Diane Ragsdale is someone who thinks about our business in very different ways than do I; ways that I have sometimes believed were dead wrong and occasionally harmful. But she’s not wrong in her most recent post at ArtsJournal: In their article, Thinking About Civic Leadership, David Chrislip and Edward O’Malley convey that in the[…]
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In 2007 we posted an article entitled, Alias: A New Kind of Ensemble. Looking back with 20/20 hindsight it can easily seen that Alias was, and still is, part of a trend—a movement among musicians to form “alternative ensembles.” In an effort to understand more about this trend, the Eastman School of Music recently inaugurated[…]
Read MoreIt’s not surprising that a recent article by Philip Kennicott in the New Republic by the title of “America’s Orchestras are in Crisis” got some favorable play in the musician community. The writer, who is Art and Architecture critic for the Washington Post, focused very heavily on what he believed was the League of American[…]
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It appears that a big reason that the Detroit Symphony potential settlement fell apart was a dispute over $2 million for community outreach. I am sure there is more to it than that but if there is still a spark of hope embedded in that concept it is worth taking a closer look. The term[…]
Read MoreMilwaukee is not quite equidistant from Madison and Detroit, but it does sit precisely on the line between them that a crow (or a Boeing) would fly. So it’s fitting that events in Detroit and Madison resonate so loudly with this member of the Milwaukee Symphony – an orchestra in the Rust Belt that’s had[…]
Read MoreSilence and reflection, huh? So it has time to sink into their Neanderthal brains that what they have just heard…
I know that audiences can be annoying, and clueless, and distracting, and all the rest – but come on, folks: I just have to write a letter concerning the recent performance of the Abilene Philharmonic. Abilenians are a welcoming group who are quick to applaud, and even provide a standing ovation. Yet a beautiful performance[…]
Read MoreWell said.
Last Saturday I was on my way to New York, which in practice is pretty much an all-day business. So I saw almost nothing about the Tucson shootings until I heard about them during the League seminar I was helping out with on Sunday. What I heard then caught me off-guard; apparently one of the[…]
Read MoreInterlochen Public Radio did a piece yesterday on the DSO strike; in particular the service conversion proposals that management has put on the table. The whole thing is worth reading. But I was particularly struck by comments made by Joseph Horowitz: …there are those in the industry who argue this discussion is way overdue. Joe[…]
Read MoreOne of the most damaging misconceptions about orchestras is that we raise money because we don’t make enough on ticket sales to cover the total expense of the concerts. The reality is very little of the fixed expenses of orchestras is covered by ticket sales, which typically cover, at most, the marginal expenses of putting[…]
Read MoreI think that's fantastic. How nice to know that there are people who are glad to play in a very…
Performing in prisons has almost graduated to the status of trend: Baltimore Symphony Orchestra guest pianist Simone Dinnerstein plays an usual venue this morning at 11: The Maryland Correctional Institution for Women. The world-renowned pianist, who has played Carneige Hall and the Kennedy Center, also will answer questions from inmates/audience members after she performs works[…]
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