One of the continuing mysteries of the Minnesota Orchestra dispute (for me, at least) was why the management chose to lock out its musicians rather than declare impasse and impose its proposal. Drew McManus believes he has an explanation: On the surface, the MOA executive committee’s public angst over the lack of a musician offer[…]
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In the 1996 Summer issue of The Musical Quarterly [80(2), pp. 194-219], J. Richard Hackman, a professor of psychology at Harvard University, and Jutta Allmendinger, a professor of sociology at the University of Munich published a large-scale study of 78 professional symphony orchestras from four nations. Over the years, within the orchestral world, their study[…]
Read MoreThe shockwaves from the Minneapolis Star Tribune article on Monday are still reverberating, judging by today’s response from the Minnesota Orchestra board leadership. It’s quite revealing, both of the board’s real position and of some of the thinking behind it. It’s also full of half-truths and rather creative constructions placed on their actions and those[…]
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Here are some of my comments on the original NY Times letter and Bruce Ridge's response: [1] "The Metropolitan Opera…
About ten days ago, Les Dreyer, a retired violinist with the Metropolitan Opera Orchestra, had his letter to the editor published in the New York Times. Evidently his writing generated some interest—in fact, enough interest to be featured, along with 12 or so others in “Reader’s Reactions.” Mr. Dreyer’s letter is the focus of this[…]
Read MoreThis is a pretty amazing story: For four years, the Minnesota Orchestra board has walked a tightrope between managing public perceptions about its financial health and making its case to cut musicians’ salaries. As early as 2009, board officers were discussing how much money to draw from investments, and the advantage of reporting balanced budgets[…]
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Another bit of good news from Detroit. http://tinyurl.com/ce3aw2k
In the American system, the arts are funded mostly through indirect subsidies. Our government’s tax policies toward charitable giving elicit billions of dollars in contributions annually. The beauty of this system is that it not only allows the citizens to determine which not-for-profits benefit a civil society, but also it does not require the government[…]
Read MoreIt’s been a bad week for the management of the Minnesota Orchestra, and this very public letter from their Music Director was was likely the cherry on the cake: Dear Members of the Minnesota Orchestra Board and the Musicians of the Orchestra: In the last few years, the Minnesota Orchestra has truly established itself as[…]
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Dr. Alice Brandfonbrener is arguably the pre-eminent physician in the world of music medicine. Several years ago, Polyphonic asked her to write an overview of her experience with common musician injuries, and give her advice to instrumentalists about finding the proper diagnosis and care. She responded with a somewhat whimsical article, quoting Little Buttercup from[…]
Read MoreA friend in the Twin Cities suggested to me that my assumption that Pinchas Zukerman and Edo de Waart had somehow requested and/or received clearance from their personal managers before agreeing to participate in the benefit concerts I wrote about here was not only unwarranted but likely offensive to the two gentlemen in question. After[…]
Read MoreThis is pretty amazing news: The locked out musicians of the Minnesota Orchestra today announced former music director Edo de Waart, and former concertmaster Jorja Fleezanis will join them for two concerts in mid-December. The news comes one day after management cancelled all concerts through December 23rd citing lack of progress in concert talks. Meanwhile[…]
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Polyphonic.org – The Orchestra Musician Forum – NLRB happens
[...] the Jacksonville Symphony musicians, with the assistance of their counsel, Liza Medina, proved my point about the dangers of…