Today we add a new feature to Polyphonic.org–the Editor’s Choice. Since we launched our site in 2006, we have a accumulated a vast amount of content. In addition, we also have the articles that were published in Harmony, the periodical of the Symphony Orchestra Institute. Much, if not most, of this content is still relevant[…]
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In an act of remarkable generosity, Drew McManus not only obtained the actual proposal made to the Minnesota Orchestra by management but posted it on his Adaptistration website. I know he’s planning on some analysis, but it was too tempting a document for me to resist reading and writing about any longer. So here are[…]
Read MoreICSOM Chair Bruce Ridge has joined the ranks of those writing about the underlying causes of the current situation in our industry, although of course he is hardly new to the party, having written extensively about the problems in the orchestra business for Senza Sordino over the years. It’s an interesting piece in many respects;[…]
Read MoreIt seems inherent in human nature to look for someone to blame when bad things happen. Bad things have been happening in our field of late (or at least to a higher-than-usual number of orchestras), so those on the receiving end – who are mostly, although not exclusively, musicians – look for an enemy who[…]
Read MoreThink “orchestral institutions” as “artists” in this article and some interesting questions emerge: Are we finally entering the age of the digital cultural entrepreneur (DCE)? That is, has it now become possible for a gifted artist or writer to control the reins of his or her career from a laptop, scheduling gigs, selling books or[…]
Read MoreThe Los Angeles Philharmonic has pulled the plug on its attempt to emulate the Metropolitan Opera’s successful series of live broadcasts to movie theaters: When the Los Angeles Philharmonic launched its series of live broadcasts to cinemas in 2011, the organization touted it as an innovative program intended to broaden the popular reach of the[…]
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In 2008, I made my first visit to Venezuela to see El Sistema. By then, I had heard several colleagues’ reports about the miracle that was happening in this developing country. But nothing prepared me for the powerful impact of music and music-making I experienced.
Read MoreThis letter appeared in Saturday’s Minneapolis StarTribune: As former music directors of the Minnesota Orchestra, we came to the state because we believe that it wants and deserves to have a world-class orchestra. We are proud of the cultural gem we have built, with the musicians, for more than half a century. It required long[…]
Read MoreIn a post rife with reader comments, Norman Lebrecht thinks the top European conductors are shunning American orchestras because of the current wave of strikes, or because they don’t like rules, or… something: Stumbling into the new season, Minnesota has become the third orchestra to lock out its musicians, after Atlanta and Indianapolis. In San[…]
Read MoreThis article by Peter Dobrin of the Philadelphia Inquirer is the best reporting on the current crisis yet to appear. Go read the whole thing: …What someone is willing to pay for orchestral musicians in this country has changed radically in recent weeks. Yes, a brief strike last month by the Chicago Symphony Orchestra resulted[…]
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