Great Expectations

Sadly, all good things must come to an end, but I hope that this is the beginning, or a continuation, of the dialogue that has been taking place not only here, but across the country. First, my thanks to Drew, our moderator, for inviting me to participate on this panel and for some great advice.

As it seems that we all have many of the same thoughts I’m reminded of some other “round table” discussions in which it became clear that many people involved in our business do have the same thoughts and feelings about many issues. It has been an honor speaking with all of you and reading your thoughts and opinions.

Regarding schedules, we are about to finish a week that includes four performances (two Young People’s Concerts, one special performance featuring the music of Sir Anthony Hopkins – yes – and the first of four runouts). Rehearsals and performances are in different places every day and a colleague and I laughed as we pondered the question: “Do models feel like this during fashion week when they have seven shows in one day, all different?” Granted, they do not have the responsibility that we do as musicians, but wow!

Beth: It has been great reading your comments and if you performed with Alarm Will Sound in South Carolina earlier this year, congratulations on a great show!

Matt: This is probably not the place, but if you’re ever in need of a soloist or want to conduct the Elgar Violin Concerto, your fiddle player is right here!

Peace and good musicmaking to all.

About the author

Samuel Thompson

Winner of a Participation Prize at the 2011 Padova International Music Competition (Italy), Samuel Thompson is a Baltimore-based violinist whose career spans solo, chamber music, orchestral and interdisciplinary performance and arts journalism. During the 2011/2012 season Samuel appeared with the Nathaniel Dett Chorale in Toronto's Koerner Hall via an invitation from Tanya Charles of the Gould String Quartet (Canada), Washington DC's critically acclaimed Great Noise Ensemble, in recital with Michelle Schumann during the inaugural season of the Pro Arts Collective's Metropolitan Classical Series in Austin, Texas, and onstage with the Carpetbag Theatre Ensemble at the August Wilson Center for African-American Culture in Pittsburgh in addition to orchestral performances at the Kennedy Center for the Performing Arts and with the Harrisburg, Knoxville, Roanoke and Delaware symphonies.

Samuel's performance during the 2011 Black Arts Movement (BAM) Festival in Austin resulted in immedate reengagement for the 2011/2012 season. During the 2010/2011 season he also performed Ryuichi Sakamoto's “Rain” in a performance for Musicians of Mercy, a collective of over seventy independent musicians and artists in the metropolitan Washington DC region. A seasoned performer, Samuel made his debut as soloist in 1998 with Robert Franz and the National Repertory Orchestra and has appeared with the Carolina Amadeus Players Chamber Orchestra, Cortlandt Chamber Orchestra, Orchard Park Symphony Orchestra and members of Orchestra X.

A sought-after recitalist and chamber musician, Samuel made his east coast debut at the New Haven International Festival of Arts and Ideas in a multimedia staged recital conceived and directed by Peter Webster, and has been presented in concert by Da Camera of Houston, Millennium Music Spotlight Series, Columbia Festival of the Arts in South Carolina, Chicago's Fazioli Salon Series under the auspices of Pianoforte Foundation Chicago and WFMT-FM, Kent State-Ashtabula Classical Concert Series, USC Cares: Renewal Through Music series at the University of South Carolina , the Tafelmusik Baroque Summer Festival and the Museo Internato Ignoto in Padova, Italy. His chamber music partners include pianists Michelle Schumann and Stephen Carey, the Marian Anderson String Quartet and members of the West Shore Trio. Samuel has also appeared with performance artists and theatre companies at alternative performance spaces throughout the United States including DiverseWorks Artspace (Houston), the Old Ironworks Building (New Orleans), On The Boards (Seattle), Rockwood Music Hall (New York), Tucker's Blues (Dallas) and the Colony Theatre (Miami). In addition to appearing with the Carpetbag Theatre Ensemble during the 2008-2009 season, Samuel is also featured on the soundtrack of Rajni Shah Theatre's Dinner With America , a performance art piece that toured the United Kingdom and Spain in 2008.

Samuel has also been noted as a “thought-provoking and erudite writer” in response to his essays and program notes. In November 2011 Samuel was invited by Barbara Day Turner of the San Jose Chamber Orchestra to write a monthly column for the orchestra's newsletter. That column, titled “Other Notes”, debuted in January 2012 and featured interviews with artists including Talise Trevigne, Jennifer Kloetzel of the Cypress String Quartet and 2012 Menuhin Competition winner Kenneth Renshaw. In recent years Samuel has contributed to Strings Magazine , online industry magazine violinist.com and Nigel Kennedy Online .

Maintaining a sense of loyalty to the New Orleans musical community as he was a member of the Louisiana Philharmonic during the 2002-2003 season, Samuel organized and performed in benefit concerts immediately after Hurricane Katrina, his efforts becoming the subject of an article in the September 2007 International Musician . Mr. Thompson has been profiled by Strings Magazine, the Austin Chronicle, Fractured Atlas, Strings Magazine, Jan Herman's “Straight-Up” at Artsjournal.com, the Boston Globe, the San Antonio Express-News, Relevant Magazine, OSU Magazine and the Crescent City Chronicles, with his live performances and interviews being broadcast on WFMT-FM's “Fazioli Salon Series”, WSCI-FM's “Conversations with Joan”, KAHL-FM's “Sonny Melendez Show” and KOSU-FM's “Concerts from OSU”.

A native of Charleston, South Carolina, Samuel studied violin at both the University of South Carolina and Oklahoma State University. He earned the Master of Music degree from the Shepherd School of Music at Rice University, where his teachers included Kenneth Goldsmith and Raphael Fliegel. Samuel has also participated in the Helen and Immanuel Olshan Texas Music Festival, the International Festival-Institute at Round Top, the National Orchestral Institute and Spoleto Festival USA. A semifinalist in the 2000 New World Symphony Concerto Competition, Samuel was a recipient of an Artistic Assistance Award from Alternate ROOTS made possible with funds from the Kresge Foundation, Open Society Foundations and the Nathan Cummings Foundation. He is a members of Alternate ROOTS and the American Federation of Musicians, and served as a member of the Maryland State Arts Council Grant Review Panel in 2012. Samuel plays a violin made in 1996 by Marilyn Wallin with a bow made by German bowmaker Sebastian Dirr.

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