The first Convention of the American Federation of Musicians since 2010 begins today. As a local officer, I will be attending as one of two delegates from Local 8. I’ll also be continuing a tradition I started in 2007 – live-blogging from the convention floor. If you want to follow along, here’s the link. For[…]
Read MoreThe Minnesota Orchestra lock-out – the longest second-longest formal lock-out in our industry’s history – may have entered a new phase, according to Graydon Royce of the Minneapolis Star Tribune: The Minnesota Orchestra’s management and musicians — now in the 11th month of a bitter labor lockout — are quietly talking again behind the scenes.[…]
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The final musician session was a conversation with Peter Pastreich, a well-respected manager in the orchestra world, having served as Executive Director of the San Francisco Symphony for 21 years. Prior to that he served as Executive Director at the Saint Louis Symphony, the Kansas City Philharmonic and the Nashville Symphony. More recently he came[…]
Read MoreOne of the best metaphors in recent years was coined by Matt Taibbi, who wrote one of the great articles on the financial crisis of 2008: The first thing you need to know about Goldman Sachs is that it’s everywhere. The world’s most powerful investment bank is a great vampire squid wrapped around the face[…]
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July 11, 2013 Below is a link to an address by Alan Fletcher given at the Aspen Music Festival and…
The Wall Street Journal for Friday, June 7, 2013 carries an article in the “D” Section, “After Orchestras Strike: A Tale of Two Cities” by Terry Teachout. The article compares the ways in which two orchestras – The Minnesota Orchestra and the Detroit Symphony – are dealing with their financial problems. In Minnesota there is[…]
Read MoreThe question of job satisfaction in our field has long been an interest of mine, both for obvious personal reasons and because the sources of much dissatisfaction lie in an area of research – stress – I heard lots about over family dinners. So I found this article in yesterday’s New York Times to be[…]
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I was in Washington DC last week, waiting for the cherry blossoms to bloom. Spring has inspired me to write again, thinking about rebirth and opportunities for change. I recently lost a strong teacher in the el Sistema program in Durham, NC that I run, called KidZNotes. She was from Venezuela, had the authentic experience of growing up[…]
Read MoreIt’s a measure of just how bizarre is the state of labor relations in the orchestra field that only now, months into the most brutal negotiating season in memory, are we seeing the the first “normal” labor dispute – by which I mean a strike (and not a lock-out), not immediately settled (and thus more[…]
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This really struck a chord with me! I, too, find messy, over-marked scores to be a distraction.Choristers, who often share…
Perhaps my most intense pet peeve about playing in an orchestra has to do with fingerings. When one has to share a part with someone else, one expects a bit of respect. But, unfortunately, that often doesn’t happen — I have known stand partners to write fingerings over almost every note in the part. To[…]
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Orchestras should raise their voices to be heard amid the din of noisy modern culture and promote themselves as socially conscious public institutions. They need to embrace a more inclusive posture in society, and demonstrate an identity more nuanced than silent anonymous conservative tuxedo-clad white male. While the price of participating in American culture[…]
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