Archive - March 2012

1
Why a Flanagan?
2
Composer’s Corner with Jake Runestad
3
Introducing Jake Runestad
4
Guest Blogger: Jose Luis Hernandez-Estrada
5
Miracles of Modern Science
6
The Perilous Analysis of Symphony Orchestra Finances
7
Being a Successful Entrepreneur— Think Big—or Go Home

Why a Flanagan?

Mar 27 2012
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Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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While there’s been some public discussion about the Flanagan book, as I mentioned here, there’s been almost none about its genesis, with one exception that I’ll discuss below. This is unfortunate; how and why an analysis originates can be very informative about the substance of the analysis. So I will try to rectify that and[…]

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Composer’s Corner with Jake Runestad

Mar 20 2012
Browse archives for March 20, 2012
Jake Runestad

Award-winning composer Jake Runestad (b. 1986) is noted for his versatility and wide range of expressive capabilities with music driven by soaring melodies, driving rhythms, and lush textures.Considered “highly imaginative” (Baltimore Sun) and “…a voice for the future of composition” (Jeffrey Biegel, pianist), Jake’s diverse musical experiences, spanning several continents, have inspired him to create music that captures the emotional vibrancy of life experiences while transcending diverse musical genres.

Mr. Runestad has had performances by professional, student, and community ensembles across the U.S.A. He has received numerous commissions from ensembles and organizations such as the Louisiana Philharmonic Orchestra, Seraphic Fire, the Dayton Philharmonic Orchestra, the Rockford Symphony Orchestra, the Baltimore Choral Arts Society, the Peabody Children’s Chorus, and the Lunar Ensemble. Mr. Runestad has also worked with many ensembles as a guest conductor and clinician of his music. In the summers of 2011 and 2012, he was awarded full fellowships for the John Duffy Composer’s Institute at the Virginia Arts Festival where his operas, The Toll and The Abbess and the Acolyte, were workshopped and performed. He also worked closely with acclaimed composers Bernard Rands, Libby Larsen, David Lang, John Musto, and John Duffy. Jake’s Lux Aeterna for SSAA choir was recently selected as a winner for the Essentially Choral Reading Session with Minneapolis-based VocalEssence and conductor Philip Brunelle.

Recent performances include I Will Lift Mine Eyes by the Grammy-nominated vocal ensemble Seraphic Fire, As Rain to the Sea for soprano and orchestra conducted by Maestro Lee Mills, the Baltimore Symphony-Peabody Conducting Fellow, I Will Lift Mine Eyes by Choral Arts (Seattle) under the direction of Dr. Robert Bode (2010 winner of the American Prize), and The Toll – a one-act opera performed at the Virginia Arts Festival as a part of the John Duffy Composer Institute. Current commissions include three new works for Seraphic Fire, a work for large choir, piano, and orchestra commissioned by the Louisiana Philharmonic Orchestra for pianist Jeffrey Biegel and a consortium of orchestras, a song cycle for the Baltimore-based Lunar Ensemble conducted by Maestra Gemma New.

Jake Runestad holds a Master’s degree in composition from the Peabody Conservatory of the Johns Hopkins University where he studied with Pulitzer Prize-winning composer Kevin Puts. He has also studied extensively with acclaimed composers Libby Larsen and Donald Fraser. He is currently a composer-in-residence with the Baltimore-based Lunar Ensemble. Mr. Runestad’s music is published by Boosey & Hawkes and JR Music. Find out more at http://jakerunestad.com

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It is a pleasure to be a guest blogger on Polyphonic.org and I am excited to share a behind-the-scenes look at my latest project: Dreams of the Fallen, an exciting new work for orchestra, chorus, and solo piano commissioned by a consortium of orchestras, private sector donors, and acclaimed pianist Jeffrey Biegel – a champion of[…]

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Introducing Jake Runestad

Mar 20 2012
Browse archives for March 20, 2012
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

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A few weeks ago I got a call from concert pianist Jeffrey Biegel, who wanted to tell me about a new consortium commissioning project he’s working on. At the end of a rehearsal with the Minnesota Orchestra, a young composer approached him about a piece he’d like to write for piano, chorus and orchestra. Jeffrey[…]

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Guest Blogger: Jose Luis Hernandez-Estrada

Mar 16 2012
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Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Jose Luis Hernandez-Estrada is a member of the third class of The Sistema Fellows at New England Conservatory. An accomplished pianist and conductor, he studied at Texas Christian University in Fort Worth, the Conservatori del Liceu in Barcelona, and the … Continue reading →

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Miracles of Modern Science

Mar 06 2012
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Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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Japanese scientists have succeeded in making violin strings out of spider silk: Shigeyoshi Osaki at Nara Medical University in Japan has studied the properties of spider silk for 35 years. In the past decade he has focused on trying to turn the silk into violin strings, even taking lessons on what was required of a[…]

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The Perilous Analysis of Symphony Orchestra Finances

Mar 05 2012
Browse archives for March 05, 2012
Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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Polyphonic.org – Why a Flanagan?

[...] there’s been some public discussion about the Flanagan book, as I mentioned here, there’s been almost none about its…

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The Flanagan Report has recently been resurrected by its author, Robert Flanagan of the Stanford Graduate School of Business, as a book, recently published and currently being promoted by the Yale University Press. The promotion has not yet paid off in reviews outside our field, but is beginning to cause reactions from industry groups. The[…]

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Being a Successful Entrepreneur— Think Big—or Go Home

Mar 01 2012
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Ramon Ricker All posts from Ramon Ricker
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When I was younger I’m sure I didn’t think “Big Picture” as much as I do now, but today with countless projects under my belt, I’m always thinking big.  I suppose it’s also a function of my job at the Eastman School.  As a senior administrator and Director of the Institute for Music Leadership, it’s […]

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