As you may have noticed, tensions between the management and the musicians of the Hartford Symphony Orchestra have been heating up as the two sides try to agree on a new contract. Management, which basically now means the Bushnell [Center for the Performing Arts] under an administrative arrangement put in place a little more than[…]
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An article came out a couple of weeks ago on Omaha.com with some positive news from the Omaha Symphony. Attendance during the Symphony’s 2014-15 season was record setting, and even subscription packages to multiple concerts are on the rise. Pretty exciting. Of course, the question is why. Why are more people coming to the symphony[…]
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While there is plenty of negative press about the struggle of orchestras in the 21st century, here is a New York Times article about recent successes at the Cincinnati Symphony that is quite encouraging.
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Congress passed a law three years ago to address the problems musicians have encountered flying with their instruments, but the regulations, which will cause the airlines to implement the law, were only published in January, 2015. And then the airlines had 60 days to get things in order to implement the new regulations. Thanks to the efforts[…]
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James Stewart, author of Den of Thieves and many other prize-winning investigative works, has turned his talent to exploring the recent contract negotiations at the Metropolitan Opera. In the March 25, 2015 issue of the New Yorker magazine, Stewart presents an amazingly detailed analysis of these negotiations and what led up to them. As one[…]
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The Guardian recently published an edited version of NY Philharmonic Music Director Alan Gilbert’s 2015 Royal Philharmonic Society Lecture. In the lecture, Gilbert describes his view of where we are today – how orchestras are doing some serious soul-searching to discover what role they will play in their communities going forward. Orchestras are trying all[…]
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As I write this introduction to my Editor’s Choice for this month, at top of mind for me is the former Director of the Eastman School of Music, Robert Freeman. In 1972 he was named director of Eastman, a position he held for 24 years. He returned to Eastman this week to be formally honored[…]
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Alex Ross, the music critic of The New Yorker, always has interesting things to say about classical music. In a recent essay written for Symphony magazine, Mr. Ross writes about the role of politics in classical music by posing the question: Do musicians and composers have an obligation to speak out on political matters? He[…]
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As it most likely true in all orchestras, mine has a decided rift amongst the women members in terms of what is appropriate to wear at a Masterworks concert. Being of a certain age, I always wear a floor-length skirt and a fancy top, usually velvet. It irks me to see 20-something women dressed as[…]
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Last May, as the Metropolitan Opera Orchestra musicians were facing a difficult negotiation, Local 802 published a lovely and insightful interview with Elaine Douvas in Allegro, their monthly newspaper. Bob Pawlo, Local 802 recording rep, asked her many questions that delved into the complex life of a principal player in perhaps the world’s most demanding[…]
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