It’s no accident that the most influential book in our field may have been Danny Newman’s Subscribe Now!. Selling tickets by subscription has long been the foundation of orchestras’ earned revenue stream. And most orchestra musicians who’ve had to pay attention to their orchestra’s finances have heard some variant on how the subscription model is fading[…]
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Added to the age-old question – “how do you get to Carnegie Hall?” – may be a new one: “how do you run Carnegie Hall?” It look as if the answer might turn out to be “don’t serve on the board of directors.” Two days ago the Wall Street Journal reported on a dispute between[…]
Read MoreThe invaluable Norman Lebrecht once again breaks a story: Musicians in the Colorado Symphony Orchestra have filed to decertify from their union, the American Federation of Musicians., from representing them in contract negotiations. The causes of dissension are obscure and both sides are staying tight-lipped, but a petition has been filed here and a vote[…]
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The folks at soundnotion.tv hosted a discussion with Drew McManus and myself on the subject of substitute pay and how it was handled in last year’s Minnesota Orchestra settlement. The discussion was moderated (very well, I thought) by David MacDonald and Sam Merciers. It can be watched on YouTube here. I felt the discussion covered[…]
Read MoreThere was an unusual amount of feedback on my post last week about the pay disparity between full-time musicians and subs in Minnesota and how that might have come about. Some of the feedback confirmed my suspicions that the root of the problem was a “new model” mindset on the part of some board members.[…]
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The Future Symphony Institute (FSI) began as an idea eleven years ago, born of my own protracted efforts to demonstrate what seemed to me some rather obvious opportunities for growing our audiences at the Baltimore Symphony Orchestra (BSO) at a time when we still had no red ink, were flying high with Yuri Temirkanov, and[…]
Read MoreA recent kerfluffle in academia over an academic appointment made – and then unmade – by the University of Illinois to an academic who was accused of anti-Semitic tweets has raised the question of just how much influence big donors have over matters that traditionally were in the sole purview of the faculty and academic[…]
Read MoreAn interest in the law inclines me to surf amongst the legal waves on the Internet, leading to the occasional odd discovery relevant to my day job. This post from the blog Lawyers, Guns and Money caught my eye: Recently Kyle Graham, a professor on the tenure track at Santa Clara Law School, announced on[…]
Read MoreMilwaukee has long been known as the most German city in the United States, and with cause. German immigrants and their descendants were the dominant ethnic group for much of Milwaukee’s history. The last full-time office staff of Local 8, who retired several decades ago, was a gentleman by the name of Al Goetz who[…]
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I'd point out that American Composers Orchestra commissioned and premiered Mr. Elfman's first concert piece Serenda Schizophrana at Carnegie Hall…
If one wishes to contribute to the conversation about how to expand the audience base for American orchestras, then one must talk about what those orchestras are presenting — and right now that’s a taboo subject. The fact is that the discussion about WHAT exactly orchestras are presenting has never taken place. The arbitrary distinction[…]
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My point was not to defend Mr. Perelman, although the "feud" between him and the other board member is, at…