Category - Professionalism

1
What mattered in 2014?
2
Stupid music director tricks, part the 11,347th
3
Friends come and go…
4
What It Means to be an Artist
5
The Third Estate
6
Looking for Perfection in an Imperfect Process
7
It’s A Pitch
8
A Disgusting New Low
9
Symphonie Addictique?
10
Who Won the Met Negotiations?

What mattered in 2014?

Jan 06 2015
Browse archives for January 06, 2015
Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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2
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Paul

Yes, three cheers to this! The prediction quote is also often attributed to physicist Neils Bohr, but appears to have…

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Labor relations, Orchestra Economics, Orchestra Management, The Future

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The Danish cartoonist Robert Storm Petersen famously said that “it’s tough to make predictions, especially about the future.” Saying what mattered in 2014 is essentially making a prediction about what people in the future will think about our present. But it’s worth trying nonetheless; 2014 was a pretty dramatic year in our business, and merits[…]

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Stupid music director tricks, part the 11,347th

Dec 02 2014
Browse archives for December 02, 2014
Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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David J Gill

When and how did the culture of the nation and of music change such that a dominating and occasionally abrasive…

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Labor law, Labor relations, Orchestral Etiquette, Professionalism

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Those handful of us in the orchestra blogging community can always count on some conductor, somewhere, doing or saying something really dumb to rescue us from having nothing to write about. Our latest benefactor is Jaap van Zweden, music director of the Dallas Symphony: Conductor Jaap van Zweden has won international praise for elevating the[…]

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Friends come and go…

Nov 21 2014
Browse archives for November 21, 2014
Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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Learning From Mistakes, Orchestra Life

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Many years ago I had a colleague who used to say “friends come and go, but enemies accumulate.” It stuck with me, that saying. On the way home from a dinner party at this colleague’s house, my wife Emily remarked “did you notice how often he said ‘they used to be friends of ours’?” I’ve[…]

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What It Means to be an Artist

Oct 28 2014
Browse archives for October 28, 2014
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Arts Advocacy, Mindset, Musicians Today

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Being an artist in all its multiplicities of characteristics and talents, is among the most demanding of all demands that we can make of ourselves. We have entered a universe of complexity and simplicity, discovery and delusion. It will never finish. It will never be entirely revealed.

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The Third Estate

Oct 27 2014
Browse archives for October 27, 2014
Peter Sachon
Peter Sachon

Peter Sachon has performed all over the United States, Europe and Asia. Mr. Sachon played in the Hollywood Bowl Orchestra and has toured Europe and the U.S. with Pink Martini. He has played for the Broadway shows Fiddler on the Roof, The Light in the Piazza, High Fidelity, Legally Blonde, South Pacific, and Pippin. Mr. Sachon has performed with Audra McDonald, Victoria Clark, Deborah Voight, Rufus Wainright, Dee Snider, Billy Joel, Anthony Rapp, Judy Kuhn, and Josh Groban.
www.petersachon.com

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Michael Geller

I'd point out that American Composers Orchestra commissioned and premiered Mr. Elfman's first concert piece Serenda Schizophrana at Carnegie Hall…

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Classical Music, Composition, Income Streams, Learning From Mistakes, Orchestra Economics, Orchestra Management, Orchestral Models, Performances, Resctructuring, Sustainability, The Future, Uncategorized

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If one wishes to contribute to the conversation about how to expand the audience base for American orchestras, then one must talk about what those orchestras are presenting — and right now that’s a taboo subject. The fact is that the discussion about WHAT exactly orchestras are presenting has never taken place. The arbitrary distinction[…]

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Looking for Perfection in an Imperfect Process

Oct 20 2014
Browse archives for October 20, 2014
Kayleigh Miller
Kayleigh Miller

Kayleigh Miller, a recent addition to the San Antonio Symphony, enjoys a varied career of teaching, performing, and yoga instruction. She previously played in the National Arts Centre Orchestra as an apprentice, and was a member in the Nightingale String Quartet in residence in Reno, Nevada. She completed her studies with Roger Tapping and Carol Rodland at the New England Conservatory and Eastman School of Music and received a dual bachelor's degree in performance and music history. She has participated in numerous festivals and masterclasses, including the Banff, Prussia Cove, and Orford masterclasses, Spoleto Festival USA, Domaine Forget, Lucerne Festival Academy, and the International Ensemble Moderne Academy workshop. She has soloed with the Eastman Philharmonia, Reno Chamber Orchestra, UNR symphony, and as a part of the Foodlink concert series in Rochester, NY. Additionally, she is a dedicated ensemble member, and has been a member of the New World Symphony, Discovery Ensemble, Reno Philharmonic, and Reno Chamber Orchestra. Kayleigh is passionate about contemporary music, and has performed in contemporary ensembles at Eastman, the New England Conservatory, and in Boston.
Kayleigh is additionally a committed educator and arts advocate, and has performed and written educational programming both nationally and beyond. She is additionally a yoga instructor and Yoga Tune Up® instructor, combining elements of physical therapy, restorative movement, and yoga into her teaching. She has completed additionally trainings in teaching yoga for children and working with cancer, and is the founder of the Musician's Health Collective, a health resource blog for musicians.

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Jayme Nelson

In my entire life as a musician, I never realized that the use of beta blockers was this wide spread. …

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Health & Wellness, Music Medicine, Orchestra Life, Performance Anxiety, Performances

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We recognize that the use of beta-blockers by musicians is a serious and controversial topic.  Nonetheless, we feel it is better to discuss it than to pretend that it doesn’t exist.  We neither condone or condemn the use of beta-blockers, but wish to have an objective discussion about its use.  Feel free to join the[…]

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It’s A Pitch

Oct 06 2014
Browse archives for October 06, 2014
Michael Drapkin
Michael Drapkin

Michael Drapkin has enjoyed a career as a music performer, composer, arranger, educator, clinician and adjudicator. Following the Wall Street adage of eat what you kill, Drapkin developed his own band Yiddish Cowboys in Austin, Texas, which released a CD on iTunes. He featured them in the Classical Crossover showcase he ran for South by Southwest in 2010 and 2011, where he brought bands from around the world that are classically trained and have crossed over to the mainstream and brought their virtuosity with them. As a clarinetist, he was a member of the Honolulu Symphony Orchestra, as Associate Principal and Bass Clarinet and the New York City Opera Touring Company and Lake George Opera Festival, as Principal Clarinet, and has performed under conductors ranging from Leonard Bernstein to Seiji Ozawa. He has spent summers playing at Aspen and at Tanglewood as a Berkshire Music Center fellow, and was solo clarinetist and Executive Director of Music Amici, Rockland County, NY’s oldest professional chamber music group and one of the finest in the New York City area, and performed with them in Carnegie Hall. Mr. Drapkin is widely known in the bass clarinet world as author of Symphonic Repertoire for the Bass Clarinet Volumes One, Two and Three, which have become standard literature among orchestral bass clarinetists worldwide, and each fall he is a music judge and chief judge at high school marching band contests for US Bands.

Drapkin founded and presented the Brevard Conference on Music Entrepreneurship (BCOME) for two summers at the Brevard Music Festival in North Carolina, attracting as attendees professional musicians, industry professionals, college music faculty and deans from as far away as Singapore. For BCOME, he was awarded $100,000 in grants from the Ewing Marion Kauffman Foundation – the nation’s largest entrepreneurship foundation – and was one of their first music grantees ever. For his efforts with BCOME, Drapkin was a finalist for Best Non-Profit CEO for The Ten Awards – the “Academy Awards of New York Business,” an annual selection of ten companies and individuals in the greater New York business community that display extraordinary leadership and innovation to improve their business. He has delivered keynote speeches, lectures and master classes across the U.S. including Eastman, Juilliard, Northwestern and The University of Texas at Austin, among others.

He was also a member of the Board of Directors of the Brooklyn Phil, the edgiest most forward thinking arts-driving orchestra in the entire planet!

Drapkin has been an active member of the College Music Society, which represents college music faculty worldwide. He is the chair of the Careers Outside the Academy Committee, his third chair appointment for CMS, and led a pre-conference seminar for them in Atlanta. He is also a member of the Board of Directors and has been a keynote speaker for their Southwest Chapter, and has made presentations at the CMS National Conference annually for the past ten years.

For more information, visit: http://www.drapkin.net

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Careers, Getting Ahead, Gigs, Orchestra Life, Professionalism, Running a Successful Business--You, Inc.

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This post first appeared in Symposium, the journal of the College Music Society.  It is reprinted here with permission. I’ve had two careers in my lifetime: as a symphony orchestra clarinetist and as a technology executive. One of the advantages these dual careers have given me has been the ability to apply my business experiences[…]

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A Disgusting New Low

Sep 23 2014
Browse archives for September 23, 2014
Scott Chamberlain

Scott has been involved in arts organizations from a variety of angles, including as a classical vocalist, arts administrator and as a board member. He has worked with such groups as the Minnesota Orchestra, One Voice Mixed Chorus and The O'Shuaghnessy, in such areas as marketing, public relations, and development. He current sings with the Minnesota Chorale, and is a member of the Chorale's Board of Directors.

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Labor law, Labor relations, Negotiation, Orchestra Life, Orchestra Management

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This post originally appeared on the blog Mask of the Flower Prince.  It is reprinted here with permission. You know, over the course of the Minnesota Orchestra and Metropolitan Opera labor disputes, I’ve seen a lot of ugly things. Managements in both the disputes resorted to hard-ball tactics and inflammatory rhetoric as part of a[…]

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Symphonie Addictique?

Sep 09 2014
Browse archives for September 09, 2014
Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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Health & Wellness, Music Medicine, Orchestra Life, Professionalism

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Normal Lebrecht recently linked to an article about a British documentary on addiction amongst orchestral musicians: Addiction is blighting the lives of many classical musicians as they grapple with performance anxiety and antisocial hours, a cellist has said. Rachael Lander features in a Channel 4 documentary that brings together classical musicians whose careers have been[…]

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Who Won the Met Negotiations?

Sep 05 2014
Browse archives for September 05, 2014
Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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Labor relations, solvency, Sustainability, What They Think About Us

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According to Norman Lebrecht and Terry Teachout, the unions did: (Lebrecht) [Gelb]demanded 16-17% cuts from the orchestra and chorus and settled for 3.5 percent now, 3.5 percent later. No huge pain for the musicians, but huge gain. They have won the right to be party to major spending decisions, limiting Gelb’s powers as manager and[…]

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