Life in the Pit

Regarding the possibilities of replacing ballet pit orchestras with the VOM (“Virtual Orchestra Machine”) or other electronic devices: The New York City Ballet Orchestra has taken steps to keep the public aware that there are intelligent life forms in the pit by presenting pre-performance chamber music concerts at both our main theater at Lincoln Center and our summer home in Saratoga Springs. These have proved very popular and have substantially increased our public profile. I would encourage all pit orchestras to do the same.

At our last contract negotiation we tried unsuccessfully to get a contractual ban of the VOM. It was stated by management that, while they agreed with us in principal that electronic sound must never replace live musicians for our company, they were not willing to ban a technology that they might find some other use for, apart from replacing musicians. Of course, we made the point that the sole purpose of the VOM was to replace musicians, but, as I say, we did not get that guarantee, much to our displeasure.

About the author

Ethan Silverman
Ethan Silverman

Ethan Silverman joined the New York City Ballet Orchestra in 1992 as associate principal bassoon, and has occupied the orchestra's principal chair since February, 2005. He also holds two positions in the orchestra to which he was elected by his colleagues: delegate to the International Conference of Symphony and Opera Musicians (ICSOM), and member of the orchestra committee. Off-season he can usually be found in other subterranean orchestral situations in and around New York City, although on occasion he performs above-ground. He attributes his affinity for pit playing to having spent much of his youth practicing in the basement of his family's home in suburban Nanuet, NY.

Leave a Reply