You might think musicians would be at the top of a symphony orchestra’s food chain. So did I. When I joined the Boston Symphony violin section in 1975 at the tender age of 22, fresh out of college, bursting with enthusiasm, I was under the naïve misconception that the management of the orchestra worked for[…]
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Half of the fun of watching Mad Men is observing how dramatically American society has changed since the 1960’s. The characters’ constant drinking and homophobia make us blush, and we notice how far attitudes have shifted towards everything from smoking to sexism. Our lives in America have changed so thoroughly since then that looking back[…]
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My Editor’s Choice for this go-round is from 1997—sixteen years ago. Here’s a little background just to put it in context. Our website, Polyphonic.org is part of the Orchestra Musician Forum, that was created in 2004 when Paul R. Judy made a gift of the financial and intellectual assets of the Symphony Orchestra Institute to[…]
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It’s a measure of just how bizarre is the state of labor relations in the orchestra field that only now, months into the most brutal negotiating season in memory, are we seeing the the first “normal” labor dispute – by which I mean a strike (and not a lock-out), not immediately settled (and thus more[…]
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Go out to hear an orchestra concert tonight and chances are the orchestra will be playing Beethoven. The most recent Orchestra Repertoire Report, from ’09 – ’10, details that 137 orchestras in America performed Beethoven’s music 457 times that season. His ninth, seventh, and fifth symphonies were ranked first, second and third respectively among the[…]
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My assumption would be that 'score' here refers to the musical portion of the recorded soundtrack, and not the written…
History is filled with people who have tried to define art. They have all been wrong, and there is no reason to suspect we are any better at it than they were. Changes to what experts call “Art” happen all the time. There was a time when people questioned whether photography constituted fine art. Some[…]
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Orchestras should raise their voices to be heard amid the din of noisy modern culture and promote themselves as socially conscious public institutions. They need to embrace a more inclusive posture in society, and demonstrate an identity more nuanced than silent anonymous conservative tuxedo-clad white male. While the price of participating in American culture[…]
Read MoreThe Minneapolis StarTribune is reporting that, at tomorrow’s annual meeting of the Minnesota Orchestral Association, the board will report a deficit for 2011-12 of $6 million on expenses of around $31 million. That’s a pretty impressive number, not least because it’s so much worse than the previous three years and yet so close to the[…]
Read MoreOne of the continuing mysteries of the Minnesota Orchestra dispute (for me, at least) was why the management chose to lock out its musicians rather than declare impasse and impose its proposal. Drew McManus believes he has an explanation: On the surface, the MOA executive committee’s public angst over the lack of a musician offer[…]
Read MoreA friend in the Twin Cities suggested to me that my assumption that Pinchas Zukerman and Edo de Waart had somehow requested and/or received clearance from their personal managers before agreeing to participate in the benefit concerts I wrote about here was not only unwarranted but likely offensive to the two gentlemen in question. After[…]
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