From under a rock emerges A Strategy

The announcement on Friday of the previous weeks’ vote by the Honolulu Symphony board to file for bankruptcy included this charming piece of thinking:

“Given its current and projected financial status, the Society cannot continue to sustain a 64-piece orchestra,” Mechling said. “We cannot continue with business as usual”… “In order to do this we must be far more strategic, leaner, more efficient and willing to creatively and artistically work with a substantially smaller core group of musicians that will be the base for our sustainable future,” she said.

And how do they plan on getting to that “substantially smaller core group of musicians?” They’re going to start by ending health insurance coverage for half the orchestra:

Steve Dinion, chairman of the musicians orchestra committee, said the musicians were devastated by yesterday’s announcement….He added that about half of the symphony’s musicians were notified yesterday that their health insurance coverage would be terminated by HMSA.

That’s a pretty clear hint to their thinking about the proper size for the HSO; as was, of course, the article’s sub-headline:

Struggling orchestra to file for bankruptcy; may lay off 32 musicians.

But it’s definitely “creative”; unilaterally ending health coverage for half of an orchestra is a stunt that’s never been tried before.

They get no bonus creativity points for believing that Honolulu can support a full-time chamber orchestra, though; not only is downsizing an orchestra to a chamber group not original, but it’s not going to work. Chamber orchestras are not an easier sell to funders, or audiences, than are the full-size model; just ask the musicians in St. Paul, who took a pay cut almost as as big as did the HSO musicians last winter.

It’s this kind of thing that gives the doctrine of Hell emotional credibility.


About the author

Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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