Category - Editor’s Choice

Favorite articles, interviews and blogs from the Polyphonic and Harmony archives.

1
Ben Zander’s TED Talk
2
Reimagining the Orchestra Subscription Model
3
The View from England re: Playing in an Orchestra
4
Roger Cline and the CSO Members’ Committee
5
Darkness Audible: Depression Among Musicians
6
Orchestral Getty Grants: The Community Work of Four Orchestras
7
New Notes on the Autism Scale
8
Portland (ME) Symphony Names Carolyn Nishon as Executive Director
9
Boston’s Handel and Haydn Society Turns 200
10
Creating a Great In-School Ensemble Program

Ben Zander’s TED Talk

My husband loves to listen to TED talks while he’s puttering in the kitchen, and he recently sent me a link to Ben Zander’s TED talk from 2008, about the transformative power of classical music. (Ben Zander has been the conductor of the Boston Philharmonic since 1979, and is a noted public speaker on leadership[…]

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Reimagining the Orchestra Subscription Model

It’s no accident that the most influential book in our field may have been Danny Newman’s Subscribe Now!.  Selling tickets by subscription has long been the foundation of orchestras’ earned revenue stream. And most orchestra musicians who’ve had to pay attention to their orchestra’s finances have heard some variant on how the subscription model is fading[…]

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The View from England re: Playing in an Orchestra

Recently Nathan Kahn, SSD negotiator, posted an article on ICSOM’s Orchestra-l list-serve that was published in The Guardian in February 2006 about why so many musicians are quitting their orchestra jobs for… According to Anna Price, the author, The money’s terrible, the stress is awful and the music is plain boring. No wonder so many[…]

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Roger Cline and the CSO Members’ Committee

Only people who serve on orchestra committees can really understand the impact of such volunteerism on their families. That impact can be substantial, both good and bad. One example of the positive impact of such service is this article by Jennifer Mondie, a member of the National Symphony Orchestra whose activism was clearly inspired and[…]

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Darkness Audible: Depression Among Musicians

While depression is not the taboo subject that it was when I was young, it still takes a fair amount of courage for anyone to open up about their own struggles with the disorder, much less someone who occupies as public a role as does ICSOM chair Bruce Ridge. His article resonated for me in[…]

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Orchestral Getty Grants: The Community Work of Four Orchestras

The summer issue of Symphony magazine had an article by Michael Stugrin about the Ann and Gordon Getty Foundation’s Education and Community Envestment grants, awarded to 22 orchestras in 2014-15. The grants rage from $13,000 to $27,500, and are granted to orchestras of all budget sizes. Mr. Sturgin’s article focuses on four recipients: The Central[…]

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New Notes on the Autism Scale

While the Fall 2015 issue of Symphony magazine (the publication of the League of American Orchestras) contained a range of interesting and positive articles, one particularly caught my interest. Titled “New Notes on the Autism Scale,” it was about concerts given for people on the autism spectrum by a number of American orchestras and the[…]

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Portland (ME) Symphony Names Carolyn Nishon as Executive Director

It was with great pleasure that I read the news that the Portland Symphony in Maine has named Carolyn Nishon as their new Executive Director. Carolyn has been with the PSO since 2008, serving in a variety of positions, most recently as General Manager. Carolyn replaces Lisa Dixon, who had been in the position since[…]

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Boston’s Handel and Haydn Society Turns 200

Claiming to be the oldest continuously performing orchestra in America, the Handel and Haydn Society celebrates 200 years this year. The Society gave the American premiere performances of Verdi’s Requiem in 1878 and Bach’s St. Matthew Passion in 1879. The Society was created at the conclusion of the War of 1812, giving a performance of[…]

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Creating a Great In-School Ensemble Program

Recently I attended a presentation by Mitchell Korn, who conducted an in-depth analysis of my orchestra’s educational programs. He had many critically interesting ideas to convey to us musicians, and kept coming back to “professional development.” I think, for most of my colleagues, this conjurs up a vision of a truly boring session with some consultant[…]

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