Archive - September 2009

1
In a world of hurt
2
From the Department of Great Headlines
3
Talk is cheap, and so are plans
4
The most interesting conductor in the world
5
On being overly picky at auditions
6
How to do a concert hall right
7
Welcome

In a world of hurt

A recent recent blog post by Philadelphia Inquirer critic Peter Dobrin contains the kind of analysis I wouldn’t want to read about any orchestra, much less one of our flagship bands: It’s a year today since Philadelphia Orchestra president James Undercofler announced his decision to not seek the renewal of his contract, and it’s been[…]

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From the Department of Great Headlines

I have a Google search for orchestra news that occasionally comes back with some… interesting results.

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Talk is cheap, and so are plans

A Grand Unified Theory of Arts Funding may be unveiled sometime in the medium future in Columbus: A long-awaited and often-promised blueprint for the arts in central Ohio could finally be in the offing. Arts, business and political leaders say an overall cultural plan for the community — outlining new strategies for funding sources, entrepreneurship[…]

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The most interesting conductor in the world

Dos Equis, the Mexican beer company, recently ran an ad campaign around a character they dubbed “The Most Interesting Man In The World” (my favorite ad was this one). It was, among other things, a take-off on how the press love to anoint individuals, or institutions, as the “best” or “worst” or “sexiest” or pretty[…]

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On being overly picky at auditions

My brother-in-bratsche-blogging Charles Noble writes on his Daily Observations blog about an audition that happened in Portland, where he is assistant principal violist of the Oregon Symphony. He’s not happy about what happened to some of his freelance colleagues: There was an orchestral audition that took place this weekend at the local opera company. It[…]

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How to do a concert hall right

Evidently the answer is to build it in a major German city: Into a skyline dominated by the cranes loading and unloading the thousands of tons of goods that pass through its port each day, Hamburg is erecting an ambitious concert complex topped by an undulating clear glass roof.

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Welcome

So this week Polyphonic.org kicks off a daily blog feature, and I begin my maiden voyage into organized cyber writing.  I’ll be joined by two Polyphonic Senior Editors—Ann Drinan and Robert Levine, but from time to time we will also have guest bloggers.  We’ll try to have something new up each day, and since Polyphonic[…]

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