One of the more intriguing aspects to the psychology of our industry is a general propensity to conspiratorial thinking. It’s not hard to find amongst musicians; the widespread belief that the League of American Orchestras A National Service Organization is behind all our woes is the best-known example, but conspiracy theories fester within orchestras as[…]
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I. The Tornado and the Plow Horse I recently plugged the words “Salieri” and “Festival” into Google, which limped back with a meager Salieri Opera Festival of 2010, presented by Fondazione Fioroni in Verona, Italy. Curious, I added “2013” to the search, and Google came back with only three results, none of which led to[…]
Read MoreToday is what most observers are assuming is the deadline for a settlement in Minnesota that will keep Osmo Vänskä and the November Carnegie concerts in the picture. It doesn’t appear that negotiations are going well, though. One indication of that is the management offer of last week, made with great public fanfare and certainly[…]
Read MoreThe Minnesota Orchestra leadership released a “financial review” yesterday. Most of the coverage, though, focused on remarks made by MO board negotiating chair Richard Davis, who told the Star Tribune editorial board that he was prepared to say bye-bye to music director Osmo Vänskä, the upcoming Carnegie concerts, and the opening of the newly-renovated Orchestra[…]
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Just like Rip Van Winkle, American orchestras have been asleep for twenty years. Season after season of the same repertoire, played again and again for generations until the idea of an orchestra participating in modern musical life seems outrageous. Last week, the League of American Orchestras focused their annual conference around the idea of “Imagining Orchestras in[…]
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Half of the fun of watching Mad Men is observing how dramatically American society has changed since the 1960’s. The characters’ constant drinking and homophobia make us blush, and we notice how far attitudes have shifted towards everything from smoking to sexism. Our lives in America have changed so thoroughly since then that looking back[…]
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Go out to hear an orchestra concert tonight and chances are the orchestra will be playing Beethoven. The most recent Orchestra Repertoire Report, from ’09 – ’10, details that 137 orchestras in America performed Beethoven’s music 457 times that season. His ninth, seventh, and fifth symphonies were ranked first, second and third respectively among the[…]
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This article by Michael Drapkin was first published in October of 2011. In it, Michael describes a different orchestra financial model–how the financial stakeholders of an orchestra i.e., the musicians, staff, conductors could share in the economic success or failure of their orchestra. There is definite risk/reward here, if instituted by an orchestra it would[…]
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My assumption would be that 'score' here refers to the musical portion of the recorded soundtrack, and not the written…
History is filled with people who have tried to define art. They have all been wrong, and there is no reason to suspect we are any better at it than they were. Changes to what experts call “Art” happen all the time. There was a time when people questioned whether photography constituted fine art. Some[…]
Read MoreThis is a pretty amazing story: For four years, the Minnesota Orchestra board has walked a tightrope between managing public perceptions about its financial health and making its case to cut musicians’ salaries. As early as 2009, board officers were discussing how much money to draw from investments, and the advantage of reporting balanced budgets[…]
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The problem with settling with management/board on their terms is that it validates their approach to the problem and makes…