The Short End of the Stick

A conductor’s work with an orchestra begins and ends with the music. The music is the center and focus of what we do. This is obvious, but that focus is lost rather easily when issues of personality come into play, so to speak. One of the most challenging aspects of conducting an orchestra is to rehearse or perform as transparently as possible, bringing the composer to the center of the stage, while at the same time endeavoring to infuse the music-making with energy, passion, elegance, wit, etc. All of us want to be inspired – both listeners and producers of music – but what is it that inspires us? The music, of course, much more so than any individual who overlays the music with their interpretation.

If a conductor’s interpretation of a piece is somewhat different than the norm, the source of that interpretation must be found within the music. Orchestral musicians are generally willing to go a long way down a particular interpretive path if they are convinced it is warranted by the music itself. Conversely, if it is evident that the interpretation being communicated is self-indulgent, the integrity of the conductor/orchestra relationship is compromised and the musicians’ willingness drops precipitously.

The music itself has always been the source of each musician’s inspiration; it’s why we all chose to go into music in the first place. If the focus of any rehearsal or performance becomes anything other than the music, the foundation of our endeavor is shaken. But whenever a conductor is able to facilitate the connection to that original source of inspiration, a great service has been rendered.