New York based Flutist, composer, and improviser, Nicole Camacho is creating a name for herself as an eclectic musician via vibrant premieres of composers’ works, performing in the world of popular music, involving an element of multi-media in her solo performances, and composing new flute works with a language all her own. She is a member of the folk band KK Group led by Norwegian Singer/ Songwriter, Kjersti Kveli and a founding member of Cochlea Freedom Ensemble a free improvisation group. As a result of her deep love for community, Nicole directs a community concert production organization by the name of Music Unboxed and writes a blog dedicated to featuring what's new in the flute community called Future of Flute. :0)
While I have come a long way in terms of my financial knowledge in the past few years, I wanted to make sure to convey my sincere reaction during the process of getting from point A to point B; getting from “i am a musician and that’s it” to “i am a musician and therefore i am, of course, a business owner”. While I realize this sentiment of confusion may not be helpful to a fellow musician, I hope “teachers” and others who are in “leadership roles” find it helpful in progressing forward with an ever evolving music curriculum. In response to such confusion it is usually a traditional thought to “create a class” dedicated to this one topic. However, much like practice, I think it should be “LIVED” and oozing through the aura and purpose of an establishment dedicated to helping shape the minds of future artistic leaders. Some simple ways to create an atmosphere that lends itself to this kind of thinking is:
1) a poster that says “YOU ARE A BUSINESS OWNER”
2) Creating a blog where your teachers post strictly business resources like legalzoom.com and discuss things like “why should you declare a DBA?” or better yet “what is a DBA?”
3) get students involved in the social media process of advertising the school/ department. perhaps they do not yet have their own projects, but HEY! they are part of your school! and love being there also! in fact THEY ARE THE SCHOOL. why not have them involved in how to help support it via poster design, tag line, name of a concert, actively marketing to invite the neighboring businesses and families to come to shows?
There you go! 3 ways of probably many many more ways to get the conversation going and LIVE the process of working toward entrepreneurship.
Polyphonic.org is doing a great job at bridging the gap and “starting the conversation”!
New York based Flutist, composer, and improviser, Nicole Camacho is creating a name for herself as an eclectic musician via vibrant premieres of composers’ works, performing in the world of popular music, involving an element of multi-media in her solo performances, and composing new flute works with a language all her own. She is a member of the folk band KK Group led by Norwegian Singer/ Songwriter, Kjersti Kveli and a founding member of Cochlea Freedom Ensemble a free improvisation group. As a result of her deep love for community, Nicole directs a community concert production organization by the name of Music Unboxed and writes a blog dedicated to featuring what's new in the flute community called Future of Flute. :0)
Sarah joined the Chattanooga Symphony & Opera in 2010 working part time with the Marketing and Development staffs and recently began working full time as the Community and Patron Engagement Manager. In this role, Sarah creates opportunities for CSO Ensembles and musicians to perform in community spaces, manages CSO volunteers, manages CSO social media and websites, and coordinates opportunities for patron engagement including Play Along with the CSO.
She holds a Master's of Public Administration focusing in Nonprofit Arts Management from the University of Tennessee at Chattanooga where her capstone and other work under Dr. Christopher Horne examined attendance patterns in high-art cultural institutions and network relationships between local arts agencies and cultural partners. She also holds a Bachelor's of Vocal Music Education from the University of Tennessee at Chattanooga, where she studied under Dr. Kevin Ford and Ron Ulen.
Sarah has been active in the Chattanooga arts community, working with the Chattanooga Boys Choir, the Choral Arts Society, the Hunter Museum of American Art, the Chattanooga Bach Choir, and the Holmberg Arts Leadership Institute.
Derek M. Jenkins (b. 1986, Frankfurt am Main, Germany) is an American composer with a particular interest in music for wind ensemble and its various subsets. His music has been performed throughout the U.S., Europe and in Canada with select performances include those by the U.S. Army Materiel Command Band, the Florida State Wind Orchestra, the UMKC, Arizona State, Iowa State, and Bethel College Wind Ensembles, the Tri-State Wind Symphony, 5th House Ensemble, the Carinthia and Saxophilia Saxophone Quartets, mezzo-soprano Jennifer Beattie, and saxophonists Randall Hall, Gilbert Sabitzer, and Joseph Wytko. In 2012, Jenkins's wind ensemble piece “Eosphorus: The Morning Star” was selected as a winner of the National Band Association's Young Composer Mentor Project. Jenkins has received recognition from MACRO, ASCAP, the Harry S. Truman Good Neighbor Award Foundation, and at conferences and festivals across the U.S. and abroad. He has received commissions from the Bethel College Wind Ensemble and Concert Choir, the Eleanor Roosevelt Middle School Concert Band [Dubuque, IA], and various individuals throughout the country.
Jenkins is currently a student at Rice University (MM, expected 2012) and holds degrees from the University of Missouri-Kansas City (BM, BM, 2010). Additionally, he has received further instruction at the Kärntner Landeskonservatorium and the Alpen-Adria Universität Klagenfurt. His primary teachers have included Karim Al-Zand, Chen Yi, Pierre Jalbert, Richard Lavenda, James Mobberley, Paul Rudy, and Zhou Long. He has also studied with Kathryn Alexander, Mark Camphouse, Carter Pann, and David Rakowski. In his spare time, Jenkins is an amateur scuba diver and daydreams of becoming an astronaut.
It’s the halfway point for 47 Strings! Learn how Meghan has been bringing harp music to homeless shelters after receiving the Richter Fund for Music Outreach from the Shepherd School of Music at Rice University.
47 Strings is a unique and unprecedented harp concert series. For each of the 47 strings, Houston harpist Meghan Caulkett will be performing one interactive outreach program. So far, over 22 performances have taken place for the elderly and homeless, and for preschool, elementary, and special needs children. Over 1,600 children have been exposed to solo and chamber harp music from Ginastera, Bartok, Tournier, Salzedo, Ravel and Debussy. The main goal of 47 Strings is to foster a greater understanding and appreciation for classical music, by providing concerts to audiences who are not often exposed to it.
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www.meghancaulkett.com/47strings
Meghan Caulkett is a graduate student at the Shepherd School of Music at Rice University, where she studies with Houston Symphony Principal, Paula Page. Meghan has performed as principal harpist with numerous orchestras, in solo recitals, chamber recitals, and for people such as legendary film composer John Williams, Boston Symphony Orchestra conductor James Levine, and His Royal Highness Prince Charles. She received her Bachelor of Music Degree Summa Cum Laude from Boston University while studying with the principal harpist of the Boston Symphony Orchestra, Ann Hobson Pilot.
Originally from Tahoe City, California, she now freelances all over the greater Houston area and southeastern United States, while maintaining an active teaching studio of harp and piano students. Since November 2011, she has been the acting principal harpist of the Baton Rouge Symphony Orchestra and has recently been accepted to the Houston Symphony Substitute Musician list. This is in addition to performances with the Shepherd School of Music Symphony and Chamber Orchestras, and Symphony of Southeast Texas. Meghan was also a Da Camera of Houston Young Artist from 2011- 2012.
Recently, she founded “47 Strings”- an innovative and educational outreach program designed to bring harp recitals to 47 different charitable organizations and free community concerts within the next year. These performances include educational outreach programs for schools, hospitals, homes for the elderly, shelters for abused women and children, as well as community concerts open to the public.
47 Strings was recently awarded the Richter Fund for Musical Outreach from the Shepherd School of Music at Rice University. This grant will fund six performances at Houston Homeless Shelters this Spring. See how Meghan programs a concert for homeless preschoolers, as well as rehearsal time with bassist David Connor.
Meghan Caulkett is a graduate student at the Shepherd School of Music at Rice University, where she studies with Houston Symphony Principal, Paula Page. Meghan has performed as principal harpist with numerous orchestras, in solo recitals, chamber recitals, and for people such as legendary film composer John Williams, Boston Symphony Orchestra conductor James Levine, and His Royal Highness Prince Charles. She received her Bachelor of Music Degree Summa Cum Laude from Boston University while studying with the principal harpist of the Boston Symphony Orchestra, Ann Hobson Pilot.
Originally from Tahoe City, California, she now freelances all over the greater Houston area and southeastern United States, while maintaining an active teaching studio of harp and piano students. Since November 2011, she has been the acting principal harpist of the Baton Rouge Symphony Orchestra and has recently been accepted to the Houston Symphony Substitute Musician list. This is in addition to performances with the Shepherd School of Music Symphony and Chamber Orchestras, and Symphony of Southeast Texas. Meghan was also a Da Camera of Houston Young Artist from 2011- 2012.
Recently, she founded “47 Strings”- an innovative and educational outreach program designed to bring harp recitals to 47 different charitable organizations and free community concerts within the next year. These performances include educational outreach programs for schools, hospitals, homes for the elderly, shelters for abused women and children, as well as community concerts open to the public.
A passionate advocate for chamber music, Melissa Snoza currently performs with the Peninsula Music Festival and freelances throughout the Chicago area. Also an active educator, Melissa currently serves as Adjunct Professor of Flute at Carthage College, teaches a music entrepreneurship course at DePaul University, and maintains a private studio. As a member of 5HE, Melissa has presented workshops at Northwestern University, Yale, NEIU, UW-Milwaukee, and the Colburn Conservatory on arts entrepreneurship and creative programming, and contributes to the Entrepreneur the Arts blog.
Previous award credits include First Prize at the National Flute Association’s Orchestral Audition Competition, as well as being selected as a winner of Northwestern University’s Concerto Competition. She has been a member of the Civic Orchestra of Chicago, has performed with the New World Symphony, the National Repertory Orchestra, the Aspen Music Festival, and was the only American flutist invited to the first Music Master’s Course in Kazusa, Japan. Melissa is a graduate of the Eastman School of Music and Northwestern University, with principal teachers including Bonita Boyd and Walfrid Kujala. Melissa is not only a well-known flutist and teacher in Chicago – she also makes a mean spread of Brazilian food and a mouth-watering chocolate pecan bourbon pie.
Beth Meyers is an active violist in the field of contemporary music. She is a founding member of the flute/viola/harp trio, "janus", and is committed to broadening the trio repertoire. In addition to her work with janus, Beth is an active soloist and chamber musician within and without of the field of contemporary music. Beth has worked with composers and artists including Meredith Monk, Bill Irwin, Theo Bleckman, Pierre Boulez, Harrison Birtwistle, Helmut Lachenmann, Martin Bresnik, and Steve Reich. A 2001 premiere of Steve Reich’s The Desert Music included Beth in both the premiere performance at Columbia’s Miller Theater as well as the Canteloupe recording. Beth was also a member of Alarm Will Sound for the U.S. premier of Harrison Birtwistle’s Theseus Game at Miller Theater (2003).
As an orchestral violist, Beth has played with the Rochester Philharmonic Orchestra, Eastern Connecticut Symphony Orchestra, Heidelberg Opera Orchestra, Richmond Symphony, Syracuse Symphony, Erie Philharmonic, National Repertory Orchestra, Aspen Festival Orchestra, and the Lucerne Festival Academy. She has performed with ensembles including Anti-Social Music, the Theater of a Two-Headed Calf, Trollstilt, Ensemble Pampelmousse, the Audobon String Quaret, the Axis String Quartet, and the SEM Ensemble.
Beth's study of improvisation has found her at venues such as The Knitting Factory working with artists including Ralph Alessi, Kokayi, and Mark Helias. In 2000, she collaborated with jazz pianist and vocalist, Anna Johnson for her album One More Time In The Air (Oasis). Currently, she is violist and vocalist of "The Reasons", a hip New York band led by vocalist and guitarist, Clare Muldaur Manchon and featuring violinist Olivier Monchon and guitarist Lionel Loueke.
Beth is a graduate of the Eastman School of Music where, under the direction of George Taylor and John Graham, she received her Bachelor’s and Master’s degrees. She currently lives in Williamsburg, Brooklyn and enjoys teaching pilates and the History of Jazz as part of her well-rounded free-lance career.