Vlog

How to be a Successful Large Ensemble Musician

Orchestras. Bands. Choirs. We all make music with large numbers of people. Doing so is a skill that isn’t as simple as “show up and do your thing,” and if that’s your mindset when you play/sing in large ensembles, then you’re doing it wrong. Here are some basic rules designed to make you into a better large ensemble musician.

Belle of the Bells: Part 2

Sarah talks handbells again, learning the differences between B naturals and B flats, and is reminded of some things along the way.

Recap and Moving Forward

Why is improvisation important to music education?

Video Blog – Gigging (‘Tis the Season!)

New Release – PRIMITIVITY (Evolution, 2013 – Ms.Spehar, soloist)

On-line Listening Resources

Resources cited in the video are listed below.

http://www.chambermusicsociety.org/watchlisten/overview
http://nyphil.org/watch-listen
http://www.digitalconcerthall.com/en/concert/1735
http://www.bbc.co.uk/proms
http://www.carnegiehall.org/Pages/WQXR-Broadcasts/
http://www.kusc.org/
http://www.kdfc.com/

Give Yourself the Chance to Compose!

1
How to be a Successful Large Ensemble Musician
2
Belle of the Bells: Part 2
3
Jazz “set” vs. “intermission” for Concert Production
4
Recap and Moving Forward
5
Why is improvisation important to music education?
6
Video Blog – Gigging (‘Tis the Season!)
7
New Release – PRIMITIVITY (Evolution, 2013 – Ms.Spehar, soloist)
8
On-line Listening Resources
9
Give Yourself the Chance to Compose!
10
Let’s Get Social!