Archive - March 2013

1
A Timpanist’s Memoirs
2
Depreciation of Musical Instruments
3
Breaking Up with Beethoven
4
Fun with Financing in Nashville
5
Kim Kashkashian, Violist Extraordinaire
6
21st Century Musicians: New Pathways
7
A Violinist’s Voyage
8
Beneficial Tax Treatment for Qualified Performing Artists
9
A Bold Experiment
10
Teaching, Learning, Experience (III)

A Timpanist’s Memoirs

Thomas Akins, Principal Timpanist with the Indianapolis Symphony from 1965 to 1991, has published his memoirs, Behind the Copper Fence: A Lifetime on Timpani. His book is filled with reminisces about his many years with the Indianapolis Symphony, his training as a timpanist, including seven summers (1960-66) in the League’s Institute for Orchestral Studies with[…]

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Depreciation of Musical Instruments

It’s tax time, so here’s our second Editor’s Choice in this series of tax related articles. William Hunt is our resident Polyphonic.org  tax expert. Not only is he a superb violinist, he also has an MBA in finance from the Simon School at the University of Rochester. I don’t know of anyone more knowledgeable than Bill[…]

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Breaking Up with Beethoven

Go out to hear an orchestra concert tonight and chances are the orchestra will be playing Beethoven.  The most recent Orchestra Repertoire Report, from ’09 – ’10, details that 137 orchestras in America performed Beethoven’s music 457 times that season.  His ninth, seventh, and fifth symphonies were ranked first, second and third respectively among the[…]

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Fun with Financing in Nashville

Some rather alarming headlines have appeared in the past few days in the Nashville Press, the best of which was WDEF’s Nashville Symphony Mired in Debt: The Nashville Symphony is in danger of defaulting on $102 million in bonds that were used to build the Schermerhorn Symphony Center. Symphony CEO and President Alan Valentine told[…]

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Kim Kashkashian, Violist Extraordinaire

As I’m sure most of you know, violist Kim Kashkashian won the Grammy for “Best Classical Instrumental Solo” for her album Kurtag and Ligeti of works by Hungarian composers Gyorgy Kurtag and Gyorgy Ligeti. When the announcement was made, a huge buzz went through the viola world — both because a violist had won the solo[…]

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21st Century Musicians: New Pathways

We are all prone to plateau in our endeavors, because we don’t have such constant critical prodding and feedback. So our tennis, golf, snooker, running, weightlifting attain a certain level, but then get stuck.

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A Violinist’s Voyage

Local 802 has again published a fascinating interview of one of its older members by a younger colleague in their monthly magazine, Allegro. Kuan Cheng Lu, who joined the orchestra in 2004, interviewed Newton Mansfield, who joined the orchestra in 1961.

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Beneficial Tax Treatment for Qualified Performing Artists

It’s tax time, so for the next few weeks the Editor’s Choice will feature tax related questions. William Hunt is our resident Polyphonic.org  tax expert. Not only is he a superb violinist, he also has an MBA in finance from the Simon School at the University of Rochester. I don’t know of anyone more knowledgeable than[…]

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A Bold Experiment

Events in the Twin Cities this season have both horrified and fascinated those who care about orchestras and orchestra musicians. Events of such magnitude usually have a backstory, and the months-long lockout of the musicians of the Saint Paul Chamber Orchestra has a very rich backstory indeed. In 2002 and 2003, the board, staff and[…]

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Teaching, Learning, Experience (III)

Concert programmers, teaching artists , armies of program annotators, and museums with their rental headsets believe that audiences today lack experience and confidence in approaching an art work.

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