Volume 27 (2013)

Joan Huguet and Samantha Inman, editors

Articles

Jack Boss | Presentation of “Musical Idea” through Tetrachord Exchanges and Rhythmic/Metric Correspondences in the Intermezzo and Gavotte of Schoenberg’s Suite for Piano, Op. 25
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Hayley Beverburg Reale | Dissolving Monotonality: Expressive Modulation in Two Works by C.P.E. Bach
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Brent Auerbach | Techniques for the Functional Classification of Two-Chord Sequences
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David Heetderks | Semitonal Succession-Classes in Prokofiev’s Music and Their Influence on Diatonic Voice-Leading Backgrounds in the Op. 94 Scherzo
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