Tag - Business models

1
The Vampire Squid and nonprofits – a real thing?
2
Sub pay in Minnesota – the blame game
3
The past really is a foreign country
4
Orchestras turned upside-down
5
The NFL jumps the shark
6
Newsflash: conductor doesn’t like unions
7
Madame Butterfly is not a business strategy
8
Michael Kaiser’s Arts in Crisis Symposium
9
Alias: A New Kind of Ensemble
10
Paul Boulian: The Economic Reality of Orchestras

The Vampire Squid and nonprofits – a real thing?

Back at the height of the War on the Northern Front, I speculated about how the involvement of key leaders at the two largest banks in the Twin Cities might be making things worse: …there is no third party willing to wade in and lean on the Minnesota Orchestra board to abandon an approach which[…]

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Sub pay in Minnesota – the blame game

One of the issues at play during the Year of Three Lockouts continues to reverberate around the symphonoblogosphere – the question of pay for substitute and extra musicians, and in particular the reduction in that pay that was part of the Minnesota settlement. Drew McManus called attention to it in a year-in-review post, where he[…]

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The past really is a foreign country

One of my favorite local public radio shows is Old Time Radio Drama on Wisconsin Public Radio. a show that consists of rebroadcasts of classic radio shows from the decades before television. We were driving home from the Twin Cities the day before Labor Day and caught some of the show as we came within[…]

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Orchestras turned upside-down

Diane Ragsdale is someone who thinks about our business in very different ways than do I; ways that I have sometimes believed were dead wrong and occasionally harmful. But she’s not wrong in her most recent post at ArtsJournal: In their article, Thinking About Civic Leadership, David Chrislip and Edward O’Malley convey that in the[…]

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The NFL jumps the shark

While this story doesn’t have an exact analogy in our business, it’s nonetheless revealing of a phenomenon that has begun to appear in our field: The NFL reportedly asked Katy Perry, Rihanna and Coldplay, their top choices to play the 2015 Super Bowl Halftime Show, if they would be willing to pay the league in[…]

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Newsflash: conductor doesn’t like unions

In this week’s edition of The New Yorker (paywalled, unfortunately) is a fascinating piece by Alex Ross on Iván Fischer, the Hungarian conductor and founder of the Budapest Festival Orchestra. While the piece focuses largely on his unhappiness with the current rightward lurch of Hungarian politics, Ross also reports on Fischer’s views on the orchestra[…]

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Madame Butterfly is not a business strategy

After 50 years, the San Diego Opera is shutting down because… it’s just too hard: The San Diego Opera shocked many in the arts world by announcing it will cease operations at the end of the current season, citing a tough fundraising environment and weak ticket sales. The company’s board voted to shut down rather[…]

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Michael Kaiser’s Arts in Crisis Symposium

Michael Kaiser has been called “the turnaround king” because of his success with several arts organizations, including the Kansas City Ballet, Alvin Ailey American Dance Theater, American Ballet Theater, and London’s Royal Opera House. Indeed, his 2008 book is titled The Art of the Turnaround: Creating and Maintaining Healthy Arts Organizations. In this article from[…]

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Alias: A New Kind of Ensemble

In 2007 we posted an article entitled, Alias: A New Kind of Ensemble.  Looking back with 20/20 hindsight it can easily seen that Alias was, and still is, part of a trend—a movement among musicians to form “alternative ensembles.” In an effort to understand more about this trend, the Eastman School of Music recently inaugurated[…]

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Paul Boulian: The Economic Reality of Orchestras

For this Editor’s Choice I decided to look back at some interviews we recorded in years past. There are some real gems here. The one I chose to feature this time around is a conversation between Paul Boulian and Greg Sandow discussing the economic reality of orchestras. Though it was recorded in February 2009, it[…]

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