Life in the Pit

In many regards the health concerns faced by pit players are the same as for all orchestral musicians. The most common complaints are overuse injuries. While nearly every musician faces this problem at some point in their career, for opera musicians in particular, as I intimated in my previous post, it is an ongoing struggle. With frequent, lengthy performances, it is vital that the musicians of an opera orchestra consider ways to keep injuries at bay such as stretching, massage, or different playing positions.

Another related problem is discomfort caused by cramped playing conditions. In a pit that is oddly shaped or just too small, it is often awkward to find space to play at all and sometimes impossible to play comfortably. Sustaining an uncomfortable position for hours at a stretch is a good way to invite the same sorts of injuries.

About the author

Christina Berman
Christina Berman

Christina Berman is a member of the Atlanta Ballet Orchestra, the Atlanta Opera Orchestra, and the Gainesville Symphony Orchestra, and substitutes regularly with many other local and regional orchestras. In addition to her orchestral activities, Mrs. Berman maintains a private studio and coaches at several area schools. She is a member of the Executive Board of Union Local 148-462 and the ROPA delegate for the Atlanta Ballet Orchestra.

Mrs. Berman received her Bachelor of Music in Double Bass Performance from New England Conservatory, where she studied with Lawrence Wolfe and took violin lessons from Nicholas Kitchen. She completed a Master of Music in Double Bass Performance at the University of Georgia with Milton Masciadri and continued her violin studies there with Michael Heald. While at UGA, Mrs. Berman attended the Festival Pontino di Musica in Sermoneta, Italy, where she studied with Francesco Petracchi. She subsequently assisted in founding and running the UGA Music Study Abroad Program in Italy.

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