University of Rochester

MALCOLM FRAGER COLLECTION: Sub-Group 1

SUB-GROUP 1: PERSONAL PAPERS

Series 1: Programs

Box 1

folder 1 Pre-1961 season.
32 concert programs, invitations, and facsimiles (including duplicate copies); dated between May 1, 1944, and April 13–14, 1962; 1 undated (after 1960).
folder 2 1962–63.
38 concert programs, related publicity materials, and press clippings (including duplicate copies).
folder 3 1963–64.
7 concert programs.
folder 4 1964–65.
5 concert programs and excerpts (including duplicate copies); 3 undated (1964–65 season).
folder 5 1965–66 (July–December 1965).
10 concert programs.

Box 2

folder 1 1965–66 (January–February 1966).
10 concert programs (including duplicate copies).
folder 2 1965–66 (March–May 1966).
15 concert programs (including duplicate copies).
folder 3 1966–67 (July–October 1966).
11 concert programs.
folder 4 1966–67 (November–December 1966).
6 concert programs.
San Diego Symphony Orchestra program (dated December 13, 1966) accompanied by press clipping.
folder 5 1966–67 (January–July 1967).
10 concert programs.

Box 3

folder 1 1967–68 (October–December 1967).
13 concert programs (including duplicate copies).
folder 2 1967–68 (January–August; undated).
31 concert programs, excerpts, and press clippings (including duplicate copies); 2 undated (1967–68 season).
folder 3 1968–69 (August–November 1968).
19 concert programs and excerpts (including duplicate copies).

Box 4

folder 1 1968–69 (December–January 1969).
11 concert programs and excerpts (including duplicate copies).
folder 2 1968–69 (February–March 1969).
13 concert programs (including duplicate copies).
folder 3 1968–69 (April–May 1969).
10 concert programs and publicity circulars.
folder 4 1969–70 (August–September 1969).
13 concert programs (including duplicate copies).

Box 5

folder 1 1969–70 (November 1969–January 1970).
19 concert programs (including duplicate copies).
folder 2 1969–70 (February–March 1970).
15 concert programs.
folder 3 1969–70 (April–June 1970).
15 concert programs (including duplicate copies).
folder 4 1969–70 (July–August 1970).
16 concert programs (including duplicate copies).
folder 5 1970–71 (September–November 1970).
16 concert programs (including duplicate copies).
folder 6 1970–71 (January–March 1971).
14 concert programs (including duplicate copies).
folder 7 1970–71 (April–August 1971).
15 concert programs (including duplicate copies).

Box 6

folder 1 1971–72 (August–November 1971).
14 concert programs (including duplicate copies).
Hamburg Philharmonic Orchestra concert program (dated September 12–13, 1972) accompanied by press clipping.
folder 2 1971–72 (December 1971–February 1972).
21 concert programs (including duplicate copies).
folder 3 1971–72 (March–April 1972).
14 concert programs and publicity circulars (including duplicate copies).

Box 7

folder 1 1971–72 (May–August 1972; undated).
16 concert programs and excerpts (including duplicate copies).
Oversized item (recital program dated June 13, 1972) separated; see Box 79, Folder 1.
folder 2 1972–73 (October–December 1972).
13 concert programs and excerpts (including duplicate copies).
folder 3 1972–73 (January–March 1973).
20 concert programs and excerpts (including duplicate copies).
Copy 3 of Koninklijke Liedertafel concert program (dated February 16, 1973) has manuscript note on cover from Malcolm Frager to his family (“Dear Folks”).
folder 4 1972–73 (April–July 1973; undated).
14 concert programs (including duplicate copies); 1 undated (1972–73 season).
folder 5 1973–74 (August–September 1974).
10 concert programs and festival booklets (including duplicate copies).
folder 6 1973–74 (October–November 1974

Box 8

folder 1 1973–74 (December 1973).
6 concert programs.
folder 2 1973–74 (January–February 1974).
11 concert programs (including duplicate copies).
folder 3 1973–74 (March–April 1974).
16 concert programs and excerpts (including duplicate copies).
folder 4 1973–74 (May–July 1974; undated).
14 concert programs, excerpts, and publicity materials (including duplicate copies); 2 undated (1973–74 season).
folder 5 1974–75 (September–December 1974).
17 concert programs (including duplicate copies).
folder 6 1974–75 (January 1975).
7 concert programs and excerpts (including duplicate copies).
folder 7 1974–75 (February 1975).
16 concert programs and excerpts (including duplicate copies).

Box 9

folder 1 1974–75 (March–April 1975).
10 concert programs.
folder 2 1974–75 (May 1975).
10 concert programs.
folder 3 1974–75 (June–July 1975; undated).
11 concert programs and excerpts (including duplicate copies); 3 undated (1974–75 season).
folder 4 1975–76 (September–October 1975).
12 concert programs and excerpts (including duplicate copies).
folder 5 1975–76 (November 1975–January 1976).
32 concert programs and excerpts (including duplicate copies).
Oversized item (concert program with Orchestre Philharmonique de Strasbourg dated January 28, 1976) separated; see Box 79, Folder 1.
folder 6 1975–76 (February 1976).
11 concert programs (including duplicate copies).

Box 10

folder 1 1975–76 (March–April 1976).
25 concert programs and excerpts (including duplicate copies).
folder 2 1975–76 (May–July 1976).
31 concert programs and publicity materials (including duplicate copies).
folder 3 1975–76 (August 1976; undated).
17 concert programs (including duplicate copies); 1 item (3 copies) undated (1975–76 season).
folder 4 1976–77 (September–October 1976).
27 concert programs (including duplicate copies).
folder 5 1976–77 (November–December 1976).
21 concert programs (including duplicate copies).

Box 11

folder 1 1976–77 (January 1–14, 1977).
9 concert programs and excerpts (including duplicate copies).
folder 2 1976–77 (January 15–31, 1977).
14 concert programs (including duplicate copies).
folder 3 1976–77 (February 1977).
9 concert programs (including duplicate copies).

Box 12

folder 1 1976–77 (March 1977).
17 concert programs (including duplicate copies).
folder 2 1976–77 (April 1977).
21 concert programs (including duplicate copies).
folder 3 1976–77 (May–July 1977).
18 concert programs (including duplicate copies).
folder 4 1976–77 (August 1977; undated).
11 concert programs (including duplicate copies); 3 undated (1976–77 season).
folder 5 1977–78 (September–October 1977).
14 concert programs (including duplicate copies).
folder 6 1977–78 (November 1977).
12 concert programs (including duplicate copies).

Box 13

folder 1 1977–78 (December 1977–January 1978).
16 concert programs (including duplicate copies).
folder 2 1977–78 (February 1978).
8 concert programs (including duplicate copies).
folder 3 1977–78 (March–April 1978).
13 concert programs (including duplicate copies).

Box 14

folder 1 1977–78 (May–June 1978).
14 concert programs and excerpts (including duplicate copies).
Page from Lincoln Center stagebill (dated May 1978) has typescript note to “Flo & Al.”
folder 2 1977–78 (July 1978).
13 concert programs (including duplicate copies).
folder 3 1977–78 (August 1978; undated).
10 concert programs (including duplicate copies).
folder 4 1978–79 (September 1978).
13 concert programs (including duplicate copies).
folder 5 1978–79 (October–December 1978).
20 concert programs (including duplicate copies).

Box 15

folder 1 1978–79 (January 1979).
10 concert programs (including duplicate copies).
folder 2 1978–79 (February 1979).
19 concert programs (including duplicate copies).
folder 3 1978–79 (March–April 1979).
20 concert programs (including duplicate copies).

Box 16

folder 1 1978–79 (May 1979).
13 concert programs (including duplicate copies).
folder 2 1978–79 (June 1979).
13 concert programs (including duplicate copies).
folder 3 1978–79 (July 1979).
7 concert programs (including duplicate copies).
Oversized items (2 copies of Orquesta Sinfonica de la Universidad de Conception concert program, dated July 13, 1979) separated; see Box 79, Folder 1.
folder 4 1978–79 (August 7, 1979).
6 copies of Lincoln Center concert program dated August 7, 1979.
folder 5 1978–79 (August 18, 1979; undated).
4 copies of Tanglewood 1979 concert program (Malcolm Frager performed August 18, 1979).
3 undated concert programs (1978–79 season).
folder 6 1979–80 (September–October 1979).
14 concert programs (including duplicate copies).
folder 7 1979–80 (November–December 1979).
13 concert programs (including duplicate copies).

Box 17

folder 1 1979–80 (January–February 1980).
19 concert programs (including duplicate copies).
folder 2 1979–80 (March–April 1980).
18 concert programs and publicity materials (including duplicate copies).
folder 3 1979–80 (May–June 1980).
14 concert programs, excerpts, publicity materials, and festival programs (including duplicate copies).

Box 18

folder 1 1979–80 (July–August 8, 1980).
6 concert programs (including duplicate copies).
folder 2 1980–81 (August 31–September 1980).
19 concert programs (including duplicate copies).
folder 3 1980–81 (October 1980).
8 concert programs and excerpts (including duplicate copies).
folder 4 1980–81 (November 1980).
17 concert programs (including duplicate copies).
folder 5 1980–81 (December 1980–January 1981).
15 concert programs (including duplicate copies).
folder 6 1980–81 (February 1981).
7 concert programs (including duplicate copies).

Box 19

folder 1 1980–81 (March 1981).
12 concert programs and festival booklets (including duplicate copies).
folder 2 1980–81 (April 1981).
7 concert programs and excerpts (including duplicate copies).
folder 3 1980–81 (May 1981).
13 concert programs (including duplicate copies).

Box 20

folder 1 1980–81 (June–July 1981).
10 concert programs and excerpts (including duplicate copies).
folder 2 1980–81 (August 1981; undated).
10 concert programs and festival booklets (including duplicate copies).
folder 3 1981–82 (September 1981).
6 concert programs and festival booklets (including duplicate copies).
folder 4 1981–82 (October 1981).
7 concert programs (including duplicate copies).
folder 5 1981–82 (November–December 1981).
15 concert programs and excerpts (including duplicate copies).
folder 6 1981–82 (January 1982).
14 concert programs and festival booklets (including duplicate copies).

Box 21

folder 1 1981–82 (February 1982).
7 concert programs (including duplicate copies).
folder 2 1981–82 (March–May 1982).
13 concert programs (including duplicate copies).
folder 3 1981–82 (June 1982).
4 concert programs (including duplicate copies).
folder 4 1981–82 (July–August 1982; undated).
13 concert programs and excerpts (including duplicate copies); 2 undated (1981­82 season).

Box 22

folder 1 1982–83 (September–October 1982).
13 concert programs (including duplicate copies).
folder 2 1982–83 (November–December 1982).
9 concert programs (including duplicate copies).
folder 3 1982–83 (January–February 1983).
11 concert programs (including duplicate copies).
folder 4 1982–83 (March 1983).
7 concert programs (including duplicate copies).
folder 5 1982–83 (April–May 1983).
9 concert programs (including duplicate copies).
folder 6 1982–83 (June–July 1983).
11 concert programs and excerpts (including duplicate copies).
folder 7 1982–83 (August 1–12, 1983).
5 concert programs (including duplicate copies).

Box 23

folder 1 1982–83 (August 18–26, 1983; undated).
5 concert programs and festival booklets (including duplicate copies).
folder 2 1983–84 (September–October 1983).
17 concert programs (including duplicate copies).
Copy 3 of Staatsoper Dresden concert program (dated September 8–9, 1983) accompanied by typescript letter from Eberhard Steindorf (Konzertdramaturg, Staatsoper Dresden) to Malcolm Frager and 4 press clippings.
folder 3 1983–84 (November–December 1983).
8 concert programs (including duplicate copies).
folder 4 1983–84 (January 1984).
5 concert programs and festival booklets (including duplicate copies).
folder 5 1983–84 (February–March 1984).
11 concert programs (including duplicate copies).
folder 6 1983–84 (April–May 1984).
14 concert programs (including duplicate copies).
folder 7 1983–84 (June–July 1984).
5 concert programs and festival booklets (including duplicate copies).

Box 24

folder 1 1983–84 (August 1984; undated).
6 concert programs and festival booklets (including duplicate copies); 1 undated (1983–84 season).
folder 2 1984–85 (September–October 1984).
13 concert programs (including duplicate copies).
folder 3 1984–85 (November 1984).
9 concert programs (including duplicate copies).

Box 25

folder 1 1984–85 (December 1984–January 1985).
8 concert programs and excerpts (including duplicate copies).
folder 2 1984–85 (February 1985).
9 concert programs (including duplicate copies).
folder 3 1984–85 (March 1985).
6 concert programs and festival booklets (including duplicate copies).
folder 4 1984–85 (April–June 1985).
10 concert programs (including duplicate copies).
folder 5 1984–85 (July–August 1985; undated).
7 concert programs and festival booklets (including duplicate copies); 2 undated (1984–85 season).
Oversized items (concert program from Bachmarathon/Orgelorgie, Frankfurter Bachkonzerte, undated [1984–85 season]) separated; see Box 79, Folder 1.
folder 6 1985–86 (September–October 1985).
11 concert programs (including duplicate copies).

Box 26

folder 1 1985–86 (November 3–16, 1985).
6 concert programs (including duplicate copies).
folder 2 1985–86 (November 19–30, 1985).
5 concert programs.
folder 3 1985–86 (December 1985–January 1986).
7 concert programs (including duplicate copies).
folder 4 1985–86 (February 1986).
11 concert programs and festival booklets (including duplicate copies).
folder 5 1985–86 (March 1986).
6 concert programs (including duplicate copies).
folder 6 1985–86 (April–May 1986).
12 concert programs (including duplicate copies).

Box 27

folder 1 1985–86 (June–August 1986; undated).
5 concert programs and festival booklets; 1 undated (1985–86 season).
folder 2 1986–87 (September 1986).
5 concert programs and festival booklets.
folder 3 1986–87 (October 1986).
9 concert programs (including duplicate copies).
folder 4 1986–87 (November–December 1986).
6 concert programs (including duplicate copies).
folder 5 1986–87 (January–February 1987).
9 concert programs (including duplicate copies).
folder 6 1986–87 (March 1987).
9 concert programs (including duplicate copies).
folder 7 1986–87 (April 1987).
4 concert programs (including duplicate copies).

Box 28

folder 1 1986–87 (May 1987).
9 concert programs and excerpts (including duplicate copies).
folder 2 1986–87 (June–July 1987).
6 concert programs (including duplicate copies).
folder 3 1986–87 (August 1987).
1 festival booklet, 1 concert program.
folder 4 1987–88 (September 1987).
3 concert programs.

Box 29

folder 1 1987–88 (October–December 1987).
11 concert programs and excerpts (including duplicate copies).
folder 2 1987–88 (January 1988).
9 concert programs, excerpts, and festival booklets (including duplicate copies).
folder 3 1987–88 (February–March 1988).
11 concert programs and publicity circulars (including duplicate copies).
folder 4 1987–88 (April 1988).
8 concert programs (including duplicate copies).
folder 5 1987–88 (May–July 1988; undated).
9 concert programs and excerpts (including duplicate copies); 1 undated (1987–88 season).
folder 6 1988–89 (September–December 1988).
8 concert programs.

Box 30

folder 1 1988–89 (January 1989).
3 concert programs and festival booklets.
folder 2 1988–89 (February–April 1989).
11 concert programs (including duplicate copies).
folder 3 1988–89 (May–July 1989).
6 concert programs and publicity circulars.
folder 4 1988–89 (August 1989).
4 concert programs and festival booklets.

Box 31

folder 1 1989–90 (September 1989).
7 concert programs and festival booklets.
folder 2 1989–90 (October 1989).
7 concert programs (including duplicate copies).
folder 3 1989–90 (November 1989).
7 concert programs (including duplicate copies).

Box 32

folder 1 1989–90 (January 1990).
9 concert programs, excerpts, and festival booklets (including duplicate copies).
folder 2 1989–90 (February–March 1990).
14 concert programs (including duplicate copies).

Box 33

folder 1 1989–90 (April 1990).
8 concert programs.
folder 2 1989–90 (May–June 1990).
5 concert programs.
folder 3 1989–90 (July 1990).
4 concert programs and festival booklets.
folder 4 1989–90 (August 1990; undated).
3 concert programs and festival booklets; 3 undated (1989–90 season).
folder 5 1990–91 (January 1991).
1 festival booklet, 2 copies of schedule for the International Mozarteum Foundation’s “Mozart Week” (Internationale Stiftung Mozarteum, Mozartwoche) festival (January–February 1991). 3 items.
folder 6 1990–91 (July 1991—in memoriam note).
Announcements of the International Mozarteum Foundation (Mitteilungen der Internationalen Stiftung Mozarteum), vol. 39, nos. 1-4. 244 pp.
Includes in memoriam note for Malcolm Frager (p. 239).
folder 7 1991–92 (January 1992—in memoriam concert).
1 festival booklet, 2 copies of schedule for the International Mozarteum Foundation’s “Mozart Week” (Internationale Stiftung Mozarteum, Mozartwoche) festival (January–February 1992). 3 items.
Festival included in memoriam concert by the English Chamber Orchestra (Leopold Hager, conductor) with Robert Levin, piano.

Box 34

folder 1 Undated.
1 recital program (Queen Elizabeth Hall); undated (Sunday, 18 March).
folder 2 Other programs (without Frager): 1965–77.
10 concert programs.
folder 3 Other programs (without Frager): 1979–83.
7 concert programs.
folder 4 Other programs (without Frager): 1983–90.
5 concert programs.

Box 35

[Removed due to reorganization of materials]

Series 2: Publicity

Subseries A: Reviews

Arranged geographically: the United States first, alphabetically by state, then foreign countries alphabetically.

Box 36

folder 1 Alabama.
11 press clippings (including duplicate copies); dated 1963–1989.
folder 2 Arizona.
9 press clippings (including duplicate copies); dated 1966, 1989; 1 undated (1960s?).
folder 3 California.
48 press clippings and facsimiles (including duplicate copies); dated 1960–1989; 4 undated.
folder 4 Colorado.
16 press clippings and facsimiles (including duplicate copies); dated 1959–1986; 2 undated.
folder 5 Connecticut.
5 press clippings (including duplicate copies); dated 1963–1965; 1 undated.
folder 6 Florida.
19 press clippings (including duplicate copies); dated 1962–1990; 4 undated.
folder 7 Georgia.
4 press clippings (including duplicate copies); dated April 1982; 1 undated.
folder 8 Hawaii.
1 press clipping with duplicate facsimile; dated January 1985.
folder 9 Illinois.
19 press clippings (including duplicate copies); dated 1961–1989.
folder 10 Indiana.
15 press clippings and facsimiles (including duplicate copies); dated 1963–1989.
folder 11 Iowa.
3 press clippings; dated 1979, 1985.
folder 12 Kentucky.
6 press clippings (including duplicate copies); dated 1962–1987.
folder 13 Maryland.
11 press clippings and facsimiles (including duplicate copes); dated 1977–1990.
folder 14 Massachusetts.
81 press clippings and facsimiles (including duplicate copies); dated 1963–1988; 4 undated.
folder 15 Michigan.
4 press clippings; dated 1960, 1989; 2 undated.
folder 16 Minnesota.
17 press clippings (including duplicate copies); dated 1960–1989.
folder 17 Missouri.
65 press clippings and facsimiles (including duplicate copies); dated [1953]–1989; 8 undated.
folder 18 Nebraska.
1 facsimile of press clipping (2 copies); dated January 1990.
folder 19 New Jersey.
1 press clipping; dated July 1973.
folder 20 New York State.
32 press clippings and facsimiles (including duplicate copies); dated 1964–1988; 5 undated.
folder 21 New York City.
60 press clippings and facsimiles (including duplicate copies); dated 1960–1987; 7 undated.
folder 22 North Carolina.
8 press clippings (including duplicate copies); dated 1964–1985; 1 undated.
folder 23 Ohio.
41 press clippings and facsimiles (including duplicate copies); dated 1962–1988; 3 undated.
folder 24 Oklahoma.
4 press clippings and facsimiles; dated 1961–1974.
folder 25 Oregon.
18 press clippings (including duplicate copies); dated 1962–1986.
4 press clippings dated March 2–4, 1965, originally enclosed in envelope along with (4 items):
– Invitation to reception hosted by the Sunset Auxiliary of the Portland Symphony Society. 1 item, with envelope.
– Publicity circular announcing brunch hosted by the Women’s Association of Portland Symphony. 2 copies.
– Typescript itinerary for Malcolm Frager for March 1–3, 1965, in advance of March 3 performance with Portland Symphony. 1 p., with envelope.

Box 37

folder 1 Pennsylvania.
31 press clippings and facsimiles (including duplicate copies); dated 1960–1989.
folder 2 Rhode Island.
9 press clippings (including duplicate copies); dated 1963–1983.
folder 3 South Dakota.
2 press clippings; dated February and November 1960.
folder 4 Tennessee.
2 press clippings; dated February 1968.
folder 5 Texas.
16 press clippings (including duplicate copies); dated 1962–1988; 2 undated.
– Press clipping dated October 26, 1971, accompanied by excerpt from concert program.
folder 6 Utah.
3 press clippings and facsimiles; dated 1966, 1987.
folder 7 Virginia.
1 press clipping; dated December 1967.
folder 8 Washington, DC.
13 press clippings and facsimiles (including duplicate copies); dated 1962–1982; 1 undated.
folder 9 Washington State.
2 press clippings; dated 1962, 1985.
folder 10 Wisconsin.
4 press clippings (including duplicate copies); dated 1966, 1985; 1 undated.
folder 11 Australia.
41 press clippings and facsimiles (including duplicate copies); dated 1969, 1973, 1982; 3 undated.
folder 12 Austria.
28 press clippings and facsimiles (including duplicate copies); dated 1980–1990; 2 undated.
folder 13 Belgium.
58 press clippings and facsimiles (including duplicate copies); dated 1961–1990; 2 undated.
folder 14 Canada.
35 press clippings and facsimiles (including duplicate copies); dated 1960–1990; 2 undated.
folder 15 Czechoslovakia.
7 press clippings; dated 1970–1978.
– Also in folder: letter from Dr. Bechyně (Czechoslovak Arts and Entertainment Agency) to Tom Graham (Harrison/Parrot) pertaining to press reviews from Frager’s Prague concerts (1976); dated November 2, 1976.
folder 16 Finland.
1 press clipping; dated June 1987.
folder 17 France.
17 press clippings and facsimiles (including duplicate copies); dated 1961–1989; 1 undated.
folder 18 Germany: 1961, 1967.
40 press clippings and facsimiles (including duplicate copies); dated 1961, 1967.
folder 19 Germany: 1970s.
111 press clippings, facsimiles, and typescript transcriptions (including duplicate copies); dated 1970–1979.
– Also in folder: concert program (Staatstheater Dresden) dated August 31–September 1, 1978, accompanied by letter from Eberhard Steindorf (Konzertdramaturg, Staatstheater Dresden) to Malcolm Frager and 4 press clippings.
folder 20 Germany: 1980-1990.
141 press clippings, facsimiles, and typescript transcriptions (including duplicate copies); dated 1980–1990.
– Also in folder: concert program (Staatstheater Dresden) dated September 10–13, 1980, accompanied by letter from Eberhard Steindorf (Konzertdramaturg, Staatstheater Dresden) to Malcolm Frager and 5 press clippings.
folder 21 Germany: undated.
16 press clippings and facsimiles; 16 undated.

Box 38

folder 1 Greece.
1 press clipping; undated.
folder 2 Great Britain.
32 press clippings and facsimiles (including duplicate copies); dated 1964–1990; 7 undated.
– Press clipping dated January 26, 1990, accompanied by letter from Hans-Hubert Schönzeler to Malcolm Frager dated January 27, 1990, pertaining to January 26, 1990, concert.
folder 3 Holland.
140 press clippings and facsimiles (including duplicate copies); dated 1961–1989; 18 undated.
– Also in folder: 2 publicity posters containing collages of press clippings; undated.
folder 4 Hungary.
3 press clippings (including duplicate copy); dated April 1966; 1 undated.
– Also in folder: 2 letters from Alice Baú to Malcolm Frager (ink); dated April 11–13, 1966. Includes translation of April 6, 1966, review from Dutch to German.
folder 5 Iceland.
5 press clippings and facsimiles; dated 1964, 1966; 2 undated.
– Undated press clipping (“Píanótónleikar”) accompanied by typescript English translation of review. 2 pp.
folder 6 Israel.
1 facsimile of press clipping (2 copies); undated.
folder 7 Italy.
13 press clippings, facsimiles, and transcriptions; dated 1961–1982; 2 undated.
– Also in folder: “Frager’s Rome debut” [press release?], issued by Harold Rogers, Cultural Correspondent for Italy, Christian Science Monitor.
folder 8 Netherlands.
1 magazine (Klavier), 1 press clipping; dated 1967, 1984.
folder 9 Norway.
7 press clippings and translations; dated 1961–1972; 1 undated.
-Press clipping dated October 7, 1961, accompanied by English translation of Norwegian article (ink). 2 pp.
– “Malcolm Frager: Recital, Oslo, 9th March 1971.” Packet of English translations of reviews dated March 10–11, 1971 (typescript). 4 pp.
– Also in folder: publicity flyer containing collage of Norwegian press clippings. 1 p.
folder 10 Poland.
43 press clippings and translations; dated 1961–1984; 7 undated.
– Press clipping dated November 15–30, 1967, accompanied by letter from Stanislaw Skrowacziewski (Music Director, Minneapolis Symphony Orchestra) to Malcolm Frager (dated January 3, 1968). 1 p.
folder 11 Portugal.
1 press clipping; dated September 1970.
folder 12 South Africa.
31 press clippings and facsimiles (including duplicate copies); dated 1975/76–1982; 3 undated.
folder 13 Spain.
11 press clippings and facsimiles; dated 1961, 1981, 1987.
folder 14 Sweden.
6 press clippings; dated 1961–1981; 2 undated.
folder 15 Switzerland.
107 press clippings and facsimiles (including duplicate copies); dated 1964–1990; 2 undated.
– Also in folder: air mail envelope containing facsimiles of 2 sketches of Malcolm Frager and 1 sketch of [Morag Frager?] by Dr. Willy Dreifuss (dated 1966).
folder 16 USSR.
14 press clippings (including duplicate copies); dated 1963; 1 undated.
– Includes press clippings from Russian newspapers as well as English-language newspapers covering Frager’s tour.
folder 17 Asia.
6 press clippings and facsimiles (including duplicate copies); dated 1979.
folder 18 South America.
27 press clippings and facsimiles (including duplicate copies); dated 1965–1988; 2 undated.
folder 19 Recording Reviews.
35 press clippings, facsimiles, and press packets compiled by record companies (including duplicate copies); dated 1960–1991.
folder 20 1948—Carl Friedberg.
10 press clippings (including duplicate copies) pertaining to Carl Friedberg; dated 1948–1955. Includes 2 profiles of Malcolm Frager, 1 concert review, and 2 articles upon Friedberg’s death; dated 1948–1955.
Also in folder:
– “Carl Friedberg: One of the Great Pianists of Our Time.” Publicity circular issued by Annie Friedberg.
– Publicity circular on the death of Carl Friedberg, issued by the Carl Friedberg Music Foundation (John Ranck, President). 2 copies.
– B/W photocopy of photograph of Joanne Baker (Chairman of Keyboard Division, University of Missouri at Kansas City), Marian Jersied Lott (Artist in Resident, University of Akron), Malcolm Frager, and unidentified woman. 1 p.

Box 39

[Removed due to reorganization of materials]

Subseries B: Interviews

Box 40

folder 1 1944.
2 press clippings (profiles of Malcolm Frager); dated May and October 1944.
folder 2 1945.
2 press clippings (pertaining to solo appearance with the St. Louis Little Symphony Orchestra); dated July 1945.
folder 3 1956.
1 press clipping (profile on the occasion of performance with the St. Louis Little Symphony Orchestra); dated July 6, 1956.
folder 4 1958.
1 press clipping (announcement of National Society of Arts and Letters piano contest winner); dated May 9, 1958.
folder 5 1959.
3 newspaper clippings, 1 magazine (Time, full issue) (profiles of Frager on the occasion of his winning the Levintritt Piano Award); dated October 1959.
folder 6 1960.
1 magazine (Discorama, full issue), 2 newspaper clippings (2 profiles of Frager on the occasion of his winning the Queen Elizabeth of Belgium International Piano Competition, 1 concert announcement); dated June–August 1960.
folder 7 1963.
2 newspaper clippings (profiles on the occasion of Frager’s Moscow debut); dated April 1963.
folder 8 1965.
1 newspaper clipping (profile of Morag Frager); dated March 2, 1965.
folder 9 1966.
1 newspaper clipping (profile of Frager and Vladimir Ashkenazy); dated January 2, 1966. 2 copies.
folder 10 1967.
3 newspaper clippings and facsimiles (including 1 duplicate facsimile); dated August and November 1967.
– Facsimile of November 1967 press clipping accompanied by letter from Frederick Steinway (general inquiry about interest in Frager lecture-recital); dated November 29, 1967. 1 p.
folder 11 1968.
2 newspaper clippings; dated November 1968; 1 undated (1968).
folder 12 1970.
4 newspaper clippings (including 1 duplicate copy) and 1 magazine (Clavier, full issue, 2 copies) (profiles of Frager); dated February–December 1970.
folder 13 1972.
5 newspaper clippings (including 1 duplicate copy) (4 profiles of Frager, 1 profile of Morag and Frager children); dated January–November 1972.
folder 14 1973.
3 newspaper clippings and facsimiles (photographs and brief profiles of Frager); dated February–April 1973.
folder 15 1974.
4 newspaper clippings (including 1 duplicate copy) (profiles of Frager as performer and as judge); dated February and October 1974; 1 undated.
folder 16 1975.
1 magazine (Ouverture, full issue), 9 newspaper clippings and facsimiles (including 3 duplicate copies); dated March–December 1975.
folder 17 1976.
2 newspaper clippings; dated August 1976 (photographs with captions); 1 undated (1976).
folder 18 1977.
1 facsimile of interview article from Piano Quarterly; dated Spring 1977.
folder 19 8 newspaper clippings (including 1 duplicate copy); dated February–December 1980.
– Clippings dated February 19, March 6, and March 20, 1980, comprise a 3-part series of reports by Malcolm Frager pertaining to his 2-month European concert tour (The Berkshire Eagle).
folder 20 1981.
3 newspaper clippings (profiles of Frager); dated March–April 1981.
folder 21 1982.
6 newspaper clippings and facsimiles (including 2 duplicate copies), 1 magazine (Out of the Air, full issue); dated March–December 1982.
folder 22 1983.
1 newspaper clipping, 1 facsimile; dated April and August 1983.
folder 23 1984.
2 newspaper clippings; dated September and December 1984.
folder 24 1985.
8 newspaper clippings and facsimiles (including 2 duplicate copies), 1 typescript transcript of radio interview (“Spotlight on the Arts,” with David Cleveland); dated January–August 1985.
folder 25 1986.
7 newspaper clippings and facsimiles (including 4 duplicate copies); dated March–June 1986.
folder 26 1987.
7 newspaper clippings (including 1 duplicate copy); dated February–December 1987.
– Clipping dated February 26, 1987, is profile of Alfred and Florence Frager (parents of Malcolm Frager).
folder 27 1988.
8 newspaper clippings and facsimiles (including 1 duplicate copy); dated January–November 1988; 2 undated (1988).
folder 28 1989.
6 newspaper clippings and facsimiles (including 1 duplicate copy); dated February–November 1989.
folder 29 1990.
5 newspaper clippings and facsimiles; dated April–August 1990.
folder 30 1991.
1 newspaper clipping (pertaining to Frager’s 1978 experience handling the Mozart manuscripts in the Jagiellonian Library, Krakow, Poland); dated March 17, 1991.
folder 31 Undated.
12 newspaper clippings and facsimiles, 3 typescript documents (transcriptions of press articles?), 1 facsimile of entry in the Grove Dictionary of Music and Musicians; 16 undated.
Also in folder: 4 telegrams and facsimiles from Carl Dahlgren; 4 undated.

Series 3: Business Papers

Subseries A: Contracts

Box 40 [cont.]

folder 32 1963.
Contracts and related material for performances and broadcasts. 38 items.
folder 33 1979.
Contracts, addenda, and related documents for performances and broadcasts. 45 items.
folder 34 1980.
Contracts, addenda, and related documents for performances and broadcasts. 58 items.

Box 41

folder 1 1981.
Contracts, addenda, and related documents for performances and broadcasts. 62 items.
folder 2 1982.
Contracts, addenda, and related documents for performances and broadcasts. 57 items.
folder 3 1983.
Contracts, addenda, and related documents for performances and broadcasts. 62 items.
folder 4 1984.
Contracts, addenda, schedules, and related documents for performances and broadcasts. 41 items.
folder 5 1985.
Contracts, addenda, and related documents for performances and broadcasts. 70 items.
folder 6 1986.
Contracts, addenda, correspondence, and related documents for performances and broadcasts. 49 items.
folder 7 1987.
Contracts, addenda, check stubs, and related documents for performances and broadcasts. 48 items.

Box 42

[Removed due to reorganization of materials]

Box 43

folder 1 1988.
Contracts, addenda, and related documents for performances and broadcasts. 39 items.
folder 2 1989.
Contracts, addenda, invoices, and related documents for performances and broadcasts. 47 items.
folder 3 1990–1992.
Contracts, addenda, and related documents for performances and broadcasts. 51 items.

Subseries B: Financial Records

Box 44

folder 1 Columbia Artists, 1979–80.
15 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.
folder 2 Columbia Artists, 1981–83.
24 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.
folder 3 Columbia Artists, 1984.
13 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, requisitions, and other financial documents.
folder 4 Columbia Artists, 1985–86.
26 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.
folder 5 Columbia Artists, 1987–89.
35 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.
folder 6 Columbia Artists, 1990.
12 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.

Box 45

folder 1 Harrison/Parrott Ltd., 1979–89 [1 of 3].
33 monthly account statements; dated January 1979–December 1981.
folder 2 Harrison/Parrott Ltd., 1979–89 [2 of 3].
45 monthly account statements, facsimiles, and accompanying documents; dated January 1982–December 1985.
folder 3 Harrison/Parrott Ltd., 1979–89 [3 of 3].
47 monthly account statements; dated January 1986–December 1989.
folder 4 Harrison/Parrot Ltd., 1990–91.
7 monthly account statements; dated January–June 1990, March 1991.
folder 5 Various Items [1974].
Correspondence pertaining to Malcolm Frager’s professional activities (e.g., performance and professional invitations, fees, concert schedules, repertoire); dated May–December 1974 (arranged chronologically). 35 items.
folder 6 Various Items [1975].
Correspondence and facsimiles pertaining to Malcolm Frager’s professional activities (e.g., performance and professional invitations, concert schedules, fees, repertoire); dated January–December1975 (arranged chronologically). 120 items.
folder 7 Various Items [1976].
Correspondence and related documents pertaining to Malcolm Frager’s professional activities (e.g., performance invitations, concert schedules, repertoire); dated January–December 1976 (arranged chronologically). 67 items.
folder 8 Various Items [1977].
Correspondence pertaining to Malcolm Frager’s professional activities (e.g., performance invitations, concert schedules, repertoire); dated January–December 1977 (arranged chronologically). 58 items.
folder 9  Various Items [1978].
Correspondence pertaining to Malcolm Frager’s professional activities (e.g., performance and professional invitations, concert schedules, repertoire); dated February–June 1978 (arranged chronologically). 32 items.
folder 10 Various Items [1979–84].
Correspondence pertaining to Malcolm Frager’s professional activities (e.g., performance invitations, concert schedules, repertoire); dated September 1979–November 1984 (arranged chronologically). 29 items.

Series 4: Correspondence

Subseries A: Individual Correspondents

Box 46

folder 1 Arrensburg, Ismael (Sociedad Musical Daniel).
17 letters, facsimiles, and documents; dated January 1985–February 1990.
folder 2 Badura-Skoda, Paul.
2 letters, 1 personal card (blank); dated January 1980 and July 1984; card undated.
folder 3 Barnum, Marion Phyllis.
1 letter; dated July 1972.
folder 4 Berg, Darrell.
2 letters, accompanied by various documents about C. P. E. Bach; dated July 1981 and January 1982.
folder 5 Booth, Ronald.
2 letters; dated November 1978 and April 1982.
– Letter dated November 1978 accompanied by 5 typescript documents:
1 -“Tempo Choice and Tempo Freedom in von Weber’s Piano Music.” 26 pp.
2 -“Intuition and Musical Authority as Basis of Interpretation (by Walter Gieseking).” Translation by Ronald Booth. 7 pp.
3 -“The Challenge of Teaching.” 8 pp.
4 -“Schumann’s Dynamic Intentions in His Piano Music: Summary and Conclusions.” 4 pp.
5 – CV for Ronald Booth. 2 pp.
-Letter dated April 1982 accompanied by “Schuman’s Dynamic Intentions in His Piano Music.” 15 pp.
folder 6 Brendel, Alfred.
1 letter; dated May 1987.
– Letter accompanied by “Robert Schumanns Kinderszenen. Aspekte einer Komposition.” [Special issue of] Musica 35, no. 5 (1981), pp. 413-504. Includes article by Alfred Brendel (“Der Interpret mußer wachsen sein.”
folder 7 Buttram, Dr.
1 letter; dated December 1986.
folder 8 Colman, John.
1 letter; dated February 1966.
folder 9 Croan, Robert.
1 card; undated.
folder 10 Dawydowa, X.
1 letter; dated July 1983.
folder 11 Davies, Dennis Russell.
1 letter; dated May 1985.
folder 12 Diamond, David.
1 letter; dated November 1961.
folder 13  Dienes, Klara and Lazlo.
1 card; postmarked January 1977.
– Card accompanied by envelope and 2 manuscript notes. 2 pp.
folder 14 Dolmetsch, Carl.
1 letter; dated December 1968.
folder 15 Drake, Kenneth.
1 letter; dated August 1968.
– Accompanied by 2 items:
__“Rousseau, Beethoven and Involvement.” Typescript manuscript. 6 pp.
__ Frances Mayhew Rippy, “Brevity, Music, Particularity, Change: Four Premises of Modern Literature” (pp. 36–56). Facsimile of chapter from unidentified source. 11 leaves.
folder 16 Dreesmann, William.
1 card; dated December 1977.
folder 17 Eckert, Thor, Jr.
1 letter; dated June 1991.
folder 18 Eckhardt, Ferdinand.
1 letter; dated May 1983.
folder 19 Fischer, Irwin.
1 letter; dated November 1969.
folder 20 Fürst, Jutta.
1 letter; dated May 1981.

Box 47

folder 1 Garofalo, Marcello.
1 letter; dated January 1974.
– Oversized items (facsimiles of press clippings on or about Carlo Garofalo) separated; see Box 79, Folder 4.
folder 2 Gilles, Marie-Dominique.
1 letter; dated September 1985.
– Letter accompanied by facsimile of Jacques Chailley, Carnaval de Schumann, Op. 9 (Paris: A. Leduc, 1971). 39 pp. (19 leaves).
folder 3 Ginastera, Alberto.
1 letter; dated August 1965.
folder 4 Griffin, George.
1 letter; dated April 1977.
– Letter accompanied by 4 photographs of an 1897 Steinway & Sons piano (4 color photographs, 8” x 10”).
folder 5 Haram, Petter.
Facsimiles of 6 compositions by Petter Haram arranged by Kaare Haram. Includes:

  1. For solo piano. 1 p. 2 copies. Copy 2 oversized.
  2. Caprice Synzygus. For violin and piano. Score and violin part. 3 pp.
  3. Dance Ettisar. For solo piano. 2 pp.
  4. Marbilø. For solo piano. 2 pp.
  5. Red Lakelet. For solo piano. 2 pp.
  6. For solo piano. 1 pp.
folder 6 Hendershott, Judith.
1 letter; dated May 1989.
folder 7 Jensen, Gunnar Arne.
1 letter; dated July 1985
folder 8 Kang, Mahn-Hee.
1 letter; dated June 1989.
folder 9 Kessler, Minuetta.
1 publicity flyer.
folder 10 Koch, Frederick.
3 letters; dated May 1962–May 1983.
Also in folder: 1 publicity circular on Frederick Koch (2 copies, copy 2 oversized), 1 publicity brochure for Koch School of Music.
folder 11 Köhler, Hans Joachim.
2 letters; dated December 1989 and March 1990.
folder 12 Kuerti, Anton.
1 publicity brochure.
folder 13 Küthen, Hans-Werner.
1 card, 5 letters; dated December 1980–1989. Letters accompanied by envelopes and various documents and facsimiles of manuscripts.
folder 14 Labunski, Felix R.
1 letter; dated December 1963.
folder 15 Laderman, Ezra.
1 letter; undated.
folder 16 Langlois, Théo.
1 business card.
folder 17 Lauer, Klaus.
1 letter; dated March 1981.
folder 18 Levin, Robert N.
5 letters; dated August–November 1979.
Also in folder:

  • Copy of stop payment order; dated October 10, 1979.
  • Invoice from the Massimo Agency; dated October 19, 1979.
  • Facsimile of letter from Robert Levin to Douglas Sheldon (Columbia Artists Management, Inc.); dated January 22, 1980.
folder 19 Lock, David.
1 letter; undated.
folder 20 Lopez, Richard C.
1 letter; dated May 1988.
folder 21 Mandadzhiev, V.
1 letter (with duplicate facsimile); dated August 1983.
Also in folder: 1 contract (in Bulgarian–Cyrillic); undated.
folder 22 Mann, Alfred (Eastman School of Music).
1 letter; dated November 1988.
Separated from Series 8 (Research Papers), Sub-series A (Articles); see Box 64, Folder 14 (Larsen, Jens P. “Handelian Tempo Problems and Messiah”).
folder 23 Mantel, Gerhard.
1 letter; dated October 1987.
folder 24 Mayer, William.
1 postcard; dated January 1977.
folder 25 Mees, Reinald.
1 letter; dated December 1977.
folder 26 Meister, Chris.
1 letter; dated October 1985.
folder 27 Miller, Jacques.
2 letters; dated May 1962 and July 1963.
folder 28 Möbus, Hans Karl.
1 letter; dated October 1981. Accompanied by transcription of Frager’s cadenza to Weber’s Piano Concerto [No. 2] in E-flat major. 4 pp.
folder 29 Morey, Art.
1 letter; undated (February 6).
folder 30 Neumann, Frederick.
1 card; postmarked December 1989.
folder 31 Nikisch, Arthur.
1 letter; undated. Accompanied by “Darrell Matthews Berg—Publications.”
folder 32 Orlov, Henry.
1 letter; dated August 1986. Accompanied by Henry Orlov, “ПРИ ДВОРЕ ТОРЖЕСТВУЮЩЕЙ ЛЖИ” [At the court of triumphant lies], pp. 62–75. Facsimile of article (in Russian Cyrillic) from unidentified source. 7 leaves.
folder 33 Parchman, Gen.
2 letters; dated October–November 1963. Both letters accompanied by publicity circular for Gen Parchman (composer).
folder 34 Previn, André.
1 card (“With compliments / Sent at the request of André Previn,” sent by Boosey & Hawkes); undated.
folder 35 Régnier, Jean Nöel.
1 letter; dated January 1985.
folder 36 Reichlin, Gerhart.
1 letter; dated November 1963.
folder 37 Roland, Claude (Belgian Centre for Music Documentation).
1 card (“Complimentary copy presented by the composer”); undated.
folder 38 Rosenblum, Sandra P.
1 letter; dated December 20, 1989.
– Letter accompanied by facsimile of transcription from Fanny Mendelssohn autograph. 1 p.
folder 39 Roze, Jeanine.
5 letters; dated August 1979–July 1987.
Also in folder: partial list of concertos for piano with orchestra from Malcolm Frager’s repertoire. 1 p.
folder 40 Saavalainen, Jussi.
1 card; dated February 1983.
folder 41 Sannemüller, Gerd.
1 letter; dated December 1984.
folder 42 Schubert-Weber, Siegfried.
2 letters; dated March 1967.
folder 43 Schwarz-Schilling, Reinhard.
1 letter; dated September 1973.
folder 44 Segarstam, Leaf.
1 letter; undated (February 19).
folder 45 Shaffer, Sherwood.
1 letter; dated January 1964.
folder 46 Simon, Abbey.
1 letter; dated January 1988.
folder 47 Slowinsky [?].
1 notebook, containing manuscript sketches for solo voice with German text; dated 1972. 28 pp.
– Pencil annotation on front cover: “From: Slowinksi, Wladyslow, Miniatury, Box 54.”
– Affixed to inside front cover: excerpt of Frager concert program (Staatskapelle Dresden, June 3, 1976) and photograph of Malcolm Frager from program booklet.
– Inscription on first page of notebook from Alice Kehrer; dated June 4, 1976.
folder 48 Apek, Jean Van Der.
4 letters; dated July 1975–January 1983.

  • Letter dated July 27, 1975, accompanied by facsimiles of pages from original edition of Beethoven’s Pathétique and the Steingräber edition of Beethoven’s Piano Concerto No. 4.
  • Letter dated February 9, 1976, accompanied by facsimile of title page from the original edition of Beethoven’s Pathétique.
  • Also in folder (4 items):
    1. Facsimiles of pages from 3 editions of Beethoven’s Sonata, Op. 54. 3 pp.
    2. Schumann, Thème sur le nom Abegg varié pour le Pianoforte. Facsimile of title page and p. 10 from published score (Leipzig: F. Kistner, n.d.). 2 pp.
    3. Schumann, 12 Etudes Symphoniques pour le Piano-forte. Facsimile of score (Vienna: Tob. Haslinger, n.d.). 31 pp.
    4. Facsimile of page from unidentified piano composition. 1 p. 2 copies.
folder 49 Steinberg, Michael.
1 letter; dated June 1967.
Separated from Series 8 (Research Papers), Sub-series A (Articles); see Box 64, Folder 6 (Georg von Dadelsen, “Die ‘Fassung letzter Hand’ in der Musik”).
folder 50 Szász, Tibor (1986–87).
6 letters; dated March 1986–February 1987.

  • Letter dated April 2, 1986, accompanied by facsimile of press clipping and facsimile of manuscript realization of Beethoven’s K. 238. 4 pp.
  • Letter dated December 19, 1986, consists of brief inscription on title page: “Continuo Notation and Practice in the Piano Concertos of Mozart and Beethoven.” Manuscript consists of musical examples and realizations. 7 pp.
  • Letter dated December 30, 1986, consists of discussion of continuo in Beethoven’s piano concertos, with musical examples. 18 pp.
  • Letter dated February 9, 1987, accompanied by script for lecture-demonstration “Liszt’s Symbolism and Musical Structure.” 40 pp.
folder 51 Szász, Tibor (June 18, 1989).
1 letter; dated June 18, 1989.

  • Accompanied by (12 items):
    1. Draft of article “Figured Bass in Beethoven’s ‘Emperor’ Concerto: Bass or Continuo or Orchestral Cues?” 75 pp.
    2. Excerpt from William S. Newman, Beethoven on Beethoven: Playing His Piano Music His Way (New York: W. W. Norton, 1988). 9 pp.
    3. Facsimile of Paul Badura-Skoda, “Eine langerwartete Neuausgabe der Beethoven-Klavierkonzerte Nr. 1–3,” Das Orchester (April 1988), 353–356. 5 pp.
    4. Facsimile of Hans-Werner Küthen, “Leserbriefe,” Das Orchester (February 1989). 161–162, 207-208. 5 pp.
    5. 4 facsimiles of press clippings pertaining to Tibor Szász. 5 pp.
    6. 3 facsimiles of letters to or about Tibor Szász (letters of commendation or recommendation) and 1 facsimile of press clipping. 4 pp.

Box 48

folder 1 Szász, Tibor (June 21, 1989).
1 letter; dated June 21, 1989.

  • Accompanied by (4 items):
    1. Facsimile of program for American Musicological Society, Southeast Chapter Spring Meeting (March 19, 1988). Lists Tibor Szasz’s presentation “Figured Bass in Beethoven’s ‘Emperor’ Concerto: Orchestral Cues or Continuo.” 2 pp.
    2. Musical examples for presentation “Figured Bass in Beethoven’s ‘Emperor’ Concerto…” 7 pp.
    3. Conference program booklet for Southeastern Historical Keyboard Society (March 20–22, 1988). Lists Tibor Szász’s presentation “Mozart’s Piano Concertos: Keyboard Continuo in the Autograph Manuscripts.” 32 pp.
    4. Musical examples for presentation “Mozart’s Piano Concertos…” 9 pp.
  • Accompanying cassette tape (“Tibor Szasz on Continuo in Beethoven, Mozart”) separated; see Box 63, Item 20.
folder 2 Tcherepnin, Ming.
1 letter; dated October 1989.

  • Letter accompanied by facsimile of article: Guy Wuellner, “Bagatelles (Op. 5),” Piano Quarterly, 46–48. 3 pp.
  • Also in folder (xx items):
    1. 2 newsletters from the Tcherepnin Society; dated July 1989 and September 1989. 4 pp.
    2. 6 publicity documents and facsimiles (brochure for the Tcherepnin Society, biographies of Tcherepnin family members, works list, concert program, 2 facsimiles of press clippings).
    3. Alexandre Tcherepnin, Sonata No. 1 for cello and piano. Facsimile of published score and cello part (Paris, Durand & Co., 1925). 22 pp.
    4. Alexander Tcherepnin, Eight Pieces for piano. Published score (Bryn Mawr, PA: Theodore Presser Co., 1957). 24 pp.
    5. Alexandre Tcherepnine, Quatre Romances, Op. 31. Facsimile of published score (n.l.: n.p., n.d.). 10 pp.
    6. Alexander Tscherepnin, Message, 39. Facsimile of published score (n.l.: n.p., n.d.). 12 pp.
    7. Alexandre Tchérepnine, Huit Préludes, op. 9. Facsimile of published score (Paris: Huegel, 1926). 12 pp.
    8. Alexandre Tcherepnine, Scherzo [op. 3]. Facsimile of published score (n.l.: n.p., n.d.). 8 pp.
folder 3 Thorne, Francis.
1 letter; dated January 1966.
folder 4 Toeplitz, Uri (Erich).
1 letter; dated April 1984. Accompanied by business card.
folder 5 Walker, Alan (McMaster University).
1 letter; dated November 1979.
folder 6 Webber, Robert.
1 letter; dated February 13, 1967.
– Accompanying oversized score (Webber, Sonata No. 1) separated; see Box 79, Folder 2.
folder 7 Wein Kauff, Fauka.
1 card; dated September 1983.
folder 8 Weinstadt, Liliane.
1 letter; dated July 1980.
folder 9 Welcher, Dan.
1 letter; dated February 1985. Accompanied by publicity brochure for Dan Welcher.
folder 10 Willia, Richard (Baylor University).
1 letter; dated June 1986. Accompanied by vita for Richard Willis. 2 pp.
folder 11 Wilson, Richard.
1 letter; dated October 1985.
folder 12 Wolf, Barbara Starr.
8 letters; dated March 1985–March 1986.
folder 13 Wolfe, Jacques.
1 letter; dated October 1969. Accompanied by transcriptions of reviews of A Hebrew Trilogy by Jacques Wolfe. 2 pp.
folder 14 Young, Bruce.
3 letters; dated January–March 1989; 1 undated.
folder 15 Young, Stewart.
4 letters; dated December 1978–January 1989.
folder 16 Zander, Benjamin (Artistic Director, New England Conservatory at Walnut Hill School).
2 letters; dated February 1985 and March 1986.
– Letter dated February 1985 accompanied by brochure for Walnut Hill School.
– Also in folder (2 items):

    1. “The Conductor’s Note by Dr. Glenn Block.” Typescript document. 2 pp.
    2. Concert program for the Boston Philharmonic (Benjamin Zander, Conductor), 1984–85 season. 2 copies.
folder 17 Linda (?).
1 letter; undated.
folder 18 Tom (?).
1 letter (from Malcolm Frager); dated February 1987.
folder 19 Unidentified.
4 letters, 1 postcard, 1 note from unidentified correspondents; dated September 1978 and October 1988; 3 undated.
1 letter (in Russian; undated [October 10]) separated from Box 71, Folder 8.
1 letter (concerning Prokofieff Concerto), 1 postcard (in German) separated from Box 75, Folder 7 (inscribed volume of Prokofieff’s Piano Concertos Nos. 1–3).
folder 20 Unidentified cards.
5 cards, 4 postcards from unidentified correspondents (to Malcolm and/or Morag Frager); dated April 1974–March 1983; 4 undated.

Sub-series B: Organizations

Box 48 [cont.]

folder 21 Artinscon, Ltd. (Irène Schönholzer).
2 letters; dated June–July 1988.
folder 22 Australian Broadcasting Commission (Charles Buttrose, North American Representative).
1 letter; dated July 1968.
folder 23 B. A. Musique (Marie-José Billard-Azaïs; Julien Azaïs).
4 letters; dated April 1988–December 1989.
folder 24 Bakersfield Symphony Orchestra (Lorraine Allen, Secretary).
1 letter; dated November 1986.
folder 25 Ball State University (Leonard Atherton, Director of Orchestras).
1 letter; dated May 1988.
folder 26 Baltimore Symphony Orchestra (Decatur H. Miller, President).
1 letter; dated August 1990.
folder 27 Banff Centre for Continuing Education (Kenneth S. Murphy, Manager, Extension Services and Placement).
1 letter (cc: Malcolm Frager); dated November 1979.
folder 28 Bärenreiter-Verlag (Dietrich Berke).
1 letter; dated July 1979.
folder 29 Bösendorfer (Michael Niessen; P. Lemell),
4 letters; dated November 1979–March 1980.
folder 30 British Museum (Peter J. Whitehead, Department of Zoology).
1 letter; dated November 1979.
folder 31 Broude Brothers Ltd. (Ronald).
1 letter; dated April 1984. Accompanied by list of lost Buxtehude sources (facsimile from Georg Karstaedt’s thematic catalogue of Buxtehude’s works). 21 pp.
folder 32 Bureau Hongrois pour la protection des droits d’auteur (Dr. Móra/Mrs. Török).
1 letter; dated April 1972.
folder 33 Chicago Symphony Orchestra (Mark T. Lashof, Assistant Artistic Administrator).
1 letter; dated June 1988.
folder 34 Cleveland Orchestra (Kenneth Haas).
1 letter (cc: Malcolm Frager); dated November 1979.
folder 35 Colt Clavier Collection (Charles? Colt).
2 letters; dated January–February 1985.
folder 36 Columbia Artists Management, Inc. (Sue Radtke, Douglas Sheldon, Ronald A. Wilford, Diane Saldick).
10 letters (including 6 letters cc: Malcolm Frager); dated July 1979–November 1980.
Also in folder: mockup of publicity brochure for Malcolm Frager.
folder 37 Columbia University (Chou Wen-chung, Jack Beeson).
2 letters; dated November 1986; 1 undated.
folder 38 Concert for Humanity (James P. Hopkinson, Chairman).
1 letter; dated February 1988.
folder 39 Concertgebouworkest (H. J. van Royen).
1 letter; dated March 1979.
folder 40 Concerto C. W. Winderstein (Hans-Dieter Göhre).
Facsimile of 1 letter (cc: Malcolm Frager); dated June 1980.
folder 41 Costa Verde Festival (Sequeira Costa).
3 letters; dated July 1985–February 1986.
folder 42 Czech Philharmonic (Vladimír Sefl).
1 letter; dated April 1981.
folder 43 Eastman School of Music (Robert Freeman).
1 letter; dated September 1987.
folder 44 Embassy of the United States (Cameron S. Thompson, Stuart C. Parker, Pavlina K. Aladzhova).
4 letters; dated August 1983–March 1984.
folder 45 Frieburg Staatliche Hochschule für Musik (A. Marchand).
1 letter; dated August 1978.
folder 46 G. L. Promoções (Gabriele I. Leib, Werner Wagner).
1 fax, 1 letter; dated April 1990; 1 undated.
folder 47 Los Grandes Conciertos de Guatemala (Rodrigo Asturias).
2 letters; dated February and October 1990.
folder 48 Harrison/Parrott Ltd. (Jasper Parrott, Christa I. Brown, Pat Copping).
19 letters and facsimiles (including 4 letters cc: Malcolm Frager); dated July 1978–May 1981.
folder 49 Hebrew University of Jerusalem (Les Amis Belges de l’Université Hébraïque de Jérusalem; David Lazar, Director for Europe).
2 letters; dated June–July 1987.
folder 50 G. Henle Verlag (Martin Bente).
1 letter; dated February 1985. Accompanied by “Sources of WQ 3.” 1 p.
folder 51 International Society for Contemporary Music (Roman Ryterband).
1 letter; dated July 1967. Accompanied by brief resume and publicity materials for Roman Ryterband. 7 pp.
folder 52 International Top Artists Promotion (Henri Sweers, Jr.)
1 letter; dated March 1981.
folder 53 Internationale Stiftung Mozarteum.
19 letters, 1 card, 1 envelope with annotations; dated October 1978–October 1990; 2 undated.

Box 49

folder 1 Jerusalem Records (Moshe Saperstein).
1 letter; dated August 1985.
folder 2  Johns Hopkins Medical Institutions (George B. Udvarhelyi, Director, Cultural Affairs Office).
1 letter; dated March 1988.
folder 3 Junge Deutsche Philharmonie (Annette Wolde).
1 letter; dated October 1987.
folder 4 Kent State University (Robert Palmieri, Chairman, Division of Keyboard Instruments).
1 letter; dated November 1988.
folder 5 Kimball World (Elsie Shumway, Director of Institutional Services).
1 letter; dated July 1986.
folder 6 Konzert-Direktion Hans Adler
4 letters; dated November 1979–July 1985.
folder 7 Konzertgesellschaft Zürich (Samuel Hirschi).
3 letters; dated June 1979–April 1980.
folder 8 Kunstler-Agentur der DDR.
4 letters; dated September 1978–March 1986.
folder 9 Lindemans Legat (Arne Holen and Einar Solbu).
1 letter; dated May 1986.
folder 10 Massachusetts Institute of Technology (Robert Freeman).
1 letter; dated January 1969.
folder 11 Mozart Bicentennial at Lincoln Center (Fiona Morgan Fein, Coordinator; Neal Zaslaw, Musicological Advisor).
2 letters; dated April–May 1990.
Also in folder (2 items):
– Participants in ‘Performing Mozart’s Music.’” Typescript list of contact information for symposium participants. 6 pp.
– Press clipping (with duplicate facsimile) pertaining to “Performing Mozart’s Music” symposium; dated May 1991.
folder 12 National Society of Arts and Letters (Carl Matthes).
1 letter; dated March 1981.
folder 13 Neue Mozart-Ausgabe (Dietrich Berke, Wolfgang Rehm, 1 unknown).
10 letters, 1 postcard; dated November 1978–March 1990; 1 undated.
folder 14 National Westminster Bank Limited.
1 letter; dated November 1978.
folder 15 New Haven Symphony Orchestra (Murry Sidlin, Music Director/Conductor).
1 letter; dated December 1980.
folder 16 New York Philharmonic (Albert K. Webster, Executive Vice President and Managing Director).
1 letter; dated February 1989.
– Oversized score (J. S. Bach, Concerto for Four Pianos, fourth piano part) separated; see Box 79, Folder 3.
folder 17 New York Public Library (John Shepard, Head, Rare Books and Manuscripts, Music Division).
1 letter; dated August 1988.
folder 18 Norsk Konsertdireksjon (Finn Berntsen, Leon Jarner).
2 letters; dated September–October 1979.
folder 19 W. W. Norton & Co. (Claire Brook, Vice President and Music Editor).
2 letters; dated September–October 1988.
folder 20 Norwegian State Academy of Music (Einar Solbu, Dean).
1 letter; dated March 1986.
folder 21 Nova Filharmonia Portuguesa.
1 letter; undated.
folder 22 Oakland Symphony Orchestra Association (William Cohler, Director of Promotion).
1 letter; dated May 1973.
folder 23 Ofam Direction de Concert (Matthieu Fobe).
2 letters; dated May 1980.
folder 24 L’Orchestra in the Berkshires (David A. Barg, Music Director).
1 letter; dated December 1987.
folder 25 Orchestra of the Eighteenth Century (Frans Brüggen, Music Director).
1 letter; dated August 1983.
folder 26 Organización de Conciertos Gérard (Werner Wagner, Gerald Uhlfelder, Ismael Arensburg).
36 letters; dated February 1978–May 1990. Accompanied by 2 publicity documents. 3 pp.
folder 27 Orlando Festival Stichting (Henk Smit).
1 letter; dated May 1989.
folder 28 Oxford University Press (Susan Brailove, Manager, Music Department).
1 letter; dated June 1975.
folder 29 Peabody Conservatory of Music (Eileen T. Cline, Dean).
1 letter; dated April 1986.
folder 30 Pendragon Press (Robert J. Kessler, Managing Editor).
1 letter; dated December 1988.
folder 31 Edition Peters (Norbert Molkenbur and Peter Hauschild).
1 letter; dated February 1987.
folder 32 Piano Quarterly (Robert Silverman, Editor).
1 letter; dated July 1988.
folder 33 Prago Koncert (Tomáš Karlíček, Head of Section; Zina Nárožná, Chief of Section).
2 mailgrams, 3 letters; dated September 1979–April 1981; 1 undated.
folder 34 Radio DRS.
1 letter; dated December 1978.
folder 35 Rand Daily Mail (Joe Sack, Music Editor).
1 letter (cc: Malcolm Frager); dated June 1978.
folder 36 Rias Berlin (H. Dittberner).
1 letter; dated October 1978.
folder 37 Rollins College (Sylvia Reynolds, Associate Professor of Piano).
1 letter; dated February 1987.
folder 38 Rombach & Co. (Dirk Nabering).
2 letters; dated May–June 1980.
folder 39 Royal Liverpool Philharmonic Society (Stephen Gray, General Manager).
1 letter (cc: Malcolm Frager); dated June 1978.
folder 40 Saint Louis Conservatory (Stephen Jay, President).
1 letter; dated April 1981.
folder 41 San Jose State University (Bill Meredith).
1 letter; dated October 1988.
folder 42 Seesaw Music Corp. (Raoul R. Ronson, President).
1 letter; dated July 1970. Accompanied by list of compositions by Henry Orland. 1 p.
folder 43 Société Frédéric Chopin (Bogumil Pałasz and Elżbieta Artysz).
1 letter; dated March 1986.
folder 44 Svensk Konsertdirektion AB (Kerstin Hammarström, Henrik F. Lodding).
2 letters; dated April and July 1980.
folder 45 Sveriges Riksvadio AB (Gunnar Arne Jensen).
1 letter; dated June 1980.
folder 46 Telarc Records (Robert Woods).
3 letters; dated September 1978–February 1980.
folder 47 Teldec (Hans Bernhard Bätzing).
1 letter; dated September 1985.
folder 48  Time (Israel Shenker, Otto Friedrich).
2 letters; dated July 1963; 1 undated.
folder 49 Tivoli Festival (Tom Kristensen).
1 letter (cc: Malcolm Frager); dated June 1989.
folder 50 Toronto Symphony (Walter Homburger).
1 letter; dated September 1979.
folder 51 Transvaal Performing Arts Council (A. Rainier, Peter Koster, Schalk W. Visser, Eva Takacs).
6 letters; dated June 1980–January 1987.
folder 52 University of Chile (Jose Vasquez Crisostomo).
1 letter; dated May 1981.
folder 53 University of Connecticut (Paul Phillips, Music Director, Eastern Connecticut Symphony Orchestra).
1 letter; dated December 1987.
folder 54 University of Maryland (Neil Ratliff, Head of the Music Library).
2 letters; dated November 1986 and June 1989.
folder 55 Vitoria.
4 letters (1 cc: Malcolm Frager); dated August 1979–January 1986.
folder 56 Wimbledon Music Inc. (Jean France Mercier, Vice President).
1 letter; dated June 1977.
folder 57 92nd St. YM/YW Hebrew Association (Omus Hirshbein, Director, Performing Arts and Humanities).
1 letter; dated July 1989.

Sub-series C: Other Correspondence

folder 59 Furno, André, to Jasper Parrott.
1 letter; dated June 1978. Pertains to scheduling performance for Malcolm Frager.
folder 60 Harrison/Parrott Ltd. (Jasper Parrott) to Samuel Hirschi (Konzertgesellschaft Zurich).
1 letter; dated June 1979. Pertains to Malcolm Frager’s Austrian representation.
folder 61 Harrison/Parrott Ltd. (Jasper Parrott) to F. Axel Mehrle.
2 telex messages; dated May 1981. Pertains to recordings by Malcolm Frager.
folder 62 Freeman, Robert (Eastman School of Music), to Stewart Young.
1 letter; dated September 1988. Invitation to present a lecture at Eastman.
folder 63 Kabalevskaya, Maria, to Ozan Marsh (Presidents, Pianists Foundation of America).
1 letter; dated December 1989. Pertains to library of Dmitry Kabalevsky.
folder 6 Kirkpatrick, John, to Mr. Madlinger.
1 letter; dated October 1943.
folder 65 Küthen, Hans-Werner, to/from Tibor Szász.
2 letters; dated February–April 1990.
folder 66 Dr. Rudolf Raab Künstleragentur (Till Dönch, Johanna Ertl) to Linda Marks (Harrison/Parrott Ltd.).
2 letters; dated March 1985 and June 1987. Pertain to contracts for Malcolm Frager.
folder 67 Sheldon, R. Douglas, to Robert Levin.
1 letter; dated March 1980.
Also in folder: draft of concert program for Malcolm Frager, labeled “CCS 1978–79.” 2 pp.
folder 68 Sonic Arts Corp. to Tibor Szász.
Contains various documents relating to Tibor Szász’s research, including facsimiles from scores and manuscripts, musical examples, article reprint (“Liszt’s Symbols for the Divine and Diabolical: Their Revelation of a Program in the B-minor Sonata”), publicity materials, and article draft (“Piano Concertos of Haydn, Mozart, and Beethoven Restored: Continuo Function of the Soloist”). 74 leaves, total.
folder 69 Stravinsky, Igor, to Vladimir Efimovich.
1 facsimile of letter with typescript translation; dated July 1968. Pertains to publication of piano transcription of Le sacre du printemps.
Also in folder (3 items):

  • Facsimile of recital program for Vladimir Leyetchkeca (October 1974). 1 p.
  • Facsimile of title page of Le sacre du printemps transcription by V. Leetchkiss (Moscow: Le Compositeur Sovietique, 1973). 1 p.
  • Publicity circular for Vladimir Leyetchkiss. 1 p.
folder 70 Transvaalse Performing Arts Council (A. Rainier) to Jasper Parrott.
1 letter; dated October 1980.
folder 71 Vitoria to Jasper Parrot.
1 letter; dated April 1981.
folder 72 Young, J. B., to James Mallinson.
1 letter; dated January 1989.

Box 50

[Removed due to reorganization of materials]

Series 5: Competitions

Box 51

folder 1 Concours Musical Reine Elisabeth (1960).
7 competition booklets and programs; dated June 1–17, 1960.

  • Program for Second Concerto Concert with Malcolm Frager, Lee Luvisi, and Gabor Gabos (dated June 7, 1960) includes autographs of Luvisi and Gabos.
  • Program for recital given by first three laureats, with Lee Luvisi, Ronald Turni, and Malcolm Frager (dated June 17, 1960) includes autographs of Luvisi, Turni, and Frager.

Jean Absil. Passacaille, Op. 101. Score. Manuscript facsimile, with performance markings (published for the Concours Musical Reine Elisabeth 1960). 10 pp.
Marcel Poot, Concerto pour Piano. Two-piano reduction. Manuscript facsimile, with performance markings. 59 pp.
folder 2 Concours Musical International Reine Elisabeth de Belgique (1968).
Presentation binder containing (2 items):

  • Competition booklet for first round (no. 43 of 1,200 copies). 132 pp.
  • Competition booklet for final round (no. 00042 of 1,900 copies). 88 pp. Title page includes 13 autographs.

Concert program (Concert given in homage to the memory of H. M. the Reine Elisabeth with Malcolm Frager, Eduardo del Pueyo, and Nikita Magaloff); dated May 16, 1968. 24 pp.
Beaux-Arts (special issue on the Concours Musical International Reine Elisabeth de Belgique) (April 29, 1968). Full issue. 75 pp.
Also in folder: program for Malcolm Frager performance at the Council Chambers of City Hall, NY (December 18, 1968).
folder 3 11th Montreal International Competition (June 4-22, 1976).
Competition booklet (Malcolm Frager on jury). 48 pp. Includes autographs of jury members (p. 13).
folder 4 Concurso Internacional de Piano Paloma O’Shea (1981–1987).
Correspondence, brochures and regulation booklets, press clippings, and other material related to the competition; dated April 1981–September 1988.
folder 5 Internationale Musikfestwochen Luzern (1983–1990).
Materials related to Malcolm Frager’s masterclasses at Luzern, including applications, rosters, correspondence from administrators and students, and notes. Includes materials for years 1983–1990.
folder 6 Third American National Chopin Competition (December 12–15, 1984).
Competition program booklet (Malcolm Frager on jury), with annotations.
Manuscript notes about competition contestants. 11 pp.

Box 52

folder 1 7th Van Cliburn International Piano Competition (May 18–June 2, 1985).
Competition booklet (Malcolm Frager on jury). 160 pp.
Concert program for finals; dated May 30–June 1, 1985. 8 pp.
Judge’s notes and related materials (originally from binder). 157 leaves.              RESTRICTED
folder 2 Mae M. Whitaker International Competition (May 18–21, 1987).
Competition booklet (Malcolm Frager on jury). 32 pp.
Roster of contestants, schedules, and judge’s notes. 94 pp.      RESTRICTED
folder 3 Illinois Young Performers Competition (June 2, 1987).
Competition publicity booklet (Malcolm Frager, judge). 11 pp. 2 copies.
folder 4 X Concorso Internacional Vianna da Motta (June 25–July 10, 1987).
Competition booklet (Malcolm Frager on jury). 78 pp.
Judge’s notes. 9 pp.                                                                   RESTRICTED
folder 5 Concours Géza Anda (May/June 1988).
Competition publicity booklet and application.
folder 6 18a edizione Concorso Pianistico Internazionale Alessandro Casagrande (June 1988).
Competition publicity booklet and application.
folder 7 8th Van Cliburn International Piano Competition (1989).
Application book. 44 pp.

Series 6: Biographical

Sub-series A: Scrapbooks

Box 52 [cont.]

folder 8 1959.
Scrapbook pages containing press clippings as well as some correspondence, concert programs, publicity materials, and 1 photograph related to Malcolm Frager’s professional activities; dated July 1958–February 1960. 86 leaves with 6 loose items.
– Originally housed in three-ring binder; adhesive failing on many pages.
– Includes photograph of Malcolm Frager [and other contestants?] in the National Society of Arts and Letters [piano contest], Los Angeles, CA, attributed to Weaver Photo Service; dated 1958. 1 b/w photograph, 8” x 10”.
folder 3 1960.
Scrapbook pages containing press clippings and 1 item of correspondence related to Malcolm Frager’s professional activities; dated March 1960–May 1962. 106 leaves with 1 loose item.
– Originally housed in three-ring binder; adhesive failing on some pages.

Box 53

[Removed due to reorganization of materials]

Box 54

folder 1 1968.
Bound scrapbook, containing press clippings and publicity materials; dated April–June 1968. 7 leaves with materials with 1 loose item.
folder 2 ABC Australian Tour (1969).
Bound scrapbook, compiled by the Australian Broadcasting Commission, containing 7 photographs with captions, 1 concert program, and press clippings; dated October 1968–July 1969. 51 leaves.
folder 3 ABC Australian Tour (1973).
Bound scrapbook, [compiled by the Australian Broadcasting Commission], containing press clippings and publicity items; dated December 1972–May 1973. 20 leaves.
Also in folder: compilation of press clippings titled “Frager Triumphs: Tanglewood and Buenos Aires, Summer 1965.” 5 pp.
folder 4 History of New York City—Presentation (1960).
The Face of New York: The City as It Was and as It Is. Photographs by Andreas Feninger. Text by Susan E. Lyman. New York: Crown Publishers, 1954.

  • Presentation copy, enclosed in embossed leather cover. Inscription on inside front cover to Malcolm Frager from Robert F. Wagner (June 23, 1960).
  • 5 press clippings pertaining to the deaths of Queen Elisabeth of Beligum and Myra Hess.

Box 55

folder 1 Scrapbook file: 1960–61.
Loose press clippings; dated October 1960; 1 undated. 2 items.
folder 2 Scrapbook file: 1962–63.
Loose press clippings; dated November 1962–April 1963. 24 items.
Also in folder: translations (5 pp.), accompanying correspondence (2 items), and press story (14 pp.)
folder 3 Scrapbook file: 1963–64.
Loose press clippings and translations (including duplicate copies); dated February 1963–April 1964; 1 undated. 44 items.
Also in folder: accompanying correspondence (4 pp), typescript document (“The Pianist Frager”; 1 p.).
folder 4 Scrapbook file: 1964–65.
Loose press clippings, transcriptions, and translations (including duplicate copies); dated December 1959, August 1963, April 1964–December 1965; 12 undated. 75 items.
Also in folder: “The Piantist [sic] Frager.” Typeset document. 1 p.
folder 5 Scrapbook file: 1965–66.
Loose press clippings; dated February 1965–January 1966 (bulk July–September 1965); 6 undated. 61 items.
folder 6 Scrapbook file: 1966–67.
Loose press clippings and facsimiles; dated October–November 1966, March 1967; 3 undated. 12 items.
folder 7 Scrapbook file: 1967–68.
Loose press clippings and facsimiles; dated September 1967–March 1969. 6 items.
Facsimile of press clippings dated March 1969 accompanied by correspondence (1 p.) and translations of press clippings (2 pp.).
folder 8 Scrapbook file: 1968–69.
Loose press clippings and facsimiles (including duplicate copies); dated June 1968–March 1969; 9 undated. 60 items.
folder 9 Scrapbook file: 1969–70.
1 loose press clipping; dated August 1969. 1 item.

Sub-series B: Personal Documents

Box 56

folder 1 “My Autobiography, by Malcolm Frager” (ca. 1947).
Typescript document (school assignment). 11 pp. of text.
folder 2  Frager obituary.
Obituary for Malcolm Frager from The Berkshire Eagle (June 21, 1991). 2 pp.
folder 3 Florence Frager, “The Challenge of Talent” (September 1975).
Typescript essay. 5 pp.
folder 4 “Press Story for Malcolm Frager” (December 1965).
Typescript document (biographical sketch). 4 pp. 3 copies.
folder 5 The Fifty-Seven [Columbia University Annual].
Yearbook for Columbia’s graduating class of 1957. 48 pp.
– Malcolm Frager appears on p. 21.
folder 6 Frager—College papers.
Untitled paper on totalitarianism. Typescript; dated April 3, 1955. 3 pp.
“The Function of Wisdom.” Typescript; dated February 23, 1957. 3 pp.
“Elohim.” Typescript; dated March 22, 1957. 2 pp.
“Socrates and Job.” Typescript; undated. 3 pp.
folder 7 Frager—College papers [bound notebook].
Bound notebook containing manuscript notes in Russian; dated 1953. 60 leaves.
folder 8 Boston Symphony—soloist list.
Chronological list of Malcolm Frager’s solo performances with the Boston Symphony, including performances at Tanglewood and the Berkshire Festival (repertoire listed for each performance). Fax of index cards held by the Boston Symphony Orchestra; fax dated October 9, 1991. 3 pp.
folder 9 Planners, 1962–65.
3 pocket planners listing Frager’s performances and other professional activities; dated June 1962–September 1963, September 1963–September 1964, September 1965–September 1966. 16 pp., each.

Box 57

item 1 1966/67 planner distributed by Konzert-Direktion Hans Adler.
item 2 1967/68 planner distributed by Konzert-Direktion Hans Adler.
item 3 1968/69 planner distributed by Konzert-Direktion Hans Adler
item 4 1970/71 planner distributed by Konzert-Direktion Hans Adler.
item 5 1971/72 planner distributed by Konzert-Direktion Hans Adler
item 6 1972/73 planner distributed by Konzert-Direktion Hans Adler.
item 7 1973/74 planner distributed by Konzert-Direktion Hans Adler.
item 8 1974/75 planner distributed by Konzert-Direktion Hans Adler.
item 9 1975/76 planner distributed by Konzert-Direktion Hans Adler.
item 10 1976/77 planner distributed by Konzert-Direktion Hans Adler.
item 11 1977/78 planner distributed by Konzert-Direktion Hans Adler.
item 12 1978/79 planner distributed by Konzert-Direktion Hans Adler.
item 13 1979/80 planner distributed by Konzert-Direktion Hans Adler.
item 14 1980/81 planner distributed by Konzert-Direktion Hans Adler.
item 15 1981/82 planner distributed by Konzert-Direktion Hans Adler.
item 16 1982/83 planner distributed by Konzert-Direktion Hans Adler.
item 17 1983/84 planner distributed by Konzert-Direktion Hans Adler.
item 18 1984/85 planner distributed by Konzert-Direktion Hans Adler.
item 19 1985/86 planner distributed by Konzert-Direktion Hans Adler.
item 20 1986/87 planner distributed by Konzert-Direktion Hans Adler.
item 21 1987/88 planner distributed by Konzert-Direktion Hans Adler.
item 22 1988/89 planner distributed by Konzert-Direktion Hans Adler.
item 23 1989/90 planner distributed by Konzert-Direktion Hans Adler.
item 24 1990/91 planner distributed by Konzert-Direktion Hans Adler.
item 25 1991/92 planner distributed by Konzert-Direktion Hans Adler.
item 26 1992/93 planner distributed by Konzert-Direktion Hans Adler.
item 27 US passport for Malcolm Frager, issued June 16, 1954.
item 28 US passport for Malcolm Frager, issued February 11, 1960.
item 29 US passport for Malcolm Frager, issued February 9, 1965.
item 30 US passport for Malcolm Frager, issued January 26, 1970.
item 31 US passport for Malcolm Frager, issued January 10, 1975.
item 32 US passport for Malcolm Frager, issued January 7, 1980.

Sub-series C: Photographs

Box 58

folder 1 Malcolm Frager (1959/60?).
Portrait, standing at Steinway & Sons piano. 1 b/w photograph, 8” x 10”.
folder 2 Frager—Publicity photo for Leventritt Prize (1959).
Malcolm Frager seated at Steinway piano in discussion with Kenneth Amada, Frederick Steinway, and Tana Bawden, Steinway Hall, New York, NY; dated October 1959. 1 b/w photograph, 8” x 10”. Caption for press release affixed to back of photo.
folder 3 Frager—Publicity photo for Leventritt Prize (1959).
Malcolm Frager seated at Steinway piano, Steinway Hall, New York, NY; dated October 1959. 1 b/w photograph, 8” x 10”. Caption for press release affixed to back of photo.
folder 4 Frager with Queen of Belgium (1960).
Malcolm Frager seated at piano with Youri Airapetian, Jerome Lowenthal (?), Queen Elisabeth of Belgium, Alice Mitchenko, and Alberto Gimenez Attenelle (?), at Queen Elisabeth Competition. 1 b/w photograph, 8” x 10”. Photograph attributed to R. Kayaert.
folder 5 Frager, et al., Queen Elisabeth Competition (1960).
Jerome Loewenthal, Ronald Turini, Malcolm Frager, Walter Wamper, Gabor Gabos, and Alberto Gimenez Attenelle (finalists) at Queen Elisabeth Competition. 1 b/w photograph, 8” x 10”. Photograph attributed to R. Kayaert.
folder 6 Frager with Queen Elisabeth of Belgium (1960).
1 b/w photograph, 8” x 10”. 2 prints.
folder 7 Frager and winners at Belgium (1960).
Malcolm Frager, Ronald Turini, Lee Luvisi, and Alice Mitchenko, at Queen Elisabeth Competition. 1 b/w photograph, 8” x 10”. Accompanied by typescript caption.
folder 8 Frager with William Steinberg, Carnegie Hall, NYC (1960).
1 b/w photograph, 7.75” x 9.75”.
folder 9 Frager upon receipt of keys to NYC (1960).
Ruth Laredo, unidentified man, unidentified woman, Malcolm Frager, and Rosalie Leventritt at the occasion of Frager receiving the keys to NYC, New York City. 1 b/w photograph, 8” x 10”. Photograph attributed to the Department of Commerce and Public Events.
folder 10 Frager receiving keys to NYC (1960).
Unidentifed man, Malcolm Frager, unidentified woman, unidentified man at the occasion of Frager receiving The Face of New York (see Box 54, Folder 4) and the keys to NYC. 1 b/w photograph, 8” x 10”. Photograph attributed to the Department of Commerce and Public Events.
folder 11 Frager, et al., Lewisohn Stadium (1960).
Stuart Canin, Mayor Robert Wagner, Mrs. Minnie Guggenheimer, Sara Baum, and Malcolm Frager, at Lewisohn Stadium; dated June 27, 1960. 1 b/w photograph, 8” x 10”. Photograph attributed to Dr. I. W. Schmidt.
folder 12 Frager, Wagner, Guggenheimer at Lewisohn Stadium (1960).
Mayor Robert Wagner, Mrs. Minnie Guggenheimer, and Malcolm Frager, at Lewisohn Stadium; dated June 27, 1960. 1 b/w photograph, 8” x 10”. Photograph attributed to Dr. I. W. Schmidt.
folder 13 Malcolm and Morag Frager, Moscow (1963).
1 b/w photograph, 4.75” x 7.25”.
folder 14 Malcolm and Morag Frager, Moscow (1963).
1 b/w photograph, 4.75” x 7.25”.
folder 15 Frager and [Vladimir] Ashkenazy during two-piano rehearsal, USSR (1963).
1 b/w photograph, 8” x 10”. Photograph attributed to Israel Shenker.
folder 16 Frager and Ashkenazy during two-piano rehearsal, USSR (1963).
1 b/w photograph, 8” x 10”.
folder 17 Frager and Ashkenazy during two-piano rehearsal, USSR (1963).
1 b/w photograph, 8” x 10”.
folder 18 Frager and Ashkenazy during two-piano rehearsal, USSR (1963).
1 b/w photograph, 8” x 10”. Photograph attributed to Israel Shenker.
folder 19 Frager and Ashkenazy during two-piano rehearsal, USSR (1963).
1 b/w photograph, 8” x 10”.
folder 20 Frager and Ashkenazy during two-piano rehearsal, USSR (1963).
1 b/w photograph, 7” x 10.5”. Photograph attributed to Israel Shenker.
folder 21 Frager and Ashkenazy, standing on stage at two-piano concert, USSR (1963).
1 b/w photograph, 8” x 10”. Photograph attributed to Israel Shenker.
folder 22 Frager and Ashkenazy, bowing on stage at two-piano concert, USSR (1963).
1 b/w photograph, 8” x 10”. Photograph attributed to Israel Shenker.
folder 23 Frager and Ashkenazy, Moscow (1963).
Malcolm Frager and Vladimir Ashkenazy, after Frager debut recital in Moscow; dated spring 1963. 1 b/w photograph, 8” x 10”.
folder 24 Ashkenazy, Frager, and Morag Frager, Moscow (June 1963).
1 b/w photograph, 8” x 10”. Photograph attributed to Elizabeth Winston.
folder 25 Frager and Ashkenazy during two-piano rehearsal, Moscow (1963).
1 b/w photograph, 8” x 10”. 3 prints.
folder 26 Frager, Leningrad (1963).
Frager performing on stage at Philharmonic Hall, Leningrad. 1 b/w photograph, 8” x 10”.
folder 27 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy seated at piano, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 28 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy during two-piano rehearsal. 1 b/w photograph, 8” x 10”.
folder 29 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy seated at one piano, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 30 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy seated at one Steinway piano, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 31 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy during two-piano rehearsal, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 32 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy during two-piano rehearsal, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 33 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy during two-piano rehearsal, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 34 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy at Steinway piano, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 35 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy at Steinway piano, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 36 Frager and Ashkenazy, London (n.d.).
Frager and Ashkenazy during two-piano rehearsal, labeled “for Decca Records.” 1 b/w photograph, 6.5” x 7”.
folder 37 Frager and Ashkenazy, NYC (1964/65).
Labeled “preparing for North American Tour.” 1 b/w photograph, 8” x 10”.
folder 38 Malcolm and Morag Frager, NYC (1966).
Labeled “getting ready for a photo session.” 1 b/w photograph, 8” x 10”.
folder 39 Malcolm and Morag Frager, NYC (1966).
Labeled “getting ready for a photo session.” 1 b/w photograph, 8” x 10”. Photograph attributed to Elizabeth Malko.
folder 40 Malcolm, Morag, and [infant] Andrew Frager, NYC (1968).
1 b/w photograph, 7.25” x 9.25”.
folder 41 Malcolm, Morag, and Andrew Frager, NYC (1968).
1 b/w photograph, 7.5” x 9.25”.
folder 42 Frager and Otakar Trhlik, Sydney (1969).
After performance with the Sydney Symphony Orchestra at a youth concert (July 23, 1969). 1 b/w photograph, 8” x 10”. Caption affixed to back of photograph.
folder 43 Frager with recording of daughter Melanie, Sydney (1969).
Frager holding tape recorder, containing a recording of Melanie’s first cry, and photograph of Morag with newborn Melanie. 1 b/w photograph, 6.5” x 8.5”.
folder 44 Morag and Melanie Frager (July 1971).
1 color photograph, 3.5” x 5”.
folder 45 Frager, et al., Cleveland, OH (1978).
Frager with three unidentified men, labeled “recording Chopin disk for Telarc.” 1 b/w photograph, 8” x 10”.
folder 46 Frager, Leipzig (1978)/
Mr. Rosenthal, Ms. Pepal, Malcolm Frager, and Mr. Seifert, after Frager’s performance of Beethoven’s C-minor Concerto with the Gewandhaus Orchestra under Kurt Masur (September 9, 1978). 1 b/w photograph, 7” x 9.5”.
folder 47 Lina, Svyatoslav, and Sergei Prokofieff [1924].
1 b/w photograph, 8” x 10”. Inscribed to Malcolm Frager from Lina Prokofieff, dated January 1979.
Separated from Box 75, Folder 7 (inscribed volume of Prokofieff’s Piano Concerti Nos. 1–3).
folder 48 Prokofieff family photograph (n.d.).
[Lina Prokofieff, unidentified man, Sergei Prokofieff, Igor Stravinsky?, and Prokofieff? child.] 1 b/w photograph, 5” x 7”. Inscribed to Morag and Malcolm Frager from Lina Prokofieff.|
Separated from Box 75, Folder 7 (inscribed volume of Prokofieff’s Piano Concerti Nos. 1–3).
folder 49 Lina and Svyatoslav Prokofieff (1927).
1 b/w photograph, 5” x 7”. Autographed by Lina Prokofieff.
Separated from Box 75, Folder 7 (inscribed volume of Prokofieff’s Piano Concerti Nos. 1–3).
folder 50 Frager and Gerhard Oppitz, Bonn (1980).
Mayor Hans Daniels (?), Malcolm Frager, and Gerhard Oppitz, labeled “receiving the freedom of the city of Bonn”; dated September 15, 1980. 1 b/w photograph, 7” x 9.5”. Photograph attributed to Wolfgang Rüther.
folder 51 Frager—publicity still (ca. late 1980s).
Publicity photograph produced by Columbia Artists Management. 1 b/w photograph, 8” x 10”. Photograph attributed to Jonas Dovydenas.
folder 52 Frager, Curtin, Marcus (n.d.).
Leonard Marcus, Phyllis Curtin, and Malcolm Frager at Marcus’s home near the grounds of the Berkshire Music Festival. 1 b/w photograph, 8” x 10”. Accompanied by typescript caption produced by Cinema/Sound Ltd.
folder 53 Frager farm in Lenox, MA (March 1993).
Front view of house. 2 color photographs, 4” x 6”.
folder 54 Frager farm in Lenox, MA (March 1993).
Rear view of house. 1 color photograph, 4” x 6”.
folder 55 Frager farm in Lenox, MA (March 1993).
Street view, including mailbox and sign: “Foothill Farm.” 1 color photograph, 4” x 6”.
folder 56 Frager farm in Lenox, MA (March 1993).
Side view of house. 1 color photograph, 4” x 6”.
folder 57 Frager farm in Lenox, MA (March 1993).
View of farm from Frager’s studio. 1 color photograph, 4” x 6”.
folder 58 Frager and Ashkenazy, contact prints (1963).
Contact print containing 20 images of Frager and Ashkenazy on stage and backstage after duo-piano recital in Moscow. 1 b/w contact print, 7” x 9.5”. Photographs attributed to Israel Shenker. 2 prints.
folder 59 Frager and Ashkenazy, contact prints (1963).
Contact print containing 27 images of Frager and Ashkenazy on stage at duo-piano recital. 1 b/w contact print, 7” x 9.5”.
folder 60 Frager and Ashkenazy, contact prints (1963).
2 contact prints containing 20 and 16 images of Frager and Ashkenazy during two-piano rehearsal. 2 b/w contact prints, 5” x 9.5” and 6.25” x 9.5”
folder 61 Frager and Ashkenazy, contact prints (1963).
3 contact prints containing 10, 11, and 15 images of Frager and Ashkenazy during two-piano rehearsal in Moscow. 3 b/w contact prints, sized 3.5” x 8” to 6” x 8.25”. Photographs attributed to Israel Shenker.
folder 62 Frager and Ashkenazy, contact prints (1963).
2 contact prints containing 18 and 20 images of Frager and Ashkenazy during two-piano rehearsal in Moscow. 2 b/w contact prints, sized 6” x 8.25”. Photographs attributed to Israel Shenker.

Box 59

item 1 Negative, Frager (1959/60?).
Portrait, standing at Steinway & Sons piano. 1 b/w negative, 8” x 10”.
– See Box 58, Sleeve 1, for photograph.
item 2 Negative, Concours de Piano medal (front).
1 b/w negative, 8” x 10”.
– See Malcolm Frager Collection (2013 Gift), Box 19, Item 3, for medal.
item 3 Negative, Concours de Piano medal (back).
1 b/w negative, 8” x 10”.
– See Malcolm Frager Collection (2013 Gift), Box 19, Item 3, for medal.
item 4 Negatives, Frager and Ashkenazy (1963).
6 negative album pages containing 35mm negatives containing images of Frager and Ashkenazy from rehearsals and recital [in Moscow]. 33 b/w strips, containing 161 images. [Photographs attributed to Israel Shenker.]

Sub-series D: Artifacts

Box 60

item 1 Plaster cut of Frager’s hand (1943).
Cast at the Principio, St. Louis, MO, by Evelyn Pattison; ca. 6” x 9” x 3”.
item 2 Metal cut-out of Frager at piano (caricature).
Signed F. G. Becerra. 7” x 9.5”.

Series 7: Recordings

Box 61

item 1 Frager—Mozart K595 (1956). 7” audio reel.
Malcolm Frager with the Little Symphony (July 6, 1956).
item 2 Tung/Bamberger/Wright—Beethoven Op. 5, Mozart Clarinet Trio (1956). 7” audio reel.
Yuan Tung, cello; Lotte Bamberger, viola; Harold Wright, clarinet.
Recorded at Marlboro (1956).
item 3 Frager [Hess?]—Beethoven Concerto No. 3 (1958). 7” audio reel.
Label on reel: “Beethoven Piano Conc #3 C Minor Myra Hess Philharmonic KMOX 3/23/58.”
item 4 Chattanooga Symphony—Beethoven Emperor Concerto (1959). 7” audio reel.
Recorded January 13, 1959.
item 5 Leventritt Award Concert (1959). 7” audio reel.
Recorded September 30, 1959, Carnegie Hall.
item 6 Buffalo Philharmonic—Prokofieff Concerto No. 2 (1960). 7” audio reel.
Buffalo Philharmonic; Josef Krips, conductor.
Recorded February 14, 1960.
item 7 Kolner Rundfunksinfonieorch—Weber Klavierkonzert No. 2 (1960). 5.75” audio reel.
Malcolm Frager, piano; Kolner Rundfunksinfonieorch; Mario Rossi, conductor.
Recorded December 17, 1971.
item 8 Houston Symphony Orchestra—Beethoven Concerto No. 2 (1971). 7” audio reel.
Recorded October 25–26, 1971.
item 9 Orch. della Radio Suizzera Italiana—Schumann Klavierkonzert. 7” audio reel.
Malcolm Frager, piano; Orch. della Radio Suizzera Italiana; M. Andraea, conductor.
Recorded March 18, 1971.

Box 62

item 1 Unidentified. 7” audio reel.
item 2 Cleveland Orchestra—Mozart K453. 7” audio reel.
Malcolm Frager, piano; Cleveland Orchestra; Henry Lewis, conductor.
Recording from Blossom Festival, program #71-49 Cleveland Orchestra Broadcast Service.
Accompanied by index card listing contents. 1 item.
item 3 Jerry Ludiker—Mozart Sonata in F major (1972). 7” audio reel.
Recorded October 28, 1972.
Accompanying letter (from Jerry Ludiker) separated; see Box 79, Folder 5.
item 4 Ashkenazy—Prokofieff No. 2 (1958). 7” audio reel.
Recorded November 30, 1958.
item 5 John Browning—Barber Piano Concerto (1962). 7” audio reel.
John Browning, piano; Boston Symphony Orchestra; Erich Leinsdorf, conductor.
Recorded September 24, 1962.
item 6 Serkin—Brahms/Turek, Bach Concertos in D minor and G minor (1955). 7” audio reel.
Recorded February 20, 1955.
item 7 Lanny Epstein—Mozart K570, 394, 398, 485/Sylvia Zaremba—Brahms Variations & Fugue on a Theme by Handel, Ravel Scarbo from Gaspard de la Nuit. 7” audio reel.

Box 63

item 1 [Identification illegible.] 5” audio reel.
item 2 “Quartet at Somet” (?). 5” audio reel.
Contents.
item 3 Gordon Smith, Frager—WAMU-FM (1962). 5” audio reel.
“Musicians face the music.” Radio program with Gordon Smith and Malcolm Frager.
Recorded February 28, 1962, at American University, Washington, DC, for WAMU-FM.
item 4 Unidentified. 5” audio reel.
item 5 Frager, Boston Pops—Tchaikovsky First Concerto (undated). 5” audio reel.
Malcolm Frager, piano; Boston Pops Orchestra; Arthur Fiedler, conductor.
Recorded at Royal Albert Hall (undated).
item 6 “Dame Myra—Mozart” (undated). 5” audio reel.
item 7 Myra Hess—Brahms, 3rd movement (1955). 5” audio reel.
Recorded February 13, 1955.
item 8 Myra Hess—Brahms, 1st & 2nd movements (1955). 5” audio reel.
Recorded February 13, 1955.
item 9 Erica Morini, NY Philharmonic (1957).
Recorded March 3, 1957.
item 10 Unidentified. 5” audio reel.
item 11 Meister, Piano Concerto, 2nd movement. Audiocassette tape.
item 12 Barber/Redcay—Sonata for Violin and Piano, Five Dialogues for Violin and Piano (Willis). Audiocassette tape.
item 13 Richard Wilson—Sour Flowers, Ecologue. Audiocassette tape.
item 14 “An afternoon with Malcolm Frager”—KWMU Radio, St. Louis (ca. 1980), sides 1 & 2. Audiocassette tape.
item 15 “An afternoon with Malcolm Frager”—KWMU Radio, St. Louis (ca. 1980), sides 3 & 4. Audiocassette tape.
item 16 “An afternoon with Malcolm Frager”—private recording, sides 1 & 2. Audiocassette tape.
item 17 “An afternoon with Malcolm Frager”—private recording, sides 3 & 4. Audiocassette tape.
item 18 “An afternoon with Malcolm Frager”—private recording, side 5. Audiocassette tape.
item 19 Carl Friedberg. 3” audio reel.
item 20 Tibor Szász lectures on Beethoven and Mozart (1988). Audiocassette tape.
Separated from Box 48, Folder 1.
Contents: [Side A] “Continuo in the ‘Emperor’ Concerto by Beethoven,” lecture for the American Musicological Society Southeast Chapter (March 19, 1988 — [Side B] “Continuo in Mozart,” lecture for the Southeastern Historical Keyboard Society (March 22, 1988).

Series 8: Research Papers

Sub-series A: Articles

Box 64

folder 1 Barshai, Rudolf. “Divisi or non divisi: That is the Question.” [Translated by Malcolm Frager.]
3 drafts of English translation of article, manuscript notes, 2 facsimiles of original article (in Russian), and 4 items of correspondence related to planned publication of the English translation in Journal of the Conductors’ Guild.
folder 2 Dadelsen, Georg von. “Die ‘Fassung letzter Hand’ in der Musik.” Acta Musicologica, vol. 23, no. 1 (January–March 1961), pp. 1–14.
Facsimile of article.
Accompanying letter (Michael Steinberg to Malcolm Frager) separated; see Box 47, Folder 49.
folder 3 Fischer, Edwin. Johann Sebastian Bach: Eine Studie. Potsdam: Stichnote, [1945]).
Published essay. 42 pp.
folder 4 Flothuis, Marius. “Franz Schubert, der Neuerer.” In Zur Aufführungspraxis der Werke Franz Schubert, ed. Vera Schwarzt and Roswitha Karpfl [proceedings of international symposium held in Vienna, January 28–February 2, 1974] (Munich: Katzbichler, 1981), pp. 63–76. 14 pp.
folder 5 Frager, Malcom. “The Manuscript of the Schumann Piano Concerto.” Current Musicology, No. 15 (1973): pp. 83–87.
3 reprints of article. 5 pp., each.
See also Box 68, Folder 15, for correspondence with Current Musicology editors and previous drafts of article.
folder 6 Frager, Malcolm. “Weber’s Music is Full of Surprises.” New York Times (June 22, 1986), p. 34.
Facsimile of article. 2 pp.
folder 7 Gelfand, Yakov. “On Tempo Indications: Based on Beethoven’s Music.” College Music Symposium, vol. 25 (1985), pp. 92–129.
Facsimile of article. 40 pp.
folder 8 Haenken, Hartmut. “Vorbereitende Ueberlegungen für eine interpretation: Dargestellt aus aufführungspraktischen Ueberiegungen zu Mozarts Le Nozze di Figaro.”
Unpublished article. 22 pp.
Also in folder (2 items):
– “Zu Frage der Vorschläge bei Mozart (Zusammenfassung).” Unpublished article. 7 pp.
– Harmut Haenchen to Malcolm Frager. 1 letter; undated. 1 p.
folder 9  Jacobson, Bernard. “Once More with Feeling: A Polemic on Repeats.” [Musical Newsletter, vol. 7 (1977)], pp. 3–7.
Facsimile of article. 6 pp.
folder 10 Küthen, Hans-Werner. “Beethovens ‘wirklich ganz neue Manier’—eine Persiflage.” In Veröffentlichungen des Beethovenhauses in Bonn, vol. 4 (Schriften zur Beethovenforschung) (Munich: G. Henle, 1987), pp. 216–224.
[From the proceedings of the international symposium “Beiträge zu Beethovens Kammermusik. Symposion” (Bonn, 1984).]
Facsimile of article. 6 leaves.
Also in folder: facsimiles of unidentified manuscripts. 12 pp.
folder 11 Larsen, Jens Peter. “Handelian Tempo Problems and Messiah.” American Choral Review, vol. 31 (1989), pp. 31–41.
Facsimile of article. 11 pp.
Accompanying letter (Alfred Mann to Malcolm Frager) separated; see Box 47, Folder 22.
folder 12 Orlov, G. “Военный Реквием Бриттена [Britten’s War Requiem],” [Voprosï teorii i ėstetiki muzïki (1966)], pp. 65–99.
Facsimile of article. 35 pp.
folder 13 Rappoport (Gelfand), Lidia. “Sonorism: Problems of Style and Form in Modern Polish Music.” Journal of Musicological Research, vol. 4 (1983), pp. 399–416.
Reprint of article. 17 pp.
folder 14 Cambridge Review, vol. 96, no. 2227 (May 30, 1975). Full issue. 32 pp.
Articles included: Ruth Cigman, “The Concept of Musical Literacy”; Patrick Carnegy, “Thomas Mann and the Ghost of Old Klingsor”; Kevin Barry, “The Notion of Music in the 18th Century”; Steven E. Paul, “The Musical Surprise”; Nieves Mathews, “The Eye of the Storm”; Peter Holland, “Theatre in Cambridge.”
folder 15 Canadian Composer, no. 178 (February 1983). Full issue. 48 pp.
Articles included: “Uzeb: Quebec’s hottest jazz name”; “Legal battles clarify copyright law”; “Profile: S. C. Ekhardt-Gramatte”; “Interview: André Perry”; “Educational efforts continue.”
folder 16 International Piano Library Bulletin, vol. 2, nos. 2–3 (September 1968) [John Field special issue].
Full issue. 36 pp., with manuscript facsimiles (5 pp.).
Main article: David Doscher, “John Field, the Pianoforte’s First Modern Composer.”
folder 17 Keyboard Classics, vol. 5, no. 4 (July/August 1985).
Full issue. 53 pp.
folder 18 Musical America, vol. 108, no. 3 (July 1988).
Full issue. 96 pp.
folder 19 Musical America, vol. 108, no. 4 (September 1988).
Full issue. 96 pp.
folder 20 Musical America, vol. 108, no. 5 (November 1988).
Full issue. 96 pp.
folder 21 Musical America, vol. 109, no. 1 (January 1989).
Full issue. 96 pp.
folder 22 Musical America, vol. 109, no. 4 (July 1989).
Full issue. 96 pp.

Box 65

folder 1 Musical America, vol. 109, no. 6 (November 1989).
Full issue. 96 pp.
folder 2 Musical America, vol. 110, no. 1 (January 1990).
Full issue. 96 pp.
folder 3 Musical Quarterly, vol. 67, no. 3 (July 1981).
Full issue. 164 pp.
folder 5 Opus, vol. 2, no. 6 (October 1986).
Full issue. 64 pp.
folder 6 Opus, vol. 3, no. 2 (February 1987).
Full issue. 64 pp.
folder 7 Opus, vol. 3, no. 2 (April 1987).
Full issue. 64 pp.
folder 8 Opus, vol. 3, no. 4 (June 1987).
Full issue. 64 pp.
folder 9 Opus, vol. 3, no. 5 (August 1987).
Full issue. 64 pp.
folder 10 Opus, vol. 3, no. 6 (October 1987).
Full issue. 64 pp.
folder 11 Opus, vol. 4, no. 1 (December 1987).
Full issue. 64 pp.
folder 12 Opus, vol. 4, no. 2 (February 1987).
Full issue. 64 pp.
folder 13 Opus, vol. 4, no. 3 (April 1988).
Full issue. 64 pp.
folder 15 Ovation, vol. 3, no. 3 (April 1982) [Leopold Stokowski Centenary Tribute issue].
Full issue. 46 pp.
folder 16 Performance Practice Review, vol. 1, nos. 1–2 (Spring/Fall 1988).
Full issue. 174 pp.
Articles included: Albert Cohen, “The Performance of French Baroque Music”; Malcolm Cole, “‘Back to the Land’: Performance Practice and the Classic Period”; Hendrik van der Werf, “The ‘Not-so-precisely Measured’ Music of the Middle Ages”; Erica Heisler Buxbaum, “Stravinsky, Tempo, and Le sacre”; Frederick Neumann, “Interpretation Problems of Ornament Symbols and Two Recent Case Histories”; Mark Lindley, “A Suggested Improvement for the Fisk Organ at Stanford.”
folder 18 Time, vol. 46, no. 21 (November 19, 1945).
Full issue. 106 pp. [Music section features article on Sergei Prokofiev, pp. 57–62.]
Also in folder: 3 press clippings pertaining to Prokofiev; 3 undated.

Sub-series B: Schumann Research

Box 66

folder 1 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Facsimile of holograph manuscript (reproduction from Photostats). 193 pp.
folder 2 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Facsimile of first edition of full orchestral score (Leipzig: Breitkopf & Härtel, [s.d.]), with annotations by Frager. 78 leaves.
folder 3 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Facsimile of piano part from first edition (Leipzig: Breitkopf & Härtel, [s.d.]). 42 pp.
folder 4 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Color facsimile of full orchestral score (New York: Kalmus, [s.d.]), with performance markings and annotations. 93 pp.
folder 5 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Orchestral parts: piano, violin I, violin II, viola, violoncello/bass (facsimile), flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, trombone I, trombone II, timpani. Published parts (Leipzig: Breitkopf & Härtel, [s.d.]), [F. Hiller ed.?], with performance markings in pencil. 135 pp., total.
folder 6 Schumann Concerto Op.54—B&H orch. parts, annotated for original version by Frager.
Item removed.
folder 7 Schumann, Robert. Piano Concerto in A minor, Op. 54.
String parts: violin I, violin II (4 copies), viola (4 copies), cello. Published parts (Leipzig: Breitkopf & Härtel, [s.d.]), with annotations in ink. 101 pp., total.
folder 8 Schumann, Robert. Piano Concerto in A minor, Op. 54.
String parts: violin I, violin II, viola, cello, bass. Facsimiles of published parts [Leipzig: Breitkopf & Härtel, [s.d.]], Pl. no. Orch. B. 441; annotated to original version. 47 pp., total.
folder 9 Schumann, Robert. Piano Concerto in A minor, Op. 54.
String parts: violin I, violin II, viola, cello, bass. Facsimiles of published parts [Leipzig: Breitkopf & Härtel, [s.d.]], Pl. no. Orch. B. 441; annotated to original version. 47 pp., total.
Accompanying letter (Malcolm Frager to John Perkel) separated; see Box 68, Folder 5.
folder 10 Schumann, Robert. Piano Concerto in A minor, Op. 54.
String parts: violin I (6 copies), violin II (5 copies), viola (5 copies), cello (6 copies), bass (4 copies). Facsimiles of published parts (m. 1 to Intermezzo only) from Breitkopf & Härtel (violin I, cello, bass) and Kalmus (violin II, viola); annotated to original version. 135 pp., total.
folder 11 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Clarinet in A part, alteration for original version. Ink manuscript (incomplete). 3 pp.
Facsimile of p. 3 of manuscript clarinet part. 1 p. 5 copies.

Box 67

folder 1 Schumann, Robert. Piano Concerto in A minor, Op. 54.
String parts: violin I (7 copies), violin II (6 copies), viola (5 copies), cello (4 copies), bass (2 copies, incomplete: pp. 1–3 only). Published parts and facsimiles (New York: Kalmus, [s.d.]); annotated to original version. 229 pp., total.
String parts: violin I, violin II, viola, cello (2 copies), bass (4 copies). Facsimiles of published parts (m. 1 to Intermezzo only) [Leipzig: Breitkopf & Härtel, s.d.], Pl. no. Orch. B. 441. 42 pp., total.
folder 2 Schumann, Robert. Piano Concerto in A minor, Op. 54.
String parts: violin I, violin II, viola, cello, bass. Published parts (New York: Kalmus, [s.d.]), with performance markings in pencil. 47 pp., total.
folder 3 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Facsimile reproduction of the first edition (solo part) with preface and footnotes by Harold Bauer; includes second piano part (orchestral reduction) edited by Harold Bauer. Published parts (New York: Carl Fischer, [s.d.]). 82 pp., total.
folder 4 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Two-piano arrangement, edited by Hans Bischoff. Published score (Leipzig: Steingräber Verlag, [s.d.]). 60 pp.
folder 5  Schumann, Robert. Piano Concerto in A minor, Op. 54.
Two-piano arrangement, edited by Hans Bischoff. Published score (Leipzig: Steingräber Verlag, 1921), with performance markings in the hand of Carl Friedberg. 60 pp.
Annotation on front cover: “This score belonged to Carl Friedberg, and the markings are in his handwriting. M. F.”
folder 6 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Published miniature score, with introduction and analysis by Egon Voss (Mainz: B. Schott’s Söhne, 1979). 224 pp.
Inscription on inside front cover from Peter [illegible].
folder 7 Schumann, Robert. Piano Concerto in A minor, Op. 54.
Facsimile of published solo piano part (Leipzig: J. Schuberth & Co., [ca. 1862]). 27 pp.
folder 8 Schumann, Robert. Sonata in F minor, Op. 14.
Facsimile of first page of holograph manuscript, photocopy from unidentified publication. 1 p.
Facsimile of manuscript transcription of Sonata, Op. 14, with annotations in ink. 70 pp.
Accompanying letter (Fritz Zeigler to Malcolm Frager) separated; see Box 68, Folder 12.
folder 9 Schumann, Robert. [Unidentified manuscript for solo piano.]
Facsimile of manuscript score, from unidentified source. 16 pp.
folder 10 Schumann, Robert. Robert Schumann’s Klavier-Werke, Vol. 2.
Edited by Clara Schumann. Published score (Leipzig: Breitkopf & Härtel, [s.d.]). 103 pp.
folder 11 Schumann, Robert. Robert Schumann’s Klavier-Werke, Vol. 4.
Edited by Clara Schumann. Published score (Leipzig: Breitkopf & Härtel, [s.d.]). 163 pp.
folder 12 Schumann, Robert. Robert Schumann’s Klavier-Werke, Vol. 6.
Edited by Clara Schumann. Published score (Leipzig: Breitkopf & Härtel, [s.d.]). 121 pp.
folder 13 Schumann, Robert. Robert Schumann’s Klavier-Werke, Koncerte, Op. 54, 92, 134.
Edited by Clara Schumann. Published score (Leipzig: Breitkopf & Härtel, [s.d.]). 93 pp.
folder 14 Schumann, Robert. Robert Schumann’s Klavier-Werke, Anhang, Op. 13, 14, 22.
Edited by Clara Schumann. Published score (Leipzig: Breitkopf & Härtel, [s.d.]). 35 pp.

Box 68

folder 1 Schumann, Robert. Klavierwerke [for Four-Hand Piano].
Edited by Clara Schumann. Published score (Leipzig: Breitkopf & Härtel, [s.d.], hard-bound. 157 pp.
folder 2 Schumann, Robert. Complete Works for Piano Solo, Vol. I.
Edited by Clara Schumann. Published score (New York: Kalmus, [s.d.].). 180 pp.
folder 3 Schumann, Robert. Complete Works for Piano Solo, Vol. IV.
Edited by Clara Schumann. Published score (New York: Kalmus, [s.d.].). 184 pp.
folder 4 Letter: George Eismann to Malcolm Frager.
1 note (ink on back of business card); dated December 20, 1967. 1 p.
Accompanied by facsimile of Schumann’s Humoresque (first two pages of holograph manuscript), printed on photographic paper. 2 pp.
folder 5 Letter: Malcolm Frager to John Perkel (NY Philharmonic).
1 letter; dated November 28, 1988.
Separated from Box 66, Folder 9 (string parts for Concerto, Op. 54).
folder 6 Letter: Malcolm Frager to [Lucerne students].
Facsimile of 1 letter; dated August 28, 1987. 2 copies. 1 p., each.
Original letter and additional copies housed in Box 51, Folder 5 (Internationale Musikfestwochen Luzern).
folder 7 Letter: Malcolm Frager to [Lucerne] students.
1 letter, summarizing main discussion points from class on Schumann’s piano works; dated October 30, 1987. 2 copies. 3 pp., each.
Additional copies housed in Box 51, Folder 5 (Internationale Musikfestwochen Luzern).
folder 8 Letter: Hans Joachim Köhler to Malcolm Frager.
1 letter; dated March 23, 1991. 2 pp.
Accompanied by facsimile of title page to Schumann’s String Quartet, Op. 41, No. 1 (Leipzig: Breitkopf & Härtel, [s.d.]). 1 p.
folder 9 Letter: Hans Joachim Köhler to Malcolm Frager.
1 letter; dated May 8, 1987. 4 pp.
Separated from Box 68, Folder 13 (articles by Boettlicher).
folder 10 Letter: John Tibbetts to Malcolm Frager.
1 letter, pertaining to Tibbett’s radio series “The World of Robert Schumann”; dated August 19, 1986. 2 pp.
Accompanied by publicity flyer and typescript overview of series schedule. 3 pp., total.
folder 11 Letter: John Tibbetts to Malcolm Frager.
1 letter, pertaining to Tibbett’s radio series “The World of Robert Schumann” [request for help locating Marc Andrae for interview]; dated June 19, 1989. 1 p.
Accompanied by typescript prospectus for the series. 11 pp.
folder 12 Letter: Fritz Zeigler (Princeton University) to Malcolm Frager.
3 letters; dated May–November 1979.
folder 13 Boetticher, Wolfgang. [2 articles.]
“Die Frühfassung des ersten Satzes von Robert Schumanns Klavierkonzert op. 54 und das Problem seiner Durchführung.” In Festschrift Arno Forchert zum 60. Geburtstag am 29. Dezember 1985, ed. Gerhard Allroggen and Detlef Altenburg (Basel: Bärenreiter Kassel, 1986), pp. 216–221. Facsimile of article. 7 pp.
“Das Entstehen von R. Schumanns Klavierkonzert op. 54.” In Festschrift Prof. Dr. Martin Ruhnke zum 65. Geburtstag, Stuttgart 1986 (Hänssler: Neuhausen-Stuttgart, 1986), pp. 45–55. 10 pp.
Accompanying letter (from H. J. Köhler to Malcolm Frager) separated; see Box 68, Folder 9.
folder 14 Frager, Malcolm. “Manuscript of Schumann Piano Concerto.”
Typescript draft of remarks for performance of Op. 54 with original orchestration. 2 copies. 1 p., each.
folder 15 Frager, “Manuscript of Schumann Piano Concerto.”
Correspondence between Current Musicology and Malcolm Frager regarding publication of article. 3 letters; dated March 1971–June 1972. 4 pp.
Draft of article, edited copy, and publisher’s proof of final version. 15 pp., total.
See also Box 64, Folder 5, for additional reprints of article.
folder 16 Kang, Mahn-Hee. “Robert Schumann’s Piano Concerto in A Minor, Op. 54: A Stemmatic Analysis of the Sources.” Ph.D. diss., The Ohio State University, 1992.
Bound copy of dissertation. (Dedicated to Malcolm Frager.) 193 pp.
folder 17 de Vries, Claudia. “Technik und Interpretation in Clara Wieck-Schumanns Pianistik.” Paper submitted to musicology seminar, University of Zurich, 1987.
Bound copy of paper, with inscription to Malcolm Frager (p. 1). 182 pp.
folder 18 Young, Stewart. “Schumann Piano Concerto in A Minor.” Program notes.
Draft 1 (2 pp.). 2 copies. Draft 2 (1 p.). 2 copies.
folder 19 “Robert Schumann: Autograph Manuscript of the Piano Concerto in A Minor, Op. 54.” Sotheby’s sale catalogue (London: Grillford Ltd., 1989). 16 pp.
folder 20 [Articles on Clara Schumann and her pupils.]
Letter: Claudio de Vries to Malcolm Frager. 1 letter; dated April 27, 1986. Accompanied by (4 items):

  1. Fanny Davies, “On Schumann—And Reading Between the Lines,” Music and Letters, 6 (1925), pp. 214–223. Facsimile of article. 6 leaves.
  2. Fanny Davies, “The Pianoforte Concertos,” Music and Letters, 8 (1927), pp. 224–227. Facsimile of article. 3 leaves.
  3. Adelina de Lara, “Clara Schumann’s Teaching,” Music and Letters, 26 (1945), pp. 143–147. Facsimile of article. 4 leaves.
  4. Harry Plunket Greene, “Leonard Borwick: Some Personal Recollections,” Music and Letters, 7 (1926), pp. 17–24. Facsimile of article. 6 pp.

Also in folder (6 items):

  1. Dietrich Kämper, “Zur Frage der Metronombezeichnungen Robert Schumanns,” in Archiv für Musikwissenschaft, Hans Heinrich Eggebrecht (Leipzig: Breitkopf & Härtel, 1964), pp. 141–155. Facsimile of article. 9 pp.
  2. Ernst Lichtenhahn, “Doch wenn ich Dir alles enthüllte,” Neue Zürcher Zeitung (February 2/3, 1985), p. 65. Facsimile of article. 2 pp.
  3. Tim Page, “Clara Schumann and Her Pupils,” New York Times [April 26, 1987], [H32]. Clipping of article. 1 p.
  4. Jeffrey Pulver, “Fanny Davies and her Contemporaries,” Monthly Musical Record (October 1984), pp. 174–175. Facsimile of article. 1 p.
  5. Rudolf Salberg, “Virtuosität und Treue: Zum 150. Geburtstag. Clara Schumanns,” Frankfurter Allgemeine Zeitung (September 13, 1969), p. 212. Facsimile of article. 4 pp.
  6. Mary Wurm, “Two Years with Madame Clara Schumann,” Musical Opinion (February 1926), pp. 492–493, and continuation of article Musical Opinion (March 1926), pp. 607–608. Facsimile of article. 4 pp.
folder 21 “Items formerly in the Wiede Collection.”
Typescript document. 2 pp.
Also in folder: manuscript notes. 5 pp.
folder 22 Schumann cartoon.
Facsimile of cartoon illustrating bedroom quarrel between Clara and Robert Schumann over clarinet arpeggios. Unattributed. 2 pp.
folder 23  Clippings re: Schumann Concerto.
2 press clippings and facsimiles (including duplicate copies) pertaining to Frager’s performance of Schumann’s Piano Concerto, Op. 54; dated July and August 1968. 4 items.
folder 24 Aspen Festival Orchestra (July 1980).
Concert program from Aspen Music Festival; dated July 6, 1980. On program: Schumann’s Piano Concerto, Op. 54, with Malcolm Frager, piano. Excerpt from concert program (program and program notes). 2 pp.
folder 25 Bayerische Landesjugendorchester Augsburg (January 1981).
Press and publicity pertaining to Malcolm Frager’s performance with the Bavarian State Youth Orchestra, Augsburg (January 1981):
– Concert program; dated January 6, 1981.
– Facsimiles of 4 press clippings; dated January 8–9, 1981. 4 pp.
– Letter: Hans Timm to Malcolm Frager. 1 letter; dated January 22, 1981. 1 p.
folder 26 Hartford Symphony (January 1988).
Capriccio, vol. 2, no. 4 (January 1988). Newsletter containing publicity for Malcolm Frager’s performance with the Hartford Symphony
folder 27 Philadelphia Orchestra (May 1989).
Concert program; dated May 4–9, 1989. On program: Schumann’s Piano Concerto, Op. 54, with Malcolm Frager, piano.

Sub-series C: Mozart Research

Box 69

folder 1 Mozart, Wolfgang Amadeus. Larghetto und Allegro in Es, K=0.
Two-piano score, ed. Robert D. Levin. Consists of facsimile of published score from the Neue Mozart-Ausgabe, with annotations and insertions. 16 pp.
folder 2  Mozart, Wolfgang Amadeus. Piano Concerto [No. 5 in D Major], K. 175.
Orchestral parts: oboe I-II, horn I-II in D. Manuscript facsimile, with performance markings in pencil. 16 pp., total.
folder 3 Mozart, Wolfgang Amadeus. Piano Concerto No. 5 in D Major, K. 175.
Full score (Leipzig: Breitkopf & Härtel, [s.d.]), with performance markings in pencil and 2 inserted manuscript notes. 36 pp., total.
folder 4 Mozart, Wolfgang Amadeus. Piano Sonata, K. 189d.
Facsimile of published score ([s.l.]: Theodore Presser Co., 1956), Pl. no. 410-41056-332, with annotations in pencil. 12 pp.
folder 5 Mozart, Wolfgang Amadeus. Violin Concerto, K. 207.
Facsimile (reproduction) of holograph manuscript. 76 pp.
folder 6 Mozart, Wolfgang Amadeus. Violin Concerto, K. 216.
Facsimile (reproduction) of holograph manuscript. 81 pp.
folder 7 Mozart, Wolfgang Amadeus. Violin Concerto, K. 219.
Facsimile (reproduction) of holograph manuscript. 92 pp.
folder 8 Mozart, Wolfgang Amadeus. Piano Concerto No. 6 in B-flat Major, K. 238.
Published orchestral score (Leipzig: Breitkopf & Härtel, [s.d.]), with performance markings in pencil. 30 pp.
folder 9 Mozart, Wolfgang Amadeus. Piano Concerto No. 7 for Three Pianos, K. 242.
Published orchestral score (Leipzig: Breitkopf & Härtel, [s.d.]). 80 pp.
folder 10 Mozart, Wolfgang Amadeus. Piano Concerto No. 9 in E-flat, K. 271.
Reproduction (from negative film microfilm) of holograph manuscript. 133 pp.
folder 11 Mozart, Wolfgang Amadeus. Fantasie in C Minor, K. 396.
Reproduction (photocopy) of published score (Berlin: Ullstein, [s.d.]). 14 pp.
folder 12 Mozart, Wolfgang Amadeus. Piano Concerto in C Major, K. 415.
Published orchestral score (Leipzig: Edition Peters, 1956), edited by Hinze Reinhold. 67 pp.
folder 13 Mozart, Wolfgang Amadeus. Sinfonie in C, K. 425.Reproduction (photocopy) of published score (Leipzig: Deutscher Verlag für Musik), edited by Friedrich Schnapp. Title page and foreword only. 3 pp.
folder 14 Mozart, Wolfgang Amadeus. Piano Concerto No. 15 in B-flat, K. 450.
Facsimile (reproduction) of cadenza for K. 450 from holograph manuscript. 2 copies. 1 p., each.
Also in folder:

  • Facsimile (reproduction) of cadenza for K. 415 from holograph manuscript. 3 copies. 1 p., each.
  • Facsimile (photocopy) of cadenza for Concerto No. 27 in B-flat Major, K. 595, from unidentified published score (Pl. no. 923). 1 p.
  • 3 facsimiles of cadenzas for unidentified works from holograph manuscripts. 3 pp., total.
folder 15 Mozart, Wolfgang Amadeus. Piano Concerto No. 14, K. 449.
String parts: violin I, violin II, viola, cello/bass. Published parts (Miami: Edwin F. Kalmus & Co., [s.d.]), with performance markings in pencil. 27 pp.
Orchestral parts: violin I (6 copies), violin II (5 copies), viola (4 copies), cello (3 copies), bass, oboe I, oboe II, horn I, horn II. Published parts (Miami: Edwin F. Kalmus & Co., [s.d.].), with performance markings in pencil. 141 pp.
folder 16 Mozart, Wolfgang Amadeus. Piano Concerto No. 16 in D Major, K. 451.
Published orchestral score (Leipzig: Breitkopf & Härtel, [s.d.]), with performance markings in pencil and colored pencil. 52 pp.
Orchestral parts: flute, oboe I, oboe II, bassoon I, bassoon II, horn I, horn II, trumpet I, trumpet II, timpani, violin I (6 copies), violin II (4 copies), viola (4 copies), cello (3 copies), bass (3 copies). Published parts (Leipzig: Breitkopf & Härtel, [s.d.]), with performance markings in pencil. 163 pp.

Box 70

folder 1 Mozart, Wolfgang Amadeus. Piano Concerto No. 17 in G Major, K. 453.
Published two-piano reduction (New York: International Music Co., 1947), piano reduction by A. Gretchaninoff. 51 pp.
Manuscript sketches of cadenzas for K. 453 movements 1 and 2 by Malcolm Frager. 6 pp.
Manuscript notes. 8 leaves.
Cadenza for K. 503 by Oliver Fritz. Ink manuscript; dated May1989 (Lucerne). 4 pp.
folder 2 Mozart, Wolfgang Amadeus. Piano Concerto in C Major, K. 467.
Published orchestral score (Leipsiz, Steingräber Verlad, [s.d.].), edited by Hans Bischoff. 44 pp.
folder 3 Mozart, Wolfgang Amadeus. Piano Concerto in A Major, K. 488.
Published two-piano reduction (New York: C. F. Peters Corp., [s.d.]), edited by Edwin Fischer and Kurt Soldan. 49 pp.
folder 4 Mozart, Wolfgang Amadeus. 36 Kadenzen zu seinem Klavierkonzerten, K. 624.
Published score (Leipzig: Breitkopf & Härtel, [s.d.].). 41 pp.
folder 5 Badura-Skoda, Paul. Kadenzen, Eingänge und Auszierungen zu Klavierkonzerten von Wolfgang Amadeus Mozart.
Published score (Basel: Bärenreiter Kassel, 1967). 52 pp.
folder 6 Britten, Benjamin. Cadenzas to Mozart’s Piano Concerto in E-flay, K. 482.
Facsimile of published score (London: Faber Music, 1967). 8 pp.
folder 7 Busoni, Ferruccio. Kadenzen zu W. A. Mozarts Klavierkonzerten. Vol. III (D Minor, K. 466).
Published score (Leipzig: Breitkopf & Härtel, 1907). 7 pp.
folder 8 Busoni, Ferruccio. Kadenzen zu W. A. Mozarts Klavierkonzerten. Vol. IV (C Major, K. 467).
Published score (Leipzig: Breitkopf & Härtel, 1922) and duplicate facsimile. 11 pp., each.
folder 9 Flothuis, Marius. Cadensen voor de pianoconcerten in D (K. 466) en C (K. 491).
Published score (Amsterdam: Broekmans & Van Poppel, 1959). 7 pp.
folder 10 Flothuis, Marius. Cadenzas for the Concertos in C Major, K. 467, and in C Major, K. 503.
Published score (Amsterdam: Broekmans & Van Poppel, 1964). 7 pp.
folder 11 Flothuis, Marius. Cadenzas for the Concertos in E-flat Major, K. 482, and in D Major, K. 537 (“Coronation Concerto”).
Published score (Amsterdam: Broekmans & Van Poppel, 1964). 8 pp.
folder 12 Höxter, Daniel. Kadenz zu W. A. Mozart: Klavierkonzert C-Dur (K. 503).
Published score (Karlsruhe: Musica Vera, 1987). 6 pp.
folder 13 Kirchner, Leon. [Cadenza for Mozart K. 491.]
Oversized item separated; see Box 79, Folder 6.
folder 14 Köhler, L. 35 Cadenzen (Points d’Orgue) zu den Clavier-Concerten componirt von W. A. Mozart.
Published score (Offenbach a/M: Joh. André, [s.d.]). 17 pp.
folder 15 Reinecke, Carl. Cadenzen zu Classischen Pianoforte-Concerten. No. 13 (Mozart, Concerto No. 10 for Two Pianos, K. 316a).
Published score (Leipzig: Breitkopf & Härtel, [s.d.].). 2 editions. 7 pp. and 6 pp., respectively. Copy 2 missing p. 7 of score.
folder 16 Richter-Haaser, Hans. [Cadenzas for] W. A. Mozart C-Moll Konzert KV 491.
Facsimile of manuscript score. 6 pp.
folder 17 Schumann, Clara. Fünf Kadenzen zu Konzerten von Beethoven und Mozart, Klavier zu 2 Händen.
Published score (New York: C. F. Peters, 1952). 27 pp.
folder 18 Stravinsky, Soulima. 18 Cadenzas and 4 Fermatas to Mozart’s Piano Concerti.
Published score (New York: C. F. Peters, 1957). 39 pp.
folder 19 Szász, Tibor. “Continuo Realization of Ornaments to K. 503, 2nd movement.”
Manuscript score. 2 pp.
folder 20 Zilcher, Hermann. Kadenzen zu Klavierkonzerten von W. A. Mozart.
Published score (Würzburg: Holm Pälz, 1933). 16 pp.
folder 21 Mozart incipit list.
Manuscript facsimile, bound. 15 pp.
folder 22 Letter: Uri Toeplitz to Malcolm Frager.
Separated to Series 4 (Correspondence); see Box 48, Folder 4.
folder 23 Freeman, Robert. “Mozart’s Cadenzas for the Piano Concertos.” Paper presented at the national meeting of the American Musicological Society, New Haven, CT (December 28, 1968).
Facsimile of typescript transcript of paper. 16 pp. Accompanied by facsimiles of handouts for presentation. 7 pp., total.
folder 24 Levin, Robert D. “Improvisation and Embellishment in Mozart Piano Concertos.” [Musical Newsletter, vol. 5, no. 2 (1975)], pp. 3–14.
Facsimile of article. 12 pp.
folder 25 Pincus, Andrew L. “The Lenox Musician and the Missing Mozart Script.” The Berkshire Eagle (March 17, 1991).
Newspaper clipping and duplicate facsimile. 2 pp., each.
folder 26 Miscellaneous notes (Frager).
Manuscript notes. 8 pp.

Sub-series D: Tchaikovsky Research

Box 70 [cont.]

folder 27 Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.
Published orchestral score (Moscow: State Music Publishing House, 1955), edited by A. Goldenweiser; vol. 28 in series “Polnoe sobranie sočinenij.” 161 pp.
folder 28 Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.
Alterations to orchestral parts (inserts and revisions): various instrumental parts and excerpt of full score. Ink and pencil manuscript, manuscript facsimile, and fair copies. 61 pp.
folder 29 Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.
Alterations to orchestral parts (inserts and revisions): various instrumental parts. Ink and pencil manuscript and manuscript facsimile. 7 pp.
folder 30 Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.
Alterations to orchestral parts (insert for mm. 109–125): full orchestral set of inserts. Manuscript facsimile and fair copy, with performance markings in pencil and colored pencil. 29 pp.
Also in folder: manuscript note (contact information). 2 pp.
folder 31 Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.
Alterations to orchestral parts (insert for mm. 109–125): full orchestral set of inserts. Fair copies and facsimiles. 18 pp.
folder 32 Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.
Alterations to orchestral parts (insert for mm. 109–125): full orchestral set of inserts. Facsimiles of enlarged fair copies, with performance markings in pencil. 54 pp.
Facsimile of excerpt from published orchestral score (mm. 109–125), with performance markings in pencil. 4 pp.

Box 71

folder 1 Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.
Alterations to orchestral parts (inserts and revisions): various instrumental parts. Ink and pencil manuscript and manuscript facsimile. 47 pp.
Also in folder: letter from Malcolm Frager to Mr. Bromberg pertaining to orchestral part alterations; dated October 6, 1975. 1 p.
folder 2 Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.
Facsimile of excerpt from published orchestral score (mm. 109–125), with performance markings in colored pencil and pencil. 3 copies. 4 pp., each. Copy 4 of last page of excerpt. 1 p.
folder 3 Concertgebouw Amsterdam concert programs featuring Tchaikovsky’s Piano Concerto No. 1, Op. 23.
14 concert programs; dated November 1968–March 1976.
Accompanied by letter from Hans Beckhoff (?) (Omroepvereniging Vara) December 14, 1977. 1 p.
folder 4 Boston Symphony Orchestra concert program (December 15–16, 1950).
On program: Tchaikovsky’s Concerto for Pianoforte No. 1, Op. 23, performed by Aldo Ciccolini, solo piano.
folder 5 Unidentified program notes pertaining to Tchaikovsky’s Piano Concerto No. 1, Op. 23.
Facsimile of pages from unidentified concert program. 5 pp.
folder 6 Notes in Russian on Tchaikovsky’s Piano Concerto No. 1, Op. 23.
Ink (in the hand of Malcolm Frager). 2 pp.
folder 7 Letter: X. Dawydowa to Malcolm Frager.
Separated to Series 4 (Correspondence); see Box 46, Folder 10.
folder 8 Letter: Malcolm Frager from unidentified correspondent (Leningrad), in Russian; undated (October 14).
Separated to Series 4 (Correspondence); see Box 48, Folder 19.
folder 9 Letter: Guy Taylor to Malcolm Frager.
1 letter pertaining to score alterations; dated July 24, 1968. 1 p.
folder 10 Letter: Malcolm Frager to Leigh [Gerdine].
Facsimile of 1 letter; dated September 18, 1966. 3 pp.
Accompanied by letter from Leigh Gerdine to “Elmar”; undated. 1 p.

Sub-series E: Weber Research

Box 71 [cont.]

folder 11 Weber, Carl Maria von. Piano Concerto No. 2 in E-flat Major, Op. 32.
Facsimile of holograph manuscript, bound. 74 pp. Annotations and press clippings affixed to inside front cover and inside back cover.
folder 12 Weber, Carl Maria von. Piano Concerto No. 2 in E-flat Major, Op. 32.
Published two-piano reduction (Leipzig: Steingräber Verlag, 1936), edited by Ed. Mertke, with annotations in ink and colored pencil by Malcolm Frager. 39 pp.
folder 13 Weber, Carl Maria von. Variazioni per l’alto viola e orchestra.
Facsimile of holograph manuscript. 18 pp.
folder 14 Weber, Carl Maria von. [Various compositions, photocopies.]
Les adieux. For solo piano. Facsimile of published score ([s.l.: s.n., s.d.]), Pl. no. Collection Litolef No. 1492. 1 p.
Aufforderung zum Tanz. For solo piano. Facsimile of published score ([s.l.]: Peters, [s.d.]), Pl. no. 8731. 17 pp.
Introduction, Theme and Variations. For clarinet and piano. Facsimile of published score (New York: international Music Co., 1959). 9 pp.
Variations, Op. 33. For clarinet and piano. Facsimile of published score (New York: Carl Fischer, 1894). 9 pp.
folder 15 Jahns, Friedrich Wilhelm. Excerpts from Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen, ([s.l.: s.n., s.d.]).
Facsimile of selected pages, bound. 74 pp.
folder 16 Notebook on Weber Concerto.
Bound notebook with manuscript notes in pencil, in the hand of Malcolm Frager. 15 leaves with notations; 28 leaves total.
folder 17 Köhler, Karl-Heinz. “Carl Maria von Webers Beziehungen zu Berlin. Studien am Berliner Weber-Nachlaß.” In Festschrift Heinrich Besseler, [edited by E. Klemm (Leipzig: Deutscher Verl. für Musik, 1961)].
Reprint of article. 11 pp.
folder 18 Photocopies of articles about Weber’s music and published songs.
Facsimiles of articles from unidentified sources. 16 pp.
3 facsimiles of Lieder by Weber, from unidentified source (Edition Peters). 5 pp.
folder 19 Portrait of Weber by Ferdinand Schimon.
Reproduction of portrait, 33 cm x 26 cm.
folder 20 Press clippings pertaining to Weber and his music.
10 newspaper clippings and facsimiles (including duplicate copies); dated November 1976–March 1987; 1 undated.
– Includes 6 copies of Malcolm Frager’s New York Times article “Weber’s Music Is Full of Surprises.”
Also in folder: 1 manuscript note, 1 receipt. 2 pp., total.
folder 21 Commemorative stamps and envelopes for 150th anniversary of Weber’s death.
2 unused commemorative stamps, 1 unused commemorative envelope, with commemorative postmarks honoring Carl Maria von Weber (1976).
2 postmarked commemorative envelopes with Weber stamps.
folder 22 Postcards: Brigitte Euler to Malcolm Frager.
1 letter, written on two souvenir postcards from Dresden; dated March 22, 1987. 2 pp.
folder 23 Concert program: Carl Maria von Weber Tage (November 15–22, 1986).
Program booklet (Schauspielhaus Berlin). 46 pp.
folder 24 Brochure for Weber Gedenkstäte [Weber Memorial], Dresden.
1 brochure. 48 pp.
folder 25 Weber 200th Anniversary photos.
2 photographs depicting memorial flowers and outdoor choral performance in celebration of 200th anniversary of Weber’s birth; dated November 17, 1986. 2 color photographs, 3.5” x 5.25”.

Sub-series F: L. van Beethoven Research

Box 71 [cont.]

folder 26 Beethoven, Ludwig van. Kadenzen zu Klavierkonzerten.
Published score (Munich: G. Henle, 1967), vol. 7 of Beethoven Werke, ed. Joseph Schmidt-Görg. 47 pp.
– Tipped in pp. 12–13: transcription (SV 359) and suggested performing version of cadenza (2 copies) by Willem Dreesmann. Manuscript facsimile. 3 pp.
folder 27 Bülow, Hans von. Cadenzen zum vierten Clavierconcert (C dur) von Ludwig van Beethoven.
Published score (Leipzig: F. E. C. Leuckart, [s.d.]). 13 pp.
folder 28 Friedman, Ignaz. Cadenzas for Beethoven’s Four Piano Concertos.
Published score (New York: G. Schirmer, 1936). 23 pp.
folder 29 Reinecke, Carl. Kadenzen zu klassichen Pianoforte-Konzerten, Op. 87. No. 3 (Beethoven, L. van, Konzert Nr. 3, C moll, Op. 37).
Published score (Leipzig: Breitkopf & Härtel, [s.d.]). 3 copies. 7 pp., each.
folder 30 Beethoven clippings.
Theo Muller, “Handschrift van Beethoven unicum voor Nederland,” NRC Handelsblad (November 21, 1983). Press clipping and duplicate facsimile. 4 copies, total.
“Nederlander ontdekt cadens van Beethoven,” NRC Handelsblad (November 21, 1983).
– Pertains to Malcolm Frager’s performance of newly discovered cadenza by Beethoven with the Netherlands Chamber Orchestra.
Also in folder: manuscript note (“article on Beethoven cadenza sent to”). 1 p.

Sub-series G: C. P. E. Bach Research

Box 71 [cont.]

folder 31 Bach, C. P. E. [Sonata in F Minor], Wq 62/6.
Facsimile of published score ([s.l.: s.n., s.d.]), Pl. no. T. d. P. (11) 4. 8 pp.
folder 32 Bach, C. P. E. [Sonata in E-flat Major], Wq 65/7.
Facsimile of manuscript score from unidentified source. 4 pp.
folder 33 Bach, C. P. E. Sonata [in G Major], Wq 65/12.
Facsimile of modern transcription of score. Manuscript facsimile. 12 pp.
folder 34 Bach, C. P. E. Sonata [in B Minor], Wq 65/13.
Facsimile of published score ([s.l.: s.n., s.d.]). 8 pp.
folder 35 Bach, C. P. E. Sonata [in D Minor], Wq 65/24.
Facsimile of holograph manuscript, from negative microfilm. 9 pp.
folder 36 Bach, C. P. E. Sonata [in D Minor], Wq 65/24.
Facsimile of published score ([s.l.: s.n., s.d.]), Pl. no. T. d. P. (11) 8. 4 pp.
folder 37 Bach, C. P. E. Sonata [in C Minor], Wq 65/31.
Facsimile of published score ([s.l.: s.n., s.d.]). 7 pp.
folder 38 Bach, C. P. E. [Sonata in A Major], Wq 65/32.
Facsimile of manuscript score from unidentified source. 12 pp.
folder 39 Bach, C. P. E. [Sonata in C Major], Wq 65/35.
Facsimile of manuscript score from unidentified source. 22 pp.
folder 40 Bach, C. P. E. [Sonata in B-flat Major], Wq 65/44.
Facsimile of published score ([s.l.: s.n., s.d.]), Pl. no. T. d. P. (11) 8. 10 pp.
folder 41 Bach, C. P. E. [Sonata in B-flat Major], Wq 65/44.
Facsimile of manuscript score, from negative microfilm. 3 pp.
folder 42 Bach, C. P. E. [Sonata in C Major], Wq 65/47.
Facsimile of manuscript score from unidentified source. 6 pp.
folder 43 Bach, C. P. E. Sonata [in D Minor], Wq 65/24.
Facsimile of modern transcription of score. Manuscript facsimile. 19 pp.

Box 72

folder 1 Frager notes on C. P. E. Bach.
Bound notebook, containing manuscript notes in Frager’s hand. 7 leaves with writing; 32 leaves, total.
folder 2 Berg, Darrell. “C. P. E. Bach and the empfindsame Weise.” Paper presented at the annual meeting of the American Musicological Society, Baltimore (1988).
Handout for presentation. 6 pp.
folder 3 Berg, Darrell. “C. P. E. Bach’s Character Pieces and his Friendship Circle.” In C. P. E. Bach Studies, ed. Stephen L. Clark (Oxford: Clarendon Press, 1988).
Offprint of article. 31 pp.
Accompanied by letter from Darrell Berg to Malcolm Frager; dated June 8, 1989. 1 p.
folder 4 Berg, Darrell. “C. P. E. Bach’s ‘Variations’ and ‘Embellishments’ for his Keyboard Sonatas.” Journal of Musicology, vol. 3, no. 2 (1983), pp. 151–173.
Offprint of article. 23 pp.
folder 5 Berg, Darrell. “Towards a Catalogue of the Keyboard Sonatas of C. P. E. Bach.” Journal of the American Musicological Society, vol. 32, no. 2 (1979), pp. 276–303.
Reprint of article. 28 pp.
folder 6 Berg, Darrell. “C. P. E. Bach Bibliography.”
Typescript document. 10 pp.
Accompanied by letter from Darrell Berg to Malcolm Frager; dated November, 10, 1987. 1 p.
folder 7 Berg, Darrell. Research notes and letter.
Letter from Darrell Berg to Malcolm Frager; dated July 9, 1982. 2 pp.
Accompanied by typescript research notes about C. P. E. Bach. 3 pp.
folder 8 Wade, Rachel. [Table from untitled presentation handout.] Paper presented at the annual meeting of the American Musicological Society (November 4, 1988).
“Table 1. Works by C. P. E. Bach in Berlin collections…” Handout for presentation. 3 pp.
folder 9 Wiemer, Wolfgang. “Carl Philipp Emanuel Bachs Fantasie in c-Moll—ein Lamento auf den Tod des Vaters?” Bach-Jahrbuch, vol. 47 (1988), pp. 163–77.
Facsimile of article. 16 pp.
folder 10 C. P. E. Bach edition.
Correspondence and accompanying materials pertaining to the publication of the C. P. E. Bach edition (Oxford University Press). 2 letters; dated November 1987 and December 1989. Accompanied by publicity material relating to the edition. 6 items, total.

Sub-series H: Carl Friedberg Research

Box 72 [cont.]

folder 11 Beethoven, Ludwig van. Sonata in A Major for Cello and Piano, Op. 69.
Published score and 2 copies of cello part (New York: Universal Edition, [s.d.]). 51 pp., total.
– Score (piano part) has performance markings in pencil and colored pencil.
folder 12 Beethoven, Ludwig van. Piano Sonatas, Nos. 1–15. Vol. I in L. Van Beethoven Klavier-Werke. New edition by Karl Friedberg.
Published score (Leipzig: B. Schott’s Söhne, [s.d.]), hard bound. 281 pp.
folder 13 Beethoven, Ludwig van. Piano Sonatas, Nos. 16–32. Vol. II in L. Van Beethoven Klavier-Werke. New edition by Karl Friedberg.
Published score (Leipzig: B. Schott’s Söhne, [s.d.]), hard bound. 309 pp.
folder 14 Beethoven, Ludwig van. Trio for Piano, Violin, and Violoncello, Op. 70, No. 1.
Published score and parts (violin, cello) (New York: G. Schirmer, 1921), ed. Joseph Adamowski. 63 pp., total.
– Score (piano part) has performance markings in pencil and colored pencil.
folder 15 Bloch, Ernest. In the Night. A love-poem for pianoforte.
Published score (New York: G. Schirmer, 1923). 7 pp. Accompanied by manuscript note. 1 p.
– Inscription on front cover to Carl Friedberg from Ernest Bloch.
folder 16 Brahms, Johannes. Complete Works for Piano Solo in Three Volumes. Vols. I–II.
Vol. I. Published score (New York: G. Schirmer, 1949). 178 pp.
Vol. II. Published score (New York: G. Schirmer, 1949). 180 pp.

Box 73

folder 1 Brahms, Johannes. Piano Concerto No. 2 in B-flat Major, Op. 83.
Published score (Berlin: N. Simrock, [1882]), Pl. no. 8263. 159 pp.
Accompanied by manuscript note: [performance markings] “from Carl Friedburg’s score of Brahms Op. 83.” 2 pp.
folder 2 Brahms, Johannes. Piano Concerto No. 2 in B-flat Major, Op. 83.
Orchestral parts: violin I (5 copies), violin II (4 copies), viola (3 copies), cello/bass (7 copies), flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, horn III, horn IV, trumpet I, trumpet II, timpani. Published parts ([Berlin: N. Simrock, s.d.]), Pl. no. 8264. 333 pp., total.
folder 3 Brahms, Johannes. Piano Trio in B Major, Op. 8.
Published score (Leipzig: N. Simrock, 1927), with performance markings in pencil and colored pencil. 71 pp.
folder 4 Dvořák, Antonín. Piano Quintet [No. 2], Op. 81.
Published score and string parts (Berlin: N. Simrock, [s.d.]). 107 pp.
folder 5 Fauré, Gabriel. Piano Quartet No. 1, Op. 15.
Published score and parts (violin, viola, and cello) (Paris: J. Hamelle, [s.d.]), with performance markings in pencil and colored pencil. 111 pp., total.
folder 6 Friedberg, Carl. Stimmungen. A cycle of twelve piano pieces, vol. I.
Published score (Leipzig: Breitkopf & Härtel, 1893). 21 pp.
folder 7 Haydn, Joseph. Piano Trio No. 1 in G Major.
Published score and parts (violin and cello) (Leipzig: Breitkopf & Härtel, [s.d.]), with performance markings in pencil. 24 pp., total.
folder 8 Mozart, Wolfgang Amadeus. Piano Trios, Nos. 1–7.
Published score and parts (violin and cello/viola) (Leipzig: C. F. Peters, [s.d.]), with performance markings in pencil and colored pencil. 250 pp., total.
folder 9 Schubert, Franz. Piano Trio in E-flat Major, Op. 100.
Published score and parts (violin and cello) (Leipzig: Universal Edition, [s.d.]). 95 pp., total.
folder 10 Schubert, Franz. Piano Quintet in A Major, Op. 114 (“The Trout”).
Published score and parts (viola, cello I, cello II, bass) (Leipzig: C. F. Peters, [s.d.]), with performance markings in colored pencil. 97 pp., total.
folder 11 Scriabin, Alexander. Poème, Op. 32, No. 1.
Published score (New York: Carl Fischer, 1924), revised by A. Siloti.
– On first page of score: inscription to Carl Friedberg from “A. S.” [A. Siloti?].
folder 12 Tchaikovsky, Pyotr Ilyich. Concerto No. 1 in B-flat Minor, Op. 23.
Published two-piano reduction (New York: G. Schirmer, 1932), with performance markings in pencil. 97 pp.
folder 13 Carl Friedberg Materials.
3 notebooks, compiled by Malcolm Frager during classes with Friedberg. 7 leaves; 2 leaves; 35 leaves.
“Thoughts on Dr. Friedberg.” Typescript essay by Malcolm Frager. 3 pp.
Draft of article [“Friedberg Remembered”] published in Opus (December 1986). 3 pp.
Opus, vol. 3, no. 1 (December 1986). Full issue. 64 pp.
– Includes short essay “Friedberg Remembered” by Malcolm Frager (p. 35) and review article of album Carl Friedberg: Piano Performances (International Piano Archives).
Publicity flyer and newsletter for the International Piano Archives at Maryland. 2 items. 14 pp., total.
“Conversations with Carl Friedberg from lessons of Bruce Hungerford.” Facsimiles of typescript transcriptions of archival recordings housed at the International Piano Archives. 13 pp.
4 publicity brochures and circulars for Carl Friedberg.
Portrait of Carl Friedberg, used in publicity brochure. 1 B/W photograph, 8” x 10”. Photograph attributed to Anna Friedberg.
Press clippings and facsimiles pertaining to Carl Friedberg; dated 1949, [1955 (obituary)], and 1986. 3 items.

Box 74

[Removed due to reorganization of materials]

Sub-series I: Inscribed Music

Box 75

folder 1 Bauer, Jerzy. Miniatures. For solo piano.
Published score (Krakow: Polskie Wydawnictwo Muzyczne, 1980). 29 pp.
– Inscription on title page from Jerzy Bauer; dated March 30, 1990.
Also in folder:
– Bauer, Jerzy. Passacaglia. For solo piano. Manuscript facsimile. 12 pp.
folder 2 Chumbley, Robert. Homage to John Keats. For solo piano.
Score. Manuscript facsimile, bound. 15 pp.
– Inscription, including dedication to Malcolm Frager, on inside front cover from Robert Chumbley; dated December 15, 1984.
folder 3 Fauré, Gabriel. Nocturne, No. 13. For solo piano.
Published score (Paris; Durand & Co., 1922). 11 pp.
– Inscription on dedication page from Nadia Boulanger; dated August 1952.
folder 4 Françaix, Jean. Eloge de la danse: Six épigraphes de Paul Valéry. For solo piano.
Published score (Mainz: B. Schott’s Söhne, 1950). 19 pp.
– Inscription on title page from Nadia Boulanger; dated August 1952.
folder 5 Poulenc, Francis. Improvisations pour le piano.
1er recueil des six. Published score (Paris: Rouart Lerolle et Cie., 1933). 23 pp.
– Gift of Rouart Lerolle et Cie. Inscription on title page from Nadia Boulanger; dated August 1952.
2me recueil des six. Published score (Paris: Rouart Lerolle et Cie., 1934). 22 pp.
– Gift of Rouart Lerolle et Cie.
folder 6 Prokofieff, Sergei. Ballade, Op. 15. For violoncello and piano.
Published score and cello part (Leipzig: Breitkopf & Härtel, 1923). 22 pp.
– Autograph on front cover and first page of cello part from S[illegible] Pellissier(?).
folder 7 Prokofieff, Sergei. Piano Concertos Nos. 1–3.
Published score (Moscow: State Music Publishing House, 1957). 427 pp.
– Inscription on title page “To first prize of first prize …” from illegible; dated 1960.
Accompanying photographs (3 photographs signed by Lina Prokofieff) separated; see Box 58, Folders 47–49.
Accompanying correspondence (1 letter concerning Prokofieff Concerto, 1 postcard in German) separated; see Box 47, Folder 19.
folder 8 [Unidentified.] Koncert Fortepianowy.
Two-piano reduction. Manuscript facsimile, bound. 77 pp.
– Inscription on title page from illegible; dated March 2, 1982.

Sub-series J: Reproductions

Box 76

folder 1 Brahms, Johannes. Vier Klavierstücke, Op. 119/1–3. For solo piano.
Facsimile of manuscript. 12 pp.
folder 2 Brahms, Johannes. Trio in A, [no opus no.]. For violin, cello, and piano.
Facsimile of published score (Leipzig: Bretikopf & Härtel, [s.d.]), edited by Ernst Bücken and Karl Hasse. 18 pp.
folder 3 Bruckner, Anton. Erinnerung. For solo piano.
Facsimile of published score (Vienna: Ludwig Doblinger, 1953), edited by Erwin Christian Scholz. 3 pp.
folder 4 Buttstedt, F. Vollrath. Two Sonatas. For solo piano.
Facsimile of published score ([s.l.: s.n., s.d.], Pl. no. T.d.P.(5)G. 22 pp.
folder 5 Czernÿ, Charles. Fantaisie, Op. 27. For solo piano.
Facsimile of published score (Vienna: S. A. Steiner, [s.d.]), from the Gesellschaft der Musikfreunde, Vienna. 26 pp.
folder 6 Czernÿ, Charles. Fantaisie, Op. 27. For solo piano.
Facsimile of published score (Vienna: S. A. Steiner, [s.d.]), [from unidentified library or archive]. 26 pp.
folder 7 Eberl, Antoine. Grande Sonate Caracteristique, Op. 12. For solo piano.
Facsimile of published score (Leipzig: A. Kühnel, [s.d.]). 15 pp.
folder 8 Foerster, Adolphe Martin. On the Sea. For solo piano.
Facsimile of published score ([s.l.]: J. B. Millet Co., 1894). 4 pp.
folder 9 Foote, Arthur. Drei Clavierstücke, Op. 37. For solo piano.
Facsimile of published score (Boston: Arthur P. Schmidt, 1897). 9 pp.
folder 10 Gilbert, Henry F. Mazurka. For solo piano.
Facsimile of published score ([s.l.]: Wa-Wan Press, 1902). 2 copies. 3 pp., each.
folder 11 Haydn, Franz Joseph. Partita per il Cembalo. For solo harpsichord.
Facsimile of manuscript score, printed on photographic paper. 2 pp.
folder 12 Huss, Henry Holden. Prelude II, Op. 17, No. 2. For solo piano.
Facsimile of published score ([New York]: G. Schirmer, 1901). 2 copies. 4 pp., each.
folder 13 MacDowell, Edward A. Twelve Virtuoso Studies, Op. 46. For solo piano.
Facsimile of published score (New York: Breitkopf Publications, 1918). 50 pp.
folder 14 MacDowell, Edward A. Polonaise, Op. 46, No. 12. For solo piano.
Facsimile of published score ([s.l.]: Breitkopf & Härtel, 1894). 6 pp.
folder 15 Mendelssohn, Felix. Violin Concerto, Op. 64.
Facsimile of manuscript score. 77 pp.

Box 78

item 5 Mendelssohn, Felix. Violin Concerto, Op. 64.
Microfilm of manuscript score. 35 mm.

Box 76 [cont.]

folder 16 Mendelssohn, Felix. Variations in E-flat Major, Op. 82. For solo piano.
Facsimile of publishes score ([s.l.: s.n., s.d.]). 8 pp.
folder 17 Mozart, Wolfgang Amadeus. Violin Concerto No. 4 in D Major, K. 218.
Facsimile of manuscript score. 76 pp.
folder 18 Mozart, Wolfgang Amadeus. Piano Concerto No. 8 in C Major, K. 246.
Facsimile of manuscript score. 88 pp.
folder 19 Mozart, Wolfgang Amadeus. Piano Concerto No. 9 in E-flat Major, K. 271.
Facsimile of manuscript score. 137 pp.
folder 20 Nevin, Ethelbert. Etude, Op. 18, No. 2. For solo piano.
Facsimile of published score ([New York]: G. Schirmer, 1892). 2 copies. 11 pp., each.
folder 21 Paganini, Nicolò. Ventiquattro Capricci, Op. 1a (M.S. 25). For solo violin.
Facsimile of manuscript score. 42 pp.
folder 22 Paine, John Knowles. Romance, Op. 12. For solo piano.
Facsimile of published score (Boston: Koppitz, Prüfer & Co., 1859). 2 copies. 7 pp. of music, each.
folder 23 Paine, John Knowles. Fuga Giocosa, Op. 41, No. 3. For solo piano.
Facsimile of published score (Boston: Arthur P. Schmidt, 1884). 2 copies. 6 pp. of music, each.
folder 24 Parker, Horatio W. Valse Gracile, op. 49, No. 3. For solo piano.
Facsimile of published score (Cincinnati: John Church Co., 1899). 2 copies. 5 pp. of music, each.
folder 25 Pinto, George Frederic. Piano Sonata in C Minor.
Facsimile of transcription of score (edited by Nicholas Temperley) copied from original edition by J. McC. 19 pp.
folder 26 Wrightson, Herbert J. Love’s Springtime. For solo piano.
Facsimile of published score ([s.l.]: W. H. Willis & Co., 1906). 6 pp.
Also in folder: review of Wrightson’s Love’s Springtime, from The Musical Monitor, unknown volume, p. 437. 1 p.
folder 27 Schubert, Franz. Hungarian Melody, D. 817. For solo piano.
Facsimile of manuscript score. 4 pp.
folder 28 Schumann, Clara. Vier Stücke aus Soirées Musicales, Op. 6. For solo piano.
Facsimile of published score ([s.l.: s.n., s.d.]). 16 pp.
folder 29 Unidentified.
Facsimiles of unidentified manuscripts. 23 pp.

Series 9: Dealer’s Catalogues

Box 77

folder 1 J. & J. Lubrano, Catalogue No. 1 (1979). 61 pp.
folder 2  J. & J. Lubrano, Catalogue No. 2. 60 pp.
folder 3  J. & J. Lubrano, Catalogue No. 3. 40 pp.
folder 4  J. & J. Lubrano, Catalogue No. 4. 72 pp.
folder 5   J. & J. Lubrano, Catalogue No. 5. 63 pp.
folder 6  J. & J. Lubrano, Catalogue Nos. 6–9. 32 pp., 32 pp., 32 pp., 60 pp.
folder 7  J. & J. Lubrano, Catalogue Nos. 10 (Spring 1983), 13–14 (Spring 1984). 56 pp., 44 pp., 48 pp.
folder 8  J. & J. Lubrano, Catalogue Nos. 15 (Spring 1985) and 16 (Autumn 1985). 121 pp., 55 pp.
folder 9 J. & J. Lubrano, Catalogue Nos. 18 (Winter 1986), 20 (Autumn 1986), 22–24 (Autumn 1986). 32 pp., 32 pp., 36 pp., 40 pp., 44 pp.
folder 10 J. & J. Lubrano, Catalogue Nos. 25–30 (Winter 1986/87–Spring 1987). 39 pp., 39 pp., 40 pp., 52 pp., 48 pp., 27 pp.

Box 78

folder 1 J. & J. Lubrano, Catalogue Nos. 31–34 (Autumn 1988–Autumn 1989). 57 pp., 58 pp., 27 pp., 65 pp.
folder 2 J. & J. Lubrano, Catalogue Nos. 35 (Spring 1990), 36–38, 39. 52 pp., 61 pp., 73 pp., 56 pp.
folder 3 Old Manuscripts and Incunabla (OMI), 1987 Catalogue. 71 pp.
folder 4 Facsimiles of pages from unidentified dealer’s catalogue. 7 pp.
Pages describe manuscripts by Clara Schumann and Robert Schumann.

Series 10: Oversized

Box 79

folder 1 Oversized Programs.
Items separated from Sub-group I (Papers), Series 1 (Programs).
5 concert programs and publicity items; dated June 13, 1972; January 28, 1976; July 13, 1979 (2 copies); 1 undated [1984/85 season].
folder 2 Webber, Robert. Sonata No. 1 in B-flat Major. For solo piano.
Separated from Sub-group I, Series 4 (Correspondence), Box 48, Folder 6 (Webber, Robert).
Facsimile of manuscript score. 43 pp.
“A Brief Structural Guide” [for Webber’s Sonata No. 1]. Typescript document. 1 p.
folder 3 Bach, J. S. Concerto for Four Pianos.
Separated from Sub-group I, Series 4 (Correspondence), Box 49, Folder 16 (New York Philharmonic).
Piano IV part. Published part ([s.l.: s.n., s.d.]), Pl. no. 4520. 2 copies. 8 pp., each.
Letter: Joan Bonime (New York Philharmonic) to Malcolm Frager. 1 letter; dated September 5, 1962. 1 p.
folder 4 Newspaper clippings pertaining to Carlo G. Garofalo.
Separated from Sub-group I, Series 4 (Correspondence), Box47, Folder 1 (Garofalo, Marcello).
Facsimiles of press clippings and typescript transcriptions; dated February 1915–June 1950. 6 pp.
folder 5 Ludiker, Jerry.
Separated from Sub-group I, Series 7 (Recordings), Box 62, Item 3 (Jerry Ludiker—Mozart Sonata in F major [1972]. 7” audio reel).
1 letter (from Jerry Ludiker to Malcolm Frager), pertaining to recording of Mozart Sonata; dated November 15, 1972. 1 p.
folder 6 Kirchner, Leon. Cadenzas for Mozart Piano Concerto, K. 491.
Separated from Sub-group I, Series 8 (Research Papers), Sub-series I (Mozart Research).
Facsimile of manuscript score. 4 pp.
folder 7 [Brahms]. Busoni, Ferruccio. Cadenza for Brahms’s Violin Concerto, Op. 77.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 5 pp.
folder 8 Mozart, Wolfgang Amadeus. Concerto for Three Pianos in F, K. 242.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 74 pp.
folder 9 Mozart, Wolfgang Amadeus. Concerto No. 10 in E-flat Major for Two Pianos, K. 316a.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 86 pp.
folder 10 Mozart, Wolfgang Amadeus. Rondo in D Major for Piano and Orchestra, K. 382.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 25 pp.
folder 11 Mozart, Wolfgang Amadeus. Piano Concerto No. 11 in F Major, K. 387a.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 76 pp.

Box 80

folder 1 Mozart, Wolfgang Amadeus. Piano Concerto No. 13 in C, K. 387b.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 77 pp.
folder 2 Mozart, Wolfgang Amadeus. Piano Concerto No. 14 in E-flat Major, K. 449.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 76 pp.
folder 3 Mozart, Wolfgang Amadeus. Piano Concerto No. 16 in D Major, K. 451.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 79 pp.
folder 4 Mozart, Wolfgang Amadeus. Piano Concerto No. 17 in G Major, K. 453.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score. 87 pp.
folder 5 Mozart, Wolfgang Amadeus. Piano Concerto No. 18 in B-flat Major, K. 456.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Facsimile of manuscript score (from microfilm held at the Berlin State Library, Music Department). 100 pp.
folder 6 Mozart, Wolfgang Amadeus. Piano Concerto No. 27 in B-flat, K. 595.
Separated from Sub-group I, Series 8, Sub-series J (Reproductions).
Instrumental parts: solo piano, violin I, violin II, viola, cello, flute, oboe I, oboe II, bassoon I, bassoon II, horn I, horn II. Facsimile of published parts (Berlin: J. J. Hummel, [s.d.]). 47 pp

Box 81

[Removed due to reorganization of materials]

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