Category - Uncategorized

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A Polyphonic Thanksgiving MUSICAL FEAST!
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Winter Issue of Symphony Magazine Now Available
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Getty Grant Awards Announced
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Most definitely not a viola joke
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The Force Is Already With Us
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The Magic of Serendipity
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A must-read piece on performance anxiety
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Grand Rapids Symphony’s Music for Health Program
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Lincoln Portrait and the Fourth of July
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Some thoughts on Hartford

A Polyphonic Thanksgiving MUSICAL FEAST!

Happy Thanksgiving to you and yours from everyone at Polyphonic.org!  To celebrate the holiday, we asked each of our editors to design a musical “feast” – a menu of some favorite musical selections for which they are thankful.  Enjoy! Ann Drinan – Senior Editor Appetizer: Hot brie cheese and spicy goat cheese with fancy crackers,[…]

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Winter Issue of Symphony Magazine Now Available

You can read the winter issue of Symphony Magazine here.  The issue contains a number of interesting articles including the following: Hyperlinked: Emerging classical artists embrace social media Music Alive: New models for embedding contemporary composers with orchestras – and communities How Can Orchestras Become More Diverse? Five African-America orchestra professionals in a roundtable discussion[…]

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Getty Grant Awards Announced

22 Orchestras Receive Getty Education and Community Investment Grants from the League of American Orchestras Intended to help stimulate growth and excellence in education and community engagement programming, the grants will fund orchestras’ long-term in-school and after-school music programs with social development components, as well as orchestras’ health and wellness programs for populations including hospital[…]

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Most definitely not a viola joke

It’s not often a story this inspiring comes out of our business: Many people speak about the healing power of music, and I was lucky enough to be able to experience the truth of the idea. In the summer of 2013, I traveled with my now-wife then co-dreamer Lauren to the Middle East to bring[…]

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The Force Is Already With Us

John Williams is one of the most important and influential composers writing new music for orchestras today. In fact, the most exciting and anticipated new music for orchestra this year is John Williams’ new score to Star Wars: The Force Awakens. Yet, despite his incontestably successful forty-year career writing new music for orchestra and his[…]

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The Magic of Serendipity

My wife and I were recently in Amsterdam revisiting the major art museums and enjoying that wonderful freedom which makes this city so extraordinary. The weather had been really hot, and on this particular day, the heat had joined forces with a great tumult of humidity.

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A must-read piece on performance anxiety

The New Yorker continues to be the best magazine in the English-speaking work for coverage of arts issues (as opposed to arts news), as demonstrated by an article-length review of Sara Solovitch’s book Playing Scared: A History and Memoir of Stage Fright: Stagefright has been aptly described as “self-poisoning by adrenaline.” In response to stress,[…]

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Grand Rapids Symphony’s Music for Health Program

Nathan Kahn  of the AFM’s Symphony Services Division has been telling me about the wonderful music wellness program designed by Grand Rapids violinist Diane McElfish Helle, and I plan to find out more and write an article about their work. Today I noticed that Paul Austin, former ROPA Vice President and Grand Rapids hornist, had[…]

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Lincoln Portrait and the Fourth of July

Copland’s Lincoln Portrait is not terribly popular with orchestra musicians, mostly (I suspect) as a result of over-exposure to bad performances. It invariably gets scheduled on pops programs and outdoor concerts, usually with the lowest-ranking staff conductor who’s in town at the time, and generally with narrators chosen more for who they are rather than[…]

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Some thoughts on Hartford

The Hartford Symphony has been in the news recently, and not in the way that orchestras want to be: Behind the two-year dispute between the Hartford Symphony Orchestra and the musicians union over a new labor agreement is the symphony’s effort to remake itself to appeal to changing audiences and tastes. The orchestra says it’s[…]

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