Innocents Abroad

“Globalization” is a hot-button issue for the 21st century. But the music business in general, and the orchestra business in particular, has always been transnational. Mozart traveled all over Europe in horribly uncomfortable traditions, Mahler was music director of the New York Philharmonic, and major European performers toured the backwoods of frontier American in the 19th century. Many of America’s great orchestras were started and largely staffed by immigrants, while the early records of several AFM local unions are in German (the Milwaukee local was started by a distant relative of JS Bach).

Since WW II, there has been traffic in the other direction as well. Musicians born, raised, and trained in the US play in professional orchestras on every continent but Antarctica. My own dreams about playing abroad took me as far as a job in the London Symphony Orchestra (that’s “London” as in “London, Ontario,” where panelist Brian Shillito and I were roommates). While I enjoyed it, it was not quite the same as being in Oslo or Sydney or Munich (my personal fantasy was Helsinki – but that was before I found out about winters). Polyphonic.org has enlisted the help of musicians who “took the plunge” to explore the experience of playing in a foreign orchestra.

To start off the discussion, I’ve asked the panelists to tell us how they ended up where they are now and why they made the choice to stay there (or, in one case, to leave).

About the author

Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

Leave a Reply