Category - Students

1
Are You a Musical Code-Switcher?
2
Los Angeles Philharmonic’s National Take a Stand Festival
3
A Note to Me: D.C.
4
Ranking Music Schools: What’s Wrong with This Picture?
5
Leadership, solitude and musicians
6
The Baltimore Ravens Support the BSO’s OrchKids Program
7
Baltimore Symphony’s OrchKids 2013 Spring Bash!
8
Friday April 19, 2013
9
Teaching, Learning, Experience (III)
10
3:30 a.m.

Are You a Musical Code-Switcher?

Jun 22 2015
Browse archives for June 22, 2015
Daniel Isbell, Ph.D. & Ann Marie Stanley, Ph.D.
Daniel Isbell, Ph.D. & Ann Marie Stanley, Ph.D.

For Dr. Daniel Isbell's biography, please visit:
http://faculty.ithaca.edu/disbell/

For Dr. Ann Marie Stanley's biography, please visit:
http://www.esm.rochester.edu/faculty/stanley_ann_marie/

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Alternative Ensembles, Education, Paul R. Judy Center for Applied Research, Students

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Do any of these scenarios sound familiar? 1. You perform with the symphony in the afternoon, then change out of your formal black, throw your music stand in the trunk, and head straight to a gig with your rock band. 2. On Sunday morning, you accompany a gospel church service, then have an intense chamber[…]

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Los Angeles Philharmonic’s National Take a Stand Festival

Jan 27 2015
Browse archives for January 27, 2015
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

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Community Engagement, Education, Orchestra Life, Students

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On Thursday, January 8, 2015, the Los Angeles Philharmonic announced the creation of the National Take a Stand Festival, an initiative to create a unified national platform for El Sistema-inspired programs throughout the US. The initiative will bring world-renowned conductors, guest artists and teachers to students in El Sistema programs around the country. The National[…]

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A Note to Me: D.C.

Aug 21 2014
Browse archives for August 21, 2014
Margaret Miller
Margaret Miller

Margaret Miller is Assistant Professor of Viola and Coordinator of the Graduate Quartet Program at Colorado State University. She is also a core faculty of the LEAP Institute of the Arts at CSU. Prior to joining the faculty in 2004, Ms. Miller was violist of the Da Vinci Quartet for 18 years. Ms. Miller is an active soloist, chamber musician and clinician, and wants to help young musicians have a successful career.

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Back to School, Careers, Education, Entrepreneurship, Higher Education, Musicians Today, OnCampus, Students

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What I Would Tell My Younger Self… As a university professor, I often tell my studio stories from my student days in order to make a point about something, usually practicing!  I have been thinking about this topic quite a bit this summer, as the new performing/academic year is fast approaching.  This is certainly not[…]

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Ranking Music Schools: What’s Wrong with This Picture?

Aug 18 2014
Browse archives for August 18, 2014
Barbra Weidlein
Barbra Weidlein

Barbra Weidlein is co-founder/director of MajoringInMusic.com, the website for anyone thinking about majoring in music or pursuing a career in music. Audiences include high school students, current music majors, parents, music educators, and music schools.

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Back to School, Education, Higher Education, Staying informed, Students

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This is the second post in our August Guest Blog Series!  Barbra Weidlein is co-founder and director of MajoringInMusic.com, a website for prospective music and current music majors, parents, and music educators. A little over a month ago, an article popped up on USA Today College Online, about a new ranking of the “top 10″[…]

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Leadership, solitude and musicians

Jan 07 2014
Browse archives for January 07, 2014
Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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Mindset, Orchestra Life, Students

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I’ve been trying to figure out if this article, written as a speech to West Point cadets by William Deresiewicz, a noted American writer and former academic, might have some insights for us. This is a very long quote from the article: What can solitude have to do with leadership? Solitude means being alone, and[…]

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The Baltimore Ravens Support the BSO’s OrchKids Program

Nov 26 2013
Browse archives for November 26, 2013
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

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Students, The Future

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The Baltimore Ravens have announced that not only will the Baltimore Symphony and their OrchKids Bucket Band perform at the Ravens’ Thanksgiving-night half-time show at their game with the Pittsburgh Steelers, they have pledged to give $15,000 to the OrchKids program. Seeing such support from a football team for a symphony orchestra gives me hope.[…]

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Baltimore Symphony’s OrchKids 2013 Spring Bash!

May 29 2013
Browse archives for May 29, 2013
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

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Community Engagement, Education, Students

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I traveled down to Baltimore last week to spend some time with the Baltimore Symphony’s OrchKids program and experience their final concert for this academic year — their Spring Bash. I first observed the OrchKids program, the BSO’s after-school intensive El Sistema program, in 2010 when they were in their second year at the Lockerman-Bundy[…]

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Friday April 19, 2013

Apr 23 2013
Browse archives for April 23, 2013
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Education, Students

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This terrible week will stay in our memories. It is with us now. Unresolved. A scream like the mighty dissonance of that Mahlerian scream in his 10th Symphony. But we will conquer its summit and plumb its depths.

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Teaching, Learning, Experience (III)

Mar 01 2013
Browse archives for March 01, 2013
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Education, Higher Education, Students

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Concert programmers, teaching artists , armies of program annotators, and museums with their rental headsets believe that audiences today lack experience and confidence in approaching an art work.

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3:30 a.m.

Feb 09 2013
Browse archives for February 09, 2013
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Education, Higher Education, Students, The Future

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My top priority — of course — is to protect the young people who study here, our faculty and staff, and all the many thousands of concert visitors we have every year. But this mandate necessitates negotiating a way through a challenging Scylla and Charybdis of choices.

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