Baton down the hatches

Pet peeves about conductors’ rehearsal techniques:

1) not letting us get a sense of the movement as a whole before the picking starts.

2) picking too much. TRUST US (have we heard this before?)..

3) talking too much in general, but then, when there’s a funny story to break the tension, telling it in a soft-enough voice that only the first few stands of string players can hear it.

4) addressing remarks that are meant for the whole orchestra to the first violins alone.

5) addressing remarks that are meant for the whole section to the principal player alone.

6) making all the beats look the same.

7) starting the first rehearsal with the most delicate slow movement.

8) not acknowledging that someone has taken a conductor’s suggestion and actually done something to said conductor’s liking.

9) dwelling on a player’s mistakes. Give us a couple of tries.

10) not helping the players fix intonation. Sometimes you need an outside ear as a referee.

11) not fixing things that are obviously not working (ensemble, for example).

12) not wondering if a wrong note that gets played a third time might actually be a misprint.

13) keeping the rehearsal order a deep, dark secret.

14) wasting rehearsal time having us mark our parts.

15) doing pretty much anything that causes anxiety in the players, such as glaring.

About the author

Francine Schutzman
Francine Schutzman

Francine Schutzman, a native of Sea Cliff, New York, has been a member of the National Arts Centre Orchestra in Ottawa, Ontario, since 1974, playing second oboe and English horn. She is a graduate of the Oberlin Conservatory, where she received her BM degree under the tutelage of DeVere Moore, Paul Kramer and Wayne Rapier; and of the Manhattan School of Music (MM degree), where she studied with Robert Bloom and Alfred Genovese. Prior to moving to Canada, she played in the Savannah and Oklahoma City Symphonies, and she taught oboe, piano, music theory and music appreciation at Central State University in Edmond, Oklahoma.

Francine has been involved with the Organization of Canadian Symphony Musicians (OCSM) since 1981, first as a delegate from her orchestra and later as a board member, holding various positions. She became President of the group in August, 2003. She served as a member of the NACO orchestra committee for approximately ten years, and she has been a board member of the Musicians’ Association of Ottawa-Gatineau (Local 180, AFM) since 1994. She has been the Local President since January, 2004. In connection with her OCSM position, she serves as an ex-officio board member of Orchestras Canada. She is a proud dual citizen of the US and Canada, but her energies have been devoted mainly to the betterment of the status of musicians in Canada.

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