Great Expectations

In response to Beth Meyer’s post yesterday: “There was also Greg Mertl’s class on “Music and the Media” which focused on the role and identity of classical music in Hollywood and advertising and how we as classical musicians self-perpetuate the view that it is a higher art form, distancing ourselves from the lay-person. This class totally blew me away! Really, any class that offers you a forum for working through any of these issues or hearing the perspective from the outside world will be time well-spent…”

Was just reading some words on Nathan Milstein and he is quoted as saying that society needs “those people”, those people being “us”, and he was referring to composers, instrumentalists, poets, architects – artists that run the whole gamut.

This is why I feel that our role in the community, to represent our ensembles, is one that we simply carry out every day….would it not be wonderful for a board to offer “A Day With (fill in the blank of the titled chair)”, so that people could actually SEE a real day in the life of an orchestral member, complete with diaper changes and car accidents?

About the author

Samuel Thompson

Winner of a Participation Prize at the 2011 Padova International Music Competition (Italy), Samuel Thompson is a Baltimore-based violinist whose career spans solo, chamber music, orchestral and interdisciplinary performance and arts journalism. During the 2011/2012 season Samuel appeared with the Nathaniel Dett Chorale in Toronto's Koerner Hall via an invitation from Tanya Charles of the Gould String Quartet (Canada), Washington DC's critically acclaimed Great Noise Ensemble, in recital with Michelle Schumann during the inaugural season of the Pro Arts Collective's Metropolitan Classical Series in Austin, Texas, and onstage with the Carpetbag Theatre Ensemble at the August Wilson Center for African-American Culture in Pittsburgh in addition to orchestral performances at the Kennedy Center for the Performing Arts and with the Harrisburg, Knoxville, Roanoke and Delaware symphonies.

Samuel's performance during the 2011 Black Arts Movement (BAM) Festival in Austin resulted in immedate reengagement for the 2011/2012 season. During the 2010/2011 season he also performed Ryuichi Sakamoto's “Rain” in a performance for Musicians of Mercy, a collective of over seventy independent musicians and artists in the metropolitan Washington DC region. A seasoned performer, Samuel made his debut as soloist in 1998 with Robert Franz and the National Repertory Orchestra and has appeared with the Carolina Amadeus Players Chamber Orchestra, Cortlandt Chamber Orchestra, Orchard Park Symphony Orchestra and members of Orchestra X.

A sought-after recitalist and chamber musician, Samuel made his east coast debut at the New Haven International Festival of Arts and Ideas in a multimedia staged recital conceived and directed by Peter Webster, and has been presented in concert by Da Camera of Houston, Millennium Music Spotlight Series, Columbia Festival of the Arts in South Carolina, Chicago's Fazioli Salon Series under the auspices of Pianoforte Foundation Chicago and WFMT-FM, Kent State-Ashtabula Classical Concert Series, USC Cares: Renewal Through Music series at the University of South Carolina , the Tafelmusik Baroque Summer Festival and the Museo Internato Ignoto in Padova, Italy. His chamber music partners include pianists Michelle Schumann and Stephen Carey, the Marian Anderson String Quartet and members of the West Shore Trio. Samuel has also appeared with performance artists and theatre companies at alternative performance spaces throughout the United States including DiverseWorks Artspace (Houston), the Old Ironworks Building (New Orleans), On The Boards (Seattle), Rockwood Music Hall (New York), Tucker's Blues (Dallas) and the Colony Theatre (Miami). In addition to appearing with the Carpetbag Theatre Ensemble during the 2008-2009 season, Samuel is also featured on the soundtrack of Rajni Shah Theatre's Dinner With America , a performance art piece that toured the United Kingdom and Spain in 2008.

Samuel has also been noted as a “thought-provoking and erudite writer” in response to his essays and program notes. In November 2011 Samuel was invited by Barbara Day Turner of the San Jose Chamber Orchestra to write a monthly column for the orchestra's newsletter. That column, titled “Other Notes”, debuted in January 2012 and featured interviews with artists including Talise Trevigne, Jennifer Kloetzel of the Cypress String Quartet and 2012 Menuhin Competition winner Kenneth Renshaw. In recent years Samuel has contributed to Strings Magazine , online industry magazine violinist.com and Nigel Kennedy Online .

Maintaining a sense of loyalty to the New Orleans musical community as he was a member of the Louisiana Philharmonic during the 2002-2003 season, Samuel organized and performed in benefit concerts immediately after Hurricane Katrina, his efforts becoming the subject of an article in the September 2007 International Musician . Mr. Thompson has been profiled by Strings Magazine, the Austin Chronicle, Fractured Atlas, Strings Magazine, Jan Herman's “Straight-Up” at Artsjournal.com, the Boston Globe, the San Antonio Express-News, Relevant Magazine, OSU Magazine and the Crescent City Chronicles, with his live performances and interviews being broadcast on WFMT-FM's “Fazioli Salon Series”, WSCI-FM's “Conversations with Joan”, KAHL-FM's “Sonny Melendez Show” and KOSU-FM's “Concerts from OSU”.

A native of Charleston, South Carolina, Samuel studied violin at both the University of South Carolina and Oklahoma State University. He earned the Master of Music degree from the Shepherd School of Music at Rice University, where his teachers included Kenneth Goldsmith and Raphael Fliegel. Samuel has also participated in the Helen and Immanuel Olshan Texas Music Festival, the International Festival-Institute at Round Top, the National Orchestral Institute and Spoleto Festival USA. A semifinalist in the 2000 New World Symphony Concerto Competition, Samuel was a recipient of an Artistic Assistance Award from Alternate ROOTS made possible with funds from the Kresge Foundation, Open Society Foundations and the Nathan Cummings Foundation. He is a members of Alternate ROOTS and the American Federation of Musicians, and served as a member of the Maryland State Arts Council Grant Review Panel in 2012. Samuel plays a violin made in 1996 by Marilyn Wallin with a bow made by German bowmaker Sebastian Dirr.

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