Archive - February 22, 2016

1
The religious liberty wars come to the orchestra world
2
Minnesota Orchestra Musicians’ Incredible Gift
3
15 seconds
4
Darkness Audible: Depression Among Musicians
5
The Force Is Already With Us
6
DigitICE: Opening Access, Historical Records, and Performance Practice through Documentation

The religious liberty wars come to the orchestra world

Even casual followers of employment law know that the issues around religious liberty and the employment relationship in the US are becoming more contentious; the Hobby Lobby Supreme Court decision and the case of Kim Davis, the Kentucky county clerk who refused to issue licenses for same-sex marriage, are only the most prominent recent examples.[…]

Read More

Minnesota Orchestra Musicians’ Incredible Gift

The Minnesota Orchestra held its Annual Meeting on December 3rd and not only announced a surplus of $15,000 but accepted an amazing gift from the musicians. The players, who formed the non-profit Musicians of the Minnesota Orchestra while there were locked out for 16 months, have dissolved this organization and donated the monies raised from self-produced[…]

Read More

15 seconds

Every couple of years or so, someone in the mainstream media decides that Orchestral Auditions Are Interesting and does a story on them. This better-than-most iteration, written by Janelle Gelfand, appeared online at cincinnati.com, the website of  the Cincinnati Enquirer: “If a candidate has made it to the final round of our audition process, they[…]

Read More

Darkness Audible: Depression Among Musicians

While depression is not the taboo subject that it was when I was young, it still takes a fair amount of courage for anyone to open up about their own struggles with the disorder, much less someone who occupies as public a role as does ICSOM chair Bruce Ridge. His article resonated for me in[…]

Read More

The Force Is Already With Us

John Williams is one of the most important and influential composers writing new music for orchestras today. In fact, the most exciting and anticipated new music for orchestra this year is John Williams’ new score to Star Wars: The Force Awakens. Yet, despite his incontestably successful forty-year career writing new music for orchestra and his[…]

Read More

DigitICE: Opening Access, Historical Records, and Performance Practice through Documentation

By nature, a composer’s work exists outside the bounds of human time. Works are remembered for centuries and, eventually, millennia, but the feedback loop varies greatly; it often takes years or generations for a composer’s work to receive deserved recognition. For performers, the feedback loop is immediate—sometimes rewarding, sometimes disappointing, always providing an opportunity for[…]

Read More