Sam Reenan and Lauren Wilson, Editors
Complete Volume
Editors’ Note (pp. i–ii)
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Articles
Jeffrey Swinkin | Analytic Context and Aesthetic Properties: Listening to Recordings of Beethoven’s Largo Appassionato from Op. 2, No. 2 (1–31)
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Kyle Adams | Musical Texture and Formal Instability in Post-Millennial Popular Music: Two Case Studies (33–45)
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Alexander Morgan | Renaissance Ternary Suspensions in Theory and Practice (47–71)
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Symposium on Open-Access Publication
Jennifer Iverson | Open Access Meets Critical Disability Studies (73–76)
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Nancy Yunhwa Rao | On Division of Intellectual Labor (77–81)
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Judy Lochhead | Coloring the Future: Visualizing Music in the Digital Era (83–88)
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William M. Marvin | Online Publication: Reflections on the Recent Past, Possibilities for the Near Future (89–92)
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Reviews
John Paul Ito | Brahms and the Shaping of Time, ed. Scott Murphy, University of Rochester Press, 2018 (93–103)
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Lucie Vágnerová | Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde, by Jennifer Iverson, Oxford University Press, 2018 (105–109)
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