pages. 27 cm.
item 22/2 Stravinsky, Igor. Petrouchka. Berlin: Edition Russe de Musique, [s.d.]. Pl. no. R. M. V. 142. 156 pages. 21 cm.
item 22/3 Stravinsky, Igor. Petrouchka. [s.l.: s.n., s.d.] No pl. no. Front cover missing. 156 pages. 23 cm.
item 22/4 Stravinsky, Igor. Le sacre du printemps. New York: E. F. Kalmus, c1933. No pl. no. 139 pages. 22 cm.
item 22/5 Tchaikovsky, Peter Ilitch. March Slave, opus 31. New York: E. F. Kalmus, [s.d.]. No pl. no. 80 pages. 19 cm.
item 22/6 Tchaikovsky, Peter Ilitch. Nutcracker Suite, opus 71a. New York: E. F. Kalmus, c1932. No pl. no. 146 pages. 18 cm.
item 22/7 Tchaikovsky, Peter Ilitch. Symphonie No. 6, opus 74. Revised by Paul Klengel. Vienna: Wiener Philharmonischer Verlag, [s.d.]. Pl. no. 5919. 233 pages. 19 cm.

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