Category - Income Streams

1
Spinning Plates, Entrepreneurship, and the Social Relationships of Ensemble Residencies
2
Another reason to love Milwaukee
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The Third Estate
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About that New Republic article
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An Indexed Financial Model for Symphony Orchestras
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Big Tent Thinking
7
Who’s Afraid of Popular Culture?
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The rest of the ugly
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The reason why
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Gold in them thar toobs?

Spinning Plates, Entrepreneurship, and the Social Relationships of Ensemble Residencies

Over the last few decades, many American schools of music have embraced the repertoire and missions of new music ensembles. Boundaries are broken, venues explored, students challenged, and new sounds ring out. What a change from the 1980s, when musicologist Susan McClary argued that “both popular and postmodern musics are marked as the enemy, and[…]

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Another reason to love Milwaukee

Milwaukee has long been known as the most German city in the United States, and with cause. German immigrants and their descendants were the dominant ethnic group for much of Milwaukee’s history. The last full-time office staff of Local 8, who retired several decades ago, was a gentleman by the name of Al Goetz who[…]

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The Third Estate

If one wishes to contribute to the conversation about how to expand the audience base for American orchestras, then one must talk about what those orchestras are presenting — and right now that’s a taboo subject. The fact is that the discussion about WHAT exactly orchestras are presenting has never taken place. The arbitrary distinction[…]

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About that New Republic article

It’s not surprising that a recent article by Philip Kennicott in the New Republic by the title of “America’s Orchestras are in Crisis” got some favorable play in the musician community. The writer, who is Art and Architecture critic for the Washington Post, focused very heavily on what he believed was the League of American[…]

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An Indexed Financial Model for Symphony Orchestras

This article by Michael Drapkin was first published in October of 2011. In it, Michael describes a different orchestra financial model–how the financial stakeholders of an orchestra i.e., the musicians, staff, conductors could share in the economic success or failure of their orchestra. There is definite risk/reward here, if instituted by an orchestra it would[…]

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Big Tent Thinking

History is filled with people who have tried to define art.  They have all been wrong, and there is no reason to suspect we are any better at it than they were. Changes to what experts call “Art” happen all the time.  There was a time when people questioned whether photography constituted fine art.  Some[…]

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Who’s Afraid of Popular Culture?

A recent missed opportunity for orchestras in New York City came in late October in the form of Comic Con.  The New York Comic Con is an annual New York City fan convention dedicated to comics, graphic novels, anime, manga, video games, toys, movies, and television.  Comic Con is an event that brings more than 100,000 people[…]

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The rest of the ugly

Although the guts of the Minnesota proposal (and the damage done by it) lie in the economics, there is plenty of other stuff not to like as well. In particular, there are loads of changes proposed to work rules; far more than one would expect in a normal negotiation, much less one in which the[…]

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The reason why

It seems inherent in human nature to look for someone to blame when bad things happen. Bad things have been happening in our field of late (or at least to a higher-than-usual number of orchestras), so those on the receiving end – who are mostly, although not exclusively, musicians – look for an enemy who[…]

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Gold in them thar toobs?

Think “orchestral institutions” as “artists” in this article and some interesting questions emerge: Are we finally entering the age of the digital cultural entrepreneur (DCE)? That is, has it now become possible for a gifted artist or writer to control the reins of his or her career from a laptop, scheduling gigs, selling books or[…]

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