Author - Robert Levine

1
Why a Flanagan?
2
Miracles of Modern Science
3
The Perilous Analysis of Symphony Orchestra Finances
4
Games (if not fun) in Louisville
5
Best line of the century
6
Why there are no solo viola careers
7
What a good board looks like
8
Of models old, new, and broken
9
Let’s make a commercial!
10
About that Strad vs modern violin study thingy…

Why a Flanagan?

While there’s been some public discussion about the Flanagan book, as I mentioned here, there’s been almost none about its genesis, with one exception that I’ll discuss below. This is unfortunate; how and why an analysis originates can be very informative about the substance of the analysis. So I will try to rectify that and[…]

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Miracles of Modern Science

Japanese scientists have succeeded in making violin strings out of spider silk: Shigeyoshi Osaki at Nara Medical University in Japan has studied the properties of spider silk for 35 years. In the past decade he has focused on trying to turn the silk into violin strings, even taking lessons on what was required of a[…]

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The Perilous Analysis of Symphony Orchestra Finances

The Flanagan Report has recently been resurrected by its author, Robert Flanagan of the Stanford Graduate School of Business, as a book, recently published and currently being promoted by the Yale University Press. The promotion has not yet paid off in reviews outside our field, but is beginning to cause reactions from industry groups. The[…]

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Games (if not fun) in Louisville

The most recent attempt by the board and management of the Louisville Orchestra to appear to be trying to settle what has turned into the orchestral equivalent of WW3 was to propose an interesting form of arbitration; one that would have required the Louisville Orchestra musicians to agree in advance to several provisions that they[…]

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Best line of the century

The situation in Louisville continues to make for colorful reporting. Today’s development was that the Music Director of the Kentucky Opera, Joe Mechavich, is bowing out of this week’s production of Merry Widow because the company hired replacement musicians instead of the musicians of the Louisville Orchestra: …“Given these circumstances, I am unable to continue[…]

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Why there are no solo viola careers

The major function of Twitter appears to be enabling people to write things that, after 24 hours or so of reflection, they probably would rather not have written. Case in point is an outpouring of frustration on the part of the violist Jennifer Stumm, who wrote on her Twitter feed last week: Bigwig last night:[…]

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What a good board looks like

It’s axiomatic in the non-profit sector that, more than any other single factor, it’s the quality of the board of directors that determines whether institutions succeed or not. Of course, it’s axiomatic that the way to make money in the market is to buy low and sell high. That doesn’t mean it’s helpful advice. But,[…]

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Of models old, new, and broken

There’s been lots of chatter in the arts blogosphere the past few days over “the model,” most prominently in the email publication You’ve Cott Mail for January 11, which cited a number of online commentaries on the subject, including a very good one from Drew McManus at Adaptistration. But the commentaries invariably miss crucial points[…]

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Let’s make a commercial!

My orchestra did, and it was kinda fun: When Joshua Phillips signed on this season as a French horn player in the Milwaukee Symphony Orchestra, he had no idea the job description included taking a snowball to the head. “I was trying to do what I was told,” he explained. The instructions were coming not[…]

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About that Strad vs modern violin study thingy…

My colleague Frank Almond did a very thorough take-down of the whole thing here: “These instruments were loaned with the stipulation that they remain in the condition in which we received them (precluding any tonal adjustments or even changing the strings), and that their identities remain confidential. All strings appeared to be in good condition.”[…]

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