Jade Simmons says, “Put On Your Own Darn Concert!”
Jade is committed to expanding the boundaries of Classical music and its presentation. From 2006-2010 she served as the inaugural New Music/New Places Fellow for the prestigious Concert Artist Guild organization. She offers a diverse mix of repertoire from the Classics to the cutting edge. Audiences have come to expect creative projects backed by riveting performances like her program Kandinsky and Scriabin: Hearing Color, Seeing Sound which focuses on links between visual art and music, as well as The Rhythm Project, an exploration of pieces that exploit the more percussive nature of the piano. Ms. Simmons, a Yamaha Artist, has toured the US extensively, highlighted by concerts on Ravinia’s Rising Stars series, the National Academy of Sciences in Washington, DC, the University of Washington World Series in Seattle, Merkin Hall and the Detroit Institute of Arts. In 2012, she will return to Ravinia’s Bennett Gordon Hall and will release Playing with Fire, an EP on her newly launched record label Superwoman Records.
Jade’s multiple talents make her a true Renaissance woman of the millennium taking her in the direction of arts presenter, writer, lecturer and creator of Emerge Already!, career-building platform for emerging artists including videos, blogs and books. Most recently, she has been invited to write for the Huffington Post’s Arts section and she has served as the webcast host for both the Van Cliburn and the Tchaikovsky International music competitions. An artist with a social conscience that moves her to action, Jade serves as an advocate for America’s youth, presenting arts outreach and addressing groups across the country on sensitive issues such as youth suicide prevention and mental health awareness. Jade has been recognized two years in a row by Symphony Magazine for her work on and away from the stage. In light of these achievements, she was listed as one of Ebony magazine’s Top 30 Leaders under 30 and was proclaimed Houston’s Best Arts Ambassador by the Houston Press.
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