Category - Performance Practice

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Boston’s Handel and Haydn Society Turns 200
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PRJ Center Grant Recipients The Weckmann Project and Musica Nuova Reflect on Their Collaboration
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The Struggle of Harmony and Invention

Boston’s Handel and Haydn Society Turns 200

Jul 13 2015
Browse archives for July 13, 2015
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

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Classical Music, Editor's Choice, Musicians Today, Performance Practice

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Claiming to be the oldest continuously performing orchestra in America, the Handel and Haydn Society celebrates 200 years this year. The Society gave the American premiere performances of Verdi’s Requiem in 1878 and Bach’s St. Matthew Passion in 1879. The Society was created at the conclusion of the War of 1812, giving a performance of[…]

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PRJ Center Grant Recipients The Weckmann Project and Musica Nuova Reflect on Their Collaboration

Apr 01 2015
Browse archives for April 01, 2015
Amanda Keil
Amanda Keil

Amanda Keil is the founder and director of Musica Nuova, which creates staged productions of Baroque song, opera, and oratorio. She has also been a contributing writer at Classical Singer, Opera America, and Bachtrack.com. Amanda shares what she's learned as an artist-entrepreneur at thousandfoldecho.com.

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Alternative Ensembles, Concerts, Paul R. Judy Center for Applied Research, Performance Practice, Performances

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The Weckmann Project and Musica Nuova were joint recipients of a 2014 Paul R. Judy Center for Applied Research grant, which supported our presentation of two staged productions of Heinrich Schutz’s Christmas Oratorio. Nearly 300 audience members joined us on December 6 and 7, 2014 at Zion German Evangelical Lutheran Church in Brooklyn Heights, where[…]

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The Struggle of Harmony and Invention

Nov 06 2014
Browse archives for November 06, 2014
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Classical Music, Performance Practice, Performances

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The concert was a joy from start to finish. Aisslinn is not just a gifted Baroque violinist playing with true style and power, but a great performer and communicator whose energy and passion for the music set the audience alight

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