Nepotism, Diversity and the Audition Process–This Could be an Opera Plot
I’m going to riff a bit on Robert Levine’s January 15th blog post, Sometimes it’s hard to have a screened audition, where Robert points out the absurdity in the New York Philharmonic’s decision not to identify clarinetist, Burt Hara, who was playing what most musicians would call a trial week. The NY Phil is looking[…]
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