David Falterman and Derek J. Myler, Co-Editors
Andrew Blake, Guest Symposium Editor
Lukas Perry, Reviews Editor
Andrew Blake and Noah Kahrs, Web Managers
Complete Volume
Articles
Táhirih Motazedian and Scott Murphy | Holst’s Planets, The Final Frontier:
Interplanetary Voyage as Intrapersonal Escape (1–17)
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Drew Nobile | Narrative Opposition in the Beatles’ Verse–Chorus Songs, 1966–1967 (19–34)
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Brad Osborn | Formal Functions and Rotations in Top-40 EDM (35–54)
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Gilad Rabinovitch | Reimagining Fauré’s Harmony (55–101)
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Derek R. Strykowski | Hearing the Interrogative in the Cadences of Sigismondo d’India: A Quantitative Analysis of the Polyphonic Madrigals (103–28)
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Analytical Vignettes
Vignette Symposium Editors’ Note (129–30)
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Leah Amarosa | Unveiling the Signifiers of Rain in John Adams’s China Gates (131–41)
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Michael Boyd | Integrating Opposites: Iannis Xenakis’s Charisma for Clarinet and Cello (143–51)
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Mark R. H. Gotham | Old Sources in new Sauces: John Joubert and the Analysis of Ancient Materials in Modern Music (153–62)
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Kyle Hutchinson | Pendular Thirds and Pentatonic Parallelisms: Intersecting Black Vernacular and neo-Romantic Idioms in the Second Movement of Florence Price’s Piano Sonata in E minor (163–74)
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Dave Keep | The Voice of Enigma: Intertextuality in “Im wunderschönen Monat Mai” (175–91)
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Hei-Yeung (John) Lai | Counterpoint and Formative Process in ’Are’are Cyclic Panpipe Music (193–206)
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James S. MacKay | “Unloosing the Gordian Knot”: Sonata Theory, Form-Functional Analysis, and Becoming in Joseph Haydn’s String Quartet, op. 64, no. 2, I (207–19)
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Samuel Ng | The Trimodular Block and L’art de bien chanter in Hélène de Montgeroult’s Piano Sonatas, Op. 5 (221–34)
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Morgan Patrick | Into Wondrous Realms with Two Triads: Markedness, Voice Leading, and Functional Multivalence as Correlates of Fantasy Induction in the “Fantasy Fifth” Progression (235–45)
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Rich Pellegrin | Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldau’s Improvisation on “All the Things You Are” (247–61)
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Christopher Segall | Franz Liszt’s Bagatelle ohne Tonart (in B Minor) (263–71)
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Jeffrey Swinkin | Cyclic Form in Clara Schumann’s Four Fugitive Pieces, op. 15 (273–82)
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Xieyi (Abby) Zhang | Hope to Grief: An Analysis of Dvořák’s Moravian Duets, op. 38 (283–304)
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Reviews
Gerardo Lopez | The Art of Post-Tonal Analysis: Thirty-Three Graphic Music Analyses by Joseph N. Straus, Oxford University Press, 2022 (305–8)
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Olivia R. Lucas | Musical Agency and the Social Listener by Cora Palfy, Routledge, 2021 (309–12)
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