As I write this introduction to my Editor’s Choice for this month, at top of mind for me is the former Director of the Eastman School of Music, Robert Freeman. In 1972 he was named director of Eastman, a position he held for 24 years. He returned to Eastman this week to be formally honored[…]
Read More
According to Norman Lebrecht and Terry Teachout, the unions did: (Lebrecht) [Gelb]demanded 16-17% cuts from the orchestra and chorus and settled for 3.5 percent now, 3.5 percent later. No huge pain for the musicians, but huge gain. They have won the right to be party to major spending decisions, limiting Gelb’s powers as manager and[…]
Read MoreAfter 50 years, the San Diego Opera is shutting down because… it’s just too hard: The San Diego Opera shocked many in the arts world by announcing it will cease operations at the end of the current season, citing a tough fundraising environment and weak ticket sales. The company’s board voted to shut down rather[…]
Read More
Michael Kaiser has been called “the turnaround king” because of his success with several arts organizations, including the Kansas City Ballet, Alvin Ailey American Dance Theater, American Ballet Theater, and London’s Royal Opera House. Indeed, his 2008 book is titled The Art of the Turnaround: Creating and Maintaining Healthy Arts Organizations. In this article from[…]
Read MoreMusicians who have had the privilege and pleasure (dubious, in some cases) of discussing the future of professional orchestras with experts of various stripes are all too familiar with Baumol’s Cost Disease. The best description comes from the economist who came up with the concept, William Baumol: Any economic activity affected by it will tend[…]
Read More
For this Editor’s Choice I decided to look back at some interviews we recorded in years past. There are some real gems here. The one I chose to feature this time around is a conversation between Paul Boulian and Greg Sandow discussing the economic reality of orchestras. Though it was recorded in February 2009, it[…]
Read MoreThe Minnesota Orchestra leadership released a “financial review” yesterday. Most of the coverage, though, focused on remarks made by MO board negotiating chair Richard Davis, who told the Star Tribune editorial board that he was prepared to say bye-bye to music director Osmo Vänskä, the upcoming Carnegie concerts, and the opening of the newly-renovated Orchestra[…]
Read MoreThere was a flurry of press reports last week on the state of the Minnesota Orchestra lock-out; most about the apparent involvement of George Mitchell as mediator. Norman Lebrecht also reported on some back-and-forth between musicians and management, although other reports disputed the accuracy, or at least completeness, of what he’d written. Since then, there’s[…]
Read MoreThe Minneapolis StarTribune is reporting that, at tomorrow’s annual meeting of the Minnesota Orchestral Association, the board will report a deficit for 2011-12 of $6 million on expenses of around $31 million. That’s a pretty impressive number, not least because it’s so much worse than the previous three years and yet so close to the[…]
Read MoreOne of the continuing mysteries of the Minnesota Orchestra dispute (for me, at least) was why the management chose to lock out its musicians rather than declare impasse and impose its proposal. Drew McManus believes he has an explanation: On the surface, the MOA executive committee’s public angst over the lack of a musician offer[…]
Read More
No comments yet.
Add your comment