Consistency. (THANK YOU POLYPHONIC.ORG)
This is my last stop on my first ever vlog journey and so big thanks to polyphonic.org for getting me started!
THANK YOU SO MUCH
Volunteer Nation!
From the heart of volunteer nation*, Sarah talks about the importance of volunteers. *The football team of the University of Tennessee-Knoxville is the Volunteers and Tennessee is affectionately referred to as the ‘Volunteer Nation’. Sarah is a fan of the Memphis Tigers, but lives in the heart of Vol nation.
Sarah Marczynski
Sarah joined the Chattanooga Symphony & Opera in 2010 working part time with the Marketing and Development staffs and recently began working full time as the Community and Patron Engagement Manager. In this role, Sarah creates opportunities for CSO Ensembles and musicians to perform in community spaces, manages CSO volunteers, manages CSO social media and websites, and coordinates opportunities for patron engagement including Play Along with the CSO.
She holds a Master's of Public Administration focusing in Nonprofit Arts Management from the University of Tennessee at Chattanooga where her capstone and other work under Dr. Christopher Horne examined attendance patterns in high-art cultural institutions and network relationships between local arts agencies and cultural partners. She also holds a Bachelor's of Vocal Music Education from the University of Tennessee at Chattanooga, where she studied under Dr. Kevin Ford and Ron Ulen.
Sarah has been active in the Chattanooga arts community, working with the Chattanooga Boys Choir, the Choral Arts Society, the Hunter Museum of American Art, the Chattanooga Bach Choir, and the Holmberg Arts Leadership Institute.
All posts from Sarah Marczynski
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Highest Artistic Honor= Serving Communities
Link to website of my community concert organization discussed in video: www.MusicUnboxed.org
Nicole Camacho
New York based Flutist, composer, and improviser, Nicole Camacho is creating a name for herself as an eclectic musician via vibrant premieres of composers’ works, performing in the world of popular music, involving an element of multi-media in her solo performances, and composing new flute works with a language all her own. She is a member of the folk band KK Group led by Norwegian Singer/ Songwriter, Kjersti Kveli and a founding member of Cochlea Freedom Ensemble a free improvisation group. As a result of her deep love for community, Nicole directs a community concert production organization by the name of Music Unboxed and writes a blog dedicated to featuring what's new in the flute community called Future of Flute. :0)
All posts from Nicole Camacho
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Back to school week
Sarah gets up early to visit Hamilton County teacher in-services and reflects on the important work that teachers do during this back to school week.
Sarah Marczynski
Sarah joined the Chattanooga Symphony & Opera in 2010 working part time with the Marketing and Development staffs and recently began working full time as the Community and Patron Engagement Manager. In this role, Sarah creates opportunities for CSO Ensembles and musicians to perform in community spaces, manages CSO volunteers, manages CSO social media and websites, and coordinates opportunities for patron engagement including Play Along with the CSO.
She holds a Master's of Public Administration focusing in Nonprofit Arts Management from the University of Tennessee at Chattanooga where her capstone and other work under Dr. Christopher Horne examined attendance patterns in high-art cultural institutions and network relationships between local arts agencies and cultural partners. She also holds a Bachelor's of Vocal Music Education from the University of Tennessee at Chattanooga, where she studied under Dr. Kevin Ford and Ron Ulen.
Sarah has been active in the Chattanooga arts community, working with the Chattanooga Boys Choir, the Choral Arts Society, the Hunter Museum of American Art, the Chattanooga Bach Choir, and the Holmberg Arts Leadership Institute.
All posts from Sarah Marczynski
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Special Ops!
Sarah talks about the special people who are operations managers for orchestras.
Sarah Marczynski
Sarah joined the Chattanooga Symphony & Opera in 2010 working part time with the Marketing and Development staffs and recently began working full time as the Community and Patron Engagement Manager. In this role, Sarah creates opportunities for CSO Ensembles and musicians to perform in community spaces, manages CSO volunteers, manages CSO social media and websites, and coordinates opportunities for patron engagement including Play Along with the CSO.
She holds a Master's of Public Administration focusing in Nonprofit Arts Management from the University of Tennessee at Chattanooga where her capstone and other work under Dr. Christopher Horne examined attendance patterns in high-art cultural institutions and network relationships between local arts agencies and cultural partners. She also holds a Bachelor's of Vocal Music Education from the University of Tennessee at Chattanooga, where she studied under Dr. Kevin Ford and Ron Ulen.
Sarah has been active in the Chattanooga arts community, working with the Chattanooga Boys Choir, the Choral Arts Society, the Hunter Museum of American Art, the Chattanooga Bach Choir, and the Holmberg Arts Leadership Institute.
All posts from Sarah Marczynski
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AYAP – Summer String Institute
Natalie Spehar
"Yet another wonderful example of the tremendous versatility of the cello in the right hands, which Natalie Spehar’s clearly are." - Susan Scheid, Prufrock's Dilemma
An accomplished classical, rock, and folk cellist, Natalie has performed as a member of several ensembles, including most recently the Great Noise Ensemble, Écouter, the Low End String Quartet and the Washington, D.C. based cello rock ensemble, Primitivity. With a strong interest in contemporary music, Natalie has enjoyed mastering and premiering new and experimental works for cello, including several recent projects with live electronics and tape.
Natalie has performed as a soloist with Graham Reynolds in The Kennedy Center’s presentation of The Difference Engine, with the University of Wisconsin Eau Claire and University of Maryland Percussion Ensembles, and with the Canton Symphony Orchestra, and has presented world premiere performances in venues including Ravinia, Severance Hall, and the National Gallery of Art. She has also been awarded several scholarships, among them a USA Projects grant, the Canton MacDowell Club Scholarship and the Howard Hanson Scholarship toward her studies at the Eastman School of Music. In the summer of 2009, Natalie was one of five American performers selected to participate in Northeastern University’s Fusion Arts Exchange, a program and concert tour funded by the U.S. Department of State that featured young musicians from six countries, and in 2011-12 she participated in the inaugural New Music on the Point contemporary music festival as well as the inaugural Fresh Inc. Festival led by Chicago’s esteemed Fifth House Ensemble. An enthusiastic presenter of new music, Natalie has premiered new cello works by composers Tomek Regulski, Finola Merivale, Orie Sato, Keane Southard, Andrew Watts, famed Syrian recording artist Malek Jandali, and her 2011-12 season featured her in premieres of works by renowned composers Zoe Keating, Sarah Lipstate, Cornelius Dufallo and Hannah Lash. Natalie also recorded an original soundtrack for the television documentary Through the Eye of the Needle, as well as composed and recorded the solo cello original soundtrack for the award-winning animated film Test Anxiety.
Natalie holds a Bachelor of Music degree in Cello Performance as well as a Certificate in Arts Leadership from Eastman School of Music, where she studied with Alan Harris. An avid supporter of music outreach, Natalie has recently served as an Arts & Learning Intern for Young Audiences, Inc., an educator with Music For Life, and a performing member of the MacDowell Music Club, all national organizations dedicated to encouraging and providing community music education. She currently resides in the Washington, D.C. metropolitan area, and looks forward to the upcoming season, in which she will present several solo cello premieres in the Washington, D.C., Ohio, and New York City areas, as well as record her solo debut CD.
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Getting engaged! (in the community)
Sarah talks community engagement and the CSO’s recent partnership with community groups.
Sarah Marczynski
Sarah joined the Chattanooga Symphony & Opera in 2010 working part time with the Marketing and Development staffs and recently began working full time as the Community and Patron Engagement Manager. In this role, Sarah creates opportunities for CSO Ensembles and musicians to perform in community spaces, manages CSO volunteers, manages CSO social media and websites, and coordinates opportunities for patron engagement including Play Along with the CSO.
She holds a Master's of Public Administration focusing in Nonprofit Arts Management from the University of Tennessee at Chattanooga where her capstone and other work under Dr. Christopher Horne examined attendance patterns in high-art cultural institutions and network relationships between local arts agencies and cultural partners. She also holds a Bachelor's of Vocal Music Education from the University of Tennessee at Chattanooga, where she studied under Dr. Kevin Ford and Ron Ulen.
Sarah has been active in the Chattanooga arts community, working with the Chattanooga Boys Choir, the Choral Arts Society, the Hunter Museum of American Art, the Chattanooga Bach Choir, and the Holmberg Arts Leadership Institute.
All posts from Sarah Marczynski
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May Madness
Natalie Spehar
"Yet another wonderful example of the tremendous versatility of the cello in the right hands, which Natalie Spehar’s clearly are." - Susan Scheid, Prufrock's Dilemma
An accomplished classical, rock, and folk cellist, Natalie has performed as a member of several ensembles, including most recently the Great Noise Ensemble, Écouter, the Low End String Quartet and the Washington, D.C. based cello rock ensemble, Primitivity. With a strong interest in contemporary music, Natalie has enjoyed mastering and premiering new and experimental works for cello, including several recent projects with live electronics and tape.
Natalie has performed as a soloist with Graham Reynolds in The Kennedy Center’s presentation of The Difference Engine, with the University of Wisconsin Eau Claire and University of Maryland Percussion Ensembles, and with the Canton Symphony Orchestra, and has presented world premiere performances in venues including Ravinia, Severance Hall, and the National Gallery of Art. She has also been awarded several scholarships, among them a USA Projects grant, the Canton MacDowell Club Scholarship and the Howard Hanson Scholarship toward her studies at the Eastman School of Music. In the summer of 2009, Natalie was one of five American performers selected to participate in Northeastern University’s Fusion Arts Exchange, a program and concert tour funded by the U.S. Department of State that featured young musicians from six countries, and in 2011-12 she participated in the inaugural New Music on the Point contemporary music festival as well as the inaugural Fresh Inc. Festival led by Chicago’s esteemed Fifth House Ensemble. An enthusiastic presenter of new music, Natalie has premiered new cello works by composers Tomek Regulski, Finola Merivale, Orie Sato, Keane Southard, Andrew Watts, famed Syrian recording artist Malek Jandali, and her 2011-12 season featured her in premieres of works by renowned composers Zoe Keating, Sarah Lipstate, Cornelius Dufallo and Hannah Lash. Natalie also recorded an original soundtrack for the television documentary Through the Eye of the Needle, as well as composed and recorded the solo cello original soundtrack for the award-winning animated film Test Anxiety.
Natalie holds a Bachelor of Music degree in Cello Performance as well as a Certificate in Arts Leadership from Eastman School of Music, where she studied with Alan Harris. An avid supporter of music outreach, Natalie has recently served as an Arts & Learning Intern for Young Audiences, Inc., an educator with Music For Life, and a performing member of the MacDowell Music Club, all national organizations dedicated to encouraging and providing community music education. She currently resides in the Washington, D.C. metropolitan area, and looks forward to the upcoming season, in which she will present several solo cello premieres in the Washington, D.C., Ohio, and New York City areas, as well as record her solo debut CD.
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AYAP Kick Off!
Natalie Spehar
"Yet another wonderful example of the tremendous versatility of the cello in the right hands, which Natalie Spehar’s clearly are." - Susan Scheid, Prufrock's Dilemma
An accomplished classical, rock, and folk cellist, Natalie has performed as a member of several ensembles, including most recently the Great Noise Ensemble, Écouter, the Low End String Quartet and the Washington, D.C. based cello rock ensemble, Primitivity. With a strong interest in contemporary music, Natalie has enjoyed mastering and premiering new and experimental works for cello, including several recent projects with live electronics and tape.
Natalie has performed as a soloist with Graham Reynolds in The Kennedy Center’s presentation of The Difference Engine, with the University of Wisconsin Eau Claire and University of Maryland Percussion Ensembles, and with the Canton Symphony Orchestra, and has presented world premiere performances in venues including Ravinia, Severance Hall, and the National Gallery of Art. She has also been awarded several scholarships, among them a USA Projects grant, the Canton MacDowell Club Scholarship and the Howard Hanson Scholarship toward her studies at the Eastman School of Music. In the summer of 2009, Natalie was one of five American performers selected to participate in Northeastern University’s Fusion Arts Exchange, a program and concert tour funded by the U.S. Department of State that featured young musicians from six countries, and in 2011-12 she participated in the inaugural New Music on the Point contemporary music festival as well as the inaugural Fresh Inc. Festival led by Chicago’s esteemed Fifth House Ensemble. An enthusiastic presenter of new music, Natalie has premiered new cello works by composers Tomek Regulski, Finola Merivale, Orie Sato, Keane Southard, Andrew Watts, famed Syrian recording artist Malek Jandali, and her 2011-12 season featured her in premieres of works by renowned composers Zoe Keating, Sarah Lipstate, Cornelius Dufallo and Hannah Lash. Natalie also recorded an original soundtrack for the television documentary Through the Eye of the Needle, as well as composed and recorded the solo cello original soundtrack for the award-winning animated film Test Anxiety.
Natalie holds a Bachelor of Music degree in Cello Performance as well as a Certificate in Arts Leadership from Eastman School of Music, where she studied with Alan Harris. An avid supporter of music outreach, Natalie has recently served as an Arts & Learning Intern for Young Audiences, Inc., an educator with Music For Life, and a performing member of the MacDowell Music Club, all national organizations dedicated to encouraging and providing community music education. She currently resides in the Washington, D.C. metropolitan area, and looks forward to the upcoming season, in which she will present several solo cello premieres in the Washington, D.C., Ohio, and New York City areas, as well as record her solo debut CD.
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Video Blog – The MOLA Conference
Elaine Li
Elaine Li is the current Bands Collection Librarian at the University of Illinois in Urbana-Champaign. Her position centers around serving all performing groups, conductors, and conducting GTAs with their music needs including acquisition, research, creation of part folders for student performers, creating edited parts, assembling scores, preparing materials for band related classes, and maintaining one of the world's largest performance collections of band repertoire. She also manages certain responsibilities centered around performances and touring including program copy and concert PR support.
Ms. Li received her master’s degree in Library Science from the University of Illinois at Urbana-Champaign in 2012. She also holds a master’s degree in violin performance from the University of Miami and bachelor's degrees in music performance and English from the University of Florida. Prior to her appointment at the University of Illinois Bands, she was Orchestra Librarian for Sinfonia da Camera, a graduate assistant at the University of Illinois Archives, and an Ensemble Library Intern in the Frederick and Elizabeth Ludwig Fennell Library at the 2012 Interlochen Arts Camp. She was a library fellow at the 2011 Tanglewood Music Center in the Ozawa Library, working closely with members of the Boston Symphony Orchestra and Juilliard School, and was a librarian during the Aspen Music Festival 2010 season, working as Aspen Opera Theatre Company librarian and assistant librarian for the American Academy of Conducting at Aspen. From 2008 to 2010, Ms. Li was the Head Librarian of the Greater Miami Youth Symphony. She continues to perform violin locally with the Champaign-Urbana Symphony, Sinfonia da Camera, and other ensembles around Central Illinois.
All posts from Elaine Li
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