Author - Robert Levine

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Arts in the suburbs
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Orchestras aren't about "peace"
3
The kid stays on the podium
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A good idea
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Happy New Year
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In Memoriam 2010
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Why orchestra management is hard
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The times they are a'changin…
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The moralistic approach to orchestra scheduling
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The price was right

Arts in the suburbs

Anne Midgette had an interesting piece in Friday’s Washington Post on the boom in arts facilities in the DC area: If the 1970s saw an increase in performing arts organizations, the 1990s and 2000s have seen a notable increase in places built to house them. The boom is reflected nowhere better than in the Washington[…]

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Orchestras aren't about "peace"

I’ve been trying to figure out just what exactly bugs me so much about this: Music can change the state of the world, stop conflict and bloodshed, and bring peace to war-torn regions. If that sounds far-fetched then you haven’t met Russia’s famed maestro Valery Gergiev. “The power of music can be (a) very quiet[…]

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The kid stays on the podium

There’s something about conducting this kid really gets, although he really should have turned the last page of the score before he thought the piece was over: Wouldn’t it be nice if more kids this age thought Beethoven was this much fun? And why don’t they, anyway? I wonder what would happen if kids treated[…]

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A good idea

This is interesting: The St. Louis Symphony Orchestra has announced the first recipient of the Mabel Dorn Reeder Honorary Chair: It’s associate concertmaster Heidi Harris. The chair, announced in July 2010, was established with a $2 million endowment from the Mabel Dorn Reeder Foundation. It is awarded, based on “excellence in artistry and leadership within[…]

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Happy New Year

2011 has got to be better than 2010, which really sucked. Some good news is already emerging, though. The Nashville Symphony is back in its home after months of repairing flood damage, while the musicians of the Louisville Orchestra won a significant victory in bankruptcy court when the judge refused to set aside their collective[…]

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Why orchestra management is hard

Joseph Horowitz doubled down on his remarks about musician compensation in a later blog post (analyzed by Drew McManus here): If I sound unsympathetic to the musicians, it’s because I’ve heard one too many times the strident union litany blaming ignorant boards and incompetent managers. Running an orchestra is a thankless task. I’ve done it.[…]

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The times they are a'changin…

I went to my local Borders today to kill some time while a prescription was filled. It’s a bi-level store, but I hadn’t gone downstairs since last year this time, as it was mostly CDs and it’s been a long time since I could count on finding something I wanted to listen to on a[…]

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The moralistic approach to orchestra scheduling

Interlochen Public Radio did a piece yesterday on the DSO strike; in particular the service conversion proposals that management has put on the table. The whole thing is worth reading. But I was particularly struck by comments made by Joseph Horowitz: …there are those in the industry who argue this discussion is way overdue. Joe[…]

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The price was right

One of the most damaging misconceptions about orchestras is that we raise money because we don’t make enough on ticket sales to cover the total expense of the concerts. The reality is very little of the fixed expenses of orchestras is covered by ticket sales, which typically cover, at most, the marginal expenses of putting[…]

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