Driving for Dollars

Each of the groups I play with has vastly different attendance policies. If one is to ask off for a rehearsal during a series, most of the time it is granted provided you’re missing the first rehearsal. It also helps if you’re asking to be excused to play with an orchestra of better reputation and pay. Some conductors don’t allow any absences during a series.

Orchestras say that they understand that we have to piece together a livelihood with several groups, but they often contradict themselves with their attendance policies. I think that orchestras want to have good musicians playing for them and many don’t mind sharing musicians, but each group wants to be the “first choice” of their musician pool. They try to establish attendance policies that end up hurting the musicians that they’re trying to keep in the seats. I have a situation coming up later this season where I am taking off for a classical and a youth series in the same week in one group to play a youth concert in another orchestra because of the attendance policy of the second orchestra. The end result is that I am forced to play less services for less pay during that week because of a restrictive attendance policy.

About the author

Todd Jelen
Todd Jelen

Todd Jelen is the principal bassoonist with the Akron and Canton Symphonies in Ohio and the Wisconsin Chamber Orchestra in Madison, Wisconsin. He has also performed with the Cleveland Orchestra, Milwaukee Symphony, Utah Symphony, Wheeling Symphony, Youngstown Symphony and the Cleveland Opera and Ballet Orchestras.

Mr. Jelen received his Bachelors Degree in Music from Cleveland State University, where he studied with Cleveland Orchestra members Ronald Phillips and Phillip Austin. He received his Master’s Degree in Music from the Cleveland Institute of Music where his mentor was The Cleveland Orchestra’s principal bassoonist, John Clouser. While studying at CIM, Todd was also a member of the Juniper Woodwind Quintet, which placed second at the Fischoff International Chamber Music Competition and third in the Darius Milhaud Performance Prize Competition.

As a solo performer, Todd has been featured in Weber’s [i]Andante and Hungarian Rondo[/i] with the Wisconsin Chamber Orchestra and Villa-Lobos’ [i]Ceranda Des Sete Notas[/i] with the Spoleto Festival Orchestra. He also performed with the Utah Symphony on their 2005 European tour. Todd has participated in the Aspen Music Festival, Pacific Music Festival, Music Academy of the West, Chautauqua Music Festival, and the Orford Arts Centre in Quebec.

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