ALEXANDER COURAGE COLLECTION: Series 3-7

Series 3: Occasional and Miscellaneous Scores

Box 70

folder 1	Academy Awards Medley. “Mel Torme Medley/Academy Awards Medley (Revised).” Piano/conductor score (2 staves); undated. MS repro. 3 copies. 18 pp., each. 24.5 x 33 cm. Copy 1 (labeled “Audio Booth”) has markings in red ink. Copy 3 labeled “Video Booth.” “Mel Tormé Intro to Academy Awards Medley, CBS International Hour, Hollywood Bowl.” Full score (33 staves); undated. Pencil MS with time signatures and measure numbers in red ink (pp. 1–2) and MS repro (pp. 3–44) with markings in black and red ink (adapted from “Andy Williams Medley” [arr. Johnny Mandel]). 45 pp. 34 x 49 cm.
folder 2	Academy Awards music – misc. “Oscar Fantasy Overture No. 1” (adapted and arr. A. Courage). Conductor’s score (3 staves); corrected April 2, 1962. MS repro. 12 pp. 24.5 x 33 cm. “Porter–Garland Medley” (arr. Roger Edens). Vocal part (2 staves); undated [ca. 1964–1965]. MS repro, with markings in pencil, red ink, and blue ink. 17 pp. 24.5 x 33 cm. [Used for 37th Academy Awards ceremony, April 5, 1965.] “Judy Garland, Cole Porter Medley” (by Roger Edens and A. Courage). Piano sketch (3–4 staves); undated, ca. 1964–1965]. MS repro, with markings in pencil. 29 pp. 24.5 x 33 cm. [Used for 37th Academy Awards ceremony, April 5, 1965.] “Costume Design, Academy 1973.” Sketch of conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. “Costume” [draft of “Costume Design, Academy 1973”]. Sketch of conductor’s score (3 staves); undated. MS repro (on thermal paper), with markings in orange pencil. 4 pp. 30.5 x 39.5 cm.
folder 3	“America, the Beautiful” (Bates–Ward; arr. A. Courage for Boston Pops Orchestra with chorus). Full score (33 staves); undated. MS repro (on thermal paper). 10 pp. 30.5 x 48.5 cm. Accompanied by reduced-size photocopy. 22 x 30.5 cm. Sketch of conductor’s score (9 staves); undated. MS repro (on thermal paper). 5 pp. 30.5 x 43 cm. Also in folder: Page 5 from unidentified conductor’s score (9 staves); undated. MS repro (photocopy). 1 p. 28 x 43 cm.
folder 4	“Another [Opening], Another [Show] II” (Pops arrangement). Draft of conductor’s score (4 staves); undated. Pencil MS. 7 pp. 30.5 x 39.5 cm. “Another Another Opening.” Sketches (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
folder 5	“Another Opening.” Draft of conductor’s score (4 staves); undated. Pencil MS. 8 pp. 30.5 x 39.5 cm.
folder 6	“Astaire Medley” (arr. A. Courage for Boston Pops). Draft of conductor’s score (4 staves); undated. Pencil MS. 30 pp. 30.5 x 39.5 cm. Conductor’s score (9 staves) [incomplete, consists of pp. 1–35 only]; undated. Pencil MS. 35 pp. 28 x 43 cm. Full score (33 staves); undated. MS repro. 91 pp. 32–33 x 48.5–50.5 cm.

Box 71

folder 1	“The Best of Everything (Frankie Vaughn Vocal)” (arr. A. Courage). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Piano/conductor’s score (3 staves); undated. MS repro. 4 pp. 24 x 33 cm.
folder 2	“Bldg. and Safety.” Conductor’s score (9 staves) [incomplete; consists of pp. 3–30 only]; undated. MS repro (photocopy). 28 pp. 28 x 43.5 cm.
folder 3	Boston Pops Christmas, 1988. Scores. “Christmas Medley.” Conductor’s score (9 staves); undated. Pencil MS. 17 pp. 28 x 43 cm. “White Christmas.” Conductor’s score (9 staves); undated. Pencil MS. 5 pp. 28 x 43 cm. “We Wish You a Merry Christmas (underscore).” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “6 Bumpers” [We Wish You a Merry Christmas; Little Drummer Boy; Here Come Santa Claus (Country Flavor); It Came Upon a Midnight Clear; Silver Bells; O, Little Town of Bethlehem]. Conductor’s score (4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm.
folder 4	Boston Pops Christmas, 1990. Scores. “Carol of the Bells.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “Bells, New Start.” Conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. “Have Yourself [a Merry Little Christmas].” Conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
folder 5	“By the Sea.” Score. Conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm.
folder 6	Carnegie Hall Christmas, 1991 – “Final Medley.” Full score (40 staves); undated. MS repro (photocopy). 81 pp. 28 x 43 cm.
folder 7	“A Christmas Greeting (The Carols of Alfred Burt)” (arr. A. Courage for Boston Pops). “Burt Christmas Medley.” Conductor’s score (9 staves); undated. Pencil MS. 40 pp. 28 x 43 cm. Accompanied by duplicate photocopy of pp. 1–2 and 31–40. 12 pp. “A Christmas Greeting (The Carols of Alfred Burt).” Full score (33 staves); undated. MS repro (photocopy). 80 pp. 32 x 48.5 cm.
folder 8	“A Christmas Greeting, Book II (The Carols of Alfred Burt)” (arr. A. Courage for Boston Pops). Note explaining the history of Alfred Burt’s Christmas carols. Pencil MS. 1 p. 22 x 28 cm. “Burt Carols, Book II.” Conductor’s score (4 staves); undated. Pencil MS. 12 pp. 30.5 x 39.5 cm. “Carol Concert, Part II.” Conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. “Burt Carols, Book II.” Conductor’s score (9 staves); undated. Pencil MS, with time signatures in black ink and additions in red pencil on pp. 31 and 35. 36 pp. 28 x 43 cm. “A Christmas Greeting (The Carols of Alfred Burt).” Full score (33 staves); undated. MS repro (photocopy). 73 pp. 32 x 48.5 cm.

Box 72

folder 1	Christmas Pops: “Sleigh Ride” and “A Christmas Festival” by Leroy Anderson. “Sleigh Ride” (by Leroy Anderson). For symphony orchestra. Full score (24 staves); dated February 10, 1948. MS repro (photocopy). 2 copies. 27 pp., each. Copy 1: 28 x 43.5 cm. Copy 2: 28 x 34.5 cm. “A Christmas Festival” (by Leroy Anderson). For symphony orchestra. Full score (20 staves with notation); dated June 12, 1950. MS repro (photocopy). 50 pp. 28 x 43.5 cm.
folder 2	Christmas in Washington, 1987. List of instrumentation. MS repro (photocopy). 1 p. 22 x 28 cm. “Traditional Medley.” Draft of choral part (2 staves); undated. Pencil MS. 12 pp. 24 x 32 cm. “Traditional Medley.” Conductor’s score (9 staves); undated. Pencil MS. 16 pp. 28 x 43.5 cm. “Ave Maria – Tortorella.” Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. “Traditional Medley.” Choral score (12 staves); undated. MS repro (photocopy). 16 pp. 33.5 x 49.5 cm.
folder 3	“No. 3 Cleopatra Enters Rome (Symphony Version).” From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Conductor’s score (2–7 staves); undated. MS repro. 5 pp. 24.5 x 33 cm.
folder 4	“Concentrate” (by Cole Porter; arr. Conrad Salinger). Part 1. Conductor’s score (3–4 staves); undated. MS repro (photocopy). 8 pp. 22 x 28 cm. Part 2. Conductor’s score (3 staves); undated. MS repro (photocopy). 3 pp. 22 x 28 cm. Part 3. Conductor’s score (3–4 staves); undated. MS repro (photocopy). 7 pp. 22 x 28 cm. “Tag to ‘I Concentrate’” (by Cole Porter and George Bassman). From “Broadway Melody of 1940” (production no. 1111; 7762). Conductor’s score (3 staves); dated January 28, 1940. MS repro (photocopy). 5 pp. 22 x 28 cm.
folder 5	“Days of Wine and Roses” (by Henri Mancini). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Piano/conductor’s score (2 staves); undated. MS repro, with sparse markings in pencil and red pencil. 4 pp. 24 x 33 cm.
folder 6	“The Five Pennies (Joni James Vocal)” (arr. A. Courage). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Conductor’s score (3 staves); undated. MS repro. 4 pp. 24 x 33 cm.
folder 7	“Freedom” (by Gary Geld; arr. A. Courage). A.Courage arrangement produced for Larry Gatlin performance at Liberty Weekend, NYC, July 3, 1986. “Freedom” (music by Gary Geld; lyric by Peter Udell). Piano-vocal score (reference copy); c1975. Photocopy of published score. [s.l.]: Edwin H. Morris & Co., c1975. 5 pp. 22 x 28 cm. “Freedom” (arr. A. Courage). Piano-vocal score; undated. MS repro (photocopy). 15 pp. 22 x 28 cm. “Freedom.” Drums part; undated. MS repro (photocopy). 6 pp. 22 x 28 cm. “Underscore into ‘Freedom.’” Piano/conductor’s score (2 staves); undated. Pencil MS. 1 p. 24 x 32 cm. Accompanied by photocopy with revised ending. 1 p. 22 x 28 cm. “Underscore into ‘Freedom.’” Draft of conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “Freedom” (arr. A. Courage). Draft of conductor’s score (4 staves); undated. Pencil MS. 9 pp. 30.5 x 39.5 cm.
folder 8	“The Hanging Tree (Frankie Laine Vocal)” (arr. A. Courage). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Conductor’s score (3 staves); undated. MS repro. 8 pp. 24.5 x 33 cm.
folder 9	“A Christmas Carol” (by Charles Ives; arr. A. Courage for Boston Pops). “A Christmas Carol” (by Charles Ives). For unison voices with piano. Piano-vocal score (reference copy); 1975. Published score. Bryn Mawr, PA: Theodore Presser Co., 1975. 3 pp. 17.5 x 27 cm. “Ives’ Carol” (arr. A. Courage). Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. Accompanied by duplicate copy (on thermal paper). “A Christmas Carol” (by Charles Ives; arr. A. Courage). Conductor’s score (12 staves); undated. MS repro (reduced-size photocopy). 5 pp. 21.5 x 30.5 cm.
folder 10	Liberty Weekend, 1986. Scores. “Liberty Fanfare” (by John Williams). Commissioned for the 100th birthday of the Statue of Liberty (July 3, 1986). For symphony orchestra. Full score (34 staves); undated. MS repro (reduced-size photocopy). 32 pp. 23 x 36 cm. “Welcome to Liberty.” Conductor’s score (4 staves); undated. Pencil MS. 8 pp. 30.5 x 39.5 cm. “Welcome to Liberty” (arr. Ian Fraser). Piano-choral score (2–6 staves); undated. MS repro, with markings in red ink and pencil. 23 pp. 24.5 x 33 cm. Oversized items separated to Box 34/2.

Box 34

folder 2	Oversized: Liberty Weekend, 1986. “Liberty Weekend :30 sec” (by John Williams). Full score (34 staves); undated. MS repro. 5 pp. 33 x 58.5 cm. “Liberty Weekend 1:00 min.” (by John Williams). Full score (34 staves); dated 1986. MS repro. 8 pp. 33 x 58.5 cm. “Liberty Weekend :10 sec” (by John Williams). Full score (34 staves); undated. MS repro. 1 p. 33 x 58.5 cm. “Liberty Weekend :05 sec #2” (by John Williams). Full score (34 staves); undated. MS repro. 1 p. 33 x 58.5 cm. “Liberty Weekend :05 sec A” (by John Williams). Full score (34 staves); undated. MS repro. 1 p. 33 x 58.5 cm. “Liberty Weekend Operation Sail” (by John Williams). Full score (34 staves); undated. MS repro. 11 pp. 33 x 58.5 cm. “Liberty Weekend :10 sec #2 B” (by John Williams). Full score (34 staves); undated. MS repro. 2 pp. 33 x 58.5 cm.

folder 2

Oversized: Liberty Weekend, 1986.
“Liberty Weekend :30 sec” (by John Williams). Full score (34 staves); undated. MS repro. 5 pp. 33 x 58.5 cm.
“Liberty Weekend 1:00 min.” (by John Williams). Full score (34 staves); dated 1986. MS repro. 8 pp. 33 x 58.5 cm.
“Liberty Weekend :10 sec” (by John Williams). Full score (34 staves); undated. MS repro. 1 p. 33 x 58.5 cm.
“Liberty Weekend :05 sec #2” (by John Williams). Full score (34 staves); undated. MS repro. 1 p. 33 x 58.5 cm.
“Liberty Weekend :05 sec A” (by John Williams). Full score (34 staves); undated. MS repro. 1 p. 33 x 58.5 cm.
“Liberty Weekend Operation Sail” (by John Williams). Full score (34 staves); undated. MS repro. 11 pp. 33 x 58.5 cm.
“Liberty Weekend :10 sec #2 B” (by John Williams). Full score (34 staves); undated. MS repro. 2 pp. 33 x 58.5 cm.

Box 72

folder 11	“Limehouse Blues” (music by Philip Braham; words by Douglas Furber). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Piano-vocal score (3 staves); c1922. Copy of typescript/printed score (for production purposes only). [s.l.]: Ascherberg, Hopwood & Crew, Ltd., c1922. Pl. no. 6965-5. 5 pp.
folder 12	“Long Ago.” Conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm.
folder 13	“Marni Nixon Medley.” From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Piano/conductor score (2 staves); undated. MS repro. 2 copies. 23 pp., each. 24.5 x 33 cm. Copy 1 (labeled “Audio Booth”) has markings in red ink. Copy 2 (labeled “Video Booth”) has markings in pencil.

Box 73

folder 1	“Medal Fanfares.” “Medal Fanfares 1–4.” Conductor’s score (4 staves); undated. Pencil MS, with markings in red ink. 2 pp. 30.5 x 39.5 cm. “Play on pres. reag.; Bar 136.” Conductor’s score (4 staves); undated. Pencil MS, with optional cuts marked in red ink. 1 p. 30.5 x 39.5 cm.
folder 2	Music from Hollywood concert, 1963 – “Film Composers’ Medley.” Conductor’s score (3 staves); undated. MS repro. 20 pp. 25 x 33.5 cm. Full score (33 staves) [incomplete; consists of pp. 1–14/mm. 1–56 and 34–57/mm. 133–226]; undated. Pencil MS, with markings in colored pencil. 38 pp., total. 33 x 49 cm.
folder 3	J. Norman concert arrangements. “The Song Is You.” Draft of conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. “With a Song.” Draft of conductor’s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm. “I Love You.” Draft of conductor’s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm. “I’m Old-Fashioned.” Draft of conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.
folder 4	“Oscar Fantasy Overture No. 1” (for Academy Awards, 1962). Full score (26 staves); undated. MS repro, with sparse markings in pencil. 34 pp. 28 x 43.5 cm.
folder 5	“Over the Rainbow” (by Arlen–Harburg; arr. A. Courage for Boston Pops). Draft of conductor’s score (9 staves); undated. Pencil MS. 7 pp. 28 x 43.5 cm. Accompanied by duplicate copy (on thermal fax paper). 7 pp. 30.5 x 43 cm. Full score (33 staves); undated. MS repro (on thermal paper). 14 pp. 30.5 x 48 cm.
folder 6	“Preamble” (by Larry Grossman; arr. A. Courage). For voice and piano (by Larry Grossman). Text from the Preamble to the US Constitution. Piano-vocal score (reference copy?) (3 staves); undated. MS repro, with markings in pencil and blue ink. 4 pp. 25 x 34 cm. For double-choir. Choral score (6 staves); undated. MS repro. 6 pp. 24.5 x 33 cm. [For choir(s) and orchestra.] Draft of conductor’s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.
folder 7	“Route 66 Medley” (arr. Gil Grau). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Conductor’s score (1–2 staves); undated. MS repro. 13 pp. 24.5 x 33 cm.
folder 8	“The Sea Hawk” (by Erich Wolfgang Korngold). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Reel 3, Part B; #18. Conductor’s score (4 staves); undated. MS repro (purple ink), with markings in red pencil. 4 pp. 24.5 x 31.5 cm. Reel 3, Part C; #19. Conductor’s score (4 staves); undated. MS repro (purple ink), with markings in red pencil. 10 pp. 24.5 x 31.5 cm.
folder 9	“Side No. 6: ‘Captain from Castile’ Records” (by Alfred Newman; orch. Edward Powell). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Conductor’s score (3 staves); undated. MS repro. 12 pp. 25 x 33 cm.
folder 10	“Singin’ [in the Rain].” See Box 73/11 for full score. Draft of conductor’s score (4 staves); undated. MS repro (on thermal paper). 5 pp. 30.5 x 39.5 cm.
folder 11	“Singin’ in the Rain” (by Brown–Freed; arr. A. Courage for Boston Pops). See Box 73/10 for draft of conductor’s score. Full score (33 staves); undated. MS repro (on thermal paper). 24 pp. 30.5 x 48 cm.
folder 12	“Songs the Kids Brought Home from Camp” – songs written for Warner Bros. album; John Raitt, singer. Vocal lead sheets (26 lead sheets) (1 staff); undated. Ozalid masters (ink MS); 4 lead sheets accompanied by typescript lyrics. 61 pp., total. 24 x 33 cm. Songs included: Constantinople; Shenandoah; Johnny Schmoker; Abdul Abdulbul Amir; Dunderbeck’s Machine; The Billboard; Medley (John Jacob Jingleheimer Schmidt; Michael Finnigin; Who Did?); Menu Song; Medley (1000 Legged Worm; When Father Put the Paper on the Wall; Dear Old Father); The Tree in the Wood; John Brown’s Baby; Old MacDonald Had a Car; Bulldog-Fog Medley (The Bulldog on the Bank; A Frog Went A-Courting); The Damper Song (The Steam Went to the Piston); My Neighbor’s Goat; Good Night, Ladies; Hey, Ho, Nobody Home; O, How Lovely Is the Evening; Juanita; Weggis Song; The Burglar song; Nickanacks; A Capital Ship; Down By the Riverside (Ain’t Guine Study War No More); Home On the Range; My Grandfather’s Clock.
folder 13	“SN” [Silent Night] and “Christmas Medley” (arr. A. Courage for Boston Pops, 1988). “Silent Night.” Draft of conductor’s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. “Christmas Medley.” Draft of conductor’s score (4 staves); undated. Pencil MS, with revised timing cues in black ink. 6 pp. 30.5 x 39.5 cm.

Box 74

folder 1	“Spring Medley, April May June.” Note on p. 1 of score: “Written for John Williams, but not performed. Contains many themes re: spring.” Conductor’s score (4 staves); undated. Pencil MS, with markings in red ink on numbered p. 2. 9 pp. 30.5 x 39.5 cm.
folder 2	“The Summer Knows.” Conductor’s score (9 staves) (incomplete; consists of pp. 1-5/mm. 1–32 only); undated. MS repro (photocopy). 5 pp. 28 x 43 cm.
folder 3	“Summertime” ([by George Gershwin]; arr. for I. Perlman by John Williams). Full score (23 staves); dated May 25, 1981. MS repro (photocopy). 10 pp. 28 x 35.5 cm.
folder 4	“Tales from the Vienna Woods.” Excerpt from published piano score (2 staves); undated. Photocopy of published score (pp. 5–6 only). [s.l.: s.n., s.d.]. Pl. no. 2620-40 1/2. 2 pp. 21.5 x 28 cm.
folder 5	“Tara’s Theme” (music by Max Steiner; words by Mack David; arr. Percy Faith). From A. Courage folder marked: “Various Academy Awards and CLG Concerts.” Conductor’s score (2–4 staves); undated. MS repro, with markings in pencil. 4 pp. 24.5 x 33 cm.
folder 6	“That’s Entertainment” [arr. A. Courage?]. Conductor’s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm.
folder 7	“T. J. B. Tune – I Should Say to You What You Said to Me” (A. Courage). Instrumental parts (2 parts): trombone/string bass, guitar; undated. Ozalid master (ink MS). 2 pp., each (4 pp. total). 24 x 33 cm. Instrumental parts (2 parts): trombone/string bass, guitar; undated. MS repro (from Ozalid masters). 2 copies, each part. 2 pp., each (8 pp., total). 25.5 x 33 cm. Instrumental parts (3 parts): 1 trumpet, 2 trumpet, drums. Ink MS. 2 pp., each (6 pp., total). 24 x 30.5 cm. Full score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. Accompanied by duplicate copy.
folder 8	“Torch Lighting” (arr. A. Courage, based on Fanfare for the Common Man by A. Copland). Fanfare for the Common Man (by A. Copland). Full score (9 staves); dated 1942. Photocopy of published score, with markings in pencil and red ink. [s.l.]: Boosey & Hawkes, c1944. Pl. no. B.Ens. 97. 4 pp. “Torch Lighting (short)” and “Torch Lighting (long)” (arr. A. Copland). Draft of conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
folder 9	“Trolley Song” (Pops arrangement). Conductor’s score (9 staves); undated. Pencil MS. 29 pp. 28 x 43 cm.
folder 10	[unknown production, 1983?]. Sketches and lead sheets, including original songs by A. Courage and arrangements by A. Courage (23 items); 3 items in folder (“There’s Got to be Music”; [untitled sketches]; “Feelin’ Bad Blues”) dated 1983; other items undated. Pencil MS and MS repro. 27 leaves, total. 24.5 x 30.5 cm to 27 x 34.5 cm. Titles or first lines: “There’s Got to be Music”; You left me in heartbreak barn; Oh she’s a truck drivin’ mama; She’s got a Sunday School face and a Saturday night heart; “Bottom of a Barrel”; Way down inside me/I’m so lonesome brother; “Just Country”; We’ve got to have music; “Wildwood Flower”; “Slidin’ Hill Blues”; Sentimental Boone; 3/4 Theme I; “Bottom Land”; “Charcoal Drip”; “Hot Chittlins”/”Travelin’ Music”/”Feelin’ Bad Blues; When I was a little boy in Tennessee.
folder 11	“Wedding Dance No. 1.” Conductor’s score (8 staves); undated. MS repro, with markings in red ink. 16 pp. 32 x 38.5 cm. At end of score: “Pay Holder 9th June 1970.”
folder 12	“The Word” [title of music cue illegible] (by Alex North; arr. A. Courage). Full score (30 staves); undated. MS repro (on thermal paper). 13 pp. 30.5 x 48 cm.

Series 4: Scripts and Filming Schedules

Sub-series A: Motion Pictures

Box 75

folder 1	Ace Eli and Roger of the Skies. Music breakdown for Reel 3/Part 1 (2 documents) and Reel 9 (1 document); dated February 6–March 2, 1973. Typescript, with markings in pencil and red pencil. 8 pp., total.
folder 2	Doctor Dolittle. Screenplay treatment by Leslie Bricusse; dated July 14, 1965. Typescript. 82 pp. Interleaved in volume: 1 p. pencil MS notes in the hand of A. Courage (pertaining to music cues for 8-2 through 8-2U).
folder 3	Doctor Dolittle. Screenplay by Leslie Bricusse (revised); dated March 7, 1966. Typescript, with sparse markings in pencil. 177 pp. Interleaved in volume (7 documents): recording schedules (2 documents), proposed playbacks (2 documents), list of musical numbers, rehearsal schedule, and list of instrumentation. 8 pp.
folder 4	Doctor Dolittle. Screenplay revisions; dated June, July, and October 1966. Typescript, with sparse markings in pencil. 56 pp., total.
folder 5	Doctor Dolittle. Music notes; dated April–September 1967. Consists of form documents (titled “Music Notes”) that summarize the placement of music cues as well as more detailed outlines of the film sequences on each reel. Typescript, with markings and notes in pencil, red pencil, and ink throughout. 265 pp., total.
folder 6	Fiddler on the Roof. Screenplay by Joseph Stein (second draft); dated December 19, 1969. 174 pp.
folder 7	Fiddler on the Roof. Call sheet and recording schedule. Memo regarding instrumentation for pre-recording sessions at Denham Studios; dated May 12, 1970. Carbon copy of typescript letter. 1 p. “Fiddler on the Roof: Final Music Rehearsal and Pre-Recording Schedule, May 18th through July 24th, 1970 in London.” Typescript schedule, with markings in pencil and colored pencil. 14 pp. Call sheet for June 1, 1970. Typescript. 2 pp.

Box 76

folder 1	The Great Cherub Knitwear Strike. Screenplay by Ethel Tyne (final draft); dated July 7, 1975. Typescript, with markings in red pencil. 8 (short rundown) + 173 (script) pp.
folder 2	The Great Cherub Knitwear Strike. Taping schedule for July 28–August 1, 1975. Typescript. 14 pp.
folder 3	Gremlins II. Music notes/music breakdowns (summaries of the placement of music cues), with 3 scoring/instrumentation lists interleaved; dated February 27, 1990. Typescript, with markings in ink. 31 pp.
folder 4	The Last Butterfly. Music notes; dated February 11, 1990. Typescript (printed from dot-matrix printer), with markings in red ink. 14 pp.
folder 5	Matinee. Music notes (titled “Music Breakdown”) for Reel 3, Part 4; undated. Typescript, with markings in pencil and ink. 4 pp.
folder 6	My Fair Lady. Music notes, labeled 1/2 and 3/4; undated. Typescript, with markings in red pencil and ink. 4 pp., total.
folder 7	Unfaithfully Yours. Screenplay by Valerie Curtain and Barry Levinson, revised by Robert DeLaurentis, and revised by Robert Klane (numbered A68); dated November 12, 1982. Typescript, with markings in ink and pencil. 127 pp.
folder 8	Yes, Giorgio. Screenplay by Norman Steinberg (revised final draft); dated April 10, 1981. Typescript, with markings in pencil and ink. 103 pp.
folder 9	Yes, Giorgio. MGM memos, staff and crew lists, work schedules, and related documents; dated February–August 1981. Typescript, with 18 pp. pencil MS notes. Arranged chronologically. 118 leaves + 2 pamphlets. Oversized documents separated; see Box 77/1.
folder 10	Yes, Giorgio. Programs, reviews and articles. See also Series 7 for duplicates. Contains: 2 newspaper clippings (reviews), 1 magazine (The Hollywood Reporter), and 2 copies of film program listing cast and credits.

Box 77

folder 1	Yes, Giorgio. Oversized documents, including MGM memos, work orders, call sheets, and related documents; dated June–August 1981. Typescript, with 1 p. blue pencil notes. Arranged chronologically. 21 leaves. Separated from Box 76/9.

Sub-series B: Television

BOONE

folder 2	Cue sheets for episodes #201021 (“The Decision”), #172601 (“The Trial”). #172607 (“Banjo”), #172605 (“2nd Fiddle”), and #172608 (“The Monument”); dated April–September 1983. Pencil MS and MS repro forms (chart of instrumentation needed for each cue). 21 pp., total.
folder 3	“The Decision.” Pilot script by Earl Hamner (first draft); dated February 7, 1983. Typescript, with markings in pencil and red ink. 61 pp.
folder 4	“The Decision.” Pilot script by Earl Hamner (final draft); dated March 4, 1983. Typescript, with sparse markings in red ink. 60 pp.
folder 5	“The Decision.” Pilot script by Earl Hamner (revised final draft); dated March 9, 1983. Typescript, with markings in blue ink. 59 pp. Accompanied by revised pages; dated September 12, 1983. Typescript. 10 pp.

EIGHT IS ENOUGH

folder 6	Cue sheets for episodes #188363 (“Domino Theory”), #188353 (“Turnabout”), #188355 (“Quarantine”), and #188330 (“V is for Vivian”); dated April 1977. MS repro forms (chart of instrumentation needed for each cue). 4 pp., total.

FALCON CREST

folder 7	Cue sheets for episodes #189703 (“The Harvest”) and #189707 (“Kindred Spirits”); undated. MS repro and pencil MS. 7 pp., total.

FLAMINGO ROAD

folder 8	Cue sheets for episodes #189504 (“The Intruder”) and #181210 (“Code Red”); dated November 1981. Pencil MS and MS repro. 8 pp., total.

THE WALTONS

folder 9	Spotting notes for episode #186318 (“The Gypsies”); dated December 1, 1972. Typescript, with markings in pencil and red pencil. 27 pp.
folder 10	Filming schedules, lead time schedules, and cast and crew lists; dated 1974–1981. Typescript, with markings in pencil and ink. 31 pp., total. Accompanied by pencil MS list of folder contents. 1 p.
folder 11	Cue sheets and lists of music in “The Waltons” library. Cue sheets for 23 episodes; dated 1976–1981. Typescript, MS repro forms (some on thermal paper), and pencil MS. 81 pp., total. Episodes included: #186351 (“The Heritage”), #188171 (“The Starlet”), #188173 (“Silver Wings”), #188175 (“The Waiting”), #188182 (“The Prodigals”), #188184 (“The Traveling Man”), #188192 (“A Decade of the Waltons”), #188416 (“The Achievement”), #188423 (“The Ferris Wheel”), #188431 (“The Hiding Place”), #188453 (“The First Casualty”), #188456 (“The Stray”), #188465 (“The Festival”), #188470 (“Grandma Comes Home”), #188475 (“The Grandchild”), ## (“The Gold Watch”), #189219 (“The Indiscretion”), #189220 (“The Lumberjack”), #189221 (“The Revel”), #189222 (“The Heartache”), #211009 (“Valentine’s Day”), #211010 (“Mother’s Day”), #211011 (“A Day of Thanks”). “For underscoring session.” List of cues from multiple episodes; undated. MS repro, with markings in red ink. 5 pp. “Walton Library Music.” List of cues from multiple episodes; undated. MS repro, with markings in red and green ink. 4 pp. “The Waltons Library (#3).” Chart lsiting music cues from multiple episodes; dated July 13, 1977. MS repro (on thermal paper). 3 pp. “The Waltons 188400.” Chart listing music cues from multiple episodes; dated June 9, 1976. 5 pp. “The Waltons 188400.” Chart listing music cues from multiple episodes; dated July 2, 1976. 3 pp.
folder 12	“The Seashore” (#188452) [Year 6, No. 9]. Episode script by Marion Hargrave (revised final); dated April 14, 1977. Typescript (photocopy), with markings in red pencil. 67 pp.
folder 13	“Founder’s Day” (#188719) [Year 7, No. 24]. Episode script by Kathleen Hite (first draft); dated November 20, 1978. Typescript (photocopy). 64 pp.
folder 14	“Founder’s Day” (#188719) [Year 7, No. 24]. Episode script by Kathleen Hite (final draft); dated February 5, 1979. Typescript (photocopy). 63 pp.
folder 15	“Founder’s Day” (#188719) [Year 7, No. 24]. Episode script by Kathleen Hite (final draft); dated February 9, 1979. Typescript. 57 pp.

Box 78

folder 1	“The Valediction” (#188188) [Year 8, No. 24]. Episode script by Clair Whitaker (final draft); dated January 21, 1980. Typescript. 59 pp.
folder 2	“The Walton Decade: A Retrospective” (#188192) [Year 8, No. 25?]. Episode script by Claire Whitaker, Rod Peterson, and Earl Hamner (final draft); dated February 6, 1980. Typescript. 209 pp. Interleaved in score: pencil MS note (1 p.).
folder 3	“A Decade of the Waltons” (#188192) [Year 8, No. 25?]. Episode script by Earl Hamner (final draft); dated February 6, 1980. Typescript. 69 pp. Interleaved in score: pencil MS notes (3 pp.).
folder 4	“The Beginning” (#189217) [Year 9, No. 14]. Episode script by Kathleen Hite (final draft); dated January 7, 1981. Typescript. 61 pp.
folder 5	“The Pearls” (#189214) [Year 9, No. 15]. Episode script by Kathleen Hite (final draft); dated January 16, 1981. Typescript. 58 pp.
folder 6	“The Threshold” (#189216) [Year 9, No. 17]. Episode script by Scott Hamner (final draft); dated February 4, 1981. Typescript. 60 pp.
folder 7	“The Heartache” (#189222) [Year 9, No. 19]. Episode script by Kathleen Hite (final draft); date February 26, 1981. Typescript. 56 pp.
folder 8	“The Hostage” (#189223) [Year 9, No. 21]. Episode script by Marjorie Fowler (second draft); dated February 26, 1981. Typescript. 56 pp.
folder 9	“The Revel” (#189221) [Year 9, No. 22]. Episode script by Scott Hamner (first draft); dated February 13, 1981. Typescript. 58 pp.
folder 10	“The Revel” (#189221) [Year 9, No. 22]. Episode script by Scott Hamner (final draft); dated February 24, 1981. Typescript. 54 pp.

Series 5: Recordings

Sub-series A: Motion Pictures

Box 79

DOCTOR DOLITTLE

rec 1	“Doctor Dolittle – Original demos” (1965). 5” audio reel, 7.5 ips. Annotation on back of case: S.I. Dr. Dolittle 4 songs 1965 L.H. Summer At start
rec 2	“Dr. Dolittle Demos” (May 1966). 5” audio reel, 3.75 ips.
rec 3	“Doctor Dolittle Takedown Prerecording” (May–June 1966). 5” audio reel, 7.5 ips. Tracks: Where Are the Words — Like Animals — When I Look In Your Eyes — At the Crossroads — I Think I Like You.
rec 4	“Dolittle. The Doctor’s Dilemma, Harrison’s House” (October 1966). 5” audio reel.
rec 5	[Doctor Dolittle – misc.] 5” audio reel. Annotation on back of case: Side I Dr. Dolittle 3 3/4 I’ve Never Seen Anything Like It R. Attenborough Takedown Side II Dr. Dolittle 7 1/2 R + E Doctor’s Dilemma Takedown At Harrison’s House
rec 6	“Dolittle losers.” 5” audio reel, 7.5 ips. Annotation on back of case: 1.I’ll Fight a Lion Side II. Griffith

HELLO DOLLY

rec 7	“Hello Dolly takedown.” 5” audio reel. Annotation on back of case: Hello Dolly Takedown When the Parade – Also Side II Last Part Bach. Party 13 July 67

LOST IN THE STARS

rec 8	“Lost in the Stars.” 5” audio reel. Case taped closed. 20th Century-Fox Film Corp., shooting tape, labeled: “Y01 P.B. #1 DS-3.” Brock Peters vocal and orch.
rec 9	“Wild Justice.” 5” audio reel, 7.5 ips. 20th Century-Fox Film Corp., shooting tape, labeled: “Y01 DS 18.” Cliff Davis and choir.
rec 10	“Cry the Beloved Country” (scene 100). 5” audio reel. 20th Century-Fox Film Corp., shooting tape, labeled: “Y01 DS-13.” Prisoner Choir.
rec 11	“Cry the Beloved Country” (scene 100A). 5” audio reel. 20th Century-Fox Film Corp., shooting tape, labeled: “Y-01 DS-15.” Prisoner Choir.
rec 12	“Stay Well.” 5” audio reel. 20th Century-Fox Film Corp., shooting tape, labeled: “Y-01 P.B. #22.” Melba Moore and piano.
rec 13	“Trouble Man.” 5” audio reel. 20th Century-Fox Film Corp., shooting tape, labeled: “Y-01 P.B. #23.” Melba Moore and piano.
rec 14	“Big Mole.” 5” audio reel. Case taped closed. Annotation on back of case: R3P2 “Big Mole”
rec 15	“Johannesberg.” 5” audio reel.
rec 16	“Little Gray House.” 5” audio reel. Annotation on back of case: R3P1A “Little Gray House”
rec 17	“Murder in Parkwold” and “Fear.” 5” audio reel. Label on back of case: Y01 “Lost in the Stars” R5P2 “Murder in Parkwold + Fear” Oui Ury
rec 18	“Thousands of Miles.” 5” audio reel. Annotation on back of case: “Thousands of Miles” R2P2

Box 80

THE MATCHMAKER

[Morris’ Death Sequence – unknown production]
rec 1	“Wedding Dance.” 5” audio reel. Annotation on liner: Matchmaker Takedown Wedding Dance App. 150
rec 2	“Matchmaker Takedown” (September 1970). 5” audio reel. Annotation on front of case: Nelsons in Central Hotel and Ceildh Sept. 70 17/8
rec 3	“Morris’ Death Sequence.” 5” audio reel, 7.5 ips. Annotation on back of case: Q B VII 7 1/2 ips N/Sync. R-17 Morris’ Death Sequence

NAGRA #1

rec 4	“Wildwood Flower” and “Jambalaya” (March 10, 1983). 5” audio reel, 7.5 ips. Performed by Boone. Track list: Wildwood Flower (version 1) — Wildwood Flower (vers. 2 up tempo) — Jambalaya (instrumental w/ vocal) — Jambalaya (instrumental) — Jambalaya (c+w w/ vocal) — Jambalaya (c+w w/out vocal) — Jambalaya (rockabilly w/ vocal) — Jambalaya (rockabilly w/out vocal).

TORA TORA TORA

rec 5	“Japanese Music for Tora-Tora-Tora.” 5” audio reel, 7.5 ips. Track list: Umi Yukaba — Umi — Gunkan Kôshinkyoku — Shôkan Reishikino Rappa.

YES, GIORGIO

rec 6	Outtakes. 5” audio reel, 7.5 ips. Annotation on back of case: “Yes Georgio” 2001–1, 2, 3 Out takes
rec 7	Outtakes. 5” audio reel, 7.5 ips. Annotation on back of case: “Yes Georgio” out takes 2021-6-7-8 2021-1-2
rec 8	Outtakes. 5” audio reel, 7.5 ips. Case taped closed. Annotation on back of case: “Yes Georgio” out takes 2001-5x’s 2020-1-2-3-4-5

DOCTOR DOLITTLE

rec 9	“The Doctor Dolittle Tape, Part I.” 7” audio reel, 7.5 ips. Track list: [Side I] My Friend the Doctor — Reluctant Vegetarian — The Vegetarian — Talk to the Animals — [Side II] Talk to the Animals final — Fabulous Places — When I Look in Your Eyes — After Today — Children Want to Know Why.”
rec 10	“The Doctor Dolittle Tape, Part II.” 7” audio reel, 7.5 ips. Track list: [Side I] Like Animals — Where Are the Words? — If I Could Be Anyone At All — At the Crossroads — I Don’t Want to Be a King — [Side II] Beautiful Things — I Think I Like You — I’ve Never Seen Anything Like It.
rec 11	“The Doctor Dolittle Tape, Part III.” 7” audio reel. Track list: [Side I] I’ve Never Seen Anything Like It –The Doctor’s Dilemma — “Doctor Dolittle piano temp. track.”

FUNNY FACE

rec 12	“Basal Metabolism” (1956). 7” audio reel, 7.5 ips.

THE LAST BUTTERFLY

rec 13	The Last Butterfly [soundtrack album]. Audiocassette tape, produced by Studio Budikov. Track list: [Side A] Main Title — Foxtrot in Cabaret — Mr. Grondin Pantomime — Antoine’s Playoff Music — Michelle’s Demise — The Flashback — The Nightmare Begins — The Gordian Knot — Afternoon Coffee — Things Don’t, People Do — Avinu Malkenu — Snow White Ballet — [Side B] Sings of Spring — The Hit — Butterfly — The Red Umbrella — Ocarina Yiddish Dance — Save Stella — The Last Performance — Hansel and Gretel Ballet — Lulinka.

rec 13

The Last Butterfly [soundtrack album]. Audiocassette tape, produced by Studio Budikov.
Track list:
[Side A] Main Title — Foxtrot in Cabaret — Mr. Grondin Pantomime — Antoine’s Playoff Music — Michelle’s Demise — The Flashback — The Nightmare Begins — The Gordian Knot — Afternoon Coffee — Things Don’t, People Do — Avinu Malkenu — Snow White Ballet —
[Side B] Sings of Spring — The Hit — Butterfly — The Red Umbrella — Ocarina Yiddish Dance — Save Stella — The Last Performance — Hansel and Gretel Ballet — Lulinka.

Sub-series B: Television

Box 81

EIGHT IS ENOUGH

rec 1	Pilot (#438193). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated March 26, 1976.
rec 2	“Domino Theory” (#188363), Reel 1. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated April 5, 1977.
rec 3	“Domino Theory” (#188363), Reel 2. 7” audio reel, 7.5 ips.
rec 4	“Turnabout” (#188353). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated April 14, 1977.
rec 5	“Quarantine” (#188355). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated April 19, 1977.
rec 6	“V is for Vivian” (#188360). 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated April 24, 1977.

FLAMINGO ROAD

rec 7	“The Intruder” (#189504). 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; December 3, 1981.

THE WALTONS

rec 8	“The Homecoming” (Pilot) (#CTN131-153). 7” audio reel. Pencil MS note in case. Label on front of case: Waltons Pilot “Homecoming” also called Christmas Story [by Jerry Goldsmith]
rec 9	“The Gypsies” (Year 1, No. 3) (#186318). 5” audio reel, 7.5 ips. Recorded December 15, 1972. Annotation on back of case: Waltons #186318 A01 389
rec 10	“The Runaway,” (Year 3, No. 3) (#188063), Reel 2. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 22, 1975. Annotation on side of case: Waltons Score R.2 Runaway 188062 [recte 188063].
rec 11	“The Thoroughbred,” (Year 3, No. 5) (#188062), Reel 1. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 22, 1975. Annotation on side of case: Waltons Score R-1 Thoroughbred 188062.
rec 12	“The Conflict,” (Year 3, No.7) (#188085), Reel 1. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 24, 1975.
rec 13	“The Conflict,” (Year 3, No.7) (#188085), Reel 2. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 24, 1975.

Box 82

rec 1	“The Birthday” (Year 3, No. 11) (#188087). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 23, 1975.
rec 2	“The Choice” (Year 3, No. 13) (#188089). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 23, 1975.
rec 3	“The Suitor” (Year 3, No. 14) (#188073). 7” audio reel, 7.5 ips. Carbon copies of 6 recording forms in case; dated January 28, 1975.
rec 4	“The Song” (Year 3, No. 15) (#188061). 7” audio reel, 7.5 ips. Carbon copies of 4 recording forms in case; dated February 4, 1975.
rec 5	“The Woman” (Year 3, No. 16) (#188066). 7” audio reel, 7.5 ips. Carbon copies of 5 recording forms in case; dated February 10, 1975.
rec 6	“The Loss,” (Year 4, No. 1) (#188006), Reel 1. 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated November 12, 1975.
rec 7	“The Loss,” (Year 4, No. 1) (#188006), Reel 2. 7” audio reel, 7.5 ips.
rec 8	“The Emergence” (Year 4, No. 2) (#188009). 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated November 12, 1975.
rec 9	“Waltons #188015, #188013, #188018, R-2.” 7” audio reel. Carbon copy of Sound/Magnetic Transfer form in case; dated November 17, 1975. Contains cues from: “The Fighter” (Year 4, No. 6) (#188015); “The Prophecy” (Year 4, No. 7) (#188013); “The Genius” (Year 4, No. 3) (#188018).
rec 10	“The Sermon,” (Year 4, No .4) (#188010), Reel 1. 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated November 12, 1975.
rec 11	“The Sermon,” (Year 4, No. 4) (#188010), Reel 2. 7” audio reel, 7.5 ips.
rec 12	“The Estrangement” (Year 4, No. 5) (#188014). 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated November 17, 1975.

Box 83

rec 1	“The Wingwalker” (Year 4, No. 8) (#188028). 7” audio reel. Photocopy of Sound/Magnetic Transfer form in case; dated October 8, 1975.
rec 2	“The Competition” (Year 4, No. 9) (#188012), Reel 1. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated October 14, 1975.
rec 3	“The Competition” (Year 4, No. 9) (#188012), Reel 2. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated October 14, 1975.
rec 4	“The Nurse” (Year 4, No. 10) (#188021). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 17, 1975.
rec 5	“The Secret” (Year 4, No. 12) (#188037). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 29, 1975.
rec 6	“The Burnout” (Year 4, No. 13) (#188025), Reel 1. 7” audio reel, 7.5 ips.
rec 7	“The Burnout” (Year 4, No. 13) (#188025), Reel 2. 7” audio reel.
rec 8	“The Big Brother” (Year 4, No. 14) (#188020). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 16, 1976.
rec 9	“Waltons #188406–188407, R-1.” 7” audio reel. Carbon copy of Sound/Magnetic Transfer form in case; dated November 18, 1976. Contains cues from: “The Turning Point” (Year 5, No. 1) (#188406); “The Nightwalker,” Reel 1 (Year 5, No. 6) (#188407).
rec 10	“The Nightwalker” (Year 5, No. 6) (#188407), Reel 2. 7” audio reel, 7.5 ips.
rec 11	“The Wedding” (Year 5, No. 7-8) (#188421), Reel 1. 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated November 22, 1976.
rec 12	“The Wedding” (Year 5, No. 7-8) (#188421), Reel 2. 7” audio reel, 7.5 ips.

Box 84

rec 1	“The Hiding Place” (Year 5, No. 21) (#188431). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated February 17, 1977.
rec 2	“The Pony Cart” (Year 5, No. 23) (#188405). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 16, 1976.
rec 3	“The Best Christmas” (Year 5, No. 24) (#188418). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 23, 1976.
rec 4	“The Ferris Wheel” (Year 5, No. 25) (#188423), Reel 1. 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated December 20, 1976.
rec 5	“The Ferris Wheel” (Year 5, No. 25) (#188423), Reel 2. 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated December 30, 1976
rec 6	“The Inferno” (Year 5, No. 26) (#188430). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 27, 1977.
rec 7	[no title] (Year 5, No. 27) (#188436), Reel 1. 7” audio reel. Photocopy of 2 Sound/Magnetic Transfer forms in case; dated June 9–10, 1976.
rec 8	[no title] (Year 5, No. 27) (#188436), Reel 2. 7” audio reel. Dated June 9, 1976.
rec 9	[no title] (Year 5, No. 27) (#188436), Reel 3. 7” audio reel. Dated June 9, 1976.
rec 10	“The Stray” (Year 6, No. 1) (#188456). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated July 22, 1977.
rec 11	“The First Casualty” (Year 6, No. 3) (#188453), Reel 1. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated August 11, 1977.
rec 12	“The First Casualty” (Year 6, No. 3) (#188453), Reel 2. 7” audio reel, 7.5 ips.
rec 13	“The Hawk” (Year 6, No. 4) (#188460). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated August 31, 1977.

Box 85

rec 1	“The Grandchild” (Year 6, No. 5-6) (#188475), Reel 1. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated October 19, 1977.
rec 2	“The Grandchild” (Year 6, No. 5-6) (#188475), Reel 2. 7” audio reel, 7.5 ips.
rec 3	“The Warrior” (Year 6, No. 8) (#188455). 7” audio reel. Photocopy of Sound/Magnetic Transfer form in case; dated September 23, 1977.
rec 4	“The Children’s Carol” (Year 6, No. 10-11) (#188479), Reel 1. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 23, 1977.
rec 5	“The Children’s Carol” (Year 6, No. 10-11) (#188479), Reel 2. 7” audio reel, 7.5 ips.
rec 6	“The Children’s Carol” (Year 6, No. 10-11) (#188479), Reel 3. 7” audio reel, 7.5 ips.
rec 7	“Spring Fever” (Year 6, No. 17) (#188463). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 21, 1977.
rec 8	“The Ordeal” (Year 6, No. 18-19) (#188477), Reel 1. 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 16, 1978.
rec 9	“The Ordeal” (Year 6, No. 18-19) (#188477), Reel 2. 7” audio reel, 7.5 ips.
rec 10	“The Family Tree” (Year 6, No. 22) (#188471). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated February 1, 1978.
rec 11	“The Return” (Year 6, No. 24-25) (#188491). 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated June 13, 1978.
rec 12	“Grandma Comes Home” (Year 6, No. 26) (#188470), Reel 1. 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated June 13, 1978.
rec 13	“Grandma Comes Home” (Year 6, No. 26) (#188470), Reel 2. 7” audio reel, 7.5 ips.

Box 86

rec 1	“The Calling” (Year 7, No. 1) (#188701). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated August 8, 1978.
rec 2	“The Empty Nest” (Year 7, No. 2-3) (#188725), Reel 1. 7” audio reel. Photocopy of Sound/Magnetic Transfer form in case; dated August 18, 1978.
rec 3	“The Empty Nest” (Year 7, No. 2-3) (#188725), Reel 2. 7” audio reel.
rec 4	“The Moonshiner” (Year 7, No. 4) (#188704). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated August 25, 1978.
rec 5	“The Obsession” (Year 7, No. 5) (#188708). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated August 31, 1978
rec 6	“The Changeling” (Year 7, No. 6) (#188702). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated September 1, 1978.
rec 7	“The Portrait” (Year 7, No. 7) (#188707). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated September 20, 1978.
rec 8	“The Captive” (Year 7, No. 8) (#188705). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated October 3, 1978.
rec 9	“The Illusion” (Year 7, No. 9) (#188706). 7” audio reel, 7.5 ips. Carbon copy and duplicate photocopy of Sound/Magnetic Transfer form in case; dated October 11, 1978.
rec 10	“The Beau” (Year 7, No. 10) (#188709). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 9, 1978.
rec 11	“Day of Infamy” (Year 7, No. 11) (#188710). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 20, 1978.
rec 12	“The Yearning” (Year 7, No. 12) (#188178), Reel 1. 7” audio reel, 7.5 ips. Carbon copy of recording form in case; dated December 4, 1978.
rec 13	“The Boosters” (Year 7, No. 13) (#188714). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 6, 1978.

Box 87

rec 1	“The Conscience” (Year 7, No. 14) (#188711). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 14, 1978.
rec 2	“The Parting” (Year 7, No. 15) (#188172). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 22, 1978.
rec 3	“The Obstacle” (Year 7, No. 16) (#188171). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 27, 1978.
rec 4	“The Burden” (Year 7, No. 17) (#188716). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 4, 1979.
rec 5	“The Pin-Up” (Year 7, No. 18) (#188721). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 22, 1979.
rec 6	“The Attack” (Year 7, No. 19) (#188723). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 29, 1979.
rec 7	“The Legacy” (Year 7, No. 20) (#188722). 7” audio reel, 7.5 ips. Carbon copy of recording form in case; dated February 12, 1979.
rec 8	“The Outsider” (Year 7, No. 21) (#188720). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated February 14, 1979.
rec 9	“The Torch” (Year 7, No. 22) (#188724). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated February 22, 1979.
rec 10	“The Tailspin” (Year 7, No. 23) (#188727). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated March 2, 1979.
rec 11	“Founder’s Day” (Year 7, No. 24) (#188719). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated March 9, 1979.
rec 12	“The Home Front” (Year 8, No. 1-2) (#1881900), Reel 1. 7” audio reel. Photocopy of Sound/Magnetic Transfer form in case; dated July 27, 1979.
rec 13	“The Home Front” (Year 8, No. 1-2) (#188190), Reel 2. 7” audio reel.

Box 88

rec 1	“The Kinfolk” (Year 8, No. 3) (#188166). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated August 9, 1979.
rec 2	“The Diploma” (Year 8, No. 4) (#188167). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated August 20, 1979.
rec 3	“The Journal” (Year 8, No. 5) (#188168). 7” audio reel. Photocopy of Sound/Magnetic Transfer form in case; dated September 6, 1979.
rec 4	“The Innocents” (Year 8, No. 6) (#188169). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated August 22, 1979.
rec 5	“The Starlet” (Year 8, No. 7) (#188171). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated September 18, 1979.
rec 6	“The Lost Sheep” (Year 8, No. 8) (#188176). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated September 28, 1979.
rec 7	“The Violated” (Year 8, No. 9) (#188175). 7” audio reel. Photocopy of Sound/Magnetic Transfer form in case; dated October 12, 1979.
rec 8	“The Waiting, Part II” (Year 8, No. 10) (#188174). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated September 28, 1979.
rec 9	“The Silverwings” (Year 8, No. 11) (#188173). 7” audio reel, 7.5 ips.
rec 10	“The Wager (Race)” (Year 8, No. 12) (#188179). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 12, 1979.
rec 11	“The Spirit” (Year 8, No. 13) (#188177). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 14, 1979.
rec 12	“The Fastidious Wife” (Year 8, No. 14) (#188172). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 10, 1979.
rec 13	“The Unthinkable” (Year 8, No. 15) (#188180). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated November 30, 1979.

Box 89

rec 1	“The Idol” (Year 8, No. 16) (#188181). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 12, 1979.
rec 2	“The Prodigals” (Year 8, No. 17) (#188182). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated December 20, 1979.
rec 3	“The Remembrance” (Year 8, No. 18) (#188178). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 3, 1980.
rec 4	“The Inspiration” (Year 8, No. 19) (#188185). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 18, 1980.
rec 5	“The Last Straw” (Year 8, No. 20) (#188183). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated January 29, 1980.
rec 6	“The Traveling Man” (Year 8, No. 21) (#188184). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated February 11, 1980.
rec 7	“The Furlough” (Year 8, No. 22) (#188187). 7” audio reel, 7.5 ips. Photocopy of Sound/Magnetic Transfer form in case; dated February 6, 1980.
rec 8	“The Valediction” (Year 8, No. 23) (#188188). 7” audio reel. Photocopy of Sound/Magnetic Transfer form in case; dated February 27, 1980.
rec 9	“The Waltons Decade,” (Year 8, No. 25?) (#188192), Reel 1. 7” audio reel, 7.5 ips.
rec 10	“The Waltons Decade,” (Year 8, No. 25?) (#188192), Reel 2. 7” audio reel, 7.5 ips.
rec 11	“The Hot Rod” (Year 9, No. 12) (#189211). 7” audio reel, 7.5 ips.
rec 12	“The Gold Watch” (Year 9, No. 13) (#189213). 7” audio reel, 7.5 ips. Carbon copy of Sound/Magnetic Transfer form in case; dated March 23, 1980.
rec 13	“The Beginning” (Year 9, No. 14) (#189217). 7” audio reel, 7.5 ips.

Box 90

rec 1	“The Pearls” (Year 9, No. 15) (#189214). 7” audio reel, 7.5 ips.
rec 2	“The Victims” (Year 9, No. 16) (#189218). 7” audio reel, 7.5 ips.
rec 3	“The Threshold” (Year 9, No. 17) (#189216). 7” audio reel, 7.5 ips. Recorded March 12, 1981. List of contents (music cues) on back of case.
rec 4	“The Indiscretion” (Year 9, No. 18) (#189219). 7” audio reel, 7.5 ips.
rec 5	“The Heartache” (Year 9, No. 19) (#189222). 7” audio reel, 7.5 ips.
rec 6	“The Lumberjack” (Year 9, No. 20) (#189220). 7” audio reel, 7.5 ips. Recorded April 16, 1981.
rec 7	“The Hostage” (Year 9, No. 21) (#189223). 7” audio reel, 7.5 ips.
rec 8	“The Revel” (Year 9, No. 22) (#189221). 7” audio reel, 7.5 ips.

WALTON’S MOUNTAIN

rec 9	“Valentine’s Day” (#211009), Reel 1. 7” audio reel, 7.5 ips. Recorded January 15, 1982. List of contents (music cues) on back of case.
rec 10	“Valentine’s Day” (#211009), Reel 2. 7” audio reel, 7.5 ips. Recorded January 15, 1982. List of contents (music cues) on back of case.
rec 11	“Valentine’s Day” (#211009), Reel 3. 7” audio reel, 7.5 ips. Recorded January 15, 1982. List of contents (music cues) on back of case.
rec 12	“Mother’s Day” (#211010), Reel 1. 7” audio reel, 7.5 ips. List of contents (music cues) on back of case.
rec 13	“Mother’s Day” (#211010), Reel 2. 7” audio reel, 7.5 ips. List of contents (music cues) on back of case.

Box 91

rec 1	“A Day of Thanks” (#211011), Reel 1. 7” audio reel, 7.5 ips. List of contents (music cues) on back of case.
rec 2	“A Day of Thanks” (#211011), Reel 2. 7” audio reel, 7.5 ips. List of contents (music cues) on back of case.
rec 3	Unidentified source music for “The Waltons.” 7” audio reel, 7.5 ips. Annotation on side of case: “Waltons mx 7 1/2.” Annotation on back of case: Ellen 23450 Calabasas Rd. Woodland Hills J.Wing Rm. 324 Neil’s – Norma Larry Hooberry Annotation on front of case [track list]: #1 … Old Kent’y Home #2 … #3 … (Massa’s In Cold Gr’nd) #4 … (Old Virginy) #5 … (Oh Susanna) #6 … (Old Folks at Home) #7 … ( ) #8 … (Turkey in Straw) #9 … (Dixie) #10 … ( )
rec 4	“Academy Awards Overture, 1961.” 7” audio reel, 15 ips. Recorded April 17, 1961; John Neal, engineer.
rec 5	“Academy Awards Takedown, 1976.” 5” audio reel.
rec 6	“Hugo Friedhofer 75th Birthday (3 May 1977).” 5” audio reel, 7.5 ips.
rec 7	“Good Offer.” #S-346-M-62. 5” audio reel, 7.5 ips. Dated November 5, 1970.
rec 8	“A. Newman Birthday.” 5” audio reel, 7.5 ips.
rec 9	“Alfred Newman Birthday Party.” Audiocassette tape.
rec 10-14	Alexander Courage describing this collection. 5 audiocassette tapes. Tape 2 [rec 11], note on insert: “1st box; lunch; Box 6; Start of Box 12.” Tape 4 [rec 13], note on insert: “1–Box 5; file box 2; file box 4.” Tape 5 [rec 14], note on insert: “Start Box 11; Box, no number; Box 15; Side 2–Box 2, Box 3, Box 1.”

Series 6: Notes and Sketches

Box 92

folder 1	Bertelli, Ferdinando (?). Unidentified MS score. Conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. (Untitled; at top right corner of p. 1: “[illegible] 399 8044 / FERDINANDO BERTELLI.”)
folder 2	“Dance.” MS repro lead sheet. Lead sheet (3 staves: 1 staff with “dancer’s accents” [loose sketch of choreography using rhythmic notation], 2 staves for piano); undated. Incomplete; consists of pp. 2–7/mm. 13–86 only. MS repro (reduced-size photocopy), with measure numbers and page numbers in pencil. 5 pp. 22 x 28 cm.
folder 3	“Izzy.” MS score. Sketch of score (2 staves); undated. Pencil MS. 3 pp. 24 x 31.5 cm. (Bass clef staff incomplete; mm. 24–39 [end] have only treble melody).
folder 4	North, Alex. “Loneliness and Love.” MS repro lead sheet. Vocal lead sheet (1–3 staves); c1974. Lyrics by Hal David. MS repro, with markings in red and green ink and pencil. 2 pp. 24 x 33 cm.
folder 5	North, Alex. Unidentified piano vocal score. MS repro. Score for vocal solo, children’s voices, and piano (4 staves); undated. MS repro. 4 pp. 25.5 x 35.5 cm. [First line of text (in Czech): Až přežene se černý mrak pak všechno bude jak má být.]
folder 6	Unidentified MS score, numbered #BT-125. Draft of conductor’s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm. (At top right corner: “Producer—Finnegan + Assoc. / After Fight – ‘Let’s Hear It’ at end of Lisa’s speech.”)
folder 7	Unidentified MS score. Possibly from The Last Butterfly; see Box 17/1–6. Sketch of score (4 staves); undated. Blue ink and pencil MS. 1 p. 28 x 35.5 cm. (At top of page: “Lulinka / M/2/2A.”)
folder 8	Unidentified MS score. Conductor’s score (6 staves); undated. Pencil MS, with time signatures in black ink. 2 pp. 43 x 35.5 cm.

Series 7: Personal Papers

Box 93

Sub-series A: Correspondence

folder 1	Letter from Aaron Copland to A. Courage. Ink MS, on personal letterhead; dated March 29, 1958. 1 p. 15.5 x 20.5 cm.
folder 2	Memo from John Green (Head of MGM Music Department) to Salinger, Courage, Sendrey, Franklyn, Woodbury, Morton, Wolcott, Kaper, McAlpin, and W. Miller; re: “Stage I Routine – Raintree County.” Typescript inter-office communication, on MGM letterhead; dated July 1, 1957. 2 pp. 21.5 x 28 cm. Accompanied by ink MS note in A. Courage’s hand. 3 pp.
folder 3	Invitation to Alex North’s birthday party. Printed invitation, with photo of Alex North on cover, for event on December 1, 1989. 1 card. 13 x 18 cm (folded).
folder 4	Invitation to benefit concert at Eastman School of Music for the Alec Wilder Reading Room. Printed invitation for event on February 13, [1991]. 1 p. 13 x 18 cm.
folder 5	Invitation to John Williams Tribute Gala. Printed invitation with photo of John Williams conducting, for event dated March 8, 1991. 1 card. 13 x 18 cm. Accompanied by RSVP card, hotel reservation card, and return envelope.

Sub-series B: Associations

folder 6	Composers and Lyricists Guild of America, Inc., 1955–1969. Constitution, amendments, agreements, Code of Working Rules, and related documents and correspondence. (Includes drafts and final versions). Typescript and typescript copies, many with annotations in pencil and/or ink; 1 draft pencil MS. 252 leaves, total.
folder 7	Musicians Guild of America, 1958. Constitution and By-Laws (final draft); dated November 22, 1958. Typescript. 17 pp.
folder 8	Ojai Festival, 1958. Publicity flyer (containing programs for festival concerts). 1 item. Oversized document (newspaper: Ojai and Valley News for May 22, 1958) separated; see Box 34/3.
folder 9	Screen Composers Association, 1966–1968. Constitution and By-Laws, correspondence, copyright information, Employee Status Rule, and definitions. Typescript. 19 pp.

Box 34

folder 3	Ojai Festival, 1958 (oversized). The Ojai and Valley News (May 22, 1958), Sections A, B, and C. Includes article on the Ojai Festival (with Aaron Copland). 18 pp., total.

Sub-series C: Programs

Box 93

folder 10	Academy Award programs: 1953, 1957, 1961–1963, 1965, 1966, 1973. 8 program booklets (titles arranged by A. Courage indicated in pencil). “Academy Award Nominations and Winners: Music – Best Song” (1934–1962). Typescript. 15 pp. “Academy Award Nominations and Winners: Music – Scoring Awards” (1934–1962). Typescript. 15 pp.
folder 11	American Society of Music Arrangers Anniversary Celebration program, 1990. 1 item.
folder 12	“Music from Hollywood” concert (CLGA), 1964. Publicity booklet, TV guides (with advertisements/announcements of the broadcast), correspondence, announcement and script, and concert program (2 copies).
folder 13	Pavarotti benefit concert program, 1981. “MGM presents Luciano Pavarotti in Concert” (filmed for Yes, Giorgio). Concert program; undated. 1 item. “A Benefit of Love from San Francisco to Morra De Sanctis, Italy” (benefit concert organized by the Italian Earthquake Fund of San Francisco starring Luciano Pavarotti with Kurt Herbert Adler conducting the San Francisco Orchestra). Concert program; dated June 13, 1981. 2 copies. Publicity booklet for Luciano Pavarotti (designed by Gloria DeKoven). 20 pp.
folder 14	Rafael Puyana, program from Kilbourn Hall, Eastman School of Music recital, November 30, 1971. 1 item.
folder 15	Notes for “Songs the Kids Brought Back from Camp.” Correspondence, lyrics, and MS notes on music for album; dated 1960. 20 pp., total.
folder 16	Shostakovich, Dmitri. Symphony No. 1. Pocket score. London: Boosey & Hawkes, Ltd., [s.d.]. 92 pp. Autographed by the composer on title page. Accompanied by ink MS note: “Autograph by D. Shostakovich at CLGA lunch, early 1960s.”

Sub-series D: Movie premiere programs

Box 94

folder 1	The Band Wagon. Program for Hollywood premiere, Egyptian Theatre, August 13, 1953. 4 pp.
folder 2	Bells Are Ringing. Program, with annotation in ink: “Pantages, 6/2/60.” 3 pp.
folder 3	Fiddler on the Roof. Flyer and program for premiere at Academy Award Theatre, November 21, 1971. 2 items.
folder 4	Seven Brides for Seven Brothers. Program, undated. 4 pp.
folder 5	Yes, Giorgio. Invitation to premiere and program (2 copies), MGM Theatre, September 15, 1982.

Sub-series E: News articles

folder 6	BMI magazine, issue 1 (1974). 42 pp. Biographical entry for A. Courage on p. 18.
folder 7	The Cue Sheet (6 issues; 1987, 1990–1991). Issues included: Vol. 4, no. 4 (November 1987); Vol. 7, no. 3 (July 1990); Vol. 7, no. 4 (December 1990); Vol. 8, no. 1 (March 1991); Vol. 8, no. 2 (July 1991); Vol. 8, no. 3 (September 1991).
folder 8	Dance magazine, Vol. 31, no. 5 (May 1957). 98 pp. Includes article on Funny Face by Arthur Knight (pp. 16–22).
folder 9	Filmmusic Notebook, vol. 4 (1978). 52 pp.
folder 10	Film Music Notes (2 issues: 1948, 1949). Issues included: Vol. 7, no. 3 (January–February 1948); special issue (February 1949) [“The Red Pony: A Review of Aaron Copland’s Score”].
folder 11	Film and TV Music, Vol. 16, no. 3 (Spring 1957). 24 pp. Includes article on Funny Face by Roger Edens (pp. 18–20).
folder 12	The Hollywood Reporter (2 issues: 1953, 1982). Issues included: Vol. 73, no. 49 (April 15, 1953); Vol. 173, no. 29 (September 15, 1982) [includes film review of Yes Giorgio on pp. 3, 11].
folder 13	Life, Vol. 60, no. 17 (April 29, 1966). 96 pp. Includes photograph by A. Courage (p. 62).
folder 14	Listen newspaper (2 issues: May–June1964, September–October 1964). Separated to Box 92/9 (oversized).
folder 15	Radio-Electronics, Vol. 26, no. 2 (February 1955). Consists of front and back cover of issue and reprint of article “New Electronic Piano” by Benjamin F. Miessner. Accompanied by ink MS note: “B. F. Miessner’s daughter Betty [possibly pictured on cover of issue] was briefly an ESM student ca. 1938–39 …”
folder 16	Radio Life (April 4, 1948). 2 copies. 40 pp. Article on film music includes Courage (pp. 6–7).
folder 17	The Score (3 issues: 1953, Spring 1991, Summer 1991). Issues included: Vol. 5, nos. 2–3 (1953); Vol. 6, no. 1 (Spring 1991); Vol. 6, no. 2 (Summer 1991).
folder 18	Variety (6 issues: 1951, 1953, 1954, 1957, 1982). Oversized issue (Vol. 197, no. 7 [September 15, 1982]) separated to Box 92/10. Issues included: Vol. 72, no. 25 (July 11, 1952) [includes article on Showboat]; Vol. 79, no. 29 (April 15, 1953); Vol. 85, no. 61 (December 1, 1954); Vol. 86, no. 14 (December 23, 1954) [includes article on Deep in My Heart]; Vol. 95, no. 31 (April 17, 1957) [includes article on Funny Face]. Also in folder: photocopy of 2 articles from Variety on the WGAW contract; dated December 13–14, 1966. 1 p.
folder 19	Miscellaneous personal papers. 2 items: MS repro note on instrumentation for “We the People – 200” and map of USC. 2 pp., total.

Box 92

folder 9	Oversized news articles: Listen newspaper (2 issues: May–June 1964; September–October 1964). Issues included: 4th ed. (May–June 1964) [includes part I of Vernon Duke’s article “The Deification of Stravinsky”]; 5th ed. (September–October 1964) [includes part II of Vernon Duke’s article “The Deification of Stravinsky” and Igor Stravinsky’s response, “A Cure for V. D.”]. Accompanied by ink MS note: “One of the great feuds in print of our century.”
folder 10	Oversized news articles: Variety, Vol. 197, no. 7 (September 15, 1982). 16 pp. Includes film review of Yes, Giorgio (pp. 3, 6).

folder 9

Oversized news articles: Listen newspaper (2 issues: May–June 1964; September–October 1964).
Issues included: 4th ed. (May–June 1964) [includes part I of Vernon Duke’s article “The Deification of Stravinsky”]; 5th ed. (September–October 1964) [includes part II of Vernon Duke’s article “The Deification of Stravinsky” and Igor Stravinsky’s response, “A Cure for V. D.”].
Accompanied by ink MS note: “One of the great feuds in print of our century.”

folder 10

Oversized news articles: Variety, Vol. 197, no. 7 (September 15, 1982). 16 pp. Includes film review of Yes, Giorgio (pp. 3, 6).

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