Archive - 2015

1
A must-read piece on performance anxiety
2
PRJ Grant Recipient Quince Contemporary Vocal Ensemble Reflects on May 2015 Concert
3
Remembering Vic Firth
4
The HSO: The Conversation Continues
5
Grand Rapids Symphony’s Music for Health Program
6
Baltimore’s Adult Camp
7
Saving the Hartford Symphony
8
Boston’s Handel and Haydn Society Turns 200
9
Lincoln Portrait and the Fourth of July
10
The End of Work?

A must-read piece on performance anxiety

The New Yorker continues to be the best magazine in the English-speaking work for coverage of arts issues (as opposed to arts news), as demonstrated by an article-length review of Sara Solovitch’s book Playing Scared: A History and Memoir of Stage Fright: Stagefright has been aptly described as “self-poisoning by adrenaline.” In response to stress,[…]

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PRJ Grant Recipient Quince Contemporary Vocal Ensemble Reflects on May 2015 Concert

Quince Contemporary Vocal Ensemble’s Season Closer Concert for the 2014-15 season: Spatial Palettes took place on Sunday, May 17, 2015 at 8:30pm at Constellation Chicago. We commissioned 3 new pieces with the generous support of The Paul R. Judy Center for Applied Research. One from Monte Weber, another from Levy Lorenzo, and another from Eliza[…]

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Remembering Vic Firth

I grew up in the Boston area; Vic Firth’s name was revered as one of the most prominent “BSO men” in the area. Anastasia Tsioulcas of NPR has put together a lovely tribute to him as both a percussionist and an entrepreneur. Click here to read the remembrance at NPR’s Deceptive Cadence, complete with photos and[…]

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The HSO: The Conversation Continues

In a previous post (“Saving the Hartford Symphony,” July 9), I offered a few observations about the situation at the Hartford Symphony Orchestra. Briefly, the situation is that the management, which is now essentially the Bushnell under an agreement struck 16 months ago, is proposing significant reductions in the number of services offered to many[…]

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Grand Rapids Symphony’s Music for Health Program

Nathan Kahn  of the AFM’s Symphony Services Division has been telling me about the wonderful music wellness program designed by Grand Rapids violinist Diane McElfish Helle, and I plan to find out more and write an article about their work. Today I noticed that Paul Austin, former ROPA Vice President and Grand Rapids hornist, had[…]

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Baltimore’s Adult Camp

NPR’s Weekend Edition Saturday with Scott Simon had an interesting piece this past weekend about the Baltimore Symphony’s Academy Week, which was held June 21 to 27th. Amateur musicians spend a week rehearsing with BSO players, and attending sectionals and private lessons. The week culminates in a public performance of the participants and BSO musicians[…]

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Saving the Hartford Symphony

As you may have noticed, tensions between the management and the musicians of the Hartford Symphony Orchestra have been heating up as the two sides try to agree on a new contract. Management, which basically now means the Bushnell [Center for the Performing Arts] under an administrative arrangement put in place a little more than[…]

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Boston’s Handel and Haydn Society Turns 200

Claiming to be the oldest continuously performing orchestra in America, the Handel and Haydn Society celebrates 200 years this year. The Society gave the American premiere performances of Verdi’s Requiem in 1878 and Bach’s St. Matthew Passion in 1879. The Society was created at the conclusion of the War of 1812, giving a performance of[…]

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Lincoln Portrait and the Fourth of July

Copland’s Lincoln Portrait is not terribly popular with orchestra musicians, mostly (I suspect) as a result of over-exposure to bad performances. It invariably gets scheduled on pops programs and outdoor concerts, usually with the lowest-ranking staff conductor who’s in town at the time, and generally with narrators chosen more for who they are rather than[…]

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The End of Work?

A fascinating article was published recently in The Atlantic, which takes a look into the future and considers the possibility that machines could continue to replace more and more of the modern workforce (or reduce the amount of time workers need to work).  It also considers the impacts on leisure time, the arts, and artists.[…]

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