SUB-GROUP V: OVERSIZED MATERIALS
Box 42
| folder 1 | Recital programs of 10 Mars 1974; and, 17 Octobre 1982. Separated from II/2/B |
|---|---|
| folder 2 | Musique et Radio, No. 663, Décembre 1963. Contains RF’s article “L’Enseignement de l’orgue” (pages 71-74). Separated from II/IV |
| folder 3 | Cours No. 1: Haydn. Ink manuscript (9 pages). Excerpts from: Symphonie No. 101, Ie morceau. Separated from III/3. |
| folder 4 | Cours No. 2: Mozart. Ink manuscript (8 pages). Excerpts from: Ouverture des Noces de Figaro. Separated from III/3. |
| folder 5 | Cours No. 3: Beethoven I. Ink manuscript (10 pages). Excerpts from: Ouverture de Coriolan, opus 62. Separated from III/3. |
| folder 6 | Cours No. 4: Beethoven II. Ink manuscript (8 pages). Excerpts from: 5e Symphonie—1e morceau. Separated from III/3. |
| folder 7 | Cours No. 5: Schubert. Ink manuscript (8 pages). Excerpts from: Ouverture de Rosemonde; and, God Save the King (orchestré par Weber). Separated from III/3. |
| folder 8 | Cours No. 6: Mendelssohn. Ink manuscript (8 pages). Excerpts from: Ouverture de Ruy Blas; and, Ouverture de la Grotte de Fingal; and, Ouverture du Songe d’une nuit d’été; and le Songe d’une nuit d’été (Scherzo); and, 3e Symphonie (Ecossaise); and, 4e Symphonie (Italienne). Separated from III/3. |
| folder 9 | Cours No. 7: Schumann. Ink manuscript (9 pages). Excerpts from: 1ere Symphonie (Larghetto; and, Final); 2e Symphonie (Scherzo; and, Final); 3e Symphonie (Adagio; and, Feierlich); 4e Symponie (Romance; and, Final). Separated from III/3. |
| folder 10 | Cours No. 8: Berlioz. Ink manuscript (13 pages). Excerpts from: Ouverture des Francs-Juges, opus 3; Beatrice et Benedict; Benvenuto Cellini, opus 23; Symphonie Fantastique, “Le Bal” opus 14; Le Bal (Suite); Symphonie Fantastique, “Scène aux Champs (Fin)”; Romeo et Juliette, “Fête chez Capulet” opus 17; Romeo et Juliette, “Scherzo de la Reine Mab”; La Damnation de Faust, “Marche Hongroise” opus 24; Damnation, “Ballet des Sylphes” opus 24. Separated from III/3. |
| folder 11 | Cours No. 9: Liszt. Ink manuscript (10 pages). Excerpts from: Ce qu’on entend sur la montagne (Victor Hugo); Les Préludes (Lamartine); Prométhée; Mazeppa (Victor Hugo); Jour de fête; Héroïde funèbre; Bataille des Huns; Les idéals (Schiller); Faust; Faust (Gretchen). Separated from III/3. |
| folder 12 | “E.B.” Theme for improvisation. Annotated in MD’s hand: “Zurich 22 Mai 67. Passacaille, Thème Directeur Conservatoire” Separated from III/4. |
| folder 13 | Korkuiler; and, Groningen. Themes for improvisation. Two leaves: 6 Avril 32; and, 20 Mars 35. Separated from III/4. |
| folder 14 | Leopold Stokowski. Theme for improvisation. Inscribed to MD: “Pardonez, Monsieur, ces thêmes banales. J’attends avec impatience vous entendre jouer les oeuvres de Bach et de faire votre connaisance. L.S.” Without date. Separated from III/4. |
| folder 15 | Alfred Bruneau. Theme for improvisation. Without date. Separated from III/4. |
| folder 16 | Joseph Jongen. Themes for improvisation. Two leaves: 3 Juillet 49; and, Novembre 49. Separated from III/4. |
| folder 17 | “NEITI URKURI: Pariisin kirkoissa on toistakymmentä naisurkuria” Article extracted from an unidentified publication (page 23). The accompanying photos depict RF and Marie-Claire Alain. Annotated “1953” in RF’s hand. Separated from III/6. |
| folder 18 | Vision: poème symphonique pour orgue / Marcel Dupré. Paris: S. Bornemann, 1948. Two copies. One copy inscribed on title page: “A Nina Falcinelli / L’inspiratrice de vision, dont l’Ame, lumière cachée luit éternellement dans les coeurs de ceux qu’elle accueille dans son coeur. Son ami reconnaissant / Marcel Dupré / Paris 8 Mars 1948”. Evidence indicates that the title page of the other copy was once inscribed, but the inscription is now lacking. Accompanied by Sylviane Falcinelli’s comments (1 page) regarding same. Separated from III/7. |
| folder 19 | La France au Calvaire: oratorio pour soli, choeurs, orchestre et orgue / Marcel Dupré, opus 49. Unmarked copy of the organ reduction score (S. Bornemann, 1954). Separated from III/7. |
| folder 20 | Trois Préludes & Fugues; Six Sonates / F. Mendelssohn; révues, annotées et doigtées par Marcel Dupré. Paris: S. Bornemann, 1948. Presentation copy to RF from the publisher. “Hommage de l’auteur à la talentueuse artiste Rolande Falcinelli / S. Bornemann”—inscription on title page. Separated from III/7. |
| folder 21 | MD dossier Eléments. Contains notes and sketches in MD’s hand, organized around the rubrics Modes Grêce gregorien and Thêmes d’oeuvres Régistrations Eléments. In pencil. Accompanied by photocopy of article “essais sur la gamme chromatique de l’orchestre” published in Revue du SON, Nos. 278-279, Juin-Juillet 1976. Separated from III/3. |
| folder 22 | MD dossier “Fugues à 2 sujets et travaux divers (Programme du concert d’improvisations” Contains themes in two subjects, associated with a concert of improvisations, given on December 8, 1957 at the Eglise Saint-Louis des Invalides. In pencil; 28 pages of music and two additional themes. The pages of pencilled themes accompanied by a gathering of themes in ink, “Thêmes d’improvisation: Symphonie pour orgue en 4 mouvements” comprised of themes by Duruflé, Fleury, Falcinelli, and Gavoty. Stamped “musique sacrée en avignon”. Dossier stamped BIBLIOTHEQUE MARCEL DUPRE. Separated from III/4. |
| folder 23 | MD dossier “Plans: Recitals Improvisation (Gavoty)” Contains plans and themes for improvisation in recitals. In pencil; 8 leaves. Separated from III/4. |
| folder 24 | MD dossier ”Répertoire Sulpice” Contains various items, including a list headed Répertoire par mois (in ink, 6 pages). Separated from III/4. |
| folder 25 | MD dossier “Petits chorals, joués et copiés par Manette en mai 1931” In ink; 6 pages of music. Separated from III/1. |
| folder 26 | Recital d’improvisations. 20 April 1991. Contains publicity documents, and also themes that were presented to RF at the event. Separated from II/6. |
Box 43
| folder 1 | Disposition of the organ of the Basilica of Sacré-Coeur, Paris. Hand-drawn chart in RF’s hand. Separated from II/2/A/ii. |
|---|---|
| folder 2 | Issue of The Diapason, 40th year, No. 11 (October 1, 1949). RF profiled in full-page advertisement (page 24). Separated from II/7/B. |
| folder 3 | Main section of The Berea News (Berea, Ohio), Friday, June 2, 1950. RF cited in feature article (page 1) “Bach Festival is College’s 18th,” accompanied by a photograph. Separated from II/7/B. |
| folder 4 | Main section of The Berea Enterprise (Berea, Ohio), Friday, June 2, 1950. RF cited in feature article (page 1) “Girl Organist will climax Bach Festival”. Separated from II/7/B. |
| folder 5 | Issue of France Catholique Ecclesia, No. 1439 (12 Juillet 1974). Contains review of RF recital under title “Ce soir on improvise…” by Emile Martin (page 6). Two copies. Two copies. Separated from II/7/B. |
| folder 6 | Various concert posters. Separated from II/7/D. |
| folder 7 | Projet de plan pour un traité d’harmonie. Ink MS in MD’s hand (12 pages). Contents: I. Son — Sons harmoniques — Tempérament — II. Intervalles — III. Modes — IV. Combinaisons de 3 sons simultanés — V. Accords de 4 sons — VI. Accords de 5 sons. Separated from III/2 (manuscript). |
| folder 8 | Issue of The Times (London), Monday, March 12, 1951 (AIR EDITION). RF cited under “Recitals of the Week” (page 3). Accompanied by a French-language translation of same (carbon copy of typescript; 1 page). Separated from III/6. |
| folder 9 | Excerpt from Paris-Normandie, Samedi 22 / Dimanche 23 Mai 1948. MD profiled in feature article “Un cinquantenaire musical .. Le Salon des Supré” (page 1), accompanied by a photograph. Separated from III/7. |
| folder 10 | École de la Technique moderne de l’orgue. Reproduction of a manuscript source other than the source in box 3; does not represent the work in its entirety. Part I, pages 1-60; part II, pages 1-74. Accompanied by RF’s manuscript outline of the work (in ink; 8 leaves). Separated from II/4. |
Box 44
Rolande Falcinelli interprète l’oeuvre intégrale pour orgue de Marcel Dupré.
Commemorative volume, issued in a limited edition as the companion volume to RF’s recording of the organ works of Marcel Dupré. Published by Edici, 1968.
Text in French, German, and English.
Contents: L’Auteur — L’Interprète — L’Instrument
“Cet ouvrage a été tiré sur Aquarelle d’Arches fin 185 g à 100 exemplaires numérotés de I à X en chiffres romains, réservés aux principaux collaborateurs et de 11 à 100 en chiffres arabes.”
The given copy is numbered: “Exemplaire No. 35.”
Accompanied by review, extracted from publication Le Guide du Concert, No. 552 (28 Juin 1969), page 33. Reviewed by Clym, the author of the companion volume’s text.
Separated from III/7.
